Open Country

Hedges are such a traditional part of the British landscape that most of us don't give them a second thought. They're usually associated with the enclosures of the 17th-19th centuries, when the medieval farming system gave way to enclosed fields surrounded by hedges - designed to keep sheep in and people out. But, as Martha Kearney finds out, many hedges are far older than that - going back thousands of years in some cases.
In this programme, Martha explores the history and future of the hedge. She learns that there are an estimated 400,000 miles of hedgerow in Britain, despite the fact that many hedges were grubbed up and destroyed in the years since the Second World War. She talks to a wildlife expert, who explains why hedges are so important for wildlife and outlines the vital role they have to play in the ecosystem.
Martha visits a hedge-laying course in Devon, where trainees are learning this ancient skill, and tries her hand at the craft using a billhook. She discovers that Devon has a hedge style all of its own.
Producer: Emma Campbell

It's an ancient hunting ground with thousands of 'veteran' trees. Henry VIII visited often as it was the seat of the Seymour Family at nearby Wolfhall. Martha visits the forest to learn about its past as well as how ecologist Andy Harris and forester Nikki Morgans manage this special site and aim to 'future proof' it protecting the ancient trees and wildlife for the next thousand years. Historian Graham Bathe helps her measure one of the thousand year old trees and Emma Heard who produces the Weird Wiltshire blog recounts tales of hauntings from the forest.
Producer: Maggie Ayre

The Mourne Mountains in County Down are home to Northern Ireland’s highest and most dramatic peaks - a landscape often shrouded in cloud and rain. Yet in recent years thousands of fires have broken out across the range, the majority believed to have been started deliberately. Dry weather and hotter summers linked to climate change have made conditions even more hazardous, alongside the degradation of peat bogs and increased soil erosion.
Martha Kearney visits County Down to hear how local people have been affected, including farmer Sam McConnell and mountain rescue volunteers Neville Watson and Alwynne Shannon. She also discovers what is being done to mitigate the devastation, meeting lead ranger James Fisher and wildfire recovery ranger Linus Voksepp from the National Trust to learn about their vital restoration work.
Producer: Eliza Lomas

Have you ever heard of a black poplar? You've probably seen one, at least in a painting, even if you didn't recognise it as such. The black poplar is Britain's most endangered tree, and features in Constable's famous work, The Hay Wain. Martha Kearney is in Suffolk to see black poplars at Flatford Mill, the location in the painting, and to talk to botanical artist Ruth Wharrier about painting from nature. With tree wardens David Appleton and Fe Morris, Martha surveys new trees on the riverbank nearby. She finishes by visiting a new clone bank of trees at Jimmy's Farm, which are thriving between the wolves and polar bears. Without active support, this native British tree could disappear from our countryside altogether.
Suffolk Tree Warden Network: https://www.suffolktreewardens.org.uk
https://ruthwharrier.com
https://www.suffolkwildlifetrust.org/adult-learning/botanical-art
Producer: Beth O'Dea

Tucked away in a wooded valley on the outskirts of Bristol is a magical woodland nature reserve, Snuff Mills. Helen Mark discovers what lies beneath the trees, a now peaceful place with a history of heavy industry, where milling and stone quarrying has left behind a stunning playground for walkers and climbers. Local residents John, Beryl and Margaret grew up next to the quarry and witnessed its transformation from their secret playground to a busy public park. Engineer Geoff Wallis helped to literally unearth a fascinating piece of industrial history, and Steve England shows Helen the natural secrets of the valley.
Following the stones of the quarry Helen crosses the river and finds the grounds of what was once Bristol’s asylum and – Helen hears from volunteer Anwyl Cooper-Willis - a landscape carefully designed to be therapeutic for patients and speed their recovery. But where does the name Snuff Mills come from? Is it really one of the most haunted places in Bristol? And which Hollywood star has a connection with the Asylum's story?
Presented by Helen Mark
Produced by Beth Sagar-Fenton
Assistant production by Ellie Richold
Series Producer: Emma Campbell