One F*cking Hour

Episode 172: Evan, Rémy & Marcus unravel Brian De Palma’s SISTERS (1972), a blood-soaked Hitchcockian psycho-sexual nightmare of conjoined twins, fractured identities, and a murder witnessed through the wrong window.

SET A REMINDER – October 21st at 8PM, the YOU CAN SEE EVERYTHING live call-in show: https://www.youtube.com/watch?v=VmMitewxl_0

If you are able to support Tom Fitzgerald, please sign up for the OFH Patreon: http://patreon.com/onefuckinghour

Episode 171: One F'n Tober is upon us! Evan, Rémy and Marcus dive into Ken Russell’s The Devils (1971), a feverish collision of religious hysteria, sexual obsession, and political power starring Oliver Reed and Vanessa Redgrave. After decades of censorship and controversy, the film arrives in U.S. theaters uncut and restored in 4K for the first time on October 16th. Get tickets here: ⁠https://www.thedevils.movie⁠

If you are able to support Tom Fitzgerald, please sign up for the OFH Patreon: ⁠http://patreon.com/onefuckinghour⁠

Episode 1970: Evan, Rémy & Marcus go one f'n hour on Barbara Loden’s WANDA (1970), a raw, radical masterwork about alienation, failure, and a woman adrift on the margins of American society – and truly one of the best movies of the decade!

Episode edited by Ian McDonald: ⁠https://www.instagram.com/ianscottmcd/⁠

If you are able to support Tom Fitzgerald, please sign up for the OFH Patreon: ⁠http://patreon.com/onefuckinghour

Episode 169: Evan, Rémy and Marcus revisit Last Summer (1969), a sun-soaked coming-of-age tale that slowly descends into something far darker and more disturbing. We unpack the film’s provocative performances, shifting morality and brutal final act that feels like a precursor to The Last House on the Left.

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Episode 168: Evan, Rémy and Marcus go One F'n Hour on PRETTY POISON (1968) Noel Black's razor-sharp cult classic that disguises itself as a quirky romance before revealing one of the darkest and most subversive American films of its era. From Anthony Perkins' unforgettable performance to Tuesday Weld's chilling turn and the film's biting commentary on fantasy, manipulation, and suburban America, we unpack how this overlooked gem became one of the greatest cult movies of the 1960s.

If you are able to support Tom Fitzgerald, please sign up for the OFH Patreon: ⁠http://patreon.com/onefuckinghour⁠