Buddhist Geeks

Vince Fakhoury Horn speaks with Mushim Patricia Ikeda about working class dharma—from growing up as "the minority of Greensburg, Ohio" in a third-generation Japanese American family, to training in penniless Korean Zen temples where renovating the building was the practice. Along the way: bliss bunnies, samadhi junkies, mutual aid networks, and why affordability may be the grassroots issue of 2026.
💬 Transcript
Vince Horn: Okay. So yeah, I think it was really the beginning of this year — I was teaching a retreat in Portugal with a friend. It’s our annual Pragmatic Dharma retreat. And while I was there, I had picked up recently this book called Emergent Dharma, by Dr. Sharon Suh, and I scrolled through the chapters, and I looked, and I went straight to yours, and I read it.
That was the first thing I read, and I just loved hearing about your story. For me, some of the coolest part about the Dharma is hearing people’s, like, stories and their biographies and, like, their real lived experience of the Dharma, and I just felt that in your story in the chapter there — you’re talking about how you were raised, and your family, and where you came from, and how you started engaging with Buddhism, and just the whole story there, that I’ve heard now more of since I’ve gotten to know you better over this year.
And really, I was just hoping we could talk about, you know, your story in part here, because the theme is working class Dharma. And when we last spoke, we decided that was a good kind of place to focus some of the conversation. But a lot of it is about your experience, really.
Like, what does it mean to live in the, quote-unquote, working class in the modern world, and to also be a Dharma practitioner? And how different is that in a heritage Asian ethnic tradition than in a white convert tradition, which is more how Emily and I have come up? I think that’s an interesting conversation too, because now we’re talking about class and ethnicity — two different dimensions that are often interwoven, or braided.
So anyway, could you share a bit about your story, Mushim? I know you come out of the Zen tradition, both in Japan and Korea, but how did you get into this? Was it a family tradition, or is it something that you came back to explore — like, the roots of your family’s tradition — later?
Mushim Ikeda: Yeah, thank you so much, Vince. So I was born in Cleveland, Ohio in 1954, and I am, by our system — meaning Japanese Americans, by our system — a third-generation Japanese American. We count the first generation to be the immigrants, so those were my grandparents on both sides, and they’re the Issei — “ichi,” meaning one.
My parents were the Nisei, meaning they were both born in the United States, and they were the Nisei — “ni,” two. Three is “san,” so I am Sansei, or third-generation Japanese American, by how we count. I was born in Cleveland, grew up in Ohio, because that’s where my father’s work took him. And we grew up very working class.
In Cleveland, when I was born, my father sold Wear-Ever pots and pans from door to door, and then he got a job inspecting fruit and vegetables — perishables that were being shipped on the railroads — working for an independent company called the RPIA, Railroad Perishable Inspection Agency.
And that took us down to the rural area between Akron and Canton, going a little bit toward the middle of Ohio, south of Cleveland. And most of my classmates in the public schools that I attended — I would say the majority of them were children of people from West Virginia who came north to Akron, then the tire capital of the world.
Goodyear, Firestone, Seiberling — they were all there, along with Quaker Oats, which produced a very interesting smell when the wind wafted from Akron our way, with a mixture of burning rubber and toasted oats. That was the smell of my childhood. And the air pollution was incredible, producing magnificent sunsets. And that’s where I grew up. So my classmates were children of the tire factory workers for the most part, as well as some were children of the remnants of the dairy farms, the cow pastures in that area that were gradually turning into suburban housing tract lands and so forth.
That was my childhood. We were in an all-white community, except for us. One of my teachers used to call our family “the minority of Greensburg, Ohio.” And at home, we had a very strong sense of who we were. We were Japanese American. We were not Japanese. We were certainly not white or middle-class Americans.
We were working-class Japanese Americans. And little by little, my parents wanted us to go to college. They rose into the lower middle class, then vaguely towards the middle middle class. However, I realized as I’ve grown older that I was raised — so, this is to just be completely fair: I was formed by my parents, and I do have a prejudice, and their prejudice was against what they perceived as upper-class privileged people, which in this case meant mostly white Americans who would look down upon their fellow white Americans who had come up from West Virginia and worked in the tire factories, and certainly looked down upon us, since we were not privileged white Americans.
So there we see, like, race, ethnicity, class, as always, are completely interwoven. And I freely admit I was raised to not be entitled and superior, and my parents would say snotty — like, in their words — a rich kid.
Vince Horn: It seems like, immediately hearing you, the way you’re describing that, that sounds like a good thing.
Mushim Ikeda: I hope so.
Vince Horn: And I mean, there’s a clearly good dimension to what you’re describing that I so appreciate. I guess I’m relating to this — the way you described it, almost like there’s, like, a spectrum of experience here, where you’re talking about the white West Virginian expats who are coming over to Ohio. In terms of the sort of hierarchy of sort of caste, I guess, for lack of a better term.
Mushim Ikeda: It is caste.
Vince Horn: Yes. You have this sort of racialized caste system. And it seems like I can relate to what you’re saying from where I was formed, in this formation, you know.
And it’s like, oh, I can see growing up with a Palestinian family, and I can see the racialized part of that, and the opportunities that were lost there, and the economic opportunities, and the bootstraps attitude — like, you gotta help yourself if you want any help; like, no one’s gonna help you.
Like, all of those things were very formative. But at the same time, you know, my grandfather did well with that attitude, and he had resources. And I knew, like, I was never gonna be homeless, you know? And that was something — I had friends that didn’t have that same level of security. You know, to know that they had someone — that, you know, even if your parents, your single mom, couldn’t earn any money or got sick or something, you had people that could take care of you.
That’s a huge level of security not everyone has. So I guess I’m relating to it from there — of, like, oh yeah, the further you’re down in the caste system, the less support you have, and the more, in a sense, it’s like up to you to kind of, like, hard-knuckle it through really adverse conditions that, you know, are imposed.
Mushim Ikeda: Very much so. And of course, to state the obvious, we have the legacy in the United States of the World War II incarceration into internment and concentration camps of the Japanese immigrants and their children, the Japanese-American citizens.
Vince Horn: Right. How did that specifically impact your family system?
Mushim Ikeda: The way it impacted my family was that my mother grew up in Hawaii, on Oahu, near Pearl Harbor, and there actually is a family story, which is true — we have evidence. The attack was in the morning, and my mom’s mom, my maternal grandma, who was a Shin Buddhist practitioner —
her husband, my grandpa, was a Soto Zen Buddhist practitioner. They had a mixed Buddhist marriage. So the family lore is that in the Pearl Harbor attack, Grandma was sitting on the toilet, and a giant shell, a bullet, came whizzing into the bathroom and went through the side of the porcelain enamel bathtub, and she came out screaming at the top of her lungs.
Vince Horn: Oh, my gosh.
Mushim Ikeda: And the family still has that unexploded ordnance. So she grew up in Hawaii, and there was no need to put the Japanese immigrants and their children into camps, because the island was a camp. What were you gonna do? Swim away? Everyone was under surveillance. Their homes were searched for illegal shortwave radios and enemy weapons.
And so the joke, again, in my mother’s family, was that the FBI came, searched the house, and the kitchen was full of large knives — for cooking, of course — but they decided to confiscate my grandfather Sawada’s pocket knife as an enemy weapon.
Vince Horn: Wow.
Mushim Ikeda: I know. So they were like, “Ah, this is just completely stupid and asinine. Here we are.” And it was the community leaders in Hawaii — Buddhist priests, any kind of community leaders — who were arrested and taken to the continent for the concentration camps. But they were all under surveillance. So that was my mother. She was used to being under surveillance.
However, they had food. And they stayed in their homes, under surveillance. And then my dad grew up on a farm in Indiana — the Ikeda Brothers Farm in Indiana — and there were too few Japanese immigrants and their children in Indiana and the Midwest, for the most part, to bother with. I think most of the deportations happened from California,
and from areas with larger populations. That having been said, of course they were aware — my father’s people were aware of what was going on. And he always said that he had a memorable moment in his life when he was drafted into the Army in World War II. He said, “I opened up the letter” — he said, “I got the mail outside the farmhouse.
I opened up the letter, and it said, ‘Greetings from your president.’” You now have to report for duty to the United States Army — to the same government that could have seized their property and sent the entire family off into a camp. That irony was not lost on him. And so both my parents, in some ways, were very model minority.
They both worked hard. My mother became a pharmacist. And they worked hard. They wanted to send us all to college. They always taught us to behave well in school. They passed on a love of learning, particularly science. And from the outside, we did look like the model minority. But looking back, on the inside, both my parents had so much very clear, thought-out, and thoughtful points of resistance, of education.
And their basic message to us was, number one, “Don’t act like privileged rich kids who are idiots,” and number two, “Never forget who you are, and don’t try to pretend you’re white, because you are not.”
Vince Horn: Hmm. Yeah, that is a resistance, in terms of holding on to their culture and being like, “I’m not going to,” yeah, integrate in that way. Yeah.
Mushim Ikeda: Mm-hmm, and they were very confident. It’s not like they made a big deal of it; it’s just the way we lived. For instance, bath time in the evening: we didn’t have a Japanese ofuro bathtub. However, we would draw a tub full of hot water, and then the family would take baths in order of seniority.
Vince Horn: Okay, like age?
Mushim Ikeda: Yes.
Vince Horn: Yeah, got it. Got it. Makes sense. They gotta have some ordering principle.
Mushim Ikeda: Really, really tough on the youngest child in the family.
Vince Horn: That’s for sure. That is for sure. A side note, Mushim — just a kind of interesting side point before I ask you another question here. I learned only, yeah, 10 years ago or so, that the county that I grew up in, that my family moved to in North Carolina, was where the German Americans were interned, in a little town called Hot Springs. And I had no idea of the history of that growing up here until much later.
Mushim Ikeda: Yes. I didn’t know it was in that area; however, you’re jogging my memory.
Vince Horn: Yeah. So that’s in the county that I grew up in. For sure, it’s a beautiful place — but nowhere is beautiful to be interned. I’m curious — I know, hearing about your history too, that you’ve spent a lot of time in monastic communities, and obviously one of the things that’s well known about a monastic community is that it’s typically operating on almost nothing, except for the generosity of a small community that’s supporting it, perhaps, if you’re lucky.
And, like, the people in the community are usually building everything — unless they have a bunch of wealthy donors, in which case they can hire people to do that for them. And it sounds like you have not been in those kind of communities where you had a lot of wealthy donors.
Mushim Ikeda: Completely the opposite.
Vince Horn: Mm-hmm.
Mushim Ikeda: Yes. And to go back and pick up a strand of a question from you I think I didn’t answer: I did not grow up in a Buddhist household in Ohio, because my father’s family didn’t espouse any particular religion that I knew of. And for my mother’s family in Hawaii, all of the Buddhist temples had been shut down — plus the after-school Japanese language schools that she and her siblings went to, they’d all been shut down as soon as, of course, World War II, Pearl Harbor, the attack on Pearl Harbor.
And so my mother came to Indiana, met my father, we raised a family in Ohio. She came from a Buddhist household but didn’t grow up as a Buddhist, so to speak — as a practicing Buddhist — whereas her siblings who remained in Hawaii did. They all went to Buddhist temples, and they were Buddhist.
So there was a certain rift there. However, when I, quote-unquote, “discovered Buddhism” later on, as a college student and afterward, it felt very familiar to me, and that’s because so much of it was passed down in our family in terms of values.
Vince Horn: Right. That’s something I’ve noticed as a Dharma teacher — like, when I’ve worked with folks who come up in Asian cultures, some of them, they’re new to the practice, but they’re not new, because they sort of were inculturated with a lot of the values, and it sort of shows, actually.
Mushim Ikeda: Yes. And so again, class comes in, because I went to college on scholarship. I went to graduate school — I received aid there and did a TA and that kind of thing.
I just never had much money, and went into an existential crisis in my late 20s. I happened to be in Ann Arbor, Michigan after finishing graduate school in poetry writing at the University of Iowa, and discovered — I think it was the only Zen Buddhist temple in Ann Arbor, Michigan. I was interested in Zen from reading I had done.
The only Zen Buddhist temple in Ann Arbor, Michigan, I think, at that time, was Korean Zen — which I had never heard of. Zen is a Japanese word. And they called themselves, and do call themselves, Zen Buddhist Temple of Ann Arbor. However, when I actually went, they were proudly of the Korean Zen lineage. And after learning to practice meditation there, getting to know that just-beginning, scrappy, tiny little community that moved into a two-story house on a main thoroughfare in Ann Arbor and pulled the down payment together — and then the teacher, who lived in Toronto, a Korean Zen monk, his method was to get together the down payment. So it was usually not from one wealthy donor, but might be from some people who did have inheritance or something like that.
But anyway, bring that together. In the case of our temple in Toronto, it was the Korean-Canadian community, the immigrant community — they pooled their money. And so his method was: put a down payment onto a big enough, totally devastated house or dwelling that was nevertheless okay enough to legally inhabit, and then begin to do renovations while living and practicing in it, and while holding services for the general public, who would then come, and would often stay as volunteers to help with cleaning, construction, and whatever needed to be done.
We never had any money, and therefore it wasn’t separate from meditation practice. Meditation practice done in the meditation hall was, of course, very mindful. There were forms, there was order, there was silence, there was concentration, there was respect, there was good rapport with the people around you.
And all of those things, one simply transported and transplanted into whatever job one was given. It could be cutting vegetables in the kitchen. It could be cleaning up the construction mess from our carpenter monks, and monks who were learning how to be carpenters, ‘cause everyone did, to some extent.
What was called work practice was integral. It was not in addition. It wasn’t genteelly, gently folding kitchen towels from the kitchen and dreamily thinking, “Ah, I am so mindful.” There’s nothing wrong with that; however, that was not the way I was trained. Everything we were doing, we had to be highly aware of safety
issues, and we had to conform to building codes, or our work would’ve been for nothing.
Vince Horn: This brings up something for me around, like, just, like, the difference of traditions too. ‘Cause in the early Buddhist tradition — which the insight meditation tradition still patterns itself off of, mostly — they really seem to be aiming for, like, more exclusive forms of jhāna, where you’re excluding yourself out into these states of formlessness. Whereas the Zen Shikantaza, for me, has always felt like almost the opposite direction — of, I’m just trying to include everything that’s here and not turn away from what’s happening.
Mushim Ikeda: Because one goes into this, like, bliss state — which I know is not the ultimate jhāna, I do know that; however, it is jhāna, as I understand it. So one is blissful, and everything’s radiant and quiet and still, but you’re spaced out, essentially.
Vince Horn: Mm-hmm. Right. Yeah. You’re off in your own little blissed-out—
Mushim Ikeda: World. And then it’s time to cook, with big boiling pots of soup and sharp knives, or vegetables, or it’s time to do something where people are using power tools, and they’re cutting big lengths of planks and using screw guns and things like that. I mean, that’s freaking dangerous. And so our practice was to include everything that was pertinent to the task at hand.
So if you’re in the meditation hall, you’re fairly safe, because you’re on your little meditation cushion, and people aren’t moving around and using fire or electrical things. Then the governing principle of that was: you couldn’t space out — because, well, one could, but not for very long, because the physical posture — and we had no chairs at all — the physical posture, past a certain point, was really, really painful.
So these days, there’s so much talk of embodiment and somatics. I am sorry, I laugh. I laugh. In the environments I was raised in as a child, we were always working. My dad always had heavy — it was very similar — heavy construction projects, like digging giant holes in the yard and hauling wood and rocks.
I mean, as small children, we did heavy labor.
So the principles were really the same. What we’re now, these days, kind of in a fancy way calling somatic awareness — you had to have body awareness, or you’d be injured, or you’d injure someone else. And in the meditation hall, when you were seated still in your own little area, the way that happened was that after a while, you could be thinking all you liked about nibbana or whatever the fuck you were fantasizing about, and then everything would become, “My knees hurt.
My hips hurt. My back really hurts. Plus, this is so boring. When will the bell ring? I wonder what they’re cooking for lunch. Oh, okay, okay — boring, boring, boring.” Back to, in this case, counting the breath. And some of us had a meditation question, or what might be called a koan.
Vince Horn: Yeah. Okay. So I’m getting the sense of, like, this is a very non-dualistic kind of practice setup, where you’re not just going off into blissful states, because the pain in the body, in that form of practice, is not gonna let you do that for long.
Mushim Ikeda: No. And of course, one can hit a certain point, after many, many hours, where the physical pain drops away — and I’ve seen these descriptions. We weren’t part of the jhāna system, because we were Mahayana
and Korean Zen. However, it’s all human physiology, as far as I’m concerned. And so there will be certain points where all the pain drops away,
and things are quiet and radiant and really nice. I mean, it’s so nice. And then, Zen being Zen, what it does is — the teacher kicks that out from underneath you, if you have a good teacher.
They can see that you’ve become a little bliss bunny, and it is time for the bliss bunny’s delusion to be dispensed with.
Vince Horn: Okay. I love that as the description of what happens in the tradition, and then also kind of as a metaphor for what we’re talking about — the big picture here for, like, American Buddhism. And there’s this sort of sense of, like, yeah, I can see how convert American Buddhism, by and large, has the bliss bunny problem, and I can see how I’ve perpetually had that, you know?
That’s how I know it’s true.
Mushim Ikeda: I have in the past written a piece, a long time ago, for an insight meditation publication, and I did use the term — I’m sorry — samadhi junkies.
Vince Horn: Samadhi junkies. This is great. No, I love this. The jhāna junkie is the term that I’ve used as well. Similar. Yeah.
Mushim Ikeda: Same thing.
Vince Horn: Yeah. And I think there’s something really real about what you’re saying there, looking back, you know, on the time in practice where I practiced more like a jhāna junkie. As a parent, I haven’t been on a jhāna junkie retreat in 12 years. You know, I swore off those kind of retreats for the very reason you’re saying, which is it wasn’t helping me function in the world
and do the things I needed to that were right in front of me.
Mushim Ikeda: Exactly. Like — I mean, don’t get me wrong. Zen is samadhi. It means jhāna. Yes. Absolutely. Zen is the same word as jhāna.
Vince Horn: Yes. Agreed.
Mushim Ikeda: So, concentration. In fact, my original teacher, Korean Zen monk Samu Sunim — he was fluent in English; he’d been in Canada for a long time — he used to have a formula, and he said, “What is Zen?” No — “What is meditation? Meditation is concentration. What is concentration? Concentration is oneness.”
“What is oneness? No life and no death.”
Mushim Ikeda: So there, I think we’ll see some probably maybe clear connections to the tradition you were
trained in. And so on one hand, we did have these teachings, and that was completely interpenetrating with the realities of being in a construction site and having no money — hence very little heating, certainly no air conditioning, if it was hot or cold.
One simply was really, really cold, or really, really hot. And we didn’t have beds to sleep on. Everyone slept on the floor in sleeping bags. We lived a very renunciate and working class kind of life.
Vince Horn: Mm-hmm.
I guess the place my mind is jumping to, Mushim, is kind of this contemporary moment that we’re in now — where you, as a Dharma teacher, mindfulness teacher, someone who’s consulted in the DEI space, which for a little bit of time there was a lot of interest in, and then the sort of cultural backlash from the most recent Trump—
So I’m curious, in this time of, like, the most extreme income inequality that we’ve seen since, like, the Gilded Age in this country — generationally severe income inequality, powered by the internet, which just seems to amplify that and make it that much worse. You’re in Oakland, California, which is, like, the hotbed of — a lot of what happens in America, like, often happens in Oakland, so you’re right in the center of things.
Given where you are, what you’re doing, your background that you’ve just shared — curious how you see this moment, in terms of what the Dharma, as you’ve practiced it and understand it, is sort of being called... You know, what’s being called forth from us as Dharma practitioners, as American Dharma practitioners? How do you see that question right now? How are you living that?
Mushim Ikeda: Thank you. That’s a really good question. And to first state: I live with my adult son, who was raised through the Oakland Public Schools, K through 12. And there were other parents who would say to me, “Oh, he’s so bright. Maybe you could get, like, a scholarship at a private Catholic school, where the education would be better.”
Because Catholic schools will accept non-Catholic families if you can pay the tuition, and sometimes they have scholarships. And I just always thought — again, pure prejudice, my parents, especially my mother, were very big on public schools and the importance of education for all, of universal education.
And so we didn’t have any money to begin with. However, I didn’t wanna apply for scholarships for this kid, and he did go through the Oakland public schools, K through 12, and I volunteered as a parent aide to the teachers and a literacy tutor for 11 out of 13 years. I would have done 13 years; however, there were two years of middle school — seventh and eighth — that he went to where the school was on complete lockdown, and they wouldn’t really allow parents in, unless you went in and stayed in the entry point to pick up your kid for a medical or a dental appointment or something like that.
But we were never allowed to volunteer to help the teachers, to go into the classrooms. It was basically like a prison.
Vince Horn: And that’s the one that you said he chose to go to.
Mushim Ikeda: Yes. Yes. Yes. The other schools were these, like, kind of crunchy granola... They were Oakland public schools. They were small-school models. They had no grades. They were based on teamwork, on collaboration, and all of the teachers taught what in Ohio we would have called social studies. They did not have labs to teach science. They didn’t have bands or orchestras. These schools had no money whatsoever.
What they did have was great teachers, and these teachers, this being Oakland, all taught the history of the United States not as George Washington and Betsy Ross. They taught the history of the United States through the Oakland legacy of the Black Panthers. There also has been a lot of Black Muslim activity, UC Berkeley and others, throughout the East Bay, and various people’s movements — movements of resistance, of protest — that have shaped this totally racially and economically and ethnically diverse area. Religiously, also.
So we love Oakland. And I personally don’t think — you had said, I think, that maybe Oakland represents what’s happening in the United States. I don’t think so. I am a diversity, equity, inclusion consultant, and I think that the experience of being an American citizen, or an immigrant to the United States, in various regions of the United States — which is very large and has a lot of different environmental ecosystems, as well as socioeconomic systems, so to speak, based on the industries in those regions, whether it’s agrarian, whether it’s, like Akron — again, we made tires and raised cows in that area — so that people are having extremely different experiences.
And of course, people living in suburbs — that’s a different experience than being in farmland, or being in what’s called the inner city. I don’t even know what that means — inside large urban areas such as Oakland. However, what we are seeing — because I’m a core teacher, excuse me, and a co-founder of East Bay Meditation Center, and we were founded to serve what have been called underserved communities.
However, that’s a polite code word for historically excluded and marginalized groups of people. That’s our mission. That’s why we exist. And so most of our sangha, or spiritual community, are lower-income people. And what we’re seeing, that’s logical, that’s happening now, is that people with lower incomes, myself included, have less safety nets.
And so when the economy plunges, when the level of persecution increases — of police surveillance, immigration deportations and so forth, and detentions — when all of that increases, which is happening now, then our communities go from being stressed communities to being desperate communities,
Vince Horn: Yeah.
Mushim Ikeda: and losing the ability to have a space to live in, to have enough groceries to eat. And the big thing I feel is access to healthcare.
Vince Horn: Yeah, I feel you on that.
Mushim Ikeda: So we’re seeing all of that need increase exponentially.
Vince Horn: Yeah, and that’s the environment we’re in, where inflation plus, like, increasing privatization of all of those basic services, which are hitting specific groups hardest first, that don’t have the same levels of support.
Mushim Ikeda: Yes. And as I always say: wherever there is oppression, there will be resistance, and there will be bursts of creativity. I come — again, my background is in the fine arts, and I highly prize creativity, probably of equal importance along with spiritual aspiration. And I think that vital spiritual aspiration is always creative, is always generative.
Vince Horn: Mm-hmm.
Mushim Ikeda: That’s been my experience. So what I’m seeing in this area, again, are movements for health equity that are very exciting — East Bay Meditation Center is part of those movements — as well as really robust forms of mutual aid.
And I was just recently... Who knows where people get my name, but I was interviewed for the making of a video game, from the University of Utah. They have a gaming department. And the chairperson, the head of the gaming department, did an interview with me to give input to a game that he’s creating with his grad students, on mutual aid.
Vince Horn: Okay. Cool. Sounds like that’s — it’s like the innovation that sometimes happens out of necessity. It’s like, it’s not a good thing that it has to happen, but it’s a good thing that it happens, I guess. If that makes sense.
Mushim Ikeda: Absolutely. Absolutely.
Vince Horn: Yeah, ‘cause there’s a lot, it sounds like, in your community that’s being learned that can be kind of shared, I guess, in other communities where it’s relevant.
Mushim Ikeda: Part of mutual aid is exchange of information.
Vince Horn: Yeah. Mm-hmm. Yeah. Absolutely — and sharing of resources. I mean, we experienced that in real time with Hurricane Helene, when our whole neighborhood flooded here, and it’s like all of the modern infrastructure was gone. Internet gone, water gone, power gone.
And it’s like, oh, well, what do you do? Well, you all suddenly turn the local library into, like, a mutual aid hub, and mutual aid networks pop up, and people start helping each other. That’s exactly what happened.
Mushim Ikeda: Absolutely. You know, here, of course, we had the big earthquake in — when was that? 1989.
Yeah. I feel like September or something, the fall of 1989. And I had a very close friend who lived in San Francisco, in an area with a lot of old apartment buildings. And so it wasn’t a neighborhood where neighbors knew each other, or there were front yards where people could be playing or mowing their grass and talking to each other.
People did not know one another in the area he lived in. But he said when the earthquake hit and all the power and everything went out, he would just walk down his street in San Francisco, and neighbors, who had the meat and supplies in their freezers defrosting — what they did was they came out, and they were barbecuing in their yards and giving all the food away for free.
Vince Horn: Absolutely, yes. I can’t tell you how many of those stories I heard in the same context. It’s kind of sad, though, because it makes me realize how usually those networks are not alive, because we’re all relying on the centralized sort of capitalist modern infrastructure together.
It’s only when it goes away that we’re like, “Oh yeah, we can also do it this way too.” So I think there’s something sad there for me. And then, with respect to Dharma — I guess just to kind of wrap up this thread; we’ve been talking for a while, and I really appreciate your time — I’m really interested in what I see with, like, Zohran Mamdani right now in New York,
who is the mayor of New York, who is showing up and just actually delivering results. And this is sort of what I took from Hurricane Helene, one thing: when Hurricane Helene happened, it was mostly right-wing Christian, white Christian organizations that were showing up frontline and actually helping people here.
A lot of money came from people that were more left-leaning politically. A lot of money came in, but that’s not who showed up.
Vince Horn: And I think there’s something there for me. It feels like the edge of, like, showing up and actually being on the ground, in addition to sharing resources, is kind of what I feel is being asked from me as a Dharma person.
Like, not to build any kind of separation between me and who’s suffering, but to kind of try to go in on those things, and really be present to them. Which is exactly the opposite of what I want to do if I’m a jhāna junkie. Those things are really distracting me from my deep bliss, you know?
Mushim Ikeda: Oh, yeah. You have to do social interaction, and figure out how to drive places, and then where are you going to park, or you might get ticketed.
Vince Horn: Yeah.
Mushim Ikeda: If you’re in the meditation hall and everything’s comfortable, and you go into jhāna, then you don’t have to worry about any of those things. Which — again, I am not putting that down, because it definitely has its place. And a very important place. That having been said, it’s only one part. It’s only one part of Dharma training. It’s an important part. All the other parts are equally important. Service — direct service to people. And again, here’s my prejudice, my original teacher echoing my parents in many ways: Zen Master Samu Sunim, who died a few years ago.
He was very clear — and again, fluent in English, so if he said something or made a joke, he knew what he was saying, for Canadians and United Statesians. And he once said, “If we’re going to serve poor people” — which obviously he meant that’s what we need to do — he said, “If we are going to serve poor people, we need to live like poor people, and we need to eat like poor people.”
And to push back a little bit on what I think you said a little bit earlier, Vince: among people who are very low income — like, when my son was born, I literally had no money. I came back from the monasteries in Korea with $15, literally, to my name. No savings, no trust fund. That was it. And so I had to rely, and I did, on my Buddhist friends and my non-Buddhist friends as well.
However, the Buddhist community in particular was very supportive, and so we got all these hand-me-downs for clothing. We got hand-me-down baby equipment. One friend — since I didn’t grow up in California — said, “Oh, there’s this thing called Medi-Cal, and you can get medical care through the program.”
So I signed up for that, and I didn’t get prenatal care until I was, like, four and a half or five months pregnant. And then the baby was born, and the hospital costs were covered. As a Medi-Cal patient, it meant that I gave birth at, like, 4:00 PM one day, and I was discharged from the hospital at 11:00 AM the next day.
However, I wasn’t complaining about any of that, because all of this came to me through systems of mutual aid that people who are on the edge of survival do form.
And Mamdani, whom you mentioned — I’ve been really interested in following him and seeing... I just saw a fabulous reel where he volunteered for the New York City equivalent of kind of a 911 or emergency call center that people would call —
not because they were seeing crimes, but because they couldn’t pay their rent, or they couldn’t pay their hospital bill. And so he would just answer and say, “Hi, this is Zohran. Can I help you?” And one person — he said, “And I’m the mayor.” And the other person said, “Yeah, right.”
Vince Horn: Yes, I saw the same clip. He’s like — on-the-job training for the—
Mushim Ikeda: Yes. He has, to me, so much joy.
Vince Horn: Yeah.
Mushim Ikeda: And he brings so much positive energy to this central issue that cuts across so many barriers and boundaries right now among the populace of the United States, and in New York City — and that is affordability.
So what we are seeing now, I would say, is the demise of the middle class, of the American dream, and therefore that raises the potential for all of these already-in-place systems of mutual aid and exchange of information on how to get to resources. It enlarges the field of the general population in the United States who are not millionaires and billionaires, who are saying, “How can I pay my mortgage?
I’ve paid my mortgage, I’ve paid my rent — now I don’t have enough for groceries. Now I have enough for groceries and I’ve paid my rent, but I don’t have enough money for textbooks for my kid,” or whatever it is that is needed. “I can’t fix my car.” So this issue of affordability, as challenging as it is, is what I see that has the potential, at this moment in 2026, to create a grassroots movement using all of the tools of mutual aid that are already in place.
Vince Horn: And it seems like the progressive dharma has an important place in all of that as well.
Mushim Ikeda: I would hope so.
Vince Horn: Yeah, right.
Mushim Ikeda: And that is — I will say, we don’t need to get all puffed up with pride about that.
Vince Horn: Yeah, yeah.
Mushim Ikeda: That’s going to be the same as so many Christian churches who say, “Love thy neighbor.” I have a very close Christian friend who’s a diversity consultant, retired, who said — he’s in Virginia, I think — and he said, “You know, in my version of Christianity, it’s not about persecuting immigrants. Jesus taught love thy neighbor as thyself.” So it’s going to be in Muslim communities.
It’s going to be in all religious institutions. Not among all of them; however, among those that honor working people,
and that include and support and understand — because they understand one another — the needs of people who do not have large amounts of savings in the bank, who can’t afford to go on expensive vacations,
including expensive meditation retreats,
which are kind of like vacations.
Vince Horn: Yeah.
Mushim Ikeda: So that’s what we’re talking about now. And again, as you’re hearing, I was not trained, in the terms of the Dharma, of Buddhism, of the Buddha Dharma — I was not trained, Vince, in these meditation centers where everything’s climate controlled, and the food is delicious vegetarian food, and your room is so comfortable and nice.
That was a totally new experience to me when I began practicing, or entering into, what I guess you’re calling the Western insight tradition. I had class issues up to here.
Vince Horn: Yeah, no doubt. I mean, I felt some of that as well, so I know if I did, that would be more so for you.
Mushim Ikeda: And I appreciated it. Again, it’s not something that I’m saying, oh, let’s get rid of all that because that’s bourgeois bullshit. How I see those places operating is that they usually have scholarship systems,
Vince Horn: Yeah.
Mushim Ikeda: and they accept people who normally could not afford to pay the full cost, and it acts as a place of rest and regeneration.
Vince Horn: For sure. And, you know, looking at my own experience as, like, a teen and 20-something-year-old, you know, on a spiritual journey — it’s a great institution for doing that thing, where you’re going off and doing your spiritual trip.
Mushim Ikeda: And then you do it, and you get the learnings,
and hopefully the insights. It’s the insight tradition, for God’s sake. Hopefully you get some freaking insights. And then what do you do with them?
Vince Horn: Exactly.
Mushim Ikeda: Is it the insight of, oh, we’re all one, Vince. We’re all interconnected with the moss and the pigeons and everything and all the people. It’s so beautiful.
Vince Horn: And terrible.
Mushim Ikeda: Yes. And then how do you apply it?
Vince Horn: Yeah. Yeah, ‘cause there’s the terror of oneness, too. It’s like you’re one with all of the people being genocided as well, you know, at that level.
Mushim Ikeda: Thich Nhat Hanh, of course, I feel was the great teacher of this century, who, through his art, through his teaching, and through his way of life and the sanghas he built, spread the very clear message — which is, I think it’s really hard. It’s hard for me, and I do believe it. It’s very Mahayana. And in his famous poem, Call Me by My True Names, he says, “I am the torturer, and I am the person being tortured.”
That viewpoint excludes no one.
Vince Horn: Mm-hmm.
Well, I’m sure Elon Musk is probably grateful to hear that — that even the tech billionaire, trillionaire broligarchs are included.
Mushim Ikeda: I don’t think he’s grateful at all.
Vince Horn: I don’t think—
Mushim Ikeda: I don’t think he cares.
Vince Horn: No — I was being completely facetious there.
Mushim Ikeda: However — however, I care.
Vince Horn: Yeah. Yeah. And whether or not he cares, he is, like you’re saying — there’s some level that includes everything. I think, like, that’s such an important level to remember. I appreciate you pointing out that level, too. And thank you so much for taking the time to be here with us.
I just wanted to highlight again, as people leave: thank you so much for being here in this kind of experiment. Please support the East Bay Meditation Center, if you feel moved to support this project that also supports the folks we’re inviting in as guests, like Mushim. So thank you there for anything you can contribute. We’re grateful.
Mushim Ikeda: Thank you all, and thank you, Vince, for your work of the Insight Diaspora, Buddhist Geeks, of Pragmatic Dharma. As you know, I’m following you very closely, because I feel that the work you’re doing is so fresh, it’s so open, and really — I’m finding it so friendly. It really is friendly to practitioners, in opening up these containers for very frank discussion.
I am grateful.


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In “The Fourth Turning of the Wheel,” Vince Horn traces the Three Turnings of the Wheel of Dharma from early Buddhism to Tibetan Vajrayana, then argues we’re living through new turnings right now—the modern, postmodern, and metamodern waves of Buddhist practice—and asks what it takes to hold them all.
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💬 Transcript
Vince: So Modern Buddhisms — this title’s really in part inspired by my time at Naropa University. I should just say that up front, because being there for about four years or so in the mid-aughts really influenced me as a Dharma practitioner and then later as a teacher. When I started teaching, of course, my view had already been really molded and shaped in the halls of Naropa, you could say.
Naropa was founded by a Tibetan Buddhist teacher named Chogyam Trungpa Rinpoche, who’s quite both famous and infamous for his influence on American Dharma. When I was a student at Naropa, one of the core offerings in the Religious Studies department, which is where I spent most of my time and where I got my degree, was called the First Turning, the Second Turning, and the Third Turning — the Turnings.
There was a class on each one of them. I took the First Turning with Judith Simmer-Brown, who was an acharya, a teacher in that lineage, and a professor at Naropa. And it was cool to really learn in an in-depth way over six, seven months — a college class, you’re writing papers and reading a stack of books — in more depth about the tradition that I was in love with.
And seeing it from the point of view, in this case, of this Tibetan model called the Three Turnings. As I said, Chogyam Trungpa was Tibetan, so this model was influential and informed a lot of the curriculum at Naropa. The Tibetan model of the Three Turnings emerges later in the evolution and history of Buddhism.
So to talk about modern Buddhisms, we of course have to talk about historical Buddhisms too. We can’t just skip to the modern era — unless we’re being really hyper-modern, then we would. Then we’d be like, “Oh, yeah, it all began today. Here we are.” No. We’re going to actually kind of try to trace this back a little bit.
And of course, this is such a huge area, with so much history and so many people involved, and I’m going to totally do it injustice by compressing things and making big, broad points and claims. So I just want to kind of apologize for that upfront. It’s kind of one of the things you unfortunately have to do to talk about a topic that’s so broad and make any sense at all, I think.
So I’m going to try to make some sense without shredding apart reality here too badly. The way I understand it, and understood it then at Naropa, is that early Buddhism starts with the historical Buddha Siddhartha Gautama in Northern India, Nepal — modern-day Nepal. And there’s a particular kind of flavor to that early Buddhist philosophy, even as it starts to become diversified into many different schools.
There were, like, 17 schools of early Buddhism intact at one point in India, just kind of all competing for meme share. And what we have now that’s kind of extant, that’s currently evolved from there, is just one of those 17 schools that came through: the Theravada school of early Buddhism.
They called it the Path of the Elders, which is where most of my teachers had trained, in that lineage. This becomes known as early Buddhism, or what the Tibetans would later call the first turning of the wheel — the First Turning dharma. And why is it called the first turning? Because this is when the Buddha first taught his unique approach — what we call Buddhism now.
And the wheel represents the teachings that the Buddha gave, the core of the teachings, which are the Noble Eightfold Path, sometimes compressed down to or simplified as the three trainings, the Threefold Training. The Threefold Training in what? In Ethics or Morality or Virtue, in Concentration, Meditation, and in Insight, Wisdom.
These are the things that the Buddha taught, and this is the unique collection of trainings that made it Buddish. This is how you know the Buddish pattern, when you see these eight represented as the Threefold Training and this sort of unique constellation and specific ways of looking at things.
In the Eightfold Path, we have two in particular that are quite important here, which are Right Intention and Right View. This is how we see and do the thing. This is how we’re seeing and doing it.
So in early Buddhism there’s a particular view and intention that goes along with that view. The intention is to put an end to suffering. And the view is that it’s possible. Suffering does exist, but it’s possible to experience a cessation of suffering. The end of dukkha.
And there’s a path that you follow to do that called the Eightfold Path. This is the view of early Buddhism.
You’re stuck in samsara and there is freedom. It’s called nirvana. You can get out. You can have an experience of freedom. Later Buddhists don’t disagree on this point — they just disagree, I would say, on how far to extend it and how much to fall in love with our concepts about what’s happening here.
The Second Turning — I remember at the very end of the First Turning course I took with Judith Simmer-Brown at Naropa, she basically delivered the big rug pull after learning all these models, the Four Noble Truths and the 12 Links of Codependent Origination — I mean, model after model after model.
We’re just learning and reading texts and learning. And at the end she says, “In the next course, the second turning, they’re going to come through” — and just kind of point. And we read The Heart Sutra, and she’s like, “They’re going to point out that the problem with this whole edifice of early Buddhism is that people fell in love with their concepts and wanted to try to explain everything.”
That’s what the Abhidhamma ends up becoming — this attempt to describe how everything is related. We’re going to describe and map the entire world of interdependent phenomena and describe everything in detail. And there was something about that that was problematic, which was the freezing or the reifying of that, and it said, no.
Basically, like, no. This is not the move. And it negated that in a way that was meant to de-reify that tendency to kind of build mental sandcastles and to believe that our thoughts are the things that are real. And early Buddhism has this built in, in a way, because the early Buddhists say, “Here’s the right view. This is the way you need to understand things.”
And that is an understanding of early Buddhism. You want to download this view and understand things this way. Practice in a way that you see that this is true — the three characteristics of experience. You want to see impermanence, see selflessness, see all this stuff.
But the problem there is you’re taking the view quite seriously. It’s like, this is the right view. If you get too attached to your view — in the Second Turning, there’s a recognition that this becomes problematic, and we can describe this as emptiness: to let go of your fixed views.
To realize, oh, this is more open and fluid. So the second turning emerges. It’s described in terms of non-duality of samsara and nirvana and the emptiness of views — of not believing there’s some thing over there called nirvana that’s separate from this experience of samsara. Cosmological dualism. Oh, no, that’s a problem.
If that’s really true, we’ve got a problem here. The Second Turning releases the problem by pointing out that the problem is fixed dualistic thinking. Ah. Okay. Now we’re in the realm of non-duality. The view here shifts from the three characteristics in the First Turning — the Second Turning is about Emptiness and Interdependence. Compassion is just as important as wisdom in the second turning. I remember Shinzen Young explaining this in a way that really struck me. He said, “In the Second Turning, in Mahayana Zen, compassion has equal precedent — it’s equally important to wisdom.”
In the first turning, wisdom was still kind of more important. It’s like an absolute teaching, and then you have the relative brahmavihāras, and there’s this sort of ranking where wisdom is kind of the highest. Here, it’s like, no, these are two dimensions of the same realization, or the same awakening. Bodhicitta. One awakening heart-mind. So, to me, this is like a correction. This is an evolution, right? And this is how it’s kind of explained in later Buddhism. This is an evolution of the tradition. What’s so interesting about the Third Turning teachings in Tibetan Buddhism to me is that they understand their own tradition as having what we would now call evolved.
They didn’t use that word, evolve, and maybe they have a different understanding of it than I do. But it’s so interesting to me that they see the revolutions of the turnings. I love John Vervaeke — he’s a scholar and a cognitive behavioral therapist and psychologist at the University of Toronto.
He says, “Evolution is revolution with change.” That’s the way he defines evolution. Well, the turnings are just this revolving wheel of people understanding Buddhism in new ways, in different ways over time, over a thousand plus years, two thousand plus years. The three turnings model in a sense is the tradition’s first understanding of itself as an evolutionary development.
It’s something that’s evolved over time, and you can kind of look back — and what do they do in the three trainings? They say they’re all important. They don’t just reject them. In some sense you could say the Second Turning is a rejection of the First Turning, right? Or it’s a negation of it. You can understand that.
Of course, when you negate something, you affirm it. That’s also important to understand, right? I always think about being a college-age atheist, which I was a little bit. I’ve seen other people that are more atheist than me. But you become like a militant atheist, right?
You’re like, “I am anti-God,” and you make your identity about being anti-God and hang out with a bunch of people that talk about being anti-God, and you read a bunch of books by people that are talking about how God doesn’t exist, and it’s like your whole life is built around God. And likewise, this is how I understand the Second Turning.
It wasn’t that they were negating in any sense that they’re trying to get rid of it — it was more just sort of pointing out the holding on to. To do that, you have to point out the actual specifics: no suffering, no cause of suffering, no end of suffering, no path to the end of suffering.
In the Heart Sutra, they repeat all the models. All the lists are there. It’s not like the Buddhist lists get evaporated and we don’t remember what they are because they got rid of them. No, this is an affirmation through negation in the Second Turning. The Third Turning includes all of it intentionally in this sort of larger Buddha matrix of teachings.
And in a sense it holds the whole collection of teachings. That’s why it’s such a complex tradition in a lot of ways, the Vajrayana, because there’s so much that it’s holding in its library of esoteric teachings, including ones that are emerging and still coming from beyond, in terms of the Terma tradition.
So they’re still uncovering new Dharma teachings that are somehow timeless, by the way. So this evolution is a timeless evolution from the point of view of the Third Turning. Now we’re going to move, finally, to the topic at hand, which is modern Buddhism. So what happens when we enter into the, quote-unquote, Western Enlightenment period?
Quote-unquote, modernity. There’s a big, huge change of thinking in the Western world by Western Enlightenment thinkers. These books, of course, are being printed, and people are reading them, so that’s why this is spreading so quickly — because we’re sitting on top of the Gutenberg innovation already here, and there’s increased literacy.
Thanks, by the way, back to Egypt and Palestine — the Palestinians, my ancestors — for the innovation of the phonetic alphabet, which allows language to be communicated and carried much easier by people that don’t have to learn, like, a million hieroglyphs. Anyway, here we are in the modern world with all of these supportive technologies and infrastructure that’s kind of built toward connecting the whole of the world — of course, through colonialism primarily, through one group gaining this sort of incredible advantage in terms of certain technologies and geographies and things like that, histories of empire, resources.
That’s one part of the view, of course. There’s the looking at the Western Enlightenment as a noble thing, and there’s looking at it as a terrible thing. I’m going to try to hold both views here at once. This is a hard thing to do. But I do see truth in both.
And what I will say here is that I think we are ourselves going through different turnings now of the wheel of Dharma since the beginning of modernity, since this move toward increased globalization, which has pushed these traditions into contact with each other like has never happened before, even though it was happening before.
The way I think of it is like we’re in an atom crasher, in a way. Since modernity, all these things are crashing into each other. And there are different ways of relating to that. I will go ahead and say here what I want to explore through the course of this training together are three particular modern turnings of the Wheel of Dharma.
So these are all part of what I guess you could call the fourth turning we’re in now. Since modernity has started, I think we’re in the modern yana. We’re in this new period of Buddhist history. And the first wave of that we could just, I think, call Modern Buddhism, Buddhist Modernism, where the move is toward secularizing the practice, toward making it compatible with science, and to make it a trainable system, like a mental psychological system.
It’s to make Buddhism work for the modern individual. That’s kind of the goal of this Buddhist modernism — to improve your capacity at work. This is why the secular mindfulness movement has done so well. I would claim it’s a modern form of Buddhism that’s completely, in a way, unbundled from the original tradition, except for some of the meditative techniques and views. Of course, there’s a lot of problems with this Modern Yana that you’re probably familiar with and have heard about.
McMindfulness is one of the first critiques I heard of Buddhist modernism. And it’s so true. If you’ve studied deeply in a tradition and you really love it, you understand its roots, and you know how little you know. It’s weird to see some commodified version of a very narrow kind of slice of that becoming hyper-popular and everyone talking about it.
And it’s like, what just happened? Part of your tradition just got modernized. And sometimes modernized essentially means extracted and commodified and turned into financial value, because that’s part of the modern infrastructure — capitalism, right? So modern Buddhism is extremely integrated with capitalism, and capitalism is a global system of commerce.
So this is the first wave, I’d say. You have this sort of integrating with capitalism, integrating with science, integrating with technology. This is a very powerful wave. It’s still waving very hard now. This is how Buddhist Geeks got started. I got onto this wave at a specific time when the internet was changing, and caught this Buddhist modernist wave, which had been waving for hundreds of years actually.
It wasn’t a new thing. It was new for me and a bunch of other people, is how I would say it now. But what happens if you keep engaging with these yanas — they open themselves up in practice, right? In the same way that we can look at the earlier three as a developmental journey you go through, you can move through, so too, I think, with these modern yanas — you can move through them.
What started to happen for me in Buddhist Geeks, where we were exploring really our main question over like 10 years, was: how does Buddhism converge with modern science, technology, and culture — this globalized culture? What does Buddhism have to offer the global culture and technology, and what do these things have to offer Buddhism? Let’s not assume Buddhism is fixed and doesn’t have anything to learn, like the traditional kind of failure mode would be. Instead we want to learn and adapt, but we also want to remain intact.
What I learned through Buddhist Geeks is that one of the best ways to understand what’s happening in the modern era is that Buddhism is getting unbundled as an institution, as are all institutions which were developed in the pre-modern era. All of them, as a kind of bundled form of different things, are getting pulled apart and then commodified.
This is how global capitalism works. This is how it develops — extracts value culturally. It does that through natural capital as well, which is part of why we have an ecological crisis. And here, what’s the equivalent crisis, I wonder, for our spiritual traditions? What happens when you extract all of the essence out of them and make it really popular, and then no one knows that there’s still this deep, profound engine of transformation at the heart of these traditions?
No one cares because they’ve got their mindfulness app or whatever — they’re fine. Well, I’d say it’s something like a spiritual crisis. We don’t know what life is for. It’s like, oh, just to be comfortable, to make it through a difficult period. No, that’s not what life is for.
Remember the three trainings — the training in ethics? Well, the Postmodern Yana, the next wave, I would say, of Modern Buddhism comes around, and it really critiques hard, as I’m starting to do here, the modern Buddhism, Buddhist modernism. It points out how white-centric it is, how Eurocentric it is, how Christian it is without acknowledging its Christianity and the influence of Christianity on it, how capitalist it is, how oppressive it is when it doesn’t acknowledge the way it participates in these systems.
And there’s a powerful critique that comes online about the systems of power that are hiding inside of the modern story. This critique is powerfully deconstructive philosophically. I remember when I first encountered this critique aimed at me, when I was doing Buddhist Geeks.
There were a number of professors, a bunch of academic Buddhists, who got together and they started a project called Speculative Non-Buddhism. And they were critiquing lots of popular Buddhist teachers and using these really powerful post-modern philosophical methods for doing that, as well as just being total assholes.
They would just call people names and they would not be civil at all. That was actually part of their method — it was intentional, to goad nice Buddhists into showing their nasty sides. And often it worked. Smart people just ignored them. But for me, I found it fascinating.
There was something in their critique — I was actually like a firefly, drawn to the light. I was drawn to it. I had an interest in philosophy, and the more I sat with their criticisms, even though they were extremely painful because a lot of them were aimed at me personally — they were also right about some things, and I couldn’t help but see that that was true. The way that I was framing things, how we were selling things, our business model with Buddhist Geeks — there were so many things that I was doing that were unconscious, and I just learned to do them that way. I hadn’t questioned them in the way that I’d questioned a lot of things. And they were pointing that out in a way that really shook me to my foundation and ended up actually dissolving the company.
It was a for-profit company. I let it dissolve and fail, Buddhist Geeks. It got reborn later as a nonprofit, which it’s been since. But that was huge for me, to kind of take on those critiques. It felt very sharp, very personal, and yet because there was something to them, I couldn’t help but sit with them, even while I was grumbling and complaining and being a victim — still, something got through, and for me it opened my eyes to these different ways of seeing. These things got further opened for me with the racial awakening of George Floyd’s death in 2020 and the COVID era. My teachers at this point were really leaning into this more Postmodern Yana, I would say, in terms of trying to refashion the insight tradition to take account of these criticisms and try to make space for the truth of them, which I really admired.
Because it’s not easy to do that, to change an organization. And some of you here know that because you work exactly in this field. So the Postmodern Yana, to me, is characterized by a critique of modernity that recognizes that we’ve not been looking at, especially, collective systems-level perspectives.
We don’t see how collectives are being shaped. This is where the Marxist views come in about economics. This is where ecological, environmental views emerge, because we’re looking at this perspective. The hyperindividualism of modernity prevents one from seeing these things. You just can’t see in terms of bigger than you.
Here in the Postmodern Yana, we can go beyond just our narrative, and we can deconstruct it.
But what happens if we go too far in that endeavor? Is it possible to go too far? Because deconstruction leaves you without anything. It’s similar to the Second Turning, right? In relation to the First Turning. You negate the problems of the First Turning.
We can negate the problems of modernity, but that just highlights them. It gives us freedom — but to do what? To be angry, for sure. I think that’s a natural initial response. Once you start to see these things, you get pretty fucking pissed, and you start to see the causes of a lot of suffering in the modern world, and where they come from and how unequally they’re distributed.
You start to feel ashamed, angry, whatever — all these things are natural. But what if it’s possible to move through, at least to some degree, the grief of that and the anger of that, and to sort of say, okay, instead of completely rejecting modernity entirely — it’s hard to do that anyway, because we can’t even imagine what it was like pre-modernity.
I heard stories from my grandfather who came from Palestine, which was much less developed than we were here in America. So he essentially came from, like, several hundred years ago in terms of his living conditions. I’ve heard stories like that directly from other people that I trust — wearing the potato sack to run to school for three miles while it’s raining. Literally that story. So I know there’s a huge difference in living conditions from what my grandfather grew up in and what I live in currently, what my sons are growing up in. Just massive, and that’s largely modernity there. So I know there are some good things about modernity, in terms of expanding lifespan, in terms of modern medicine.
There are some things I’m really grateful to have access to in modernity. Oh my gosh — my friend just moved back here from Mexico City. He loves Mexico City. He speaks Spanish. He loves Mexican people. He loved living in a part of the neighborhood where he was the only gringo.
And he’s that kind of person who really legitimately loves Mexican culture. And he was so happy to be infrastructurally back in the United States. He’s like, “Just a reminder, there’s a lot of things dysfunctional about our politics here, but there’s a lot of things that work in terms of infrastructure, and it’s easy to forget when you have them.” And I’m like, “Oh yeah, that’s true. That’s true.”
So what if we hold the modern and some parts of modern life and what it opens up, especially the internet? The internet is wholly a modern development. And we say, okay, could we keep some of the good things about modernity while not doing this hyper-modern thing that’s destroying our planet and culture?
Could we take into account the critiques of postmodernity and do something with them that’s constructive? That to me is the third of these waves of modern Buddhism — I’ll call it here the Metamodern Yana, which is emerging out of the generative tension between modernity and the critiques of modernity, postmodernity.
If we can hold both modernity and postmodernity, instead of collapsing onto one side or the other — this is the middle way practice, by the way, of Buddha — then we can actually find a middle way that exists between and beyond them. That’s the Metamodern Yana. That’s the idea, anyway.
That to me is pretty emergent, at least for myself. I know other people have experienced this and are talking about this. People that are talking about, for instance, the meta-crisis — they’re usually coming at it from a Metamodern perspective. The meta-crisis is itself metamodern terminology; it comes out of that whole cultural philosophical landscape, because you’re seeing the many problems that are happening in the world, in the really crisis period that we’re going through in 2026, globally. They have a deeper generator function underneath them. This is the argument of the meta-crisis, right?
There’s something underlying these different crises that connects them. They’re not just different crises. They’re not just poly. There’s something that connects them that’s meta to them.
And whatever Metamodern Buddhism is, it’s a response to that. It’s a response to the meta-crisis. It’s an attempt to update our spiritual lens to be in alignment with the actual challenge that we’re facing.
There will be different views from Metamodern Buddhists on how to do this and what we should focus on. Just like there’s always diversity, right? That emerges. But there’s a particular way the Metamodern Yana can recognize that there’s truth to both the modern story of progress and to the postmodern critique of it, and that there’s some generative tension in holding both of these together.
Both the desire to move forward and make things better, while also recognizing that we’re always doing that from a limited perspective that excludes certain beings — and thus when we move forward, we actually make things worse for them. So how do we constantly include more while also continuing to move forward?
That’s the koan here, the Metamodern Buddhist koan. The last thing I’ll say is we’re going to use these lenses in this training to explore some questions. We’re going to move through three different questions, taking each of these — the modern, the postmodern, and the metamodern lens — on each.
We’re going to try to inhabit each. The first question is: What is practice for? We’re going to look at it from a modern perspective. What is practice for? Well, it’s for making me better at meditation so I can be better. Okay, what is practice for from a postmodern lens? Well, it’s to help me see the narrative memeplex that I’m embedded in and become liberated from it, so I don’t have to keep participating in the suffering caused by, you know, X.
Okay, great. What is practice for from a metamodern perspective?
That’s the plan for this training in terms of the method. We’re going to be cycling through these almost like perspectives — you could think of this like a yoga of perspective-taking. We’re going to see these questions from the point of view of these different perspectives. The other two questions we’ll look at are: How do we know where we are on the path? How do we know where we are on the path? And then finally, How do we make a good living? We’ll end this training — the last three cycles we’ll be exploring how do we make a good living. We’ll include the modern exploration of that: how do we make a good living from a modern standpoint, where you’re including capitalism as part of what you’re interfacing with, and you are dealing with the realities of global commerce, and you’re trying to operate functionally well within that frame? How does that work? How do you make a good living from a postmodern perspective? Again, bringing this question through each of these, week by week, I want to see what we can learn from them together about these different ways of approaching the path.


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In “The Cost of Silence,” dharma teacher Vince Horn and guest Daniel Klein trace what it costs us—psychologically, relationally, economically, and spiritually—to withhold the truth, arguing that the small silences of the dinner table are the same debt that scales into complicity with collective harm, asking what it takes to finally stop paying it.
💬 Transcript
Vince Horn: So, welcome back to the Insight Diaspora. I’m your host, Vince Fukuri-Horn. Good to be here with you again in this exploration of ... I don’t know, what is it exactly we’re exploring here, Daniel? You have to tell me.
Daniel Klein: I think it’s going to be an emergent phenomenon.
Vince Horn: Great. Okay. Another of those emergent phenomenons. So, no, looking forward to this conversation genuinely. We are talking about the cost of silence today. And for a little background, Daniel and I had a conversation prior to this that we aired through Buddhist Geeks, and it was called The Cost of Truth. And there we were sharing some reflections from both of our experiences, in very different positions, in this sort of Israel-Gaza — I don’t even know what to call it anymore — kerfuckle. This situation is just terrible. We’re coming at it from different places, but both had this experience of speaking up and saying things that weren’t super welcome by our social groups. And so we’re talking about the cost of that, and what happens when you speak up even though it’s not really welcomed.
Today we want to explore the other side of that equation, which is the cost of not speaking up, because we also both have had that experience as well. And it’s not like we suddenly woke up one day and were like, “Okay, I’m going to speak the truth about everything, no matter what.” We’re both social humans, so we have gone through a process of learning how to speak what’s true for us. And I imagine Daniel, like myself, is still going through that process. So we wanted to talk about that today. And also, just before we jump in, I want to say a word about generosity. I’m not a huge fan of the generosity talks and Dharma things. I’ll be honest with you. It always felt weird and cringey to me. Now that I’m on the other end of it, it’s a different matter, of course. And Emily was reminding me that the Buddhist teachings start with the practice of generosity. If you look at the 10 perfections, the 10 Paramis, which are these 10 things we’re cultivating on the path, the first one is generosity.
So it’s sort of foundational. And it’s foundational to this project as well. We’re doing this out of the generosity of our own hearts. We’re organizing this and having these conversations and wanting to talk about things that are not super comfortable sometimes, or popular. And we’re putting a lot on the line to do that. And we’re asking, for folks that find this valuable, to meet us there, and to see generosity as a mutual process. And so, with that in mind, I just wanted to highlight that there are really two ways, in terms of financial support, that you could consider supporting us today.
One is by supporting this project directly, the Insight Diaspora, which runs through the Buddhist Geeks organization, which is an educational nonprofit. There’s a link in the chat if you wanted to become a supporting member of this project; you could do that. That money goes directly to supporting our guests. We donate to our guests to support their livelihood, and it supports us as organizers as well. And then I also wanted to highlight this organization that Daniel’s associated with. Each of these meetings, we want to highlight good organizations that are doing good work in the world. And so I wanted to mention the Soulforce Project, which promotes social justice using music and the arts. And I thought maybe, Daniel, if you could say something about this, because I know they’re your friends. Maybe what the Soulforce Project is about.
Daniel Klein: Well, one of the ways that I describe them is that they’re doing the work that we’re doing, but they’re operating at the level of arts and culture. So how do we promote deep transformational work in the field of liberation and collective liberation by bringing together world-class musicians to facilitate these experiences? Run by an amazing, amazing sitar player—
Vince Horn: Hmm.
Daniel Klein: —who I’ve done a couple events with actually in my own home. So he’s a dear friend.
Vince Horn: Okay. And is this a California-based organization as well?
Daniel Klein: Yeah, Altadena.
Vince Horn: Okay. Great. Awesome. And just for context, you’re based in southern California, I believe?
Daniel Klein: Yes. Yeah, Los Angeles.
Vince Horn: Yeah. Sorry to hear that. Having lived in Los Angeles. No, it’s a beautiful place.
Daniel Klein: I’m in my little bubble. I very rarely leave my living room, and it’s very beautiful up here in Topanga.
Vince Horn: Okay. Oh, yeah, you really are. Topanga is a bubble. So yeah, that’s the way to do it if you’re going to live in LA. Good. Well, again, Daniel, thank you so much for being here. This is such a delight to talk to you again.
Daniel Klein: Thank you all.
Vince Horn: Yeah. So I wanted to start with a quote, if that’s cool with you, Daniel, and just have you, I guess, riff on it or respond. This is the main thing that came to my mind when inquiring about the question of the cost associated with not speaking up, or not saying something which is true. This comes from a book called Trauma and the Unbound Body, by Judith Blackstone. And she says, “Children may be faced with a terrible choice: truth or love. They can limit their own senses and intelligence and be cozily embraced by the family, or they can stick to their view of reality, shutting down their heart instead of their wits and enduring the family rejection.”
Daniel Klein: Hmm.
Vince Horn: Yeah, you can probably see why I brought this quote up.
Daniel Klein: Yeah. Very, very powerful. Very powerful indeed, because I think that it’s really in childhood that we first incur this trauma of: there is a cost associated with speaking the truth. And from my own experience as a child, that’s where my own personal self split. The authentic self, and then all of the walls and masks that I needed to perform and to put up in order to be accepted by my family — and this goes deep into our deepest abandonment and rejection wounds.
Vince Horn: Yeah.
Daniel Klein: And in many ways it’s these small things, obviously, that start in childhood that then scale to mass atrocities. And I always say that, “Genocide starts at the dinner table, not in the halls of politics.”
Vince Horn: That’s a powerful statement. I’ve heard you say that before, actually. Yeah. How did you experience that, growing up in the West Bank? Because we talked about last time how you kind of made a break from the society and culture that you were in, in a certain way. But what happened prior to that? How was that at the dinner table?
Daniel Klein: Yeah. It’s really interesting, because this process of telling the truth is a very long process. Because very often we think things, and we already have this inner clarity, but then to get to the point where you reckon with these truths publicly, there’s this in-between stage, and that’s the stage of the silence where the real suffering is happening, where you’ve had this internal shift, but you are completely misaligned on the outside. And so when it comes to genocide at the dinner table, that’s the stage where people around you could start saying really shocking things. I recall a specific conversation where a close and immediate family member was laughing at the starvation in Gaza, and there was a news headline that said that a turtle had washed up on shore. And this immediate family member said, “I thought they’re starving, they can eat the turtle.” And that’s just really the kind of joke, the kind of comment that somebody can drop. And when you’re in this in-between stage, there’s this nodding along that you have — “Hmm. Hmm. Okay.” — because you can’t really speak about it. And that’s where you’re already caught in this trap and in this cycle.
Vince Horn: Yes. I’m super familiar with that. As you know, now living in the US, for the last decade or so the political polarization has been super high, and it affects these kind of dinner table relationships, where people seem like they suddenly became aware, “Oh, some of my family members are saying really awful stuff about immigrants or about people.” It’s not that they hadn’t been saying those things before. People become more bold and are willing to speak up and start to push back against stuff. But then that seems like it can lead very quickly to just the whole family system falling apart, or relationships getting strained because people start arguing about ideology. Does that make sense? It seems like there’s extremes there, like just being totally quiet, or just fighting with everyone.
Daniel Klein: Yeah, and ultimately it’s all relational. The way I see everything is relational. And so there’s no doubt that when you introduce truth into a relationship that was built fundamentally on the performance or the preservation of untruth, when you introduce that into the family system, there is an inherent collapse that happens. And even though you might see the fracture, it’s actually just revealing that it was fractured all along, and you’ve just been playing along in this fractured system. And when we were thinking about the cost of truth, I was thinking into it in my own life that the cost of truth is the cost of silence. They’re two sides of the same coin. The only difference is that the cost of truth is the cost of silence paid with interest. And so the moment you choose the path of silence, or not speaking truth, that’s the moment where the conversation should have happened, the intervention should have happened, and you chose not to, and that’s where the fracture starts, and that’s where the debt starts accumulating, to the moment you choose to tell the truth. But it’s still the same reckoning. The question is, are you going to deal with it now, or are you going to push it off to a future event?
Vince Horn: Right, where it’s probably going to be worse, because there’s now going to be, like you said, compound resentment that has to be aired as part of the conversation as well.
Daniel Klein: Which is what the family system has really always been built on. But again, that family system comes back to the individual who’s been experiencing and carrying this and playing along with the system, because each side is playing a game here — the side that needs you to perform, and you performing.
Vince Horn: I have a sense that you and I were probably different kinds of children, because I sort of fell on the side of truth over love in my family system, where I was just sort of perpetually saying things that were bothering people, fighting with my mom, pointing out her hypocrisies. Choosing in every single instance to side with the truth over with people finding me easy and enjoyable to be around. I’d choose abrasiveness. I’ve since thought that’s probably in part a function of growing up in a Palestinian-American family. There’s a lot of untruth being spoken, and there’s a lot that just by virtue of that family system you kind of don’t say. And so I think in some ways that was my unconscious reaction to the system. It’s like, okay, I’m just going to err on the side of always speaking up and speaking the truth. But it does lead to a lot more conflict.
Daniel Klein: Did you feel that you had the safety to do that, or what was the consequence?
Vince Horn: Sort of, yeah. I didn’t feel like I was going to necessarily be booted out of the family system, because there’s a lot of people in my family like that. There’s a lot of truth tellers. But there was always some concern that it could potentially break relationships in a way that weren’t fixable. That never happened, fortunately. Our family was able to repair through those ruptures. But yeah, that was the main concern, that I would alienate people.
Daniel Klein: Yeah, and I feel that I come in many ways from the opposite system, which is that there was not only a severe cost to speaking the truth ... Well, it wasn’t only a hindsight thing. I was told growing up what the consequences would be for crossing certain lines and certain truths. So I actually knew that the cost of speaking would be completely blowing up the whole system and all of the relationships, and suffering excommunication, disinheritance—
Vince Horn: That was explicit?
Daniel Klein: —those are the things ... that was explicit, absolutely. I knew what I was getting into. And actually from September 2023 until I started speaking publicly, when I’d initially left Israel at the time, I remember explicitly saying to myself, “Let me just get out of here. I’m going to go find a quiet, peaceful life in Costa Rica.” I had no plan whatsoever about actually speaking about any of it publicly, because I was still trapped within the mechanisms of control within the family and within the broader system, which are deeply, deeply connected, so that you need to pay an exit tax — a social exit tax, a relational exit tax, a financial exit tax, and a safety exit tax. And all of these costs are accumulating, and they’re actually baked into the cost of silence, because the silence that you’re choosing in order to keep the peace — it’s a massive, massive trade-off.
Vince Horn: Right.
Daniel Klein: What am I actually trading off in order to not rock the boat?
Vince Horn: Yes.
Daniel Klein: And if it’s safety, if it’s sovereignty, if it’s the actual externalized cost at a societal level, that could be the Palestinians as a people.
Vince Horn: Right.
Daniel Klein: But on the relational level, we’re always paying the price of preserving this illusion of silence. And within family systems and within broader systems, this is part of how it keeps people in line and in control, especially in the in-between phase, where they’re actually sitting with the suffering. Which also only comes with awareness too, right? If you’re not aware, you could just continue to perpetuate it. The pain starts when the awareness starts, and now you become aware of all of the pain that you’ve been deferring in order to not rock the boat.
Vince Horn: Yeah, which is built up. It’s interesting, you’re using a lot of accounting metaphors here — which I find interesting — and it has me also connecting the whole economic theory with what we’re talking about, where, in modern economic theory, you have externalities. Things that are happening as a result of whatever you’re doing in your economic system that you don’t see. They could be positive things, but oftentimes they’re negative, right? So it’s like, I bought these pens, they got shipped across the country, and I don’t see all the carbon impact that that has, and being able to get my nice fine point pens that I really like. And so it’s easier to pay the cost if it’s not visible. I’m wondering how that connects with what you’re sharing here, because it seems like there’s so much that’s externalized in that kind of system, like the trade-off gets externalized onto the person, onto the individuals, often.
Daniel Klein: Yeah, which I think is the essence of the colonial mindset and the colonial framework: externalization and othering. And it’s built on the denial of the people who benefit from the system. Because if they were to actually look at what keeps the gears of the system turning, they wouldn’t be able to live with it. And so part of what they need to keep in the silence is this aspect of denial. And silence and denial, I think, come hand in hand, right? We need to be in denial of the immediate reality in order to be able to accept the benefits of the situation.
Vince Horn: Hmm. Yeah. Wow. I’m thinking here of John Vervaeke’s work on the meaning crisis, and how he points out that it’s the same machinery that allows wisdom to occur is exactly the same machinery that allows delusion to function. To be able to hone in on something that you think is salient and then just sort of ignore everything else, for instance. You do that when you’re waking up and you’re letting go of distractions, but you can also do that when you’re just avoiding and ignoring things that are inconvenient to your situation. That capacity can be used for both of those things.
Daniel Klein: And it’s just being in denial of immediate realities, and that’s the essence of delusion, and the source of everything that we’re contributing to without actually looking at it or facing it and confronting it. And that’s where truth comes in. We have to be honest about what is actually happening in reality right now.
Vince Horn: Yeah, thanks.
Daniel Klein: And you had mentioned how using the language of the ledger — for me, this is also where the aspect of karma comes in, right? The ledger here is an immediate feedback loop. As much as we can be in denial of what it is that we’re not saying and what we’re not being honest about, that turns just into an absolute immediate feedback loop with what we’re experiencing in reality, because once you create that inner fracture, your embodiment and your nervous system and all of your programming is now starting to run things based on this untruth, and the consequences of that are impossible to avoid. They start being reflected back to us immediately.
Vince Horn: Yeah, so it’s like a karma that’s not necessarily — it’s a this-life kind of karmic pattern that you’re describing, like a social dynamic.
Daniel Klein: Yeah. That’s what’s being reflected back at us, and it also accumulates with debt over time. The reflection that we see, based on the escalation of denial, escalates on the outside, too, and we can never truly avoid it. If we were honest with ourselves, we would know that there’s absolutely no way not only to avoid the consequence—
Vince Horn: Right.
Daniel Klein: —but to not experience how it affects us every single day with the inner pain that we’re carrying, because to avoid the truth requires a massive amount of energy. And I think we had also spoken about it. Not only does it require so much energy in order to create all of the different mechanisms — you need your alarm bells, you need your walls, you need all of these components that are trying to protect what it is that you know to be true, all of the performance — and all of that energy is wasted. And at a deeper level, I think that when you go deeper into the untruth, that also fractures our own energetic system. That’s where the huge energetic leak goes, and we can’t be whole or complete or aligned or grounded when we have all of our energy leaking out towards this alarm system.
Vince Horn: Yeah. Okay. I wanted to mention too, I’ve been surprised exploring this topic and seeing the places where I’ve been silent, and then I’ve started speaking up, and then I’ve seen what the impact of that is. How frankly good people are at knowing when not to say something, even when it’s not explicit. Like you said, it was explicit in your family. But even when it’s implicit and you’re just picking up on vibes, or you’re just sensing something that could be an issue, I found that’s actually extraordinarily accurate, that sense. And when I’ve then chosen to speak up instead, it has really upset people in exactly the ways that I was sensing it might, but didn’t have any confirmation of. So I wonder, what is it in the human psyche that can attune so well to those relational realities? In a way it seems like a superpower, but we use it to also, again, avoid sometimes things that feel scary but are necessary.
Daniel Klein: Mm-hmm. So what I take from that is that there’s also an important idea, which is the shadow side of truth. Telling the truth is not always in alignment if it’s not serving the right purpose. For example, there’s a possibility where truth telling becomes a way for the ego to feel good about itself. And there are times where it’s necessary — or not even the ego, this could even happen on a chemical level. If I’m addicted to chaos, I might be telling truth at all the right times to all the wrong people, just to get a hit of cortisol and to create a dynamic that is actually wholly unaligned with truth. And so there is a discernment and an intuition of when is truth wise and when is truth serving, right? If our partner is completely dysregulated and we choose that time to share a very challenging truth for them to look at, or a blind spot that they have, that would be wholly unwise. Right? How do you know the right situation, the right people, the right nervous system, and also the ability to receive what it is that you’re saying? Because for many people, truth again just creates unhealthy dynamics. So it’s not to say that truth is always good, truth is always bad, silence is always good, silence is always bad, but rather each one of these things has its place, it has its light, and it has its shadow, and then we need to learn how to maneuver that game. Otherwise, you can get stuck in just rebellion cycles where you run around trying to convince everybody of everything all the time, and all you wind up doing is completely interfering with other people’s journeys too, and that has huge blowback as well.
Vince Horn: Yeah. Absolutely. Yes, and it can be true, but not appropriate, or well delivered, like you said, or timely. I think that was an early Buddhist teaching on wise speech: say things which are true and which are timely.
Daniel Klein: I forget the name of the movie. I think it’s with Ricky Gervais, where he’s the only person in the world that can lie. And so everybody in the world can only tell truth even when it’s not timely, and he develops a superpower to actually tell a lie. So the world in which everybody is telling the truth all the time and is not timely, it can be disastrous.
Vince Horn: Yes. Yes, indeed. I appreciate you bringing that part in — that one can be on the right side of an issue, morally, and still be communicating in a way that’s primarily about them, rather than about the issue. It’s primarily about me getting my needs met, or feeling insecure, or whatever it is. That’s a good, important point.
Daniel Klein: And playing with that. And first of all, having self-compassion, because I guess we always do this all the time, right? And just becoming also aware of how do I de-center myself, right? When do I need to put on the coat of the ego, and when do I need to take it off, in the context of telling the truth?
Vince Horn: Yeah. I’m curious about your thoughts on security, because I feel like so much of what drives people to stay silent — and I could see this for myself too — is that I mainly am not speaking up because I don’t want to introduce something that could make the situation more insecure. Usually this is especially true when livelihood’s involved. For me, it’s like being a teacher inside of a lineage tradition, and speaking up about this when the lineage won’t, I know that’s going to have an impact on my livelihood, a negative one probably. And—
Daniel Klein: Maybe.
Vince Horn: —yeah. It has so far. And so that’s a reality. And so I think there’s some amount of just pragmatism here of, okay, how much truth can be received while still being able to maintain enough relative security that I’m not sacrificing myself, if that’s not the aim here. It doesn’t seem necessary. Maybe sometimes it is necessary to sacrifice yourself for the greater good. I don’t want to exclude that possibility. But let’s say you’re not trying to sacrifice yourself, or you don’t think that’s necessary. You want to do this for the long haul. Okay. Where are the lines at times with how much we say? Because there’s a pragmatic reality here, I think, that gets lost in the idealism of activism, where it’s like, oh, actually, no, you can in some context choose to hold back. I recently did a coaching training program, and I didn’t lead with my Palestinian identity. I didn’t lead with the things that we’re talking about here. I waited until I knew who was in the room, and who was present, and then I spoke with people privately. And I had that sense, if I do this publicly, this could be not good. And it was connected to my livelihood, and I think back and I’m like, “Yeah, that was totally appropriate.” Given that context, given what I was there to do, I’m glad that I handled it that way and didn’t just come in guns a-blazing. So, curious your thoughts on the practical reality of dancing with this — the cost of silence.
Daniel Klein: So you’d mentioned earlier this idea that these systems are connected to the economic systems as well.
Vince Horn: Yes.
Daniel Klein: And it’s interesting because the economic matrix that we live in is also fundamentally built on fear-based systems. And we all live in realities, in one way or another, that if we’re not doing the right thing in the eyes of the system, we might get booted out, in which case I’m not going to have a roof over my head. What about healthcare, right? And so the same system actually is built on fear. And so I would actually challenge you in thinking about what actually does happen if we go to the edge of that fear, because how can we extract ourselves from that strata of the economic analysis, if the silence is actually what’s keeping us trapped in the same system and is what is perpetuating it? So I actually think that the question of Palestine is a reflection for all of the different systems that we find ourselves a part of, and to start asking ourselves the really challenging questions of, what does it take to actually extract ourselves from these different layers of suffering that are rooted in fear-based systems? How do we break that? How do we break it spiritually? How do we break it materially? Because I think that very often, whenever we get to a point where we’re afraid that being in deeper alignment is going to cost us economically, that creates the very conditions for us to actually not be aligned in the right work to receive the things that we might be able to receive if we were honest. And I actually think that there’s an exploration here, because as these systems kind of start their process of collapsing, they need to expose everyone to their deepest fears. Because if we each don’t individually confront these fears, the system is never going to end. And as we move through the era, it’s going to require us to do that. So for me, once I became aware of the exit taxes, I chose the path of going all in. I figured if I’m actually not free to be the person who holds these ideas or these opinions, maybe it’s not a room I should be in. And what I’ve been experiencing is that that’s what starts to open up these kinds of spaces and these kinds of connections with people who are willing to open up new fields of possibility. But it requires walking to the edge and not knowing what’s going to catch you on the other side.
Vince Horn: True.
Daniel Klein: And this could be a multi-year or multi-lifetime journey to learn how do we actually find that safety within. And I guess a lot of it does in fact tie into faith. But how do we find that safety within in order to start breaking these systems from the inside out?
Vince Horn: Yeah. There’s the safety within, and then I would add there’s the safety that comes from your mutual aid, from people around you, your community, et cetera. I was thinking about this. I saw a YouTube clip many years ago from this Rasta elder who was living this very radical life in Jamaica, and he was growing all his own food, et cetera. And he made this point that stuck with me. He said, “You cannot criticize people and still depend on them for help.”
And I thought that’s interesting. I don’t know if I completely agree with that sentiment, but there’s something really to it, where it seems like in order to be critical and to point out the problems of a system that you are implicated in, you have to have some fallbacks, in terms of mutual aid or support. And here the early Buddhist tradition has a lot to offer. It’s like, well, if all you need is a bowl and a robe, then you don’t need much from people, so you can say whatever the hell you want. You may not be living a lush, comfortable life—
Daniel Klein: Which is fair. It’s easy to read about those stories, but it’s a lot harder to put out a bowl.
Vince Horn: Right. Yeah, for sure. Yes.


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In “Dharma & Empire,” Mary Thanissara and Vince Fakhoury Horn trace how the structures of Empire occupy not just land but the psyche—moving from their own Irish, Palestinian, and colonial family histories to Gaza, climate, and class—and ask what a more revolutionary Dharma might require of practitioners right now.
💬 Transcript
Vince Horn: So Thanissara, thank you again. Great to be here with you.
Thanissara: Likewise, likewise. Really, really thrilled to plunge into this Insight Diaspora. That was a brilliant capturing of our wandering, homeless group.
Vince Horn: Yes, indeed. I was curious too. I know you started off in the Ajahn Chah tradition — in the Thai Forest Tradition — as a nun in the ‘70s, and I think you were a nun for like 12 years, when I was reading. So that’s a long time.
Thanissara: Yeah.
Vince Horn: Do you consider yourself part of the insight meditation tradition, or were you coming up at the same time that that whole thing was coming up?
Thanissara: I’ve never really designated a category for myself, other than a Dharma practitioner in quite a broad sense. And having said that, most of the development of my practice has been guided through, first of all, the U Ba Khin lineage, which was transmitted to Goenkaji — those teachers were my first teachers from Burma, Myanmar. And then through Ajahn Chah, and that was a very pivotal formation of my practice, because I was young and very shaped by that lineage and the premise that they were teaching from. And then since leaving the robes, I’ve almost entirely taught and practiced within the lay insight world. That’s been a constant adaptation and inquiry, and not a particularly easeful landing. Well, none of it’s been an easeful landing, because it’s all in transition and having to be translated on so many levels. So I guess there’s no end to that in the Dharma.
Vince Horn: That really fits with how I’ve interpreted your work from afar for many years. I’ve always heard you and Kittisaro’s name mentioned together, and I’ve heard about the work you’ve been doing in South Africa and other places with activism. It has always felt like it’s been a little bit on the emerging edge of the insight tradition. You’re not quite inside, but you’re not outside either. You’re influencing but not quite. You all seem to be strange attractors in this community. And I mean that in the best possible way.
Thanissara: No, it’s a good position to be in, I think, in terms of having space from having to conform, and also being able to help shift some of the parameters of what’s allowed to be discussed or what the Dharma is, from within. Also relationship to the folks that I’ve grown to know so well in that movement — having taught a lot or discussed things over many, many years. So there’s a relationship where both being in and out is an awkward reality.
Vince Horn: Yeah, and I can relate to that.
Thanissara: A sense of tension around that, and creativity maybe.
Vince Horn: Yeah, it’s like generative tension sometimes, and other times it’s just tension. That’s my experience anyway of what you’re describing.
Thanissara: Yeah, totally.
Vince Horn: So we spoke recently for the first time privately, and I think it was interesting to me that the first thing we got into was our family histories. It seemed like there’s no way to really avoid talking about that. Not that I want to at this point, but we both share ancestry from the UK, from Ireland, and I know your family moved at some point to London as well. You mentioned to me that your dad was in the military and that he was posted at some point in Palestine, I believe it was.
Thanissara: Yeah. Well, he was a teenage conscript. But he was trying to really escape the poverty that he grew up in, in the tenements of Dublin — which were quite infamous, and still somewhat, although they were closed down in the 1960s. And the oppression, I think, that he felt, even though Ireland was in a process of liberating itself post the 1916 uprising, and then the liberation that started about when he was born, really, 1925 or so. But it wasn’t very liberated for him. So it’s complex, and I think that’s one of the very interesting things about being both colonized, and yet shape-shifting to find a way out through becoming part of, at that time, the war effort of the Second World War. Which was a movement of idealism, but it was a movement of some feeling of needing to break set from not only the economic oppression, but the religious oppression that he grew up under. Of course, the Catholic Church was both extremely oppressive, and it was also the place that people went to for support, to find solace from this unrelenting violence and oppression that had gone on for so long in Ireland under the British. So in that process, he was posted to Palestine and around many places in the so-called Middle East. And I didn’t really know that until quite recently, actually. My elder brother is the holder of history, and somehow in discussion it came out that he was actually posted. And it was very meaningful for me. It’s like, oh my goodness, that he — and apparently one of the things he talked about that my brother remembered was the Irgun, the terrorism that was going on from the early Zionists that were settling. And of course they were also fighting the British as well, blowing up British posts and things. So that was obviously something that really went deep for him in his memory bank. But he never really talked much about any of that, as that generation didn’t.
Vince Horn: Right.
Thanissara: We have probably in common a lot of lost stories, as people shape-shift and assimilate. And there was also a lot of shame for the Irish fighting for the British, particularly in the Second World War. And it was hard to go home. There’s a lot written about that. They were displaced again in another sort of way, because at that point Ireland didn’t join the war effort — they didn’t want to align with the British. So it was a very complex political dynamic that was going on.
Vince Horn: Yeah, that is complex. And it shines a light on the contemporary situation where Ireland is one of the few countries, and their leaders are one of the few, that actually consistently speak up on behalf of Palestinian people. They can empathize with the situation.
Thanissara: Deeply, deeply. So much was shaped by so much bitterness. I mean, if you go to the west — where, when Kittisaro and I were first together, we stayed in County Mayo, which is on the far west coast of Ireland — they still talk about the great hunger as if it was yesterday.
Vince Horn: Wow.
Thanissara: You still see the little crofting houses that were the Black and Tans, who were very, very brutal. In fact, I think they were sent to Palestine after Ireland. You can still see where they pulled down the houses of people and threw them out as they were starving. And I still think — this is another issue — there was such a big silence about the shame of the deprivation of that. It’s only very, very recently that some of the most awful aspects of the impacts of that constructed famine or starvation, really a genocide by the British, are being discussed. While they were exporting food, and it was very, very desperate, and in the workhouses. And then part of the silence was — I remember when Frank McCourt came out with the book Angela’s Ashes, which was a while ago, but it was portraying this period of history in Ireland, the same time when my father grew up, of this extreme poverty and the struggle. And the whole of my Irish family were very upset by this, because they felt ashamed. They were like, “No, it was like —” But in fact, that portrayed some of the conditions that they were struggling with as well in the tenements. So all of these add to the complexity of lost stories, broken lineages. It’s how empire really shapes identity — not just the occupation of land, but the occupation of psyches. And how that takes up real estate in the imaginal levels of people understanding themselves, and how it shapes language and accents and lost histories, and coming to England, having to change the accent, having to pretend to be — It’s such a different — it’s like oil and water, these two cultures of Ireland and especially southern England, where he was. So in the 1950s, where things were very rigid still, late ‘40s, 1950s, when he got married, and then as post-war happened, people had families very quickly. There was no birth control, but also there was a deep reaction to all the horrors and death that was going on.
Vince Horn: In terms of the story level, the way that I connect with what you’re sharing from my own background is — I’ve often thought recently that it was probably my grandmother’s experience of being — her father was Irish, from Northern Ireland, and immigrated to Canada, I think, in the late 1800s. And then my grandfather is Palestinian. I often think it’s her Irish background and his Palestinian background that allowed them to form a mixed-race couple in a time period where it literally had just become legalized, a year before or something, and it was still frowned upon culturally. What actually brought them together — it seems like they had some kind of trauma bond there. They probably weren’t conscious of that, but I can sort of see the complexity of what you’re describing there, where it’s not something you could see on just the surface of things. You’d have to understand some of the history to get what connects people.
Thanissara: Totally. I think the trauma is such a splitting that you’re sort of like lost beings finding each other in this space. Perhaps you don’t consciously understand exactly. It’s a dynamic of consequence. It’s the consequences of what’s gone before, but you haven’t yet got the story or the history, or it hasn’t landed in narrative to help us understand why people get drawn, and then what we’re living through. And I think that’s where the Dharma really is the break point. It starts to give choice in not having to just repeat the trauma pattern, or being that disassociated split where empire leaves people, but begins to help — in some ways ironically, I know we’re going beyond individualism to collective — but there is an individuated journey out of the historic pattern. That is part of what helps us then to start seeing that patterning in the collective, which is a sort of movement of compassion. We’re reactive, but underneath we’re all working as a result of consequence of things said way before our understanding of them, really.
Vince Horn: It feels like there’s some good news in what you just shared around individuation. It seems to mean we’re collecting some agency in the process. We’re not just at the whims of conditions, but we have some influence, even if it’s small.
Thanissara: Exactly. I think that was a big thing for me to realize — this space between reactivity and response. I know it’s an old hat and slightly tired languaging. But it was a very important insight for me when I first began to — a moment. In a monastic life, you’re pushed into a corner, where it activates your deepest patternings. And Ajahn Chah would have this: when you can’t go up or down, you can’t move, then the practice begins. Because you have to find a whole other place from, you know, fight, flight, freeze, fawn, all these patternings. And for me, that was a process of such intensity and such a strong container. In some way I would relate that to the larger dismemberment that we’re going through now, and intensity, in the collective global sphere. We’re reacting from all these old patterns and traumas, and none of them are really where we need to go. So there’s a pressure, like in a monastery, where at some point you have to make a shift from the old patterning to an agency, as you said. That’s the word. Self-reflective agency and choice. And that is the break point, I think. That is the point where we have that almost evolutionary space we can move into. So the intensity then serves some sort of purpose. Not that — if it’s just unconsciously inflicted, then that’s not kind. But in a way, it’s a choice that we’ve made, I guess. To put yourself in a practice situation or monastery, or to be conscious in the midst of what’s happening and not just hide, then you’re putting oneself in a great state of intensity. Without easy solutions. And so that builds and pushes, and something in us alchemically has to — like a diamond under pressure has to not crack, but somehow form that diamond mind. So that’s something I think is hopeful. But we don’t always know that’s happening until it’s sort of happened.
Vince Horn: Like, in the moment of being turned into a diamond, it’s not like, “Oh, I know what’s happening, and it feels great.”
Thanissara: No, it’s awful. How can I get out of it?
Vince Horn: Yes, how can I escape? It seems interesting, the description you’re sharing of being in a monastic environment where you don’t have anywhere to go. And I’m just thinking about my experience of the insight tradition, the modern tradition of going in and out of retreat. Having maybe a local community, maybe not. It doesn’t feel like that frame really can get me to be in the middle of it without having to leave. It doesn’t ask enough of me to do that. So I wonder, as modern practitioners, where we’ve sort of made individualism — at least in the US and most Western cultures — like we’ve made that the key thing, that whatever you choose to do is the most important thing. How do we square that with what’s needed right now, which doesn’t seem like it’s just to give people the choice to do whatever they feel like, which is usually just then picking the status quo.
Thanissara: Yeah, I think that’s a very deep question. I think in part that individuation is a deep reaction to feeling that there wasn’t any —
Vince Horn: Right.
Thanissara: which was true at a certain place, especially perhaps for first-generation practitioners coming out of the trauma of the wars, century war, brutal, and everything else that went on, civil rights, all of those things. And then into the mechanized world of the 1950s, where you’re a cog in this growing capitalist machine, and suddenly breaking out and having these insights that were transcendent, mostly through psychedelics or various means. But I feel the shadow side of that is — the thing I appreciate, to put it another way, is that there’s a depth that you can tap into with the monastic life. It had a lot of difficulties and faults and challenges in it, but mostly I think because it’s very patriarchal, and that’s complex in itself. But the great gift was having to learn a whole deeper level of resource than shifting the furniture around to have the space that you feel you’re comfortable in, or the language or the narrative. And so being unable to do that, there’s a very, very deep releasing. It’s like a death. It’s literally a training, and Dharma is really a willingness to die, in the best spiritual traditions that actually take on that space. And it’s complex, because there’s a lot of psychology that can happen in that moment that actually can break people down or can be abusive. I don’t want to make this super reductive, but fundamentally I think there’s a big piece that has sometimes gotten missed in this new Dharma —
Vince Horn: Right.
Thanissara: which is a surrender or humility, a hanging at the space that’s most difficult to hang, until something can open beyond the self really.
Vince Horn: So the benefit of being in a traditional culture or practice environment when you’re going through that is you don’t have a choice. But that’s also the downside. You don’t have any freedom, presumably, unless you want to be kicked out of the group.
Thanissara: Yeah. It has its downsides, because it becomes then just a one-gear strategy. You just let whatever it is let go. But then there’s also holding, picking up. And so we see that transplanted into the insight world when we meet something like Gaza. This isn’t about just letting go. It’s about discernment. It isn’t about everything’s equal and it’s suffering and it’s samsara. It’s saying we have responsibility and we have discernment, and this is horrific. And therefore we have, as the Buddha did himself, the agency to shift and challenge the status quo when harm is being done, and that is our responsibility. And I think that can so easily get erased with this passivity of the language of, you know, just let go and it’s just samsara. Which is true. I love this expression of Ajahn Chah: “True but not right. Right but not true.”
Vince Horn: Okay, that’s cool. I’ve never heard that line before. That’s a good one. I’ll be chewing on that. I’m curious too, Thanissara. I run into — around talking about things like Dharma and Empire — there’s a whole group of folks that I run into who are very well-educated. They’ve been on some kind of path of individuation. They’ve had some practice, but they just don’t see the argument that we are living in an empire, like the American empire, for instance. And it’s challenging sometimes to try to support people in seeing the ways in which our life is downstream of these other structures and histories. I’m wondering, how do you work with that when you’re teaching on these things? Do you run into that kind of resistance, of not being able or willing to see the interdependent nature of things?
Thanissara: Well, yeah, of course. I mean, it’s not that I’ve been thinking this all the way along or had the language for it all the way along. You feel the impacts, and sometimes it takes a long time to build the narrative.
Vince Horn: Good point.
Thanissara: But I think that part of the complexity is Buddhism has historically always, in terms of a power system — whether it’s a monarchy or the state — it’s always been in some, even the Buddha himself, in some level of alliance with that power, the political or military power, to survive. So it’s left it in a very — it’s not a straight-out liberationally revolutionary movement, say, as you might see some more left-wing liberation theologies coming out of South America, or the civil rights. You can call on that, that the Christ was a liberatory revolutionary in many ways. The Buddha was too, but he also aligned, came from power. And so there is this historic thread of the Dharma. And often it’s not just about finances, but it is. But it’s about placement and acceptance in the culture. And so you see a lot of — it’s like I thought with the mindfulness movement, as it started to sometimes be reduced to: how do you make it in the capitalist system without challenging the system itself.
Vince Horn: Right.
Thanissara: And there’s still a lot of that. And really, for me, the thing that really blew open the languaging around empire was Gaza. Because Gaza revealed everything. It revealed the absolute craven moral bankruptcy of all of these myths of the US, of even Israel — the most moral army, and the forever victim. They’re all part of the logic of empire. They’re all part of the narrative of empire. So I think we’re in this incredible moment where the veils just keep being pulled away. And so we’re screaming about someone like Trump, who of course — everything that’s going on is dreadful, but we’re just seeing what it’s always been, in a way.
Vince Horn: Yeah. That became very clear to me, that Trump is in some sense like US foreign policy for the last several decades come home to roost. This is how we’ve been. And you’d only know that if you know people that are negatively impacted, or you’ve studied the history.
Thanissara: Right.
Vince Horn: And that’s not many people.
Thanissara: Studied the history. No, that is actually a problem. The sort of dumbing down. But, you know, if you take that logic, then at some point when you see where empire is taking us — into normalizing genocide, normalizing a culture of —
Vince Horn: Ecocide.
Thanissara: Well, ecocide and mass extinction, and replacement with AI robotics. I know this is a very complex subject, but not really. The human — and life itself, nature, the erasure, the ICE, the violence, the domination, all of this, fascism. If you see all of that, of where the last gasp of this system is, then what’s the Dharma for at this point?
Vince Horn: Yeah.
Thanissara: You know, this isn’t —
Vince Horn: To keep a smile plastered on our face while everything goes down, I think.
Thanissara: Right. While everything goes — well, but the thing is, it’s getting more and more impactful for everyone. I’m sitting here literally sweating buckets, because this is our new climate. You think we’re going to survive this if a few more degrees, more continuum — it becomes really hard. So we’re all in this stew, even those that think that they can build their bunkers.
Vince Horn: Literally or metaphorically, yeah. I think the way I’m relating to what you’re sharing is, I’m looking at this from the internal journey process view of — oh, I’ve actually worked with this conditioning that you’re describing. I know it firsthand. I know the logic of turning toward the imperial status quo, because it’s safe. There’s a sense of being able to be protected. For me, having come up in a family where some of my family members were obviously not safe, and they were being actively persecuted, especially after 9/11, being safe made a lot of sense. Trying to stay safe, not sticking out. I understand that logic. There’s the survival logic there. And part of the reason I was able to do that is because I could pass as being part of the dominant culture. People look at me and they don’t see a Palestinian, so I can — unless they’re Arab, and then they do see. But there’s that sense of, what is the wisdom of hiding? It makes sense on a personal level, like your dad trying to get out of the tenements, trying to find some better situation, not knowing that the better situation for him is still causing suffering for others, perhaps.
Thanissara: Right. He became co-opted in the empire. And as working class, poor people, indigenous-line worlds have consistently been fighting for the British, as you’ve read at the table. I mean, there are levels of privilege that I think you have more responsibility — in a culture where for some it is more dangerous to stand out. Maybe they’re brave to do it, but they’ve been more historically targeted. So I think there is a personal reckoning. I feel that very much of the work in South Africa for nearly three decades post-apartheid. And it was very conscious for me — I didn’t want to take payment. I felt it was a deep act of reparation, actually, to have been gifted pretty much pristine white land, to get it to a place where it could be returned to a young, diverse group that could run the center. Or to help start projects that can help women in rural areas, deep rural African areas, become trainers and supporters in their own community when they were impacted by the AIDS pandemic. So I just felt historic responsibility. It’s not that I’m consciously going, I’m doing this because of that, but it’s there. It’s wedded in, as a white person having had a lot of privileges.
Vince Horn: Right. I think that’s the hard part for so many people — acknowledging not just that I have privileges, but that those privileges came at the cost of so many others and their opportunities. Being able to open to that truth, and the shame that comes with that, and the guilt that can be present. It’s like, oh, that’s overwhelming. I don’t want to go there. I’ll just watch some more Netflix or whatever. Maybe my meditation retreat will help.
Thanissara: Well, I don’t think we have to flagellate ourselves. But for me — it’s not that I didn’t feel a lot of white guilt. It was a very sort of shadow there, moving through the post-apartheid world of South Africa. And in many other situations. But it’s like a karmic reckoning. It’s just a measured contemplation for me of, what’s the deep karma here that I’m responding to? It’s not necessarily personal. It may be ancestral. I don’t even know who did what, but it’s just come to me on my plate. And it’s personal and beyond. Palestine, when I heard about my father, connected a lot of dots for me. It would anyway, because it’s just so unjust, so profoundly horrific, what’s been happening — not just in Gaza, but for so long. But it was connecting to say, oh, there is karma. That’s pretty close. I think it’s just the way the Buddhist worldview has integrated into my understanding over a long period of time.
Vince Horn: And that’s a distinctly different view than I sometimes hear from the more — I guess I’d call it the more neoliberal Buddhist spaces, where there’s a lot of focus on social issues and social justice. And Mushim, who’s also here, we’re going to talk about this in a few weeks more directly. It does seem to sidestep the whole issue of class, which is so much at the core of what empire is. It’s like some people are benefiting from these mechanisms, and that benefit is going up to the top of a very small class of folks, and that seems to be how the capitalist empire of America works — it’s built on top of the bone-breaking work of so many people who then feel ashamed, like it’s their fault that they’re not doing better. Which is the kind of twisted logic that keeps that going.
Thanissara: Yeah, no, it’s very — it’s brutal in the US, actually. This feels to me like there are very few safety nets or softening. And there’s deep resentment that the working class have been so shafted. With all of their jobs being sent overseas, and the complete collapse of worth and placement. And I think particularly for men, this has been very — in those traditional spaces — it’s given rise to a lot of toxic masculinity. And all of it has been driven by this brutal capitalist profit machinery, to the point where this billionaire class are extremely dangerous to humanity. They’re extremely dangerous. With the wipe of a pen — I was just reading from The Lancet that Musk’s closing down of all of that American aid that was going — we used it a lot, PEPFAR funding for the AIDS pandemic, the medical. It was very important for a lot of the projects. And people die. They’re saying a huge amount of people, 40 million or something, are going to die, as one billionaire just goes, “Ugh, we just get rid of this.” No collective consideration, no sense of that karma. What do we owe? What does he, as a white South African, owe? And his father extracted the mines. So all of this is lacking wisdom, lacking depth, lacking consideration. And it isn’t necessarily the case that — I mean, we have that billionaire class, but in the UK system of the upper classes, they were also brutalized in some ways. And I’m not feeling particularly sorry, but the boarding school systems — they’re emotionally, deliberately, emotionally stunted, so they could go out and perpetuate this cold empire. And do the business without feeling it very much. So there’s a lot of damage on that level. And you see it in the elite class, the political class of Britain. You see a lot of this emotional stunting. They can’t relate, they can’t feel, and they’re dangerous. So I think all of these things — and everyone is subject to suffering, wherever they are. But unless we understand the internal causes of that, then there’s always a sense we’re compensated by material gain. This is one of the fundamental illusions that we’re under in this capitalist system. So all of this I really think we should be talking about in the Dharma scene, and with a more revolutionary spirit. Because it’s not just going to be a change of policy here and there. There’s such a deep level of systemic shift that has to — and psychological, and of consciousness, underwritten by an understanding of: we’re all in one entangled reality. So it’s a job, I think, of Dharma folks to help narrate that, and help bridge and find ways through, and help illuminate the task at hand, at depth, not just at policy level.
Vince Horn: Thank you. Thanks for that lion’s roar. Thanissara, is this a good time to open it up for other folks’ comments, questions? We’ve got about 12 minutes here. If there’s anything else you want to share before we do that.
Thanissara: No, no. I don’t think I should, sorry. I’ve been on my high horse.
Vince Horn: Well, you know, the lion’s roar — maybe there’s a high horse that the lion sits on sometimes. But I hear a lot of wisdom in what you just shared, and I appreciate it.
Join Us Live Next Week:
If telling the truth can cost everything, what does our silence cost? Vince Fakhoury Horn and Daniel Klein speak about complicity, self-betrayal, and the quiet we mistake for peace.



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In “The Most Slept-On Meditation Object,” Vince Horn introduces the kasina — the visual concentration object that dominated Early Buddhist practice yet is barely used today — and lays out a 12-week curriculum that maps color & elemental kasinas onto the full arc of the eight jhānas, and then finishes with the technodelic practice of breath kasina.
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💬 Transcript
Vince Horn: So welcome to Kasina. The backdrop for this practice, as you all know — this is really meant to be a concentration-based practice. So when I zoom back out to kind of the bigger picture for me, looking at all the different ways we could meditate, this is one technique that is part of the approach that I would just simply call concentration.
And concentration for me is the practice of bringing attention to a single point, the result of which is unification. We become one with the point of focus. We become fused or merged, you could say, with the object. Of course, there’s a gradual process by which that happens. It’s not that we instantly merge, although sometimes that can happen.
And the kasina in this case is a visual orb or a circle. It is literally a visual point. It literally translates — the word — into English as All, Whole, or Complete. That’s the meaning of the term kasina. And it occupies a really important place in the Early Buddhist tradition.
It’s listed in the Visuddhimagga, which is an important commentary, a commentarial text that was written a thousand years after the time of the Buddha, but is kind of like a super hardcore nerdy meditation manual. In that manual, it lists 40 different meditation objects that you can use to train your concentration, and to go deep in concentration. And a full quarter of these 40 are these visual kasina objects.
So it’s literally the most common object you’d see in the Early Buddhist tradition. And yet you’ll notice in modern times, it’s one of the least commonly used. So that’s quite interesting. I think because of that, kasinas are one of the most slept-on meditation objects in modernity. We’re somehow not tapping into the tremendous power of using the visual processing systems that we all are born with, which actually dominate our nervous system.
Looking into this, researching this, I found out 30 to 40% of the brain’s cortex is wired for vision. Compare that to hearing, which is only 3 to 5%. We are deeply visual beings. Under typical conditions, actually, vision uses 5 to 10 times more bandwidth than touch, which is the second most bandwidth-intensive sense.
Neurobiologically, we are actually deeply wired to see. And also from a neurobiological perspective, circular orbs make really good concentration objects, and there seem to be a few reasons for this that I’ve been able to kind of detect.
One is there’s a really similar parallel between our eyes and the shape of our eyes and the shape of the kasina. Your retina is basically circular, and lenses in our eyes focus light in concentric rings, so the round shape of the kasina maps neatly onto the geometry of our eyes.
And like I said earlier, so much of our brain is actually wired for visual processing, and the early visual neurons are tuned to detect edges and symmetries. In the visual processing, that’s among the first things that happen — we detect edges and symmetries. Circles, of course, are pure symmetry, so there are no sudden directional shifts when you’re looking at a circle. The signal is much more clean and predictable. This is another reason I think the kasina is such a powerful object.
We also have to consider how attention — human attention — has evolved. Here, smooth, continuous boundaries tend to stand out against jagged, natural edges. Think rocks, branches, trees.
So if you see things like berries or fruits or faces, the Sun, the Moon — all of these natural objects that humans have been evolving with — we evolutionarily can reward these things with quick detection, because they’re important for our survival.
And then finally, I just note that when you’re resting your attention on a circle, there’s no privileged starting point.
There’s no point at which your attention can look and be like, “Oh, that’s the point that you start with.” So your eyes don’t keep darting to all the angles and ends. Actually, they kind of do. I’ll share from my own experience: I’ve noticed, as I rest my attention in the kasina, if you get focused, you can actually start to see the ways your eyes are constantly, very rapidly looking for edges.
And you’ll see, actually, in the circle — this is my experience — you’ll see in the circle all of these sort of edges at the very edge of the circle constantly being re-perceptualized. But because there isn’t any privileged edge to stay with, your mind can kind of rest more in the circle itself, so it’s easier to hold in meditation.
So these are some of the reasons I think the kasina is a really natural object to focus on, and that we are, in a sense, hardwired to be able to. I suspect that’s why in early Buddhism, 10 of the 40 objects were kasinas. And I suspect also, based on what you all have shared and just kind of thinking more deeply about this, in some ways, maybe this is why kasina isn’t the most popular form of meditation, because it potentially is too effective, right?
If you have an experience where suddenly things get really intense or trippy, like you’re tripping on psychedelics, you might be like, “Oh, whoa, wait a second. Let me chill for a minute. I’ve got to go to work in the morning.” “I’ve got to go on a date tonight,” or whatever. “I’ve got to take care of the kids, take care of dinner.”
Yeah, that actually could be quite disruptive. If you’re a meditator or monk living a thousand years ago in a monastery and everyone around you is just constantly tripping out on things, it makes sense. But in the modern world perhaps, it’s a little bit disruptive to get into such deep concentration states so rapidly, or maybe we just don’t have a reference point for it with other objects of concentration, so it’s maybe a little scary.
I could totally see that. So just want to kinda honor the reality of that.
The way I want to approach this training together in kasina — we have 12 weeks from here, and I’ve kinda laid out the kasina training in a very specific kind of curriculum. The first eight weeks will just be focused on working with visual kasina, and each week we’re going to move between different kasinas.
We’re going to try a different object. Now, that doesn’t mean that I’m suggesting that you all should be following along with your own personal practice with that kasina, although if you do that, you’ll probably get some benefits. You’re very welcome to engage with this content in whatever way seems appropriate to your practice, just as a reminder.
I know you’ll do that anyway, but you don’t have to make this your primary practice while you’re doing it if something else is primary. But of course, the more you engage with the practice, the more you’ll learn.
In the first four weeks, I want to focus just on the arc called the Rūpa Jhāna arc, so focusing on the first four jhānas. So each week we’ll both cover a different kasina — in the first four weeks, we’ll focus actually on the color kasinas, just simple visual orbs that are made of a solid color. We’ll start with Red in the first jhāna, then we’ll move to Yellow in the second jhāna, Blue in the third jhāna, and White in the fourth jhāna.
And I have some reasonings for that. I think that’s kind of the best matchup that one can make between the actual colors and what they evoke, according to tradition and my experience, and the qualities of each of these jhānas. So we’ll both be exploring the jhānas as we go along, exploring these progressively more subtle states of meditative absorption, while also exploring different kasina objects that seem to pair nicely with each jhāna.
In the second four-week chunk, you could say, of the training, we’ll shift toward what are called elemental kasinas. Some of you mentioned practicing with a candle flame, the classic fire kasina. Here we’ll turn toward using elements to help us access what are called the arūpa jhānas, the formless jhānas, the fifth, sixth, seventh, and eighth jhānas.
So week 5, we’ll focus on the earth kasina and use that to scaffold our way into infinite space. What? Earth and infinite space? Those seem like opposites. Yeah, in a way they are, but there’s longstanding tradition in — actually, multiple practice traditions I’m aware of — where you can use the earth element to help you get connected more with space.
In this case, we’ll work on sort of expanding the earth element to include all of space, and then removing the earth element. And what’s left when you remove the earth? Space.
With week six, we’ll shift toward the water kasina, and we’ll use the reflective quality of water as a way to explore the jhāna of infinite consciousness, which is very similar in terms of the mirroring, the containing everything without being anything, the fluidity of consciousness, the fluidity of water.
In the seventh week, we’ll shift to the fire kasina, and explore the jhāna of nothingness. Fire consumes, turns everything into formlessness, you could say. And then finally, in the eighth week, we’ll focus on the air kasina, but we’ll use an interesting kind of Tibetan Dzogchen-inspired imagery, which is the rainbow on blue sky to explore the kasina of neither perception nor non-perception.
Air is the most subtle element. As you know, it’s invisible, known only through its effects, and the rainbow, something perceived but not there, a pure perceptual event with no location or substance, neither perceived nor not perceived.
That is the kind of pattern that I’m proposing that we follow for the first eight weeks, and then in the last four weeks, which is completely optional if you’d like, this will require a little bit of an additional investment on your part if you want to do the last four weeks, because for the last four weeks, we’ll be focusing on what I call the Breath Kasina. And the Breath Kasina uses — or it requires, actually — a wireless respiration belt. This is the one I’ve used to design the breath kasina. And we’ll use the kasina.app, which is a web application developed over the last couple years as an aid, both in the visual kasina section.
If you’d like a digital kasina object, you could absolutely use it. If you want to make your own analog kasina, of course, you can do that as well. That’s going to be completely fine and maybe preferable for some. But you’ll need the digital version to do the breath kasina practice, because what the breath kasina is, is it’s a way of linking together a visual circular orb and your real-time breath.
As you breathe in, the orb expands. As you breathe out, the orb contracts. I developed the idea for this a long time ago because I was struggling to integrate my experience with visual kasina practice and somatic breathwork. I felt like they were bringing me in almost opposite directions. It felt like a real problem.
So in my mind, I was like, well, if I could just visually see the kasina and have it be linked with my breath, I could somehow merge my awareness of the two into a singular somato-visual meditation object. That only became possible for me to actually build as AI has gotten better, and I’ve been able to use those tools to actually take this concept and make it reality.
And it turns out it works extremely well. So for the last four weeks, we’ll be focused on the breath kasina. Again, for those that would like to purchase a respiration belt and follow along. If you’re not interested in doing that or if you’re not feeling the resonance with it, totally understandable, totally okay.
But in the last four weeks, what we’ll be doing is basically focusing on some different things that I’ve learned about breath kasina, different practices I found helpful there, some foundational ideas and also talking about some more advanced integration, because we’re really talking at this point with the breath kasina about advanced practice of kind of weaving together, stitching together different sensory experiences into a bigger whole, which is more complex and more integrated.
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