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Folger Shakespeare Library: Shakespeare Unlimited

Folger Shakespeare Library
Folger Shakespeare Library: Shakespeare Unlimited
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  • Harriet Walter: New Words for Shakespeare's Women
    Shakespeare’s plays are filled with unforgettable women—but too often, their voices are cut short. Ophelia never gets to defend herself. Gertrude never explains her choices. Lady Anne surrenders to Richard III in silence. In her new book, She Speaks: What Shakespeare’s Women Might Have Said, acclaimed actor Dame Harriet Walter imagines what those characters might tell us if given the chance. Through original poems, Walter reimagines moments of silence, expands on fleeting lines, and provides depth to women who were left without a final word. Walter invites us to see Shakespeare’s plays in a new light—reconsidering how we understand his female characters, and how their voices might transform the stories we thought we knew. From the Shakespeare Unlimited podcast. Published October 7, 2025. © Folger Shakespeare Library. All rights reserved. This episode was produced by Matt Frassica. Garland Scott is the executive producer. It was edited by Gail Kern Paster. We had help with web production from Paola García Acuña. Leonor Fernandez edits our transcripts. Final mixing services are provided by Clean Cuts at Three Seas, Inc. Dame Harriet Walter, DBE, is one of Britain’s most esteemed Shakespearean actors, whose roles include Ophelia, Viola, Lady Macbeth, Cleopatra, Brutus, King Henry IV, and Prospero, among others.. She has received a Laurence Olivier Award, as well as numerous nominations, including a Tony Award nomination, three Primetime Emmy Awards, and a Screen Actors Guild Award. Walter is also well-known for her appearances in Sense and Sensibility, Atonement, Downton Abbey, The Crown, Succession, Killing Eve, and Ted Lasso, among many other notable projects. In 2011, she was appointed Dame Commander of the Order of the British Empire (DBE) for services to drama.
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  • Stephen Greenblatt on Christopher Marlowe
    Christopher Marlowe and William Shakespeare were both born in 1564, rising from working-class origins finding success in the new world of the theater. But before Shakespeare transformed English drama, Marlowe had already done so—with Tamburlaine the Great and the introduction of blank verse to the stage. As Stephen Greenblatt argues in his new biography, Dark Renaissance: The Dangerous Times and Fatal Genius of Shakespeare’s Greatest Rival, virtually everything in the Elizabethan theater can be seen as “pre- and post-Tamburlaine.” Shakespeare learned from Marlowe, borrowed from him, and even tried to outdo him. Beyond his theatrical innovation, Marlowe was a poet, provocateur, and likely spy whose turbulent life was cut tragically short. In this episode, Greenblatt explores Marlowe’s audacious works, his entanglements with power and secrecy, and his lasting influence on Shakespeare and the stage. From the Shakespeare Unlimited podcast. Published September 23, 2025. © Folger Shakespeare Library. All rights reserved. This episode was produced by Matt Frassica. Garland Scott is the executive producer. It was edited by Gail Kern Paster. We had help with web production from Paola García Acuña. Leonor Fernandez edits our transcripts. Final mixing services are provided by Clean Cuts at Three Seas, Inc. Stephen Greenblatt is Cogan University Professor of the Humanities at Harvard University. He has written extensively on English Renaissance literature and acts as general editor of The Norton Anthology of English Literature and The Norton Shakespeare. He is the author of fourteen books, including The Swerve, winner of the Pulitzer Prize and National Book Award, and Will in the World, a Pulitzer Prize finalist.
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  • Al Letson on his play Julius X
    You may know Al Letson as a journalist—he’s the host of the popular investigative podcast Reveal. Before that, he created and hosted the public radio show State of the Re:Union. But Letson is also an actor, writer, playwright, and poet. His play Julius X: A Re-envisioning of The Tragedy of Julius Caesar by William Shakespeare kicks off Folger Theatre's 2025-26 season. Julius X isn’t an adaptation of Julius Caesar — it’s a new play that borrows from Shakespeare’s language, characters, and plot to tell a different story. In Letson’s play, Julius X is a fictionalized version of Malcolm X. The play mixes lines from Shakespeare with Letson’s original poetry and songs. It expands the roles of Shakespeare’s female characters, as well as that of Cinna the poet. Letson discusses the origin story of Julius X - a hint: it involves an audition, his lifelong love for Malcolm X, and the lessons he learned as an artist from Bill Moyers' series, The Language of Life: A Festival of Poets. From the Shakespeare Unlimited podcast. Published September 9, 2025. © Folger Shakespeare Library. All rights reserved. This episode was produced by Matt Frassica. Garland Scott is the executive producer. It was edited by Gail Kern Paster. We had help with web production from Paola García Acuña. Leonor Fernandez edits our transcripts. Final mixing services are provided by Clean Cuts at Three Seas, Inc. Al Letson is the Peabody Award-winning host of Reveal. Born in New Jersey, he moved to Jacksonville, Florida, at age 11 and, as a teenager, began rapping and producing hip-hop records. By the early 1990s, he had fallen in love with the theater, becoming a local actor and playwright, and soon discovered slam poetry. In 2000, Letson placed third in the National Poetry Slam and performed on Russell Simmons’ Def Poetry Jam, which led him to write and perform one-man shows. In Letson’s travels around the country, he realized that the America he was seeing on the news was far different from the one he was experiencing up close. In 2007, he competed in the Public Radio Talent Quest, where he pitched a show called State of the Re:Union that reflected the conversations he was having throughout the US. The show ran for five seasons and won a Peabody Award in 2014. In 2015, Letson helped create and launch Reveal, the nation’s first weekly investigative radio show, which has won two duPont Awards and three Peabody Awards and been a finalist for the Pulitzer Prize twice. He has also hosted the podcast Errthang; written and developed several TV shows with major networks, including AMC+’s Moonhaven and Apple TV+’s Monarch; and DC Comics recently released his series Mister Terrific: Year One.
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  • Director Rosa Joshi on Julius Caesar Today
    Shakespeare’s Julius Caesar feels urgently contemporary in Rosa Joshi’s new production at the Oregon Shakespeare Festival—one of America’s largest and longest-running theater festivals, now in its 90th season. Staged in partnership with Seattle’s upstart crow collective, the production explores the threat of autocracy, drawing on global histories of dictatorship. Performed entirely by women and nonbinary actors, Joshi’s Julius Caesar offers new perspectives on a historically male-dominated political landscape. The result is a fresh reading of Shakespeare’s classic tale of power, loyalty, and betrayal. In this episode, Joshi reflects on the production, the politics of performance, and why Shakespeare’s plays continue to illuminate moments of crisis. >> Discover more about Julius Caesar at the Oregon Shakespeare Festival From the Shakespeare Unlimited podcast. Published August 25, 2025. © Folger Shakespeare Library. All rights reserved. This episode was produced by Matt Frassica. Garland Scott is the executive producer. It was edited by Gail Kern Paster. We had help with web production from Paola García Acuña. Leonor Fernandez edits our transcripts. Final mixing services are provided by Clean Cuts at Three Seas, Inc. Rosa Joshi (she/her) is a director, producer and educator. She currently serves as Associate Artistic Director of Oregon Shakespeare Festival. Rosa’s directing work spans from Shakespeare to modern classics and contemporary plays. Throughout her career she has created work independently through self-producing, and in 2006 she co-founded upstart crow collective a company that produces classical plays with diverse casts of women and non-binary people. With upstart crow, she has directed King John, Bring Down the House, Richard III, Titus Andronicus, and Coriolanus. She is committed to creating ambitious productions of classical work featuring women, non-binary, and BIPOC artists. As Interim Artistic Director of Northwest Asian American Theatre, Rosa produced a range of Asian American performances, including: A-Fest, an international performance festival; Traces, a world premiere multi-disciplinary, multi-media, international collaborative work. She was also a Resident Director and Artistic Director of the Second Company at New City Theater, where she directed and produced various classical and contemporary plays. Rosa has been a faculty member at Seattle University and has also taught at The Old Globe University of San Diego Shiley Graduate Theatre Program, Hong Kong University, Hong Kong Academy of Performing Arts, and Cornish College for the Arts. Rosa holds an MFA in Directing from the Yale School of Drama and a BA in Theatre and Psychology from Bucknell University.
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  • Reading Jane Austen in the 21st Century with Patricia A. Matthew
    250 years after her birth, Jane Austen is more popular than ever, with the publication of new editions of her novels and numerous new film adaptations in production. But what does it mean to read and edit Jane Austen today through the lens of colonialism, cartography, and race? Scholar Patricia A. Matthew, who recently edited new editions of three Austen novels, joins us to explore the ongoing fascination with Jane and share new research about the Regency era. How wealth from Caribbean sugar plantations and slavery shaped the world depicted in Austen’s novels—and how today’s readers can confront the economic and imperial histories embedded in Regency-era fiction. During her fellowship at the Folger Shakespeare Library, Patricia Matthew examined archival materials, including legal texts, maps, travel logs, and legal documents, to gain a better understanding of colonial sugar plantations in the Caribbean. She looked at how empire and enslavement wealth from the new world, slavery, and race informed (or didn’t) the literature and visual culture of the 18th– and 19th–century Britainies. This research now shapes Matthew Patricia’s new annotated editions of Pride and Prejudice, Northanger Abbey, and Mansfield Park, and opens up broader conversations about adaptation, nostalgia, and canon formation. From overlooked maps folded into rare archival books to questions of literary escapism and cultural memory, Patricia offers a rich and expansive perspective on Jane Austen, her era, and her legacy in 2025. >> Pre-order Patricia Matthew’s new editions of Pride and Prejudice, Northanger Abbey from Penguin Classics, and Mansfield Park from Norton Library. From the Shakespeare Unlimited podcast. Published August 11, 2025. © Folger Shakespeare Library. All rights reserved. This episode was produced by Matt Frassica. Garland Scott is the executive producer. It was edited by Gail Kern Paster. We had help with web production from Paola García Acuña. Leonor Fernandez edits our transcripts. Final mixing services are provided by Clean Cuts at Three Seas, Inc. Patricia A. Matthew is Associate Professor of English at Montclair State University, where she teaches courses on the History of the Novel and Romantic abolitionist culture. She writes about Regency-era literature and culture for scholars and the public in journals and publications including Texas Studies in Literature and Language, Women’s Writing, Lapham’s Quarterly, The Times Literary Supplement, and Slate. She co-edits the Oxford University Press book series Race in Nineteenth-Century Literature and Culture. She is also director of the Race and Regency Lab and editor of Penguin Random House’s 250th anniversary editions of Jane Austen’s Pride and Prejudice and Northanger Abbey. Winner of fellowships from the National Humanities Center and the British Association for Romanticism Studies, she is currently writing a book about abolition, material culture, and gender for Princeton University Press. She lives in Brooklyn, New York.
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Home to the world's largest collection of Shakespeare materials. Advancing knowledge and the arts. Discover it all at www.folger.edu. Shakespeare turns up in the most interesting places—not just literature and the stage, but science and social history as well. Our "Shakespeare Unlimited" podcast explores the fascinating and varied connections between Shakespeare, his works, and the world around us.
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