This month, Dua sits down with acclaimed French novelist Jean-Baptiste Del Amo to discuss his haunting novel The Son Of Man – a tense, unsettling exploration of masculinity, patriarchy, and the cycles of violence passed from father to son. Set largely in an isolated mountain house in rural France, the novel follows a family upended by the sudden return of a father whose past trauma slowly reveals itself in devastating ways.
“This is a dark book, even by my standards,” Dua says. “And yet, there’s also real beauty here.”
During the interview, Jean-Baptiste tells Dua why he wanted The Son of Man “to talk about all the fathers and all the sons,” and how he used the narrative to confront how violence is learned, inherited, and repeated. He also speaks of his commitment to writing characters who are rarely centred in French literature, drawing on his background in social work to tell these kinds of stories.
Together, Dua and Jean-Baptiste delve into how the novel’s claustrophobic structure draws you into the story, the author’s decision to focus on just three central characters, and the way small, visceral details signal the father’s unpredictable energy.
As their conversation unfolds, they reflect on the emotional complexity of the novel’s title and its relevance in today’s world. Against the backdrop of ongoing global conversations about male violence, The Son Of Man asks urgent questions about trauma, responsibility, and whether it’s possible to break inherited chains of behaviour.
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