A History of Marketing

A History of Marketing / Episode 45 Today marks exactly one year since I hit publish on the very first episode of A History of Marketing. I wanted to do something special for the anniversary, so I’m happy to share my excellent conversation with Rory Sutherland.You may know Rory from his Ted Talks which have been viewed by millions, or his TikToks which have been viewed by tens of millions. He is the Vice Chairman at Ogilvy and the founder of their behavioral science practice.I’m a big fan of his book, Alchemy: The Dark Art and Curious Science of Creating Magic in Brands, Business, and Life. As we discuss on the podcast, Alchemy is all about how marketers think, rather than just what we do.Listen to the podcast: Spotify / Apple PodcastsWe also cover:* The real David Ogilvy: Rory shares about meeting David Ogilvy, and the parts of Ogilvy’s life you won’t find in his books, like his stint as a British spy in Washington during World War II.* The “Capital M” vs. “small m” marketing mistake: Why the industry got marketing wrong by turning it into a department rather than a way of thinking.* Behavioral science and business: How to practically apply behavioral science and “nudge” to marketing strategies.Rory has a way of using history and behavioral science to reveal “unseen opportunities” that most traditional data misses. This conversation changed how I think about the role of marketing, and I hope it does the same for you.Special Thanks:Thank you to Xiaoying Feng, a Marketing Ph.D. Candidate at Syracuse, who volunteers to review and edit transcripts for accuracy and clarity.And thank you to Paul Feldwick, whom you may remember from episode 30 of this podcast, for introducing me to Rory.Espionage, Aerophobia, and the “Hidden” Psychology of David OgilvyAndrew Mitrak: I wanted to ask you about David Ogilvy. I wanted to start with him because he’s such a big figure, and I love his books. I haven’t actually discussed him that much on the podcast, and you’ve worked at Ogilvy since the late ‘80s. I’m wondering if you have an element of David Ogilvy’s success that you’ve learned from working at Ogilvy that I wouldn’t have learned from reading one of his books.Rory Sutherland: I only met him once, and I can date it more or less exactly because it was after the Eurostar opened—the tunnel train tunnel between France and the UK. David was absolutely terrified of flying. In fact, in later life, he crossed the Atlantic by ship in preference to flying. He was absolutely paranoid about flying. I’ve met people who met him off flights, and he kind of emerged down the jetway as a kind of physical wreck. So, he was only really prepared in later life to travel to London after the train service opened. Consequently, I only met him once. I knew his wife, later widow, quite well subsequently because we used to have Ogilvy events and WPP events indeed at the Château de Touffou where he’s in fact buried.I think actually there’s a part of his life as well where he will emerge actually even more interesting than he’s believed to be at the moment. Part of his life, which was effectively with British Intelligence in Washington, D.C. during World War II, when he worked with, for example, Ian Fleming and a few other people.Andrew Mitrak: There’s the book about this called The Irregulars. It’s fantastic.Rory Sutherland: The Irregulars, which is absolute—yeah, which I think I might have actually discussed this with the author. Of course, he was, whether it was just discretion or he was actually D-noticed or had signed the Official Secrets Act, but I’m fairly sure that during his lifetime he wasn’t really allowed to talk about this period of his life. A large part of which, I think, was effectively persuading the US to enter the war in the very beginning of 1940-41, pre-Pearl Harbor. He was engaged in persuading the US to enter the war, and then presumably also persuading the US to enter the war in Europe before they fully embarked on the war in the Far East. So, a large part of that was probably involved with his previous experience with Gallup; he would have been effectively gauging public opinion and working out the right strategies for getting American support, which was by no means, certainly in terms of the war in Europe, by no means automatic, certainly before Pearl Harbor. It’s very similar to World War I, in fact, where obviously Woodrow Wilson—who bizarrely is my fourth cousin twice removed—where Woodrow Wilson effectively fought an election on the whole basis of isolationism and then had to do an about-face. So, I think there’s a whole part of his life which he couldn’t write about at all, which, being a showman, which he was—and I make no apology for that—he would have undoubtedly loved to have written about, but simply couldn’t.Ogilvy’s Psychology of LeadershipRory Sutherland: When I said I met him the once, he presented his work and gave a talk. Interestingly, we’d sort of heard rumors that he was slightly losing his marbles because this would have been—he would have already been in his 80s at that point. But he was completely lucid and fantastically clear in his presentation. I always remember a detail, which is that he’d pinned up a lot of his work, which was then laminated and stuck to the walls. Of course, he then needed it collected, and you had that little awkward social moment where nobody wants to be seen doing the—in a large group of people, no one wants to be seen doing the menial work of collecting the drawing pins and putting everything back in a bag. He simply made the point that he said the work has been pinned up on the wall by the European chairman of Ogilvy, so it shouldn’t be beneath anyone’s stature to help me take it down. So, there was that psychological astuteness, a very, very clever bit of behavioral science. Look, if the second most senior person in the room has pinned this work to the wall, none of you should feel any diminution of status by removing the drawing pins. So, he was clearly that sort of very astute psychologist even in his—I’m trying to work out the date, he was born in 1911, so he would have been in his sort of mid-80s, I’m guessing. He died in ‘99 [sic], I think, if I’ve got that right.The Limits of Traditional Market ResearchAndrew Mitrak: Yeah. So, you mentioned how he has this intuitive behavioral science sort of understanding. He also worked for Gallup, and he really preaches about research, research, research in his books. A lot of your work is sort of where does research fall short, right? A lot of your insights are about what is intuitive or psychological where people aren’t stating their preferences? Marketers are being intuitive and uncovering revealed preferences through behavior. I’m wondering, do you have a heuristic for where research falls short, or where you might disagree with Ogilvy on his take on marketing research?Rory Sutherland: I mean, we can overstate this, because it’s often taken, my view, that market research is a terrible thing because people don’t know why they do what they do, which is to some extent true. Now, this is not to say that a lot of research can’t be both useful and accurate. If people really hate something and they say they hate it, it’s undoubtedly worth taking that on board. You could learn an awful lot about what you’re getting wrong by simply researching your customers. There are also, which David didn’t have to the same extent, completely free sources of information like call centers, which I always think are a massively underutilized resource because they’re the place where you learn what you’re getting wrong, or what your customers can’t do online, or all manner of things. So, don’t get me wrong. He never said this famous phrase often attributed to him: that the trouble with market research is that people don’t think what they feel, they don’t say what they think, and they don’t do what they say. That’s somebody else who said that. I don’t think David would have said it because he was undoubtedly a research advocate because he preferred the discipline of research to what he called sort of random creative self-indulgence.Tacit Knowledge and Entrepreneurial ArbitrageAndrew Mitrak: It’s funny because I want to pause on that line real quick because it’s in your book. It’s in Alchemy, but you say in Alchemy that you don’t think he ever said that, or you can’t confirm whether he ever said that. So you found out that he did not say that?Rory Sutherland: Well, certainly nobody, and several colleagues of mine had tried to find an accurate attribution. I think if you go to something like Quote Investigator online, it has been attributed to other people, possibly earlier than David. And by the way, I mean, that’s not completely true. A lot of the time we do actually think what we feel, and we say what we think, and we do what we say. What is important, though, is that the tacit information is disproportionately valuable because it’s there that you can find yourself either under a massive illusion about what people really want because it’s what they say they want. Lower prices would be an example. It would be very, very dangerous to take that literally because people always say it because it’s a rational-sounding answer. “I’d do this more often if only it was cheaper.” Well, that’s both true and not true, and in any case, there will also be a chunk of people who will never tell you that they’d do something if it were only more expensive. So, around price, for example, there’s an enormous amount of misinformation. Also, information that’s tacit, which therefore isn’t in the public domain, is disproportionately valuable because it’s a source of kind of entrepreneurial arbitrage. And you know, I mean, okay, if you—nobody when Steve Jobs came along was really actively saying, “I’d buy a computer if only they weren’t so f**king ugly.” Okay? Nobody was really saying that. And so, an awful lot of entrepreneurial activity involves a bet on something which you assume to be felt but not said. Because the things that are said are already in the public domain and there’s no competitive advantage to be gained. It’s a bit like the stock market; it’s already priced in.I’ll give you an interesting example of this because I’ve been campaigning recently that hotels should provide monitors in the room. Because my argument is, I spend much more time in hotel rooms working than I do watching TV. And so, if either you had a USB-C cable which enabled you to connect reliably to the 4K TV, or you had the option of paying for a monitor in your room, I think a lot of people would go, “That’s great.” What’s weird about that is that until I said it, which was a hypothesis, nobody else was saying this. Because it’s one of those things that’s obvious in retrospect, but because the consumer doesn’t expect there to be a monitor in their hotel room, nobody complains about there not being a monitor in the hotel room. So, you know, all these weird things. I’ve mentioned other things like it really annoys me when I travel with my wife that most hotel rooms either have naught or only one inadequate desk. So one of you always ends up trying to work by propping up a laptop on the bed or on some woefully inadequate table or having to sit outside on a balcony. And the interesting thing about these things is that there are these unmet needs out there in the marketplace, which are really unmet because they’re unsaid, and they’re unsaid because they’re unthought, and they’re unthought because they’re unfelt. However, if you provide these things, my hunch is—and we can disprove this very easily by just charging 20 quid a night for a monitor and seeing what happens—it’s very easy to test that hypothesis.Why Data Without a Hypothesis FailsRory Sutherland: Quite often, I think what we’re trying to do, and Roger Martin is the real guru on this—what we’re trying to do is use pre-existing data as the basis for making a decision. And the problem is pre-existing data is not representative; it’s often completely wrong, or it’s miscategorized, or it’s misunderstood, or it’s simply inaccurate. The proper way to do business is to develop a hypothesis, design an experiment to reliably test the hypothesis, perform the experiment, analyze the data to see whether it refutes or confirms what you believe, and then rinse and repeat. Or act on the information that’s derived. But that starts with a hypothesis, which is an act of imagination. So, David would argue completely—and I wouldn’t disagree for a millisecond—that if the data you already have basically rubbishes a hypothesis, then that data’s really valuable. Or if it likely confirms a hypothesis, then that data could be very valuable in helping you decide what to do next. What isn’t a safe thing to do is this idea of kind of theory-free science where you just rely on the data to tell you what to do.Rory Sutherland: I have a wonderful story about this. On the basis, someone told me this very lunchtime, fantastic person who works for The Times—that’s the proper Times, not The New York Times. And they invested a huge amount of money in a science publication because they had very reliable data that told them that their readership loved reading things about science, and all the most read articles in The Times were about science. So they went and spent a fairly large sum creating a new sister publication and creating an app for it and publishing—and it went nowhere. And it turned out when they investigated it, that what had happened was that all articles about sex and relationships had been tagged as though they were effectively science articles. Because nobody knew how to define them, so they defined them not as social science, I think they defined them as sort of human science or whatever it was. And so all the articles like “Sex in the Olympic Village,” which was the most read article of ten years, which was talking about sexual practices at the Beijing Olympics, were tagged as being science articles. Brilliant informants said that based on that information, we would have probably been better off launching a pornographic magazine than a science publication. Because people are very interested in sex.Andrew Mitrak: Especially among Olympians.Rory Sutherland: Particularly Olympian sex is, of course, massively—you can imagine, that’s the most click-baity, fantastic title imaginable. By contrast, she said, we had a huge success launching a thing called Sun Bingo. And the simple insight was from a single journalist who said, “As soon as they ban smoking in bingo halls, the demand for the online bingo is going to go sky-high.” Now, that was a single anecdotal hypothesis which made them a fortune. And so this idea, I think, this is a product of defensive decision-making. And this is something which is also attributed to David, which he didn’t say, but I’m sure he quoted a lot. It was, funnily enough, originally said by another Scotsman, which is, people use statistics the way a drunk uses a lamp post: for support rather than illumination. And I think what we’ve got to be very careful of is there’s this massive tendency to go, “If you start your presentation with ‘the data tells us...’” Does it mean you’re going to make a very good decision? No. It might help, but I mean, it doesn’t certainly. On the other hand, does it mean you can be absolved of any blame in the event that things go wrong? Yep, absolutely.Research vs. Showmanship: Hopkins, Ogilvy, and FeldwickAndrew Mitrak: You mentioned how David Ogilvy was a showman, and of course he’s a showman. We talked to Paul Feldwick about showmanship; that’s a big topic of Paul Feldwick. We also talked about Claude Hopkins and his book Scientific Advertising.Rory Sutherland: Which Feldwick is less sympathetic to that book than I am, I think. And that’s because he comes from above-the-line advertising, and I come from below-the-line advertising, even though we went to the same school.Andrew Mitrak: I want to get your reaction to this. This is the thing about why he’s sort of dismisses it partly, is that the book is Scientific Advertising and the book would be like: give facts about the product and don’t be frivolous. But then you look at what Lord & Thomas did at this time, and they were doing big publicity stunts like baking the largest cake in the world, which had nothing to do with the product, and they were doing showmanship, and preaching on the one hand facts and scientific advertising, and then doing very unscientific things in a way it was sort of using science as a way to kind of sell your agency, because that’s what your buyers wanted.Rory Sutherland: He tells this wonderful story about Sunny Jim, which is the character that was used to promote Force cereal. And the bizarre thing is they went away from absolutely jingle-led entertainment in the US because Lord & Thomas, I think it was, told them they had to be more scientific and talk about the product. In the UK, the marketing department clearly went rogue. In my own childhood, we had a—and by the way, that was not just an advertising campaign, it was a branded merch campaign, because you could send off a certain number of box tops and £2.50 and have your own cuddly Sunny Jim, who was a weird kind of 18th-century roué character whose sunny disposition came from eating large quantities of the product, presumably. And he makes the point that the brand absolutely succeeded in the UK where it continued with its entertainment-based jingle-led platform, whereas the imposition of scientific advertising in the US was something of a catastrophe for the business.Rory Sutherland: So it ended up being one of those weird things which survived much better in the UK with what you might call a looser advertising regime than in the US. Now, Claude Hopkins, a lot of what he says is absolutely true for bottom-of-the-funnel advertising, direct response, which is before someone can send off a coupon. Okay, it’s very boring to say this, but putting “allow 14 days for delivery,” telling people when to expect their product. In many cases, someone can’t actually buy a product without—they can’t buy a car without knowing how big it is, because they need to know whether it fits in their garage. So at the point of final irreversible commitment, there is a whole lot of factual stuff. And I don’t apologize for this. And by the way, I don’t think internet advertising is always very good at it. A lot of online advertising seems to fall between two stools; that it is neither entertaining nor informative. It’s just transactional. Quite often you go, “Is this thing dishwasher proof?” would be the kind of thing I might want to know before I spend 200 quid on an ice cream making machine. That’s the kind of thing which is really, really important.Rory Sutherland: So Claude Hopkins wasn’t wrong, by the way. He was just talking about a very particular kind of advertising which was off-the-page, which was obviously—but was Lord & Thomas based in Chicago or New York?Andrew Mitrak: I think they were Chicago.Rory Sutherland: Well, you see, there you go. Because Chicago is the world capital of direct marketing. All those great direct marketing powerhouses like Montgomery Ward and I think Sears Roebuck started as a direct marketing house. Chicago, because it was the rail hub, was the direct marketing capital of the US. And so it always had a kind of slightly more Midwestern practical, pragmatic tone of voice because its target audience was farmers. And also it was often doing off-the-page sales or direct marketing of some kind or another, where at that point in the customer journey, there comes a point in the deal where you go, “Okay, I’m happy to buy this car, but when will it be delivered? What color can I get it in?” All that sort of specific stuff. You can leave out of the upper stuff, upper-funnel activity. But at some point, you need to absolutely be clear: okay, what is the deal in which I am now engaging? What am I signing up to? What’s the absolute deal here? What’s the worst-case scenario? Because there’s the creation of desire at the top, you might argue, and there’s the elimination of anxiety at the bottom. And Hopkins was quite largely right, I think, about what you need to do to get someone over the line. There’s a point where you’re looking around a house and the estate agent can crack gags, but when it comes down to the fine print, even someone as frivolous as me would go, “Okay, we do need to get a bit serious about whether the washing machine’s included.”Andrew Mitrak: Yeah, that’s fair. I think also what I’m just putting together now is Claude Hopkins, David Ogilvy, and you, I think all started in direct response, right? And I think that’s a certain—Rory Sutherland: Claude Hopkins and David Ogilvy didn’t actually, but he always said that it was the best place to start. That’s what he said. He always said that the best place for an account person to start was Procter & Gamble, and the best place for a creative person or copywriter specifically, I think, to start would be to spend three or four years working in a direct marketing agency where you learn what works. And where also, by the way, you learn one of the things you learn which I think Hopkins is probably right about as well, I think all good creative people understand this instinctively, is that really small things make a huge difference.The Behavioral Economics of “Small Fees”Rory Sutherland: I was just reading a piece of behavioral economics by the great George Loewenstein at Carnegie Mellon. It’s a famous paper from quite a few years ago, and he’s identified the population basically divides into unconflicted spenders who spend basically pretty sensibly. Then there’s a group of people which is probably 30% of the population who are skinflints. They find the pain of parting with money at the moment of purchase so agonizing that they don’t even buy things that they should buy that would make them happier in the long term. And then there’s a 20% of people who are spendthrifts. Now, here’s one of the most extraordinary findings, which amazed even me, which is they did an experiment where people had basically won or were given as a reward for some piece of work a box set of their choice. It was kind of like Family Guy, The Simpsons, the first season of whatever it was, some DVD program like Breaking Bad or something of that kind. I can’t remember the details; might have been The Sopranos. And then they were told, “We’ll send this to you free within a month, but we can also rush it to you overnight for a fee of $5.95.” Now, that basically put off the majority of the skinflints; they went, “No way am I paying $5.95 to get it four weeks earlier.” However, if you phrased it as, “We can rush it to you overnight for a small fee of $5.95,” then a large number of the skinflints were actually happy to pay. Brilliant, brilliant experiment. To an economist, they would be pained by that because $5.95 to them is $5.95, but if you refer to it as a small fee, then mean people go, “Okay, it was only $5.95.” If you say a fee of $5.95, “No, I’m not paying that.” Now, that’s even by my enthusiastic adoption of behavioral economics, that struck me as pretty goddamn weird. But nonetheless, it may be that a certain group of people find paying for things really painful, and you have to almost mentally prepare them for the act of parting with $5.95 by saying, “It’s almost, I think the implication is, this isn’t the market price, it’s just obviously it’s just a mere bagatelle.” But I find that so interesting.Why Marketing is Fat-TailedRory Sutherland: By the way, I think that we’ve got marketing wrong because I think marketing is fat-tailed. We’re judging particularly performance marketing as if it’s thin-tailed, as if one unit of expenditure delivers a unit of value. Every quantum of cost has to be matched to a quantum of incremental value; otherwise, you’re not allowed to do it. That’s just marketing now defers to finance. And my argument is, I don’t think it’s like that at all. I think the reason you do marketing is because one time in 10, 15, 20—if you’re getting it right—every now and then, you just stumble on something which is a complete game-changer. And I would argue that the way to judge—not all of it, but the way to judge a portion of your marketing expenditure should be very close to, well, for example, a Silicon Valley investment fund, a film studio, a pharmaceutical research laboratory, a publisher, an A&R man in music.Andrew Mitrak: The big hits pay off for the duds, right?Rory Sutherland: The big hits render everything else irrelevant. But whereas if you’re in music A&R and you’ve signed The Rolling Stones, that’s basically your career taken care of. In marketing, if you do the equivalent thing and you sign the Rolling Stones, well, you just get to work for another six months, and then the credit for all subsequent revenue emerging from that breakthrough goes to somebody else. It’s just swallowed into the balance sheet under the line “revenue.” And so, as a marketer, you’re held responsible for every quantum of cost, but you can only claim a small part of the upside, which is exactly what Steve Jobs noticed when he first joined Pixar.Why Steve Jobs Hated Making CommercialsHe went into making commercials, because Pixar was too expensive to make a feature film using that technology. So he was making commercials. And very rapidly Steve Jobs went, “This is s**t. I don’t want to do this anymore because I can only lay claim to a small, finite and predefined portion of any upside I create. I create a commercial that sells $110 million of product, I get paid $300,000. That’s not the kind of business I want to be in.” And every marketer finds themselves effectively in the same position, and every agency also, by the way, finds themselves in the same position.Andrew Mitrak: Yeah. It’s funny, you mention these Pixar commercials. They did these Chips Ahoy! commercials, you know, those terrible chocolate chip cookies and all that stuff. And I still think of, like, when I think of Chips Ahoy!, I think of those commercials. And those are from when I was a little kid. And it’s like, that’s still playing dividends today for that company, even though they paid Pixar once.Rory Sutherland: If Jobs realized, “If I make a film, you know, if you make Toy Story, I’m still earning money from that bad boy ten years later—you know, they’re the DVD sales or the streaming rights and the da-da-da.” Whereas if I make a commercial for Chips Ahoy!, I get paid for making the commercial and the upside—well, actually, it doesn’t even go to the marketing function. It probably goes to the marketing department in the first instance for the first six months of uplift, but the fact that you’re still remembering that ten years later, no one’s getting any credit for that.Andrew Mitrak: Yeah, I think it’s like 25 years later, 20, 25, something like that. Those were before Toy Story, which is like, what, 30 years old now?Rory Sutherland: Crikey, you’re right. That is seriously old. Yeah, yeah, yeah. It’s really old.Why Humanities and History Matter More in a World of AIAndrew Mitrak: So, I want to ask you also about history, because a lot of your examples in your book, in your talks, they draw from history. Of course, there’s like the Frederick the Great potato example, and you have, you know, going through your book, there’s like pictures of a design of a fencing sword from hundreds of years ago. There’s the Parthenon, and you have a chapter called “There’s Nothing New Under the Sun.” I’m wondering, do you read history a lot to get marketing ideas, or is history underrated? What’s your interest?Rory Sutherland: I think that you’ll find that people with a humanities degree become weirdly disproportionately valuable in an AI world.Andrew Mitrak: Totally. I’d like to think so.Rory Sutherland: And you know, I think that we’ve overvalued technocratic skills in relation to creative skills very, very badly in all the Western—and probably everywhere else—education systems. And actually, people who do hardcore degrees like engineering would probably come to agree with that. Einstein actually made exactly that point, which is that it’s the imagination that ultimately is the magical quality that makes us human. Therefore, if we can to some extent automate all the other stuff, what we’re left with is really a massive need for people who can ask better questions rather than get reliable answers, because the second part has already been done for us. You know, that’s taken care of. It’s a bit like, is there any need in an—just as you could ask the question: is there really any need for people learning log tables in an age of electronic calculators? Is there any need for people—I still, I did quite advanced mathematics, I still have no clue what a cosine is. I can’t remember. Okay? I’ve never had to work out the surface area of a cone. But on the other hand, statistical knowledge, I think, becomes more and more valuable because that’s more nuance-ridden. You know, actually, if you’re a statistician with a bad nose for statistics, you can make catastrophically bad errors while thinking you’re being perfectly logical. And so, as technology, in a sense, takes care of one thing, my ability at addition becomes less and less important—I probably need to understand the principles—but whereas my ability in other fields then becomes more and more valuable. So, AI will also sort of, if you like, further move the goalposts a little bit in terms of what we need.Rory Sutherland: And also just general, by the way, the great thing about advertising—which I’ll defend working in advertising and marketing on this grounds alone—which is, if you’re an actuary, you don’t really become a better actuary by sitting outside a cafe and watching people, or going to see a French art-house film, or watching people in the pub, or having a chat with some friends. But as a marketer, anything counts. I mean, you seek inspiration from wherever you can find it. David Ogilvy himself said, a good copywriter is characterized by being an extensive browser in all kinds of fields. And it’s kind of pattern recognition at some level. So, the more parallel field—nothing excites me more than to meet a copywriter who’s into jet engines or trains, or indeed a brilliant copywriter I met in Belgium whose main interest is branding in the medieval era. So he’s absolutely fascinated by medieval history, creative director in Brussels. And he draws extraordinary inspiration from things like, you know, why Charlemagne the Great was the first king ever to be crowned by the Pope. Which was effectively a kind of branding exercise which meant that you no longer had to completely defend your position in combat because you were now effectively divinely sanctioned. And therefore, anybody who sought to actually undermine you was actually taking on God rather than—now, he was chatting to me about this. Now, this is the kind of thing which automatically I find wonderfully reassuring. To be honest, there’s probably a high degree of ADHD which you’ll find in a creative department. Because, funnily enough, being distracted—I mean, of course we mustn’t mischaracterize ADHD—it also makes possible extraordinary feats of concentration. But the capacity to be easily distracted is to some extent in that job, it’s a feature, not a bug. It’s more virtue than vice, I would argue.Modernizing Ogilvy’s ‘Rolls-Royce’ Ad for the EV EraRory Sutherland: And people find creative people frustrating for all kinds of reasons. You know, they tend to miss deadlines or they start—more characteristically, they start work late because they’re waiting to get lucky or they’re waiting for inspiration. Or they change the subject, or they obsess about something which seems completely irrelevant. E.g., David Ogilvy is writing an ad, the Rolls-Royce engineers hated that ad because they’d spent a whole load of time improving the drivetrain and the suspension, and David was writing about the clock.Andrew Mitrak: Yeah, the electric clock that’s quiet.Rory Sutherland: I was saying a similar thing, which is my 21st-century equivalent of the Rolls-Royce “60 miles an hour, the loudest thing in the new Rolls-Royce is the ticking of the electric clock.” I was talking to a bunch of people involved in climate change awareness and particularly the transition to electric cars. I said, you can talk about efficiency till the cows come home. But the best ad for—I don’t know, have you gone electric in your car?Andrew Mitrak: I’m still running on dinosaur juice.Rory Sutherland: You’re on dinosaur juice. It drives, by the way, petrol-heads absolutely insane when you call it dinosaur juice. But I said the best ad I got for my electric car happened when it snowed, and I drove about a hundred miles, and when I arrived, there was still snow on the hood of the car. Now, in any petrol car—now, that’s an ad for the inefficiency of an electric car in a way that humans appreciate because there’s zero waste heat. I was astonished myself, because every time you drive anywhere, you’ve got snow on the hood of the car, and you drive for 10, 15, 20 miles, the heat from the engine melts it, it slides off, it melts, it liquefies, whatever. And then I found myself in a car park and you look at the car park and all the electric cars still have snow on the hood and all the petrol cars, it’s all melted. And that’s a wonderful ad for the extraordinary energy efficiency of the electric motor. But it’s an ad translated into human perception rather than scientific notation.Capital M Marketing vs. small m marketing: How Rory became accidentally famousAndrew Mitrak: Something that really resonates with me is this interdisciplinary thinking you bring. You know, you call it alchemy in the book, and really there’s psychology, there’s economics, there’s design, salesmanship, showmanship, culture, history, of course. And something about my podcast, “A History of Marketing,” people say, “Oh, that sounds really niche.” It’s like, well, marketing is kind of everything. It’s kind of all these things, and everything that happened before this moment is history. I’m wondering if you kind of also align with that?Rory Sutherland: This is the big mistake that marketing made, is it became a department. And it defined itself by what it did. And so people think of marketing as crayons, or it’s the coloring-in department, as it’s often called. Or it performs services like producing marcoms or brochures or hosting exhibitions or doing PR. That’s Capital M marketing, which is a tightly defined discipline and function within an organization. Then there’s small m marketing, which is the application of psychology to wider problems. Which literally, the market for small m marketing is a hundred times larger than the market for big m marketing, and yet we’ve sold ourselves both as marketers and as agencies. And this is—this is why I became accidentally famous. I keep telling people this. I said the reason I became—and I mean accidentally famous, it wasn’t my own strategic genius or insight that led to this. It was simply that I ended up giving a load of talks to people who didn’t work in marketing, which marketers don’t normally do. When marketers talk to people who don’t work in marketing, they immediately adopt the language of finance, which is defensive. It’s the worst possible, I think, way in which to actually communicate the value of marketing, which is to say, “Honestly, some of this stuff actually works. Look, we spend X and we got Y.” And it’s a completely subordinated view of selling your discipline.Rory Sutherland: Now, what happened is I ended up talking to a load of people, like, I’d talk at a bloody procurement conference or a compliance conference, or I’d go on a podcast which is all about engineering. And pretty quickly I’d go, “Well, there’s no point about talking about ads incessantly.” I’d show a couple of ads because they’re funny and illuminating and illustrate a point. But you know, if I just become a “how to make an ad” person, these people are never—99% of these people are never going to have to make an ad in their life and I become irrelevant; they won’t ask me back. So I just change—I just changed the script without really out of necessity, really, not out of inspiration, which was: let’s not talk about what we do, let’s talk about how we think. And suddenly—and that’s what the book is about—I suddenly realized that’s what Alchemy is about. This isn’t about what marketers do, it’s about how good marketers think.And suddenly I discovered—I expected Alchemy to sell to, you know, people in, you know, creative businesses and marketing people and, you know, a few curious other people who wanted to get a job in advertising or whatever it might be. But instead, I got bombarded by, like, engineers contacting me, hedge funds, venture capital firms. “What the f**k’s going on here? Right, okay, I wasn’t—I wasn’t expecting this.” You know, I mean, I went on a radio show with Chris Evans, and the book was like, for the next three days, it was like in the top 30 books on Amazon. Not 30 advertising books, not 30 marketing books, top 30 effing books. “This is f**king weird, right?” My argument was it was an accidental discovery that the market for how and the, by the way, the strategic and corporate importance of how we think, which is to look at something as if you’re behind the pupils of a customer, with the mental apparatus of a customer rather than looking at something through the lens of a manager or a, you know, a business operator. Which therefore makes possible, because of the vagaries of human perception, this makes possible a solution to problems which seems intractable in the physical world can be solved psychologically by simply understanding the psychology of the consumer or the, you know, the customer, whoever it may be. Or indeed your own employees, by the way, or your colleagues.Rory Sutherland: And so, what I—again, I’ll be absolute clear about this, it was a lucky accident, you know, it was born of necessity. And then I suddenly realized we’ve been total idiots because we’ve spent the whole 30 years defending what we are—our existence on the basis of what we do and what we’ve done. Whereas the real story here is how we think. And you know, I’ll give you an example. I think that government is increasingly hated by the population. Not because government is bad on policy or it’s too left-wing or it’s too right-wing or any of those economic or legal things. I think government doesn’t know how to relate to people. I think it’s become so tied up with sort of economics and law that it simply doesn’t know—I’ll give you an example. In London, in London, they introduced 20 mile-an-hour speed limits. Now, generally popular with cyclists, popular with pedestrians, popular with the residents of the road, very, very unpopular with motorists. Now, I support that decision on the basis of life-saving alone, and by the way, there are arguments which say that if you got rid of traffic lights and replaced them with small roundabouts—I know you don’t do roundabouts over there, although Florida has a few, actually—you could actually speed journeys. You could actually reduce journey time because although people are actually traveling more slowly, they’re able to interact with other vehicle drivers without the dirigiste intervention of a set of traffic lights. In other words, you could have much more free-flowing traffic over long distances.Rory Sutherland: But I said, look, if you said two things, right. One, the fine and the punishment for going 25 in a 20 limit should be less than the punishment you get for going 85 in a 70 limit. That’s the first point. In other words, it’s ridiculous to find—and I’ve just been fined actually for going 25 in a 20 limit on a—on what was actually a dual carriageway. Now, if you said to me, “Okay, because it’s only 25 and because it’s in a 20 limit, you pay two penalty points rather than three and the fine’s 50 quid rather than 90,” what the consumer would go, “Okay, you’re meeting me halfway. You’re being reasonable.” Okay? The second thing I would have said is: we’re going to introduce these 20 limits but we’re going to get rid of speed bumps. Because, okay, look, Mr. Resident, you’ve already got your 20 limit, the cars are driving past safely, you know, the 20 limit’s being enforced. Don’t make people drive over f**king obstacles as well, okay? Now, if you’d done this quid pro quo, consumers aren’t so bothered by the size of the quid and the size of the quo as long as there is a quid—sorry, a quid for the quo. If you just impose a rule with no concession made anywhere else, I think for entirely understandable evolutionary psychology reasons, people view that as being demeaning. Nobody in a free market business would ever conceive of approaching someone with a deal in which the counterpart was only a loser. They might try a deal where you get not very much in return for quite a lot. They might try that on. But no one would try on a deal where you go, “You give me this and I give you f**k-all.” Right? I mean, even to the point where if you make a donation to charity, they give you a little sticker. Right? You get something. It signals. Yeah, I get a bit of signaling value and you know, I don’t get bothered by other charity people because I’m wearing the sticker.Rory Sutherland: And yet government is basically institutionally autistic. In other words, it just imposes things that it decides are optimal without considering the emotional effect on the person who’s disadvantaged by the legislation or by the policy. It’s completely unlike every other form of transaction that exists between humans on the planet. It’s like Domino’s Pizza going, you know, “Pay us some money and we won’t s**t in your pizza.” It’s kind of like, what the ===? Right? That’s not—that’s not a deal, that’s basically an imposition, okay, yeah. Domino’s, “Oh, yeah, yeah, okay, I’ll have the express delivery. Oh, pay us four pounds and we won’t s**t on it.” Right? That’s basically how government behaves. And then they go, “Nobody likes us.” But—and by the way, I don’t totally blame politicians. I think politicians who are elected have quite a good eye for and actually are quite instinctive marketers in many ways, and some of them are certainly. I think it’s probably the bureaucracy with which they’re dealing which is institutionally autistic. That would be quite fun to do as the experiment. That would be really good fun to do as an experiment. “Yeah, pay us five pounds and we won’t s**t in your pizza.”The Future of Tipping and Service IncentivesAndrew Mitrak: I sometimes feel that way when I’m offered a tip on a page, because everything offers a tip now, and I kind of think, oh gosh, if I don’t put the tip in, what’s going to happen, right?Rory Sutherland: By the way, I’m unusual for a Brit in that in many settings I’m pro-tipping, because I think it does provide an incentive to provide better levels of service and so on. It also gives you a discretionary amount with which you can provide financial feedback and so on. Obviously, for reasons of total self-interest, I like to tip in places where I’m a regular, because I don’t want to be known as “Stingy Rory.” So, there are rational reasons. But in the US, I kind of go—like coffee shops—this is getting a bit weird. I am not the guy in the Reservoir Dogs.Andrew Mitrak: The thing is, now with terminals, you’re presented with the tip option before the service has been rendered. I think it works well as an incentive after, like, “Hey, you’ve done a good job and I’m going to leave a tip after.” Even the Reservoir Dogs scenario is more about that. But now with these Square terminals or whatever, it’s before I’ve even gotten my sandwich from you, I’ve got to tip you 20 percent.Rory Sutherland: And you haven’t even made the—so a large part of restaurant tipping, the reason you didn’t tip in McDonald’s is you hadn’t got your meal yet, so it was too early to decide whether the actual experience was tip-worthy.And now as you said, you’re at the terminal and it’s kind of like.Andrew Mitrak: Are they going to s**t on it? Is that the thing that’s going to happen if I don’t give the tip?Rory Sutherland: I absolutely agree with that. I think there might be a really interesting technology around tipping which I’ve actually discussed with someone once. I would like a world where you could tip call center staff, because the best five to 10 percent of them are worth their weight in gold. And I think they deserve a lot more money and I don’t think they’re paid nearly enough. So, there are areas where I’d like a mechanism.This is my idea, you actually have a load of cards with a QR code on them, and you basically hand them the card, which is for an indeterminate amount. Then when you finally check out of the hotel, you can basically apportion a reasonable amount of tipping to everybody in proportion to the value they’ve delivered in the course of your stay, rather than tipping the doorman when you arrive on the fear that they’ll treat you like s**t if you don’t. It also encourages perverse behaviors, like that business of insisting on taking your luggage up to your room. For crying out loud, I can manage a wheelie suitcase and an elevator. I don’t want you to take my laptop. Leave me alone.Why Behavioral Science Struggles in Corporate MarketingAndrew Mitrak: I wanted to come back to something that you brought up that was sort of a lightbulb for me, which is “Capital M” marketing, which is more like marketing organizations and how marketing presents itself, and then “lower case m” marketing, which is a little more marketing in practice and marketing thinking. I’m wondering if this is partly why I don’t see behavioral science and nudge really showing up within a marketing org. I feel like it’s somewhat at the margins. It might be a little experiment, it might be a pilot project, it might be something you hire a consultant for, but I don’t really see it embedded into individual roles or into org charts at a company. Do you see that as sort of why it’s a little at the margins of marketing?Rory Sutherland: Well, I somehow think that I don’t think it’s salvageable with conventional corporate structure. I think the way to solve it in part—but I don’t know if this works or whether it would be any good—is I think businesses should have a customer board where you actually talk about value creation rather than cost control. Because at the moment, what is ostensibly a board meeting is really a kind of exercise in cost reduction. It’s not a proper strategic discussion because it doesn’t include either the customer or the future. You can’t really develop a strategy without considering those two highly nebulous variables.Rory Sutherland: Of course, people who are certainty-addicted, typically like finance, who are basically variance-averse, they want to live in a low-variance deterministic world. Those people hate discussing those things because of course they are nebulous. It’s rather like I always think that cost reduction is immediate and quantifiable, which is why McKinsey & Company is an enormous business. Whereas value creation is non-immediate, it’s deferred, and it’s to some extent unpredictable. Consequently, people who are variance-averse overweight cost-cutting activity and are never held responsible for the opportunity costs that are incurred. There’s a trade-off between being efficient and being effective. There’s a trade-off between being short-term stingy and long-term rich. There are all these kind of trade-offs going on, but if you turn the thing purely to a kind of financial exercise, I think you’re killing a business in the medium to long term.The Strategic Advantage of Family-Owned BusinessesRory Sutherland: When I was tootling around Texas, every time I encountered a really impressive business, I’d make inquiries as to its ownership structure. Nine times out of ten, it was either founder-led or family-owned. I suddenly realized the family-owned businesses have this fantastic advantage over publicly held companies. Because one, they’re free to decide their own time frame. Two, they’re free to decide their own metrics of success. I don’t think you can be a brand unless you can design some of your success metrics that are actually chosen by you, not imposed on you by some investment analyst aged 27.Rory Sutherland: In order to be a brand, you have to distinguish yourself or differentiate yourself in some way, or at least make yourself distinctive. You’ll only do that by following metrics which are unique to you. I’d apply that to your individual life. I think you’re only a free individual—I don’t know if you’re one of these people whose parents wanted you to become a lawyer or a doctor—you’re only really a free individual if you say, “No, I don’t regard being a doctor as a badge of success. I want to go into contemporary dance.” That’s the definition of a free individual, which is you don’t allow all your targets and metrics to be imposed on you; you devise some of them yourself.Rory Sutherland: So, that’s a really important distinction. I think family-owned companies can play different time scales; they can play to a one-year, two-year, three-year time scale. They’re not fixated on the next quarter. They can define their own metrics of success and their timeline of success. Also, they’re focused on the customer and to some extent their own staff, more than the narrow preoccupations of not of share owners, by the way, but of shareholders, the institutions that hold the stock. They aren’t there to distract them all the time.Why Observing Reality Beats Investment StatisticsRory Sutherland: The final point, which Dan Davies, a wonderful writer who you ought to have on the podcast, makes is that the big advantage of being customer-focused over shareholder-focused is that your customers actually live in the real world. So, you are spending your time actually observing what is happening in reality rather than devising some artificial statistics to keep the investor community happy for the next three months. You are vastly better off devising your inspiration from reality than you are effectively pandering to a bunch of economic theories which were probably considered slightly dated at Harvard Business School in 1971, but which nonetheless pervade the general preoccupations of investment analysts.Rory Sutherland: I went to Buc-ee’s and I went to H-E-B and I went to all these Texas companies. You go, “Wow, these companies are actually brilliant. What’s going on?” Fortnum & Mason in the UK is just a luxury store, but there’s something about it when you go there. It’s almost imperceptible—it’s not imperceptible, but it’s kind of something you feel as much as you can quantify—which feels that no, these people are actually interested in being themselves and helping me.Rory Sutherland: The contrast is the economist and writer John Kay, Professor John Kay no less, went out for lunch with a friend of his at a lunch venue which they’d frequented regularly for some years. One day they turn up and he goes, “Something here doesn’t quite feel right. It feels like it’s been bought by private equity.” Sure enough, one of them gets their phone out and sure enough, four months earlier, private equity. Here we go. They’re going to build it up, looking for a way to offload it in a certain time frame, and the customer can go hang.Why Big Ideas Require More Marketing EffortAndrew Mitrak: I love your ideas. I love your book and I love your way of thinking. I’ve had a hard time implementing it at scale or getting it through at a large organization. Do you have any advice for marketers like me who work at large organizations?Rory Sutherland: My contention is that what marketers understand that often tech people don’t is they think the bigger the idea, the faster it’s going to take on and the less marketing it needs. I used to think that. Then I suddenly, because I’m 60, I’ve lived through the mobile phone, I’ve lived through the air fryer, I’ve lived through all these kind of patterns of tech, the microwave oven, I’ve lived through the DVD player. What you realize very quickly is: one, actually the bigger the idea, the slower it is to take off and the more marketing it needs. That’s because the bigger an idea is, the more behavioral change it requires for its adoption. Humans find behavioral change difficult for all kinds of evolutionary reasons. We like doing what we’ve done before and we like doing what everybody else does.Rory Sutherland: So, there are certain things which marketers are right about, which I think the rest of the business world is too influenced by mainstream economics, which is almost, “If you build it, they will come” stuff. Nah. Everybody quotes this phrase, “If we build it, they will come,” approvingly. But the film, Field of Dreams, was about a mad person who builds a baseball stadium in a cornfield to attract ghosts. It’s not really the basis for business wisdom, is it? I thought his business plan was terrible. You probably had a catchment area of 27 people and you’re the middle of bloody nowhere. Not where you build a baseball stadium, generally.Andrew Mitrak: It’s an odd one where I think the quote is probably bigger than the movie at this point.Rory Sutherland: Exactly, yes. Yeah.Recommended Reading: Humanocracy and the Unaccountability MachineAndrew Mitrak: Rory Sutherland, it’s so great to speak with you. I really enjoyed it. I love all of your work, all your books, all your podcast appearances, and talks. Is there anything that I could point listeners to? I mean, there are so many places. Where do you point people to?Rory Sutherland: Oh gosh. There are a few books recently. Gary Hamel’s book Humanocracy, I’m going to plug. I like plugging really interesting books. I’m probably about three years late with that book, by the way; it’s quite old. Dan Davies and his book The Unaccountability Machine. Dan makes a really interesting point, which is not a bad point at which to end, which is: he said a business is an artificial intelligence. Once you create a structure for decision-making, you have created an artificial intelligence, which is not the same as natural intelligence within an individual human brain. It’s fundamentally artificial because you’ve done all these things where you’ve defined things, you’ve categorized things, you’ve tagged things, and so forth. Consequently, collective decision-making is artificial.Rory Sutherland: And yet almost no thought is given to how those information flows are designed. In particular, Dan’s book is called The Unaccountability Machine because the primary motivation of people within an institution is actually career insurance and risk mitigation—reputational risk mitigation—not the success of the organization. To prevent that, you need to design decision-making very carefully. You need to have reasonable symmetry of upside and downside reward and punishment. We’ve often created organizations where if you make a small mistake, you get fired; if you come up with a billion-dollar idea, you get a pat on the back and possibly a promotion in two years’ time. I don’t think the way in which we’ve calibrated organizational decision-making is that good.Rory Sutherland: My weird conclusion from years of behavioral science, which is supposedly about human irrationality—I mean, Amos Tversky met someone in, I think at Stanford, as it would be. And this person said, “I study artificial intelligence,” and Amos said, “That’s funny, because Daniel and I study natural stupidity.” Now, interestingly, my kind of hunch—which is a feel—having spent years looking at this stuff, is individual human beings, when they don’t have to justify their behavior, make surprisingly intelligent decisions. Which are surprisingly intelligent once you realize what they’re ultimately trying to do. What their ultimate, maybe unspoken, maybe unthought objective is in buying a pair of Balenciaga sunglasses; you actually realize that what they’re doing makes sense within the constraints of ecological rationality, even if it’s not economic rationality.Rory Sutherland: The thing I also think is that collective decision-making is incredibly vulnerable to collective insanity. We’ve allowed, for example—I don’t know how this has happened—but we’ve allowed HR and finance to have the right of veto over almost any form of business activity. I don’t know how this has happened; it seems to be universal in all organizations. We’ve probably allowed, for example, within governmental decision-making, we’ve created these entities in terms of environmental sustainability or diversity or whatever it may be, which are actually massive opportunity costs. In other words, they prevent lots of things happening or even being tried or even being experimented on. We’ve allowed this to happen and no one really is speaking up.Rory Sutherland: There’s another brilliant guy called Philip K. Howard, who’s written a book about “can-do.” Fundamentally, we need to get back to the idea of business as a discovery mechanism, not business as an efficiency mechanism. The efficiency tail has been allowed to wag the discovery dog. That’s a terrible analogy and an awful place on which to end, but ultimately the solution to these things has to lie in how we design institutional decision-making better.Rory Sutherland: My hunch is that AI—okay, this is a kind of gag, but it’s nonetheless telling—what happens with all these people in finance and HR and everything else and IT: they never downsize themselves. There is no way of measuring how efficient they are or what contribution they make to the organization, and yet they are deeply involved in assessing the efficiency of people doing the real work. Often front-line service workers who aren’t even that well paid. Now, my hunch is: it’s those jobs that should be replaced by automation, not the front-line service jobs, because they’re specific to the brand and the business itself. Those are generic jobs which are a kind of internal corporate oncology all of themselves.Rory Sutherland: The old joke used to be that the factory of the future will consist of a man and a dog. The man’s there to feed the dog, and the dog’s there to stop the man touching the machines. That was the old joke about automation. Now, my contention is: the factory of the future will actually be a man and a dog, then there’ll be four procurement people who are continually reducing the size of the food bowl. There’ll be three compliance people who are legislating about the safe use of the lead to which the dog is attached, and there’ll be five people in HR to make sure the man doesn’t misgender the dog. I don’t know how we’ve allowed this to happen in organizations, but it’s what I call Soviet-style capitalism. It’s a kind of command-and-control mechanism where almost the internal political—what you might call ideological purity—of the activity is more important than the value of the activity. How we allowed this to happen, I don’t know, and what caused it, I don’t know, but until we do something about it...Why Video Conferencing Remains UnderappreciatedAndrew Mitrak: Is history just a big sequence of over-corrections? That’s what I wonder. Are we just continuously doomed to be swinging too far in one direction versus the other?Rory Sutherland: Is this even correctable? I don’t know. By the way, a separate talk I’d love to give one day is I don’t understand why we’re talking so much about AI relative to the importance of, well, Google Meet. Because video conferencing is an enormously important technology because it makes physical co-location unnecessary to a discussion. It massively reduces the costs of interaction. It means, for example, that your staff could move not to a low-tax jurisdiction but a low-rent jurisdiction, which would be far better off for them. Actually being able to move to affordable housing would make a bigger difference than a 10% cut in the rate of income tax in some cases.Rory Sutherland: Now, what everybody’s doing is this stupid thing where they compare like with like. Just to take an analogy with electric cars: the reason I support electric cars is not because electric cars are better than petrol cars in 2025, although they are. Petrol—I think they are better, but we can debate all that. I’m totally happy to have people go, “I go on a skiing holiday once a year and there’s nowhere I’d get 600 miles.” Okay, I buy all that. But the real reason to support electric cars is that in 20 years’ time, electric car technology could spawn a hundred meaningful innovations, and internal combustion engine technology won’t do that because it’s run out of road.Rory Sutherland: Now, what we’re doing with video conferencing versus physical meetings—which, by the way, is another form of transportation if you think about it laterally—is we’re saying: is a video meeting better than a conventional meeting? Maybe it isn’t quite as good. I don’t generally want to smell our clients; I’m perfectly happy just to talk to them face-to-face. But no, there are a whole load of incidental conversations and serendipity in the workplace; I buy all that stuff. But the point is that video conferencing in five, 10, 15 years’ time, if you reorganize your organization around it, has the potential to be transformative, whereas insisting on physical location does not have the potential to be transformative because we’ve been doing it for a hundred years and we’re not going to get any better at it.Rory Sutherland: So it’s like evolutionary potential, effectively. That’s the way to look at those two things, not side-by-side comparison on the now. It’s what offers you the biggest optionality and opportunity to innovate. Not what is better right now. In the case of the internal combustion engine, not that much opportunity. Electric vehicles: you’ve got electric scooters, cargo bikes, you have micro-mobility, you’ll have driverless cars, you’ll have all this stuff, none of which could happen with a gasoline engine. So we should be optimizing for optionality, not optimality. Don’t look at short-term optimality; look at long-term optionality. The scope of what you might call the adjacent possible is much, much bigger for video conferencing than it is for everybody in the office in a bloody expensive bit of real estate.The Failure of the Open-Plan OfficeAndrew Mitrak: And also, I want to come full circle back to Ogilvy as well. He did all of his writing at home, right? He’s a work-from-home guy right from the beginning.Rory Sutherland: Right from the beginning. There are certain things you cannot do in an open-plan office. The open-plan office was imposed; it’s in some ways catastrophic to all sorts of things. It’s neither sociable nor is it solitude. I think to work well, you need sociability and solitude; you want a pub and a library. But actually, what we get is something which isn’t a pub and it isn’t a library; it’s just this sort of weird hinterland sort of thing. It’s a no-man’s land sort of DMZ useless zone in between the two possible spaces.Rory Sutherland: So my argument is, look, I think what will happen is that if you’re McKinsey, say, 20 people internationally can form a consulting firm with the ability to draw on the 200 people in the world who know more about a subject than anybody else on the planet, and they’re going to out-compete you. Because they’ve got an access to talent that you haven’t got because you’re insisting everybody has to be based here and commute into a stupid building five days a week.Rory Sutherland: So the point is you’ve got to look at what the technology makes possible ultimately, not what it does right now. And that’s why I find it weird that we’ve effectively invented teleportation and no one’s talking about it. We take it for granted. And that’s just because the technology was old. But all really important technology takes ages to reach its level of full adoption. The fact that the technology is old means we don’t talk about it because it doesn’t make us look very cool. But I mean, the fax machine was a hundred years old before it reached sort of 5% penetration.In Praise of Paul FeldwickAndrew Mitrak: Well, this has been great. I’m going to check out Humanocracy, The Unaccountability Machine, and your future talks on teleportation and AI and everything. So, Rory, I could talk with you for hours. This is a real pleasure to speak with you and meet you. Thanks so much for your time.Rory Sutherland: It’s been an absolute joy. Paul Feldwick recommended you very, very highly. Good name-check. So let’s also mention, if he was too modest, all of his books, including Why Does the Peddler Sing?, are absolutely astonishing.Andrew Mitrak: Yes.Rory Sutherland: They’re a tour de force.Andrew Mitrak: Excellent books, and anybody who enjoyed this conversation and enjoys your work would also certainly enjoy Paul Feldwick’s work because it’s excellent.Rory Sutherland: Oh, absolutely. Yeah. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit marketinghistory.org

A History of Marketing / Episode 44 When I launched A History of Marketing at the start of this year, I had a vision of exploring the origins of our craft. But I never imagined that 2025 would be bookended by “The Father of Modern Marketing.”Dr. Philip Kotler kicked off the podcast as the first guest I interviewed. Now, it is my distinct honor to welcome him back to the show for our final interview of 2025.The Year in Review: 69,523 ThanksThis year has exceeded every expectation I had. To date, this podcast has been downloaded and streamed 69,523 times across YouTube, Spotify, and various podcast platforms.What started as my personal quest for knowledge has reached marketers on every continent (save for Antarctica). I’ve received notes from a wide range of listeners: from global CMOs and Ivy League professors to high school students and interns; from entrepreneurs who have scaled million-dollar businesses to self-described Marxists and lifelong marketing critics.To every one of you who has listened, shared, or sent a note: Thank you. This show has been like the best possible version of a self-directed MBA. I’ve learned, I’ve made new friends, and I’ve become a better marketer because of it.A Legend Who ListensOne of the most incredible moments of this year—and this interview—was learning that Dr. Kotler doesn’t just appear on the show; he listens to it. Much of the success of this podcast is due to Kotler’s early support. Phil was my first-ever guest, and his recommendation opened doors to other legends like Jag Sheth and David Aaker. As we wrap up 2025, I want to express my deepest gratitude to Philip for his mentorship and to you, the audience, for coming on this journey with me.What We Cover in This Episode:* The “Mount Rushmore” of Marketing: Kotler names the practitioners he admires most (and his answers might surprise you).* Addressing the Critics: His refreshing take on those who try to build their names by opposing “Kotlerism.”* The 4Ps vs. The 7Ps: Why Kotler sees “promotion” imoving toward a more expansive “Communication System.”* Marketing’s Mathematical Turn: The tension between “people people” and “number people.”* And much moreEnjoy the final conversation of the year with Dr. Philip Kotler. I’m looking forward to what we’ll discover together in 2026.Listen to the podcast: Spotify / Apple PodcastsThank you to Xiaoying Feng of Syracuse University, who reviews transcripts for accuracy, adds helpful links for readers, and gives me feedback to improve the show. The Enduring Legacy of Philip KotlerAndrew Mitrak: I’ve recorded more than 40 interviews with marketing executives, academics, and authors, and you are the single name that is most referenced across all of these interviews, across everybody. Do you ever think about why your work has endured? I’ve seen so many other marketing frameworks come and go, yet 60 years on, folks still reference Philip Kotler and your work. Why do you think that is?Philip Kotler: Well, that’s a good question. I haven’t really thought about it until you asked it. By the way, I’m a watcher of all your programs, and I’ve learned a great deal about the history of marketing, and I tell others to also follow your work.Your question is, why am I still around in the marketing world? I did some thinking about that. I think a lot has to do with my textbooks. I have three textbooks: Marketing Management, Principles of Marketing, and Marketing: An Introduction. All of them are already in their 16th, 17th, or 18th edition. So therefore, lots of people around the world—in fact, those are books used around the world—know me that way.I’ve also published, besides three big textbooks, many other books on marketing like entrepreneurial marketing, transformative marketing, and so on. So I think that makes a difference. I have traveled a lot around the world, many countries, to upgrade them on marketing thinking. Particularly, it started with 12 annual visits to Sweden, 12 annual visits to Milan to say what’s happening in the field of marketing. And then I got a lot of honorary degrees. So for some reason, those all have added up to lasting in this field and enjoying it very much.Andrew Mitrak: So it’s accumulated over time—all of these degrees, these textbooks, all this work. And today you are often referred to as the “Father of Modern Marketing,” but it wasn’t always that way. There was a time when you were early in your career; there was a time when you were midway through your career and you were just publishing your first books. Did it ever feel like there was a turning point when you started to feel like a major name in the field versus feeling like an earlier career professional trying to establish yourself?Philip Kotler: What happened is every time I published a book, it had good reviews, and that meant getting more readers. I think that getting honorary degrees abroad—I received 22 honorary degrees abroad—in each case, I visited the university giving that award. All of that happened way before I was ever called the Father of Modern Marketing, and to this day I don’t know who first used that expression. It wasn’t that I created it and publicized it. So I’ve been very lucky to be recognized for my work in marketing.Andrew Mitrak: It didn’t strike me that you would have bestowed that title upon yourself… that doesn’t seem like your style. [Laughs]Kotler on Addressing CriticsAndrew Mitrak: One thing I’ve noticed since publishing this podcast and being, I think, more attuned to your work and how other marketers speak about you, is that there’s a common way that marketers will try to make a name for themselves or their ideas. They’ll define their ideas almost in opposition to Kotler, almost in opposition to you. They’ll say things kind of to the effect of, “Oh, Kotler’s principles, they don’t work in this segment,” or “They don’t work in this country, and you need my framework to succeed.”It almost reminds me of a boxer who is kind of trash-talking the champion to get publicity for himself or something. It seems like, “Oh, because you’re the Father of Modern Marketing, they’re trying to elevate their ideas to your stature.” I’m wondering, not to dismiss, I am sure their ideas merit a lot, and the tactics they use, if you’ve noticed this over the course of your career and how you’ve responded to it.Philip Kotler: Well, I relish those challenges. In fact, I’ve often said that I wish someone would replace my theory or system of marketing thinking with something better. One fellow from Ireland, he’s a professor in Ulster, Dr. Stephen Brown, really took to that position. He wrote an article saying that the specter of marketing is Kotler, or “Kotlerism.” It’s like Kotlerism is around too much. And he actually tried to explain my being visible because he thought I was following what Karl Marx did to become known. It’s a very interesting article.He also wrote a whole book of a fictional marketing department, and it was really about Northwestern University and my role in the marketing universe. So I get those things, and I find that’s fine. Recently, someone just wrote a book called Marketing is Dead, which is to say that they have a better answer to what it should really be. I welcome those things. As a matter of fact, my complaint is that marketing doesn’t have enough debates. A good field is going to have some real opposition about concepts and theories and measurements and so on, and we need more of that.Andrew Mitrak: That’s a great outlook. I’ll try to look up that article you were referencing and see if I can paste a link in the blog that accompanies this post. You mentioned how marketing doesn’t have enough debates. On this thread, what is your overall assessment of how marketing has evolved since you’ve been in the field? Let me ask in another way, if you’re, quote, “The Father of Modern Marketing,” how do you feel about how your child has grown up?The Evolution from Mass Marketing to One-to-OnePhilip Kotler: It turns out that I’ll start with the fact that the first big debate I really had with the rest of the profession is whether marketing is only a commercial subject of relevance to commercial firms, or it applies to all organizations and even groups and individuals. And I made the point that marketing is done by everyone in so many ways. A vote was actually taken on that issue by the American Marketing Association, and we won. That marketing is far more than just a commercial subject for firms.Marketing started pretty much with mass marketing as an area because of the image of Coke and McDonald’s and stuff like that. But then along came segmentation, targeting, and positioning (STP), meaning that you got to focus your marketing on a group with a very specific need to be solved by your solution. And that ushered in several decades of work—interesting work—the whole idea of what is a segment and how do you target and position it.Then the next stage, which we’re in now, is one-to-one marketing. We never thought that we need to have more than the geographical look of a demographic to not know the individuals in that demographic. But the fact is, now we can collect information on every individual, which allows us to customize and personalize our messaging so that it’s correct messaging at the right time and for the right purpose. So I’ve seen that happen.Now, how many companies are really going to do one-to-one marketing? Because we are in that stage of celebrating it. Not that—well, it’s interesting. The smallest companies tend to be one-to-one marketers, if I mean by that the small pastry shop where the French consumer comes every week and says hello and is greeted. They are into one-to-one marketing. But what’s impossible normally for large companies is to know each individual and have a nice way to greet them. But now they’re trying to do that. So that’s an interesting effort to get close to individuals even though you’re a huge company. Something must be lost in that process, but that’s where we are now, and we’ll see how far we can go with that.Andrew Mitrak: On that thread of something being lost in the process, do you feel like there were any inflection points over your career where marketing as a field took a wrong turn? Did the discipline ever get focused on what you feel is the wrong areas or the wrong priorities?Vance Packard and The Hidden PersuadersPhilip Kotler: I thought that some people writing about marketing were possibly leading us in the wrong direction, particularly Vance Packard. Vance Packard is well known for writing a book called The Hidden Persuaders. And implied in the book that the great marketers have hidden techniques. The audience is watching a movie, and they don’t realize this, but there’s a message coming through about how good popcorn is. So they get up during the movie and automatically go and get some popcorn. We don’t have those techniques and don’t want to use them.He went on to talk about that marketing creates a lot of waste. And by the way, he’s not wrong there. You remember the famous statement, “Half the marketing I do doesn’t work, I just don’t know which half.”Andrew Mitrak: John Wanamaker.Philip Kotler: Yeah, the department store guy. And he wrote a book, The Status Seekers, that we create classes by our marketing. Now, there’s some—it’s worth reading Packard, but if we took Hidden Persuaders seriously and found there are some messages where we could sell much easier by hypnotic effects on consumers, I wouldn’t want the field to go that way.Andrew Mitrak: It’s funny how many times Vance Packard and Hidden Persuaders has come up in the interviews I’ve recorded. Inspiring both—one person I interviewed recently was Jean Kilbourne, and she’s sort of a longtime critique of the portrayal of women in advertising. But she was inspired initially by Vance Packard. And then another person, Robert Cialdini, who’s an earlier episode, he writes all about persuasion, and he mentioned that early in his career he was inspired by Vance Packard. It’s interesting that you highlight that because I think it was written in the mid-1950s, and it really inspired a lot of people who didn’t necessarily replicate his work exactly or even went off and took it in different directions, but it was an initial spark and inspiration for them.Philip Kotler: Yeah, sure.The Rising Role of Math in MarketingAndrew Mitrak: If you place yourself at the start of your career, do you think that there’s anything that would surprise you most about how marketing functions today?Philip Kotler: Well, I think the thing that is a big surprise to everyone about marketing is that it is getting to be mathematical. What I mean by that is, in the business schools, students sort of divided themselves up between those who loved numbers and those who loved people. Those who loved numbers went into finance. Marketing was considered at least not formidable mathematically. Well, one big change is that it’s quite formidable mathematically now. We even have a journal, Marketing Science, and the articles are almost unreadable to the unmathematical person. Which means that they may have great findings, but they’re not going to reach the CMOs, the Chief Marketing Officers, for use.I am often asked by students what field they should go into. I often say, well, if you really love being with people and want to help make lives better, go into marketing. It’s the best access you could have to be helpful in that regard. If you like numbers better, it’s still going to keep you busy in finance then.Are the 4Ps still enough?Andrew Mitrak: I want to ask you also about the 4Ps, which you popularized. I’ve also noticed as a marketer, marketing is overwhelmingly just focused on one of those Ps, which is Promotion. So it sounds like you would agree with that assessment. I’m wondering if marketing primarily being seen as promotion is sort of a missed opportunity for the field.Philip Kotler: Oh, I think it would be bad for the field to be seen as only a promotional activity. It denies all the homework that was done by the marketer to understand the world he’s living—or he or she is living in—and how to make a good impression for the good in the world.So here’s the thing. You’re talking really about what we call the marketing mix, which in shorthand is the word for the set of tools that marketers can work with to have influence. And known as the 4 Ps originally. Originally, my late friend Dick Clewett at Northwestern taught Jerry McCarthy that there are three Ps and a D: Product, Price, Place, and...Andrew Mitrak: Distribution?Philip Kotler: Distribution. Product, Price, Promotion, but he used a D for distribution. Jerry made it a P for Place. Smart move. Four Ps. Okay. Now, do you realize that originally Neil Borden at Harvard University many years earlier said there are 12 elements to the marketing mix? Okay. So down to four is good.But I’m more comfortable today with seven. And I got to the seven in this way: When it comes to Product, you got to add a separate mix for Service. It doesn’t begin with a P, but if you have a good product and poor service, you don’t succeed. Then I also want Brand to be mentioned when Product is mentioned because you could have a good product, but it’s not a brand. It hasn’t attained a differentiation really—a value differentiation from other competitive offerings.So and then I took Price and said, you know, you never set just a fixed price. It moves around with new situations. So I think we have to add Incentives. Incentives and disincentives, basically. Because most often brands are at discount too. So we got to use that notion.And then I like to generalize away from the idea of the word Promotion. I really want to call it a Communication System. That marketers must manage a system where they can get to know and communicate effectively with people, which means knowing much more than what hot button to touch to get them to buy. It’s to really know what their lives are like and how to help improve their lives. So when your basic question was about promotion being the essence of marketing, I think it’s such a narrowing of what it’s all about.The 4Ps: Is Marketing Too Focused on Promotion?Andrew Mitrak: Yeah. Just to clarify what I’m saying, I’m just thinking of my own experience as a marketer who works mostly in B2B companies. When another department thinks of the role of marketing, they think of marketing as just, “Oh, that’s the promotion person.”There’s another product department, and of course marketing has to be aware of the product; there’s a field of product marketing.But with distribution, there might be a supply chain team, there might be some procurement team, there might be other teams.Pricing is often handled by some other strategy and operations group that’s outside of marketing. Hopefully marketing has a seat at the table, but if I think of the marketing organization I’ve worked in, there hasn’t been a pricing person who’s a marketer per se.I’m wondering if marketing in practice sometimes is being squeezed in that promotion box. At least the perception of others outside of marketing sees marketing as being squeezed into promotion.Philip Kotler: Well, you’re onto something. In the academic world, there’s been talk about how marketing should be in control of the 4 Ps, but they aren’t. Pricing is done by a financial guy.Andrew Mitrak: Yeah.Philip Kotler: Product is developed by a group without the help of marketing, and then marketing only comes in when they now say it’s ready to be launched. At which point the marketers say, “We wish you had included us because you left out an important feature that would be attractive, and also your price is much too high to command that price for that product. So we won’t be successful with what you did by not involving us in the decision-making process.”We’re going to change that. That marketers have to be present in the development of innovation. And innovation is so crucial. And to innovate without a marketing mind in the mix is wrong.Are “incentives” underrated by marketers?Andrew Mitrak: And one of the words you mentioned earlier that I want to come back to is incentives. And that’s something that within marketing, I feel like is a very underrated word. Or it’s under-appreciated. When I think of most of the problems that I encounter, well, maybe through life in general, but certainly in marketing or in business or in sales and relationships, it’s somewhat just misaligned incentives. And I find a lot of my job is just trying to identify where is there misalignment and how do I realign it to be better, and that fixes problems. So I think that’s an idea that I don’t hear talked about often enough, and I’m glad you brought that up.Philip Kotler: Right. We need incentives is potentially a very strong pointing out of what else can be done in successful marketing.The Gap Between Marketing Academia and PracticeAndrew Mitrak: I want to shift also to another thing that I’ve noticed. Over the number of interviews I’ve done, I’ve noticed a really wide gap between marketing academia and marketing practice. Several academics I’ve spoke to don’t seem that up to speed on how marketing is practiced today; they don’t actually seem all that interested in today. And a lot of them, frankly, I think they’re very critical of marketing—the practice or just the existence. And that’s fine, they can have their ideas, but it just seems like their title might be Marketing Professor, but it seems pretty removed—it seems very, very removed actually sometimes—from the marketing that I do in my profession.And also many practitioners aren’t interested at all in academia. The folks that I’ve interviewed who are executives and entrepreneurs and other marketers, they very rarely mention, if at all, any marketing academic work that’s influenced them. And I’m wondering—you’re nodding your head—it seems like you also perceive this as a gap that exists. And so why do you think it persists, and do you think it’s a problem?Philip Kotler: It is a problem. I encountered it at my university, and others have encountered it. The form it took is that our faculty was so—in the department of marketing—so incentivized to produce academic articles if they are to advance to—from assistant to associate to full professor—that they are needing to identify things where they can make an original contribution. And there is little time left to talk and mix with CMOs, Chief Marketing Officers, or other types of marketers who are in the real world.And that explains why if you talk to a lot of CMOs, they won’t mention names that the academics just respect so much. That problem is still going to stay around. We got to maybe have meetings between some academics and some CMOs talking about all these—how to get together better.Andrew Mitrak: Can I ask you a number of lightning round questions? Sort of shorter ones for you.Philip Kotler: Okay.Kotler’s “Mount Rushmore” of Marketing ExecutivesAndrew Mitrak: If you were to build a Mount Rushmore of marketing practitioners, what are some of the names that you feel like must be included in this?Philip Kotler: Oh, okay. And we’re talking about the practicing marketers?Andrew Mitrak: Yeah, so entrepreneurs, executives, marketers themselves.Philip Kotler: I think I would be more very careful answering the one about the best academic people because I don’t want to leave anyone out who is very good. But let’s stay with your question. Professional marketing, we know it when we see it, but there are some people who have done it so well. For example, Procter & Gamble has had many good leaders. One of them is just outstanding, his name was A.G. Lafley. And A.G. Lafley, you know, running a company that has so many brands and knowing all of them and knowing how to get the right response from employees is a big problem.Now, the same thing happened at Unilever, which I consider a very great company. I remember when I was in India, Lever was known everywhere for their work in India. But in any case, it was handled by Paul Polman recently for 10 years. Paul did a remarkable job. People now know Unilever for their work with Dove and all women are beautiful.The two things he did that made him exceptional is he said he doesn’t want to do quarterly reporting of marketing because that means he’s going to be either complimented or criticized if that quarter the results didn’t come through. He wants only annual reporting of marketing results. Very smart move because then he can be a long-range planner and get to do the right things.And then he also said that of the seven groups that are stakeholders in marketing—with of course customers being the first group and employees the second group—he says the last group are the investors. In other words, yeah, think of all your stakeholders, but the one you can pay the least attention to is stakeholders because if you do the others well, the investors will get a good return too. So we love the storytelling about some people like A.G. Lafley and Paul Polman as leaders. And I can name a number of others as well.Andrew Mitrak: I’m glad you mentioned those names because sometimes folks will go straight to Steve Jobs or maybe Walt Disney or David Ogilvy or some other name, but I’m really appreciative that you found names that you don’t see at the top of lists all the time. So that’s great.Besides your own work, is there one book you believe every student of marketing should read?Philip Kotler: I think that for inspiration, not only about marketing but about how to think well about the contributions of business to life itself, Peter Drucker is my favorite. And you could read in fact one of many of his books, but one is called The Essential Drucker. And it’s probably got marketing in it because—in fact, some scholar recently wrote how Drucker was the first marketer or major thinker in marketing.Advice for Early Career MarketersAndrew Mitrak: Is there a piece of advice that you most often give to people who are early in their careers in marketing or considering a career in marketing?Philip Kotler: Yes, I first want to be sure that they love working with people as well as numbers. But I would say that to be successful, they should go toward studying a niche of some kind. You know, it’s just like in literary work, everyone is doing a dissertation on Shakespeare, but we’ve overdone Shakespeare. So find something that has rich possibilities.Now, let me give you an illustration. I have great admiration for Hermann Simon, who is not only professorial but he also is engaged as a CEO. And he said that he noted—he was in Germany—and he noticed that there were a lot of companies that were not well known, but they were small, but they were specialized, and that they were making lots of money. And he says, “I think I’m going to study why should a small company make so much money? What’s the secret?” The secret is they’re making the best of something.And he wrote a whole book about—and his reputation started on that basis—that we turned to him. He knew each of those dozen companies that he was talking about. And so you as a new person in the field of marketing, observe something that triggers your curiosity and get deeper into it because there is so much now—data is so available on so many things. I think you can be a head start person.Andrew Mitrak: I’m going to ask you a follow-up on this one because a thing—I think that’s totally right focusing on a niche. If I was to modify it, ideally you can find a niche that can then expand. That you’re not going to be pigeonholed too much into a niche. Many companies, like Nvidia, which is a very big company today, started with the niche of graphics cards for video games, but then expanded to data centers and AI. Or Amazon started with books but then expanded to everything.If I also kind of even think of my own interest in marketing history, one of the reasons I chose it is that marketing history sounds very niche, right? And not a lot of people cover it. But when you think about it, a lot of things can be considered marketing, and a lot of things can be considered history, and so it has the potential to expand in a lot of interesting directions. And that’s something that I’ve thought about as well. Would you agree or disagree with that idea?Philip Kotler: Yeah, actually not only maybe study a niche, but study how a niche grew into a big firm. Because a lot of niches just die. So what was common to the success stories of niches that grew into bigger businesses? And there’s other ways to make a mark in marketing. Probably someone will one of these days list a set of problems that are still to be solved by marketers and get more people focused on those problems.Is marketing still a good career?Andrew Mitrak: Do you think that marketing today is still a good use of one’s career? If you were starting your career all over again today, would you still choose marketing as your place to work?Philip Kotler: Yes, I find that there’s no such thing as a master of marketing because every marketer is going to continue to be challenged by changes that are occurring in this vast area. So I would choose the same career I had. I mean, I can think far out to entirely different careers. I could have been into literary works and commenting on Shakespeare and all that, or been into music, which I love. But I would say that one good field that is enriching and not tiring often is the marketing field.I would say—now, you know, it’s interesting because when you take the field of law, I spoke to a lot of lawyers who are just tired of being in law, unhappy about having chosen—their father got them to become a lawyer. I’m not hitting lawyers because my wife’s a lawyer too, and she has her feelings about this. But the thing is, the field of marketing keeps changing and keeping you alive to new things all the time.Andrew Mitrak: Yeah. I’m about, depending on how you count it, 10 to 12 years, maybe a little more, into my career in marketing. And something that I love about it is that I can learn about marketing if I keep my eyes open and really stay curious. I can learn marketing lessons almost everywhere or see it in practice in everything. And it’s something where—and also you can kind of talk to a lot of different fields because it’s a discipline of disciplines. My wife’s a therapist and is deeper into psychology, and I can obviously learn a lot from that. And speaking to anybody at the companies I work at—of course sales and product and engineering and finance and operations, everything—marketing has sort of something to learn and something to say and something to contribute. And I just find it very enriching.Philip Kotler: Yeah, good. So you would choose the same field.Andrew Mitrak: Yeah, marketing is great. I’m a fan, and I hope other people can find as much pleasure in the field.Kotler’s Core Philosophy: “Customer is King”Andrew Mitrak: When future generations of students read the name Philip Kotler in their marketing textbooks, is there a single most important idea that you hope they associate with your work?Philip Kotler: I don’t know, but I would suggest they should think “Customer is King.” One possibility. Just to remember the focus of marketing: Customer is King. And I would say a belief in the fact that marketing is about trying to improve the life experience of people by exposing them to new possibilities, new wonder goods and services, and all about increasing their well-being as people and their happiness as people. That much of my marketing is about trying to make a happier and a healthier life for people as a purpose of marketing.Andrew Mitrak: I love the sentiment of those ideas. I think that in my own role when I market, I often think like I’m trying to advocate for the customer across the board. That different departments have different goals, and back to incentives, those goals may not be aligned with what’s in the best interest of the customer. Sales might have some near-term target they’re trying to hit and want to do tactics that might come off as aggressive and off-putting to potential customers. And marketing, of course, you need to support sales, but you need to also support the customer, and you need to sort of advocate for what’s in the best interest of the customer as well. So I think that’s a really actionable piece of feedback.Philip Kotler: You remember that some companies insist on putting an empty chair during their deliberations. And who’s in that chair? The customer. Just a reminder.Andrew Mitrak: Yeah, we need to figure out a way to do that on virtual meetings too, of having an empty little tile on your Zoom or your Google Meet for the customer.Andrew Mitrak: Do you have any advice for me as I continue my exploration into marketing history?Philip Kotler: Well, I’ve watched all of your 40 films, and I learned a great number of things. We might ask you to identify some of the people who are CMOs, Chief Marketing Officers, who do have an academic background too. You might talk about how their practices have been very informed about the findings of people because maybe that message being watched by other CMOs might help bring them into more consciousness of what to look for in academic work that might be of interest to them.The marketing that is done in different—quite different—countries would be very interesting. Especially if you find a country which says they do a very different type of marketing that is not mentioned. For example, the old idea is if I’m going to buy a rug –a carpet– in the United States, let’s say, there’s a price. If it’s in a department store, you don’t generally negotiate. But if it’s a carpet in Iran or somewhere else, it’s a game. You’re playing a game before you ever get to a price. So maybe a lecture or two on what is different about marketing in your country from what the textbooks say marketing is about. What is your marketing mix of tools?Andrew Mitrak: That’s right. I once bought a rug in Istanbul, and the process that I went through buying that was so different. It was nothing you’d ever read in any marketing textbook. I went in, the person served me tea and snacks, and I sat and they brought them out. And I paid way too much for this rug, which is now stored away in my basement somewhere. But I felt so obliged just based on the experience. It was almost like I was paying for an hour of entertainment or paying for an hour of the tea or meal or like the way you’d overpay for tea at some fine dining hall or something. And so I don’t necessarily feel ripped off in a way, even though the price for the rug that I paid makes no economic sense at all, but the price I paid for the experience of it makes a lot more sense. And I think there’s something—and also there were still things like haggling and there was friction in the process—and it’s something that you just couldn’t—that doesn’t appear in any Western marketing sources. So I’d be really curious to dive into that.Philip Kotler: There’s another thing that I noticed is they’ll show you some rugs and you say, “No, I can’t find anything interesting to me.” They’ll say, “Well, wait, we have another room here. We’ll show you some rugs.” And you get excited, but they’re more expensive. But still you don’t move. And then they say, “Would you really like to see the real rugs? I mean, just to show you what they are.” And they take you to a third room. And I’ve seen that technique work not only with rugs but that they take you—you really feel special to have seen the best.Andrew Mitrak: Yeah, there’s a special episode coming just on rug marketing. [Laughs]A Heartfelt “Thank You” to Philip KotlerAndrew Mitrak: Phil, you mentioned that you watch the show, and that just means the world to me. If I was just doing this for a viewer of one, I would do it. And also that you were the first person to appear, you shared a kind note about the show with your network, and you also introduced me to some really amazing guests as well early on.I just want to sincerely thank you so much for your support. You don’t need to do that, you don’t need to be as kind as you are. So I’m grateful to have met you through this project and to have your support throughout it and your viewership of it. I’ve learned so much from you. Thank you for everything.Philip Kotler: Thank you so much.Andrew Mitrak: As we wrap up, are there any recent publications or upcoming publications that you’d like to promote for listeners?Philip Kotler: Yes, we’re putting out books on transformative marketing, which is much more sophisticated. And I’m working with V. Kumar, who’s one of our great researchers in marketing, on what we call transformative marketing. So we will be coming out with material on that. Thank you for asking.Andrew Mitrak: Of course, yeah. I’m glad you’re continuing to collaborate with Professor Kumar. VK was a very fun interview to do and such a great thinker. So Dr. Philip Kotler, thanks again so much for your time. I really enjoyed this interview.Philip Kotler: Andrew, thanks to you for what you’re doing. We’re all benefiting from it. Keep it up. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit marketinghistory.org

A History of Marketing / Episode 43 If you studied marketing in school, you likely carried Kevin Lane Keller’s work in your backpack.He co-authored Marketing Management, the all-time best-selling marketing textbook, alongside Philip Kotler. And with Strategic Brand Management, Kevin he defined how a generation of marketers understands brand equity. As a Professor at Dartmouth’s Tuck School of Business, he has spent decades bridging the gap between rigorous academic theory and elite corporate practice. He’s consulted for giants like Disney, Nike, and Ford, but perhaps his most interesting “field research” came from working with the Australian rock band, The Church.This conversation is a rare treat for our listeners. Despite his massive impact and the high regard of his peers, Kevin keeps a relatively low profile and seldom sits for deep-dive, long-form interviews. This episode offers unique insights from one of the primary minds to shape modern marketing.Listen to the podcast: Spotify / Apple PodcastsIn our conversation, we discuss:* The P&G Playbook: How he helped transform Pampers by connecting functional technology to emotional “brand mantras.”* The Art & Science: Why great branding requires both a philosophical “philosophy of consumption” and disciplined data tools.* Managing The Church: What he learned about marketing, fan engagement, and “continuity vs. change” while managing a legendary Australian rock band.Now, here is my conversation with Kevin Lane Keller.Thank you to Xiaoying Feng, a Marketing Ph.D. Candidate at Syracuse, who volunteers to review and edit transcripts for accuracy and clarity.Collaborating with Kotler on “Marketing Management”Andrew Mitrak: Kevin Lane Keller, welcome to A History of Marketing.Kevin Lane Keller: Thanks for having me.Andrew Mitrak: I’m so excited for this conversation because like a lot of people, Marketing Management was my textbook in grad school, and your name was on the cover there right alongside Philip Kotler’s. So, how did you get involved with becoming Philip Kotler’s co-author?Kevin Lane Keller: It’s interesting. I actually used the textbook too when I got my MBA. I had the third edition, so it’s going back a ways. I think it was the fall of 1978. I have enormous respect and he is a legend, but was a legend back then when I was taking the course. But I had the chance to publish my own textbook on Strategic Brand Management. I had done that and that was really my area of interest, but I’ve always been a marketer at heart in a very broad sense. So the publisher was looking for someone to be a co-author, and because of my experience and some of the things I was interested in, it seemed like a nice fit. So I actually did the 11th edition. Phil and I worked together just to sort of try it out, kind of both sides, and it went well. I enjoyed it a lot. And so I think it made sense and starting with the 12th edition I was formally the co-author and have been a co-author ever since.Andrew Mitrak: When you write a book like that, that is so widely read and is sort of the Bible for a lot of folks who are just getting into marketing—if a professional marketer reads one book, that’s often the one that they reference—is there a lot of pressure when you write a book like that to make sure it’s accurate and up to date? Do the stakes seem very high for it?Kevin Lane Keller: It’s daunting. When you think about it, it’s an impossible task because you’re trying to capture all the richness and all the detail and manage to distill that down and package it and write it and source it and reference it and everything, and make it engaging and interesting. So it is difficult. I enjoyed doing that. I think the challenge of that. And you break it down. It’s a little bit like building a house. You think, “Oh my God, building a house.” Well, you’re doing rooms and within rooms there are certain things you have to do. So you really break it down. It is very modular in how to approach it. But the big challenge is really keeping it up to date and making sure that it captures what modern marketing is and, more importantly, maybe what it should be.The Challenge of Keeping Marketing Texts RelevantAndrew Mitrak: Yeah, I have a question around keeping it up to date because there are probably certain core principles that you want to keep tried and true. Things like segmentation, targeting, and positioning, I think, were in my version of the book. I’m sure the Four Ps were referenced in it and things like that. But then there are a lot of things that change. So how do you think about what changes versus what doesn’t change?Kevin Lane Keller: I think there is always continuity and change in marketing in general. I’ve worked with a lot of brands, I’ve worked with a lot of legacy brands, really strong brands, and that’s always the challenge: how do I move forward, but how do I move forward in the right direction and in the right way, at the right pace and all of that. It’s no different with a textbook. You are thinking about what are the new ideas and the new concepts. And sometimes new frameworks and new ways to organize and think about things. But yet at the same time, there are those core principles and segmentation and targeting in some sense, and positioning in some sense. It may change some how you think about those, but that notion and those concepts themselves at least at a high level are ones that are retained. But a lot of things change and especially with digital and with AI, we’re really trying to make sure the book reflects that.Andrew Mitrak: Yeah, I was thinking just about that example exactly. Like I’m sure SEO is covered in a book, right? It’s a very big thing. But then even the language around it is changing. Sometimes it’s called Answer Engine Optimization with an AI. Sometimes called Generative Engine Optimization, GEO or AEO with AIs. And then it’s sort of just you might just call it LLMs. And the language itself, especially at this moment when we’re recording here in November 2025, is changing so much where if you committed to something in a book very quickly it could be outdated. If that version is used for years, it could just wind up being a thing where you’re like, “Ah, kind of missed the boat on that one.” So how do you sort of think about staying relevant without becoming outdated too much?Kevin Lane Keller: Well, I think you think about updating more frequently. I think that is probably one of the answers because there is nothing you can do. You can only go and be as current as you can till literally the moment of publication. So you’re always having the final proofs and you’re looking at them and you’re literally making changes and edits to try to make sure everything is as up to date as possible at that point in time. But at that point in time, then you move on in some sense. It is a little more dynamic with publishing. You have more opportunities to do updates and bring that in. So that’s the advantage of the e-text and the more digital versions versus the hard copy, the kind of classic textbook version in that sense. But you are always trying to. And look, the AI, that is an area that is just exploding so much and changing so much that it’s going to be a moving target for a while.Andrew Mitrak: Oh yeah, keeps it interesting.Kevin Lane Keller: Yeah, it does. Yes.Collaborating with a Marketing LegendAndrew Mitrak: So what was it like collaborating with Phil Kotler?Kevin Lane Keller: I had known him some through the years. He had actually tried to recruit me as a PhD student to Kellogg at one point in time, wrote a very nice letter when I was just first getting my PhD and through the years. He’s one of these guys. I joked when they had at one point an event to kind of honor Phil at Kellogg at Northwestern, and I joked that there had to be like three Philip Kotlers and we only actually had one of them in the room and the others were busy doing all the other things that Phil Kotler does because he’s just remarkably productive. I mean, unbelievably so. And the way he gets things done. But he’s the nicest guy. His ability, his radar to pick up on what matters. His ability to synthesize that, clarify it, put it into context. It’s just amazing. So for me, I’ve learned so much, which is great. But I’ve also enjoyed it so much. So he’s made it fun. So it’s just been great. And he’s still heavily involved with the book. So he definitely is still providing a lot of input, a lot of feedback. So he’s definitely part of the book still.Andrew Mitrak: That’s amazing. Even into his mid-nineties. I think because he was the first interview on this podcast and he had a similar experience where he would just respond to emails so quickly and kind of be on top of things so fast. It’s amazing that he’s able to do it all.Kevin Lane Keller: Well, there are three Philip Kotlers. I’m convinced. But maybe if it’s just one, it’s even more extraordinary. I’d be amazed even with three.Andrew Mitrak: When you first started collaborating, him having this Father of Modern Marketing type legendary status in the field, were there ever any disagreements you had with him? Or did you feel like you could push back or evolve things? Or did you feel like because of that, his status, you had to be deferential to him and also he was sort of the original author? What was that dynamic like?Kevin Lane Keller: That’s a good question because that’s a big issue. A lot of times it’s just people, you know, we all have that issue. We’re kind of territorial or we just sort of kind of want to stick with what we’ve done and for whatever reason. And he’s been always really flexible and open-minded about that. So that has just not been an issue, which has been great. I think there are certain topics he’s reluctant to give up in the book that sometimes, maybe they’re not as important now as they once were. They’re still important, and I get the reasoning, but that’s the one area is just sort of in that space where it’s just always harder. It’s easier to add than subtract. That’s always the hardest thing is subtracting. And you need to do both. That’s the challenge. Is what do you not include when you’ve included it before? And maybe there’s a reason to still include it, but if you do that for too much, then the book gets too long.From Ad Retrieval Cues to Brand EquityAndrew Mitrak: Yeah, that makes sense. So along with marketing management, you’re best known probably for your contributions to brand. And one of your early papers in 1987 I think, was “Memory Factors in Advertising: The Effect of Advertising Retrieval Cues on Brand Evaluations.” And so you were kind of early in working on brand and sort of connecting advertising, memory, around brand. So what led you to researching this area of advertising, memory and brand?Kevin Lane Keller: That paper was my thesis paper. And that came out of my co-chair was Jim Bettman from Duke University. He wrote a paper on memory factors in advertising that had an example about Life Cereal and Mikey. It was a very popular ad, but people could not remember the name of the cereal so they weren’t getting the impact from that because the ad was working but not branding well. People liked it but didn’t connect. So they put a little picture of Mikey on the front of the package, framed it with a television set, and said “Try the cereal Mikey likes.” So I called those “ad retrieval cues.” And so I studied those. It made a lot of sense to me because it’s trying to make those connections that memory just aren’t strong enough in memory. You’re helping people out in retrieval.But back door that got me into branding because the question was, “What did Life Cereal stand for without the cue and how did it tap into or remind people of the ads?” So I did a whole lot about memory and advertising and everything. But that’s how I got into branding. And then my most famous paper was in 1993, which was a paper I wrote about Customer-Based Brand Equity. And it’s a paper, 30,000 or some whatever Google Scholar cites. And it’s taught in seminars to this day. And I’ve written a couple follow-ups on that. I’ve written a ton in branding. But even on that specific paper, I’ve revisited it in some instances. But that’s really kind of... it all came down to understanding how brands work for people and especially in their memory and their knowledge and what they learn and how advertising affected that, but then how everything... how just brand in general operated.The Explosion of Brand Equity in the 1990sAndrew Mitrak: So it seems like in the late eighties to early nineties, brand was sort of the right topic at the right time. This is just as the idea of brand equity was really gaining traction. Can you talk about that transition that was happening with brand in the era? What was it before and then what was changing at this time?Kevin Lane Keller: Yeah, I mean it was one of those things where it really came out of what was happening in the eighties—all the mergers, acquisitions. People were having to value, so the intangible value of brands. So people were starting to recognize that. Brands obviously mattered to the CPG, the packaged goods companies, the more traditional consumer products. But all of a sudden a lot of different people, services and different organizations were all starting to realize in different forms that their brands really mattered. And so it was an exciting time because all of a sudden people were thinking differently about their marketing and literally what they did. And so to be sort of at the front end of that, which I was with some others, and to be able to talk about it and work with companies and help them understand that, you know, was just a really exciting thing to do. So it really, really took off. And when I published my book in even ‘98, there was just so much interest. And so the book sold a lot in trade even though it was a textbook because people at that time, there weren’t that many branding books.Andrew Mitrak: If you look at a Google Ngram of the mentions of the word brand, it really explodes in the early nineties or so. And that brand equity just led it to be a more elevated word within marketing and business in general. Did you see that wave coming and place yourself there because it was the most interesting topic area? Or did you feel like you were just interested in it independently and it happened to coincide with this? Were you thinking like, “Oh this is a big wave that’s coming, I want to be at the forefront of that”?Kevin Lane Keller: A little bit of both. I was fascinated by the topic. I thought it was really interesting and important. And I certainly recognized that others were feeling the same way. Interestingly, and eventually it, where we are today, it’s like part of everyday vernacular. I mean everyone talks about brands now. That was not the case 40 years ago or even 30 years ago or 20. So it took a while for that diffusion. And there are still some industries that are a little still maybe not embracing brand as much as you might think. But it was a realization that this is something that’s really important. It hasn’t been studied much. It needs academic study. It needs rigorous research.Comparing Brand Equity ModelsAndrew Mitrak: I interviewed David Aaker twice for this podcast actually, and we talked a lot about this era of brand equity and his work in this area. Did you work with him at all?Kevin Lane Keller: So Dave, I met Dave in 1985 actually when I was interviewing for my first job. And he was at Berkeley and on the faculty there. And that’s where I joined the faculty. And at the time Dave had been doing a lot... he was known more as a quantitative sort of marketing person, but he had been starting to move into strategy. I was somebody who had been studying advertising and, as I was saying, in consumer psychology and memory, moving into branding. And so it was a natural thing for us to work together. So he, some of his first papers, some of my first papers in branding were together. And they were on brand extensions. So which was at the time a big area. There were a lot of brand extensions that were happening and sort of but there hadn’t been much research. So we were developing models and running experiments and things like that. So we worked together for a good almost five years or so. And then we sort of went slightly different directions because he started working on trade books and going to a more practitioner audience. And I was at Stanford, you know, in the process of getting tenure and publishing research and writing a textbook. So I went a little bit more the academic route, although, you know, there’s obviously a lot of overlap between what we did.Andrew Mitrak: That explains sort of your different models a little bit because I don’t want to frame it as competitive per se, but it seems like you’re both people in the field of brand who are introducing your Customer-Based Brand Equity model. He has his brand equity models. And I could see if I’m a marketer at the time wanting to learn about brand equity, I’m like, “Huh, which model do I use?” Was there ever sort of a competition for mind share among both of you in your models? Or what was that dynamic like?Kevin Lane Keller: Well, I think they’re complementary in some ways. I mean Dave’s is much more of a strategy... it’s a little bit more asset-based in some ways. And mine is much more rooted in consumer and consumer behavior, consumer psychology and all of that, and to develop certain strategic principles that come out of that. But a lot of our recommendations are the same. Even though because some of his assets are ones that are consumer behavior related and my consumer behavior, I make sure I drive that into more outcomes and other things that capture sort of more financial and asset sort of based things. So there is overlap in that sense. So there really wasn’t... I see them as complementary in a lot of different ways.Constructing the Brand Resonance PyramidAndrew Mitrak: Totally, absolutely. Can you walk through... as you created this Customer-Based Brand Equity model in 1993, what is the approach to building a model? I’ve never built a model before. And it seems like a model you have to be sort of broad enough to encompass a lot of things and a lot of different industries, but also specific enough that it’s really meaningful and actionable and all of that. And of course grounded in reality and actual behavior. So what is the approach... where do you start with a model?Kevin Lane Keller: You know, it’s funny. The model that I’m probably most well known for, there’s the Customer-Based Brand Equity sort of definition and concept. And then the actual framework is the Brand Resonance framework. And that’s one where it is very much the sort of looking at how to build a brand and thinking about the stages people go through in their development. But I think that that’s one where I really, I literally sat in the back of a room and tried to lay out sort of the questions that people would ask about a brand and sort of just really tried to be as comprehensive as I could be, but then as concise and cohesive I could be as part of that. And so I think that was really the key was to do that.Andrew Mitrak: What I like about this is that this pyramid has very plain spoken language. It’s: Who are you (brand identity), What are you (brand meaning), What about you and what do I feel about you, and that’s brand response, right? And then What about you and what kind of association and how much of a connection would I like to have with you, and that’s brand relationships. And sort of it’s very a natural flow of like, “Hey, I need to understand this one to kind of understand the next one.” And was building it in sort of a plain spoken way where it’s kind of simple and logical, was that sort of part of your idea behind... or was that part of your approach to making it?Kevin Lane Keller: Definitely. And I mean the goal with that, like I said, was to be comprehensive but also to be as clear and logical. And I was trying to capture everything that I knew about marketing and consumer behavior and how brands are built. You know, so there’s an awareness and image component which are fundamental to brand associations, fundamental to any model, including Dave Aaker’s model, my model, etc. So had that and then the judgments and feelings, the head and the heart. And then resonance where you actually the customer feels in sync with the brand. They really feel a connection. So deep, you know, sort of intense active loyalty relationships. But each level of that pyramid had a wrinkle that like salience at the bottom was about breadth and depth of awareness. It’s like how easily is my brand thought of and how often? Is it in all the right times and places and ways? And points of parity, points of difference the next level up, which is my positioning model that I developed with Brian Sternthal and Alice Tybout at Northwestern. A different way of thinking about how those that brand image level. So I tried to make sure it was comprehensive, covered the key concepts, but also was original in certain ways that I thought were important to kind of bring in.Andrew Mitrak: That’s right. Yeah. It seems like a model also has to be original enough to merit a new model, right? While also not being so radical that it’s you have to throw everything else out, right? You have to kind of build on what’s already there. So kind of meet people where they are with their existing marketing activities and but also offer something new that’s actionable for them.Kevin Lane Keller: That’s right.Applied Branding: Transforming Procter & GambleAndrew Mitrak: Let’s talk about putting this into practice because you’ve consulted with a lot of really amazing brands: Accenture, Disney, Ford, Intel, Levi, Nike, many more, the list goes on. And are there any case studies from your career that you’re able to share about where you took this model and helped a brand implement it and had sort of real world outcomes?Kevin Lane Keller: So the ones, I mean like I said, I’ve had the chance to work with an awful lot of the top companies and multiple engagements, you know, which has been great. And the one relationship I had that I think was one of the more productive was with P&G, so Procter & Gamble. And it was in the kind of the 2000s and Jim Stengel was their CMO. Brilliant guy, wonderful guy and very sharp. But he really wanted to upgrade the marketing there. And so it was a nice relationship because I worked with some of their thought leaders in improving their toolkits when it came to positioning. This resonance model I described became their tracking tool. It was called “Equity Scan” and they used that to measure the strength of their brands and their development of their brands around the world. So they operationalized this in a survey form. I helped them with brand architecture, like how to think of whether it was Crest or whatever brand where you’ve got this complex portfolio and sub-brands and extensions and how to think about architecture for growth. And it was just across the board. It was just a lot of fun. It really made I think a difference for them because it really helped to get them thinking in a rigorous, relevant way in many ways they’d done before, but it was as we were saying before, kind of bringing in some original thinking to put on top of that layer.Andrew Mitrak: Procter & Gamble, this amazing, iconic brand, the originators of a lot of the original thinking about branding back in the 1930s, really long legacy of brand, but they have this big portfolio of brands that they offer. So were there any specific examples of where you applied your model or worked with them within their portfolio of brands?Kevin Lane Keller: I had a chance to work with a couple different brands, but the one that was probably my favorite was Pampers. It was a really successful brand and they had a great team, so they were obviously doing really, really well. But they sort of embraced some of the thinking that’s reflected in the positioning model and the resonance model: the duality of a brand and especially the emotional and functional components and how to connect them. So coming up with a brand mantra, “caring for baby’s development,” which really took the functional benefit of dryness and absorbency and the fact that the baby sleeps better and feels better, but then learns and plays and develops. And so really made that connection functionally and emotionally, which is exactly what the model that I have talked about. And so we workshopped that some and got to a really good spot and business really took off. And all credit to the team because they had built this thinking and structure in place that allowed it to kind of go that next level. But it was just a great, for me, a personal experience where applying some of these models and working with a team and just seeing the outcomes in such a demonstrative way for their biggest and most successful brand to take that to the next level was quite a thrill.Andrew Mitrak: I love it. I’m kind of smiling here because the brands that you have referenced, I have three daughters and I have one who’s six months old, one who’s three years old, and one who’s five years old. And the five-year-old is obsessed with Life Cereal, and you were talking about Life Cereal. That’s her favorite breakfast by far. And then yeah, we have Pampers in our house for the six-month-old. And it is, you’re right, it is actually amazing technology behind diapers as well, how they work. But also that I don’t necessarily buy diapers because of the technology per se. I look at price and a lot of things, but also Pampers, you just sort of trust it. If you see that on a shelf versus sort of a store brand or something, you’re like, “Oh gosh, is that going to cause an itch? Is that going to be worth it?” And it’s like, let’s just stick with what we know.Kevin Lane Keller: Right. Yeah, no, exactly. Exactly. And it’s a great functional benefit, but there’s an emotional payoff that you always want to make sure people are aware of because it matters so much to their lives.Bridging Academia and Practice via the Marketing Science InstituteAndrew Mitrak: So you also worked with the Marketing Science Institute for years. Bill Moult was a previous guest on this podcast as well, and he sung your praises as far as your contributions to the Marketing Science Institute. So can you talk about MSI and where an institution like that sort of fits into your work on brand?Kevin Lane Keller: So they were really instrumental in so many ways. So I won the doctoral dissertation proposal competition in 1984, and I was just starting to work on my thesis and I wrote something up, submitted it, and I was one of the first two co-winners. And that was really important for me because I still wasn’t sure what direction to go. I had a math-economics background. So they helped point me in the right direction—as it turns out, the right direction. I got great validation. And then all the branding work, they were very supportive and gave that gave me a platform to work with others, to share my ideas. So they were a real catalyst for that for me and for the field of marketing. And then I got more involved after that. I became a trustee, eventually an Executive Director on the board for a long time. And it’s just a great concept. The organization is a great concept because it’s that bridge between academia and industry practice and bringing together thoughtful practitioners and practical-minded academics to talk about the most important problems and the most interesting and challenging decisions. So it’s just a great concept and great organization.Andrew Mitrak: Yeah, for sure. It seems like we need more of that connection between academia and practitioner because it is a gap I’ve noticed on this podcast even when speaking to both people on the academic side and then folks on the practitioner side. There is a gap there, so we need folks to work on closing it.The Art and Science of BrandingAndrew Mitrak: I want to ask about the phrase “Marketing Science” and how it relates to brand. Because I think, speaking broadly, when I’m at a company, the brand folks are a little more of the art folks. There’s a little more of a general sense that brand is something that’s intangible, a little more difficult to measure. You think of brand and creative as sort of going hand in hand. And then what I think of like the data scientists I work with, often they’re measuring individual channels or they’re doing ROAS, or they’re doing ROI of specific campaigns. And that’s a little more the science element. I guess, do you kind of agree that that characterization sort of broadly exists? Or do you have any thoughts about that?Kevin Lane Keller: Well, I think there is some truth to that. One, it doesn’t have to be that way, and two, it shouldn’t be that way. And so I actually think it’s an art and a science. I think marketing, branding, anything. And I think the more you bring those together and celebrate those, appreciate that, and either do it in a holistic way across an organization, but even within individuals and those who are able to bridge that. But I think it’s really important. And I worry on the branding side, I don’t want it to be seen and licensed to be artistic and not feel that you need to have the rigor and discipline and other things to really make sure that you’re thinking things through in the right way, even while being creative, that you’re still mindful of other kinds of things.So I always talk about having, when I talk about art and science, part of the art is having a philosophy of how branding works. So there’s creativity, but it’s like, how does it work? Because you’ve got to somehow, no matter what you do. And so having that philosophy. So I tell my students that’s the key to me for the art and science is: what is your philosophy? What assumptions do you make about consumers, about competition, about brands? How they work, how they don’t work, all that. And you build those over time. I’ve got certain philosophies. You grow brands through little steps. I have certain tenants that I have just learned through experience and research and etc. So that combined with the tools that you can apply, like the resonance model and whatever that might be, but you need the blend of those because just having the tools is not enough. Just having the philosophy is not enough. You need to have the two of them.Andrew Mitrak: I’m going to take the bait. What are some of the tenants that you’ve learned? Or what are sort of the core things that you’ve learned personally that just seem to kind of apply across the board?Kevin Lane Keller: I mean, just at the heart of a great brand is a great product. I mean, that’s one of the ones I fundamentally believe in. But not everyone does. I mean, there are people who really don’t think it matters as much and what have you. And so, that said, every brand contact matters, you know, because it all affects knowledge. It affects what people think and feel and learn. So you sort of develop these tenants of that kind. And balancing continuity and change, and innovation and relevance. Making sure you have innovation so you’re always moving forward at the right pace and in the right direction and in the right way, things we talked about earlier. So you kind of develop these and then they inform how you apply your tools.Andrew Mitrak: Yeah, for sure. No, I think that’s a totally true tenant and it’s something I’ve actually thought about in marketing in general is that who are the greatest marketers of all time? They’re the people who work on the best products. If you kind of think of the Steve Jobs of the world or the Disney or the folks who have kind of changed marketing itself, there’s always a really great product behind it. And if there’s a great marketer and you can have a brilliant campaign, but if the product’s not there, you’re kind of going to forget about it and it’s not really going to have the mark it has. So part of it is having taste and choosing the right products to market as a marketer.Kevin Lane Keller: Well, but also product is part of marketing. And that’s really important. When you think of the 4 Ps, everything about that. So all the marketing should inform and work with R&D and everyone else to design the product to satisfy customer needs and wants in better ways and all that. So that’s why I mean it’s just making sure you don’t take the product as a given and not constantly thinking, especially now where you’ve got these platform brands. Brands and products are platforms. And so the product is one part of that. So you got to really think about how you’re enriching it in different ways with services and information and whatever else you can experience, other things you can do.Rock and Roll Marketing: Kevin Lane Keller & “The Church”Andrew Mitrak: Changing gears here, you manage a band called The Church. They’re one of the biggest bands that’s ever come out of Australia. And it seems like such a surprising thing. I’m just wondering, how did you come to manage The Church?Kevin Lane Keller: Well, “manage” is a little maybe overstated. I have to be careful with that. I’ve definitely helped manage them, so at different times. Less so now for sure. So I’ve been executive producer for them for a number of albums. And what happened, it was just a fortunate coincidence in 1998 where I happened to see them in San Francisco, in Melbourne, Australia, and then over in London. And it was just, as luck would have it, and some other things. And I kind of realized as great as the band was, the music business is incredibly unforgiving and they just needed help of various kinds. And some of it was financial. So I was a little bit of a patron of the arts, if you will. And this is before all the different ways now exist online where bands can do different things to try to support themselves. That didn’t exist back then. So really kind of stepped up and then also got involved in trying to help them financially and beyond financially—business-wise, career-wise, etc. Incredible band, very talented. I’ve learned a lot about the music business in the process. And it is a tough business. There’s just no question about that. A very, very challenging business. But it’s been hugely enjoyable and it was just pure luck that I kind of fell into this and then played this, took this role at that time.Andrew Mitrak: Did you have any background in the music industry? Or was this kind of bringing some of your brand and marketing consulting to the table? What was it that sort of set you up to be able to help them out?Kevin Lane Keller: Well, my background was hundreds and hundreds of albums and records and CDs and cassettes and everything. And I was just a huge rock and roll fan. I was, it was 1967, “Summer of Love,” I was 11 years old listening to a transistor radio. So I just always loved music and I loved the 80s music. I loved a lot of different decades and genres. But I especially loved The Church. I just thought they were an incredible band and were always special to me. And I always thought that they were a band I did not want to see go away for any reason. And so that’s why I stepped in. But I followed it some. If you’re interested in marketing, interested in business, interested in music, you can’t help but be thinking about—I’m the same way with movies—just all aspects of the marketing and business side of that. So I certainly had that armchair view, but I never actually worked with anybody before.Andrew Mitrak: You mentioned movies. There was a, I think when I first heard them, there’s a movie called Donnie Darko that came out where the soundtrack was very popular. It had 80s songs and I think it had “Under the Milky Way“ on it. And I think that’s probably the first time I ever heard The Church. Were you involved with any of their placement on movie soundtracks or any of that?Kevin Lane Keller: Not as much as I would have liked because that was something we always strived for. And it happened some, but we just weren’t, we didn’t have our act together enough. We weren’t organized enough at that time. It was a pretty grassroots effort. And so we were relying a lot on just the sheer talent and love and respect that people had for the band, and the brand I guess, if you will, to sort of move it into different arenas, which happened. There was one ad, it was a famous ad for Volkswagen “Drivers Wanted” going back in the day where it was literally supposed to have “Under the Milky Way,” which is one of their famous, most famous songs from their most famous album, Starfish. And at the last minute, somebody subbed in, and the person loved The Church, but subbed in a Nick Drake, who is an English folk singer, a song, I think it was “Pink Moon“ or whatever it was, into the ad instead. And it was just very disappointing because it would have been, it had got a lot of exposure, a lot of attention. It would have been a nice little nudge if you will. But that’s the way it works in this business.Andrew Mitrak: It’s a missed opportunity. But at least they were replaced with Nick Drake, who’s pretty great and not some just kind of schlocky song.Kevin Lane Keller: It was hard to complain for that very reason, but it still stung a little bit.Marketing Lessons from the Music IndustryAndrew Mitrak: So did your expertise in marketing and brand, what did you bring from that to a rock band? I am sure a lot of things were brought in. Were there any specific things or surprising things that you were able to apply to working with The Church?Kevin Lane Keller: It’s funny. It’s one of the things I see with other, even with companies. There are times they make things harder than they need to be. It’s always hard enough as it is, so the last thing you want to do is make it harder than it needs to be. And with bands, it’s a little bit of, just as an example, your setlist when you tour. Touring is important. But like what songs do you play? And you got to, there are a set of songs people want to hear. You may feel like you played them enough. You may feel like you’re kind of tired of them. Doesn’t matter. And it’s funny, the band went through a period, The Church, where they did kind of have that hit a wall with some of those songs. Didn’t really want to play them. But they’ve gotten past that now and I’m so happy for them. They really appreciate how much that means to people and they put their heart and soul into it and they put on these great shows with a balance of the old and the new. It’s back to what we talked about: that continuity/change. But you got to make sure you balance that. And that’s again a lesson I see for a lot of companies. Don’t make it harder. Don’t make it more difficult, you know.Andrew Mitrak: They want to rebrand, have a new slogan, do some new messaging where it’s like, well, you’re seeing it all the time because you’re a marketer at the company, but your audience, they don’t see it as frequently as you do. So maybe stick with the campaign that works a little longer.Kevin Lane Keller: Yeah, or just when you’re thinking of decisions, you’re just talking yourself into all these different things where, look, there’s just a lot of times just focus on what matters in different ways. And I think to be honest, that’s where the tools and the frameworks, because a lot of times the compliment I love from companies is when they say that you make it so simple. “You do it, it’s been great working with you, you just made it so simple for us.” And I’m always thinking, well, sometimes you’re making it so hard. I’m just providing structure and clarity and just trying to get them to see and then be able to make the decisions in the right way.Andrew Mitrak: So did managing The Church or working with The Church teach you anything about marketing? Or were there any things you learned that you were able to kind of apply the other direction towards your work?Kevin Lane Keller: I mean the one thing, music has always had a community and a fan base and everything. And obviously brands have embraced that in a much bigger way. But this was something that music was way ahead of in some sense. And connecting with them and letting them be the advocates, if you will, which has been so helpful for the band. So they benefit from the again, the love and support of their most devoted fans. So I think that’s definitely a lesson and just in general about how finding ways, it’s about engagement and the right ways to develop that and cultivate that. But recognize that not everybody’s engaged and so you’ve got a more casual fan base and they’re really important too. So that’s kind of one of the real lessons I got early on that was really helpful was just learning about that.What Remains Constant in MarketingAndrew Mitrak: Wrapping up, we were talking at the start about Marketing Management, all the updates that need to happen and AI and all these things that are changing in tech and in digital and in marketing. But I’m also curious, what are the things that aren’t changing? Are there any things that have stayed consistent and will continue to stay consistent for decades in the future?Kevin Lane Keller: Yeah, I mean we talked before about segmentation, targeting, positioning. I think just the general strategy notion. I think the ways you execute and implement that obviously change. I think Integrated Communications. I think Omnichannel, integrated channels. The mixing and matching of how you go to market, both in what you say and where you sell kind of, or how you sell. It’s at that high level, but then there’s so many unique things that are changing underneath that about how you actually execute that, how you implement that, even how you plan a lot of that. So I think that’s where you see so many differences I think. But I think there’s some of those kinds of high level areas of marketing and tasks that have to be done that I think that are still sort of relevant today.Recommended ResourcesAndrew Mitrak: Kevin Lane Keller, I’ve really enjoyed this conversation. For listeners who’ve also enjoyed it and they want to dive into more of your work, where would you point them?Kevin Lane Keller: So I’ve got lots of articles and a lot of research that I published, but I’d have to go with my textbook. And I wrote it as sort of being and wanted it to be seen as sort of the Bible of branding, this authority. And it’s now co-authored with Vanitha Swaminathan who helped me out on the book. But I think that’s the one. It’s written to have the rigor and the relevance, to be comprehensive, lots of examples. It’s not too dense or too academic, I don’t think, in the treatment of the subject. And so I think that’s one. It is daunting because of length and all that kind of goes with that. But that would be the place I’d go for those who are interested in really diving into again, those more thoughtful practitioners who want to kind of get into different frameworks, different ideas, different concepts, different research advances, whatever. That’s captured in the book. But I think it’s packaged in as user-friendly way as I can. So that’s probably where I’d send people.Andrew Mitrak: And this is your textbook, Strategic Brand Management, which is now in its fifth edition?Kevin Lane Keller: That’s right. That’s right. And again, for those interested in marketing management more generally, just want to know the fundamentals, I’d go back to the Kotler book that has been around for decades and still I think is a really useful resource for what’s going on in marketing and how to think about different topics and providing structure and insight and all of those kinds of things.Andrew Mitrak: Yeah, for sure. If you’re listening to this podcast and you made it this far, pick up a copy of Marketing Management as well and just keep it as a reference because it’s just, it’s worth just having just because even if you’re already familiar, it’s something that a lot of other people will have learned. So it’s worth just having as a reference guide. So Marketing Management and Strategic Brand Management. And Kevin Lane Keller, thanks so much for your time. I really enjoyed this conversation. I had a lot of fun. And so yeah, thank you.Kevin Lane Keller: No, thank you. I enjoyed the opportunity to talk with you and good luck. I think it’s a great series that you have and looking forward to seeing who else you have on next. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit marketinghistory.org

A History of Marketing / Bonus Episode Earlier this year, I spoke with students at Syracuse University taking an “Essentials of Marketing” course. I shared stories from my non-traditional career in marketing that’s spanned filmmaking, virtual reality, robotics, trucking, and technology. I framed these stories into “five rules of thumb” for early career marketers.I’m releasing this as a “bonus” episode. I prefer to let the history and my guests be the star of the show, but regular listeners might be entertained by this personal detour and find some value in these takeaways.I want to give a special thank you to Xiaoying Feng for the invitation to her class and for being such a wonderful supporter of the show.Now, here’s the presentation.Listen to the podcast: Spotify / Apple PodcastsFive Rules of Thumb for Career GrowthI had planned to do a presentation on marketing history, but then Xiaoying asked me to talk about my career and journey.I realized you don’t just want to hear one thing after another. So I thought I would call it “Five Rules of Thumb.” So whether you are planning to be a marketer or just somebody early in your career, as you exit college and enter the “real world,” here are some things I’ve learned.I didn’t want to call them “lessons.” That felt a little too formal.So rules of thumb. For what it’s worth, they have worked for me, so hopefully, they work for you too.👍Rule of Thumb #1: Don’t Get ComfortableThe very first rule of thumb I want to start with is what somebody told me once, which is “Don’t get comfortable.”The story behind this one is that it was February of 2012, and I was going to a job interview. The job interview was with one of the biggest ad agencies in Seattle. I was 22 years old and feeling super confident. I actually had just won a Seattle ADDY Award for an advertisement I made for my university. I had also just released a 30-minute documentary that just won an audience award at a film festival. And I just graduated college a year early as well, and I was already producing videos for an investment company in Seattle. But I wanted to break into the ad agency world, which is why I was having this job interview. So I sat down for the interview, and the guy, who was the founder of this agency.He said to me, “I watched the first 10 minutes of your documentary. I didn’t understand what it was about. That’s not good.” I thought, Oh gosh, this is a tough start to an interview. Then he said, “I also watched your ad. I didn’t like it.” And he said, “What else are you working on?”I didn’t really have a good answer for him. I was like, “This is the toughest start to a job interview I’ve ever had.” I realized I wasn’t going to get this job. So, I just asked him what advice he had for a recent graduate who had a full-time job but wanted to get into advertising.His advice was: “Don’t get comfortable.”This guy was kind of a jerk, as you could tell, and I’m kind of glad that I never worked for him, but his advice was actually pretty good. I think what he was trying to say was: “When you are comfortable, you are not growing. Growth comes from discomfort.” The job I had at the investment company was a pretty comfortable job, but any growth I was going to have would come from pushing myself outside of my comfort zone. Even though this was someone I didn’t work with, I was grateful for the advice, and it stuck with me.Jobs, Side Hustles, Startups, and PodcastsTo place my career journey on a linear timeline, I would say the first era was being an undergraduate and I started making videos for the student newspaper. That turned into a job with UWTV; I made the first-ever student-produced TV show. While I was an undergrad, I was making 30-minute episodes a week. I was 19 years old when I started doing that, and all of a sudden, I was managing a staff of 15 people. I was the worst manager ever because no 19-year-old is a good manager, but I got a lot of practice making videos.Russell Investments reached out to UW and said, “Hey, who do you have can make videos? We need a video person.” And I got a job there. In the meantime, I was doing films and ads on the side as well. I always say I had a real job, and then that “don’t get comfortable” element was always doing side hustles or doing school on top of work or doing ads and doing freelance work on top of work. So that was kind of my “don’t get comfortable”. I was spinning multiple plates. I’m always doing a few things at once to try to learn more and more.The second era of my career was being a startup marketer, and I shifted from investment companies to startups because I just saw that startups have a lot of room for growth, and I’ll speak to this presentation on some of the benefits and also some of the risks associated with startups as well. While I was at startups, I started a side hustle during the COVID years. I realized I could take a lot of tactics I was doing for some of the startups I was working with, and do those first as a side hustle and then as a full-time job at my own agency.Finally, we’re at the present. I am now at Google, and it’s funny, I wanted to work at Google, right from when I graduated from college. I applied there when I was 22, 23 years old, and never got an interview. But then some of my startup opportunities, and some of my other networking and body of work, led to a role at Google. And I now lead demand generation for the SMB and startup segments for Google Workspace. It involves tools that I actually love and use every day. I’ve worked at companies where I’ve used competitive products, and I’ve used Google. I love Google’s products as well, so it’s really great to be at a really great company and then also marketing a product that I actually love and believe in.That ties back to how I met Xiaoying. I started this podcast called, A History of Marketing, because I always wanted to learn new things, become a better marketer, and apply some of my creative and media production background. I wanted to take those skills and my marketing skills, and see who I could meet to keep learning and exploring new things. At Google, it’s an amazing company, but I am really marketing one product in a more specific role, not doing the whole suite of marketing. I am not the CMO at Google or anything like that, and I’m really focused on one particular area, but I want to keep learning a lot of different areas about marketing. This podcast is a great way to continue being a better marketer, to continue to learn things.👍👍Rule of Thumb #2: Adopt Tech Early + Publish Your Work = Doors Open For YouThis takes me to rule of thumb number two, which is a useful lesson in almost any industry: If you adopt tech early and you publish your work, doors just open for you.This is true almost in anything that I can think of, if you are a young person, especially, you want to stand out. There are so many benefits to being early on the adoption curve of anything. There are so many benefits to publishing your work online or in some areas where others, your peers, future employers, other people on the internet, a PhD candidate at Syracuse, and people who can find your work. It’s just doors open for you. It’s something that I’ve tried to embrace over my career, and I almost just wish I had done even more of it over time. I’ll give some examples of this.It wouldn’t be a marketing presentation without some frameworks. Has anybody heard of the book Crossing the Chasm? It is one of the best B2B marketing books, and basically the gist of it is that you have this early stage with very innovative people who adopt things on the bleeding edge, then early adopters, the second chunk here, and they are the early folks who will adopt your new technology.And then there is this “chasm” that breaks from the early adopter phase to the early majority—or the mainstream public phase of adopting things is really hard, and a lot of products don’t make it there. You have probably seen products come and go that didn’t quite catch on. Virtual Reality might actually be an example of that.However, because of this chasm, as somebody who is an individual, whether you have a technical role, a media or film production role like I did, or a marketing role, being an early adopter is your competitive advantage because for a lot of people, it takes them a while to catch on, and they are looking to early adopters to publish things and create things.Especially in a B2B marketing role, I’d recommend it. But this is a framework, where once you see this pattern, you will see it over the course of your life, everywhere. You just gonna see, “That person is an early adopter. That person is a laggard. Or that product crosses the chasm and goes mainstream.”Here are some examples of this. When I was a student in 2009, I was producing that TV show. There’s me when I had a lot more hair. But also, look at this giant camera that’s there and all those film equipment. And here I am working on this TV show, and there are these big cameras out there and big equipment.What else was happening in 2009? I’m going to date myself here, but YouTube had just launched a few years earlier in 2006, and it was in 2009 that they started supporting HD (High Definition) uploads. Then, Canon released this product called the Canon EOS 7D. It was the first DSLR that was at a price point you could afford—maybe $1,000 or $2,000, expensive but still affordable, for a prosumer audience—that could record HD video in it.Before that, it’d have been recording to tape, mostly doing standard definition, and you didn’t have these interchangeable lenses. This together was a magical combination and it changed the media and film-producing landscape. All of a sudden, companies could hire a college student for a thousand bucks to film a high-definition video and upload it to YouTube, instead of hiring a big camera crew with professionals with big, giant, over-the-shoulder cameras.I was so excited to adopt this and it got me so many opportunities just by shooting these videos and publishing them to YouTube right in 2009 when these technologies were coming out.I spoke about Russell Investments, my first full-time job and I was an undergrad when I got the job with them initially. I made all these boring investment videos for them. Sometimes we did branded videos like this one that I shot.They found me just because I was doing videos.But what was cool about them, about Russell Investments, is that they let me use their camera equipment when work was over. I could use their lights, microphones, and DSLR cameras. What I did when I was at Russell, I learned about corporate culture and business and investing. But then on nights, weekends, and holidays, I would make videos.I made a video with Bigfoot—the story was about a guy who falls in love with Bigfoot. I was like, all right, let’s just try this out. Let’s just take a camera and film this thing. I worked with a YouTuber to make comedy shorts. I knew some musicians that I made these really artsy music videos as well.I experimented with things and with green screens and stuff like that. Sometimes the experiments got weird. I did this one by breaking the rules of a green screen. It was like green slime doing it. By the way, if you are ever going to ask somebody to do green slime on them, you have to do it to yourself first—leading by example, getting slime all over yourself and testing things out. So I had a lot of fun with it as well.One of the most fun projects was that I made a short film called One Way Single. We used those DSLR cameras to shoot it, but I got a whole crew involved - there were 30 people. I saved up my own budget and made it my short festival film. We actually built a whole train set, and there are Styrofoam seats and lighting. We built like a quarter of a train and filmed this video inside there, and then we destroyed it all for a crash sequence, so that was a fun project.“Maybe I should become a marketer!”Anyway, all those things I was doing while working at Russell and doing side projects. I was doing silly comedy videos of Bigfoot. I was doing experimental art stuff with slime and building a train. I also met a lot of folks who were in the Seattle advertising community, and I met marketers at Microsoft. I would do commercials and conference videos for Microsoft. So I was a producer on this one, which was at a big Microsoft Conference, and got to work with pretty big brands in the Seattle area and build a network.I also noticed that the marketers at Microsoft made a lot of money and didn’t have to haul around a bunch of film equipment all the time. I thought, Maybe I should become a marketer! I realized that while I loved filmmaking, Seattle is a pretty small filmmaking hub compared to New York or Los Angeles. I thought maybe marketing was the thing for me.The thing I was noticing is that these marketers at Microsoft made a lot of money, and they don’t have to haul around a bunch of film equipment all the time. Maybe I should become a marketer. Maybe their job looks pretty good. So that was in my head as well. Down the line, I love this filmmaking stuff, and it’s great, but Seattle is a pretty small filmmaking place. Everybody who makes it big goes to New York or Los Angeles, and I love Seattle. Maybe marketing is the thing for me. So that was in my head as I was making these videos.From Filmmaking to Virtual RealityThis is the interactive part. Does anybody have a guess at what this is on the screen?This is how virtual reality filmmaking worked in 2015. We are on the note of being an early adopter, you had to find GoPros, I am not even sure if you know what GoPros are these days, but obviously, these were the wide-angle action cameras, and they are relatively cheap. You would had to 3D print a mechanism for holding them all together. You’d have to film them all, you’d have to sync them all, you’d have to stitch them all together in the editing. That is how you did a 360-degree video.On this note of being an early adopter, I had been an early adopter on DSLRs. A few years into that, they had gone mainstream. It was like “Oh, sure, you have a DSLR camera, you can do your filmmaking.” Everybody’s doing that now. What’s next? A VR was one of those things that I was looking at, thinking, “Oh, what’s next as far as emerging technology?”One more interactive part: Any guesses on what is on my face in this one?That is right, this is the Microsoft HoloLens, which was their augmented reality—they called it mixed reality—prototype. It was super early. I think they discontinued it a couple of years after this, but I was at a Seattle VR meetup. I was doing these 360-degree videos, going to Seattle VR meetups, learning about new tech, building a community, or being part of an emerging community, and getting to try out new tech. That was a sort of experimental augmented reality tool from Microsoft.👍👍👍 Rule of Thumb #3: Startups can help you gain a lot of experience, fast.This takes me to my next stage, which is rule of thumb number three: Startups can help you gain a lot of experience really fast, in a short amount of timeIf you want to learn a lot of things about how a company works, a startup is a great way to do it because there is always more work than there are people to do the work. You get to do a lot of things. It is sort of a trial by fire.I am going to shift to my VR startup experience. I was at these meetups doing 360 videos, and I met this young person from Seattle named Jake Rubin, who founded this company with a vision to build a full-body, fully immersive Holodeck-type system. That was a crazy, ambitious vision. He was envisioning a full-body exoskeleton suit and haptic feedback. The idea is that if a VR headset is through your eyes and ears, and immerses you visually or in audio-wise, the next missing thing is touch and full-body motion. He was building these systems to do that.He was one of the sharpest people I have ever met. They had just hired Mark Kroese, who was the president of the company and had come from Microsoft. I thought, “Okay, ilet’s give this a shot.”Learning the Power of PRMy VR experience got me into this startup called AxonVR. That was what they were called at that time. Initially, they built this box, and you had to stick your hand inside a box and you put it out of your headset, to simulate motions and sensations of touch. We found early on that the best way to demonstrate it was with little cute animals in your hand. Because you could feel all four steps of a deer dancing around your hand or a spider in your hand, and if the deer rested and lay\id down, you could feel its whole body and things like that..I started doing a lot of public relations for HaptX (which it was later renamed) because the best thing I could do was find journalists, share the demo with them, and have them write about it.This is a really fun one. I was at this big conference called CES (Consumer Electronics Show). We had just built a new prototype, but also added warmth (hot and cold). The thing this journalist said about us was like the last day of the show, it was actually right as the show was closing, we got this journalist to come in, and I’m just gonna read this out loud. This is a really great piece of media we got. “This is my 10th year at CES. Every year I spend much of the show wondering why I put myself through it. And then maybe once per show, I get reminded of why I’m lucky to be doing what I do. Last night AxonVR reminded me that technology can be so absolutely magical when a tiny deer took a warm and fluffy nap on my outstretched palm.”He called it “absolutely magical.” We were the best part of the show, and it was spectacular. A lot of folks who haven’t tried our tech were really skeptical of it. Even if I describe touch to you over this call, what does it do exactly? I can’t transmit touch over Zoom, and you don’t know exactly what we’re talking about, but if you demo it to people and get them to write about it firsthand, you get more authority by it. People start to believe you. This is a journalist who’s spent 10 years covering this industry and has written a lot of skeptical pieces about tech. And here he is, like describing our stuff as “absolutely magical.”Rebranding AxonVR to HaptX, Naming a Company and its ProductsWe were called AxonVR at the start. Within the first few months, we got a cease and desist letter from a company called Taser, which rebranded to call themselves Axon. They do police body cameras and things like that. So we had to rename the company. I came up with the name HaptX. The idea is that it is “Haptic” and then “X” for experience, kind of like SpaceX, and X sort of is just a cool letter. I got to name a company and name a product.Then the things I also did which bringing back my storytelling and media production stuff. I worked with our game developers and software engineers to design a story as we were building our next prototype that showed off the best of the technology, hid all the shortcomings, and delighted anyone who tried it. We had this demo where you got this virtual farm and a little fox jumps onto your hand, a little diorama, you can grab the moon from the sky, and at the end, aliens invade and you have to defend the farm. They try to abduct your little fox, your tractor and defend your farm. It’s called the “Farm Defense”. This demo we wind up using for years. This is kind of what it looked like. This is one of the videos we did. This is where the person’s at the end of it, destroying these aliens that are invading as well.From Tech Demos to SundanceSomething wild happened. Farm Defense, this demo that I helped make and wrote the story, work with the game developers, and work with the team on it, got selected for Sundance Film Festival. It was so funny that after I had given up on filmmaking, all of a sudden I got into Sundance as a virtual reality marketer, exploring this new medium as part of this team.I thought it would be fun because I got to meet bunch of celebrities there. Unmute your mics if anyone wants to guess who the celebrities are. I thought that might be a fun game for us.(Class discussion ensues identifying celebrities)That’s right, the bottom left is Usher. Any guesses for the big picture on the right? It’s not Daniel Radcliffe.The big picture on the right is Elijah Wood, famous for playing Frodo in The Lord of the Rings. He was one of the nicest guys I have ever met; he came back twice to do the demo and stood in line with people, even though some celebrities may jump in the line or do stuff like that. Up on the left is will.i.am from The Black Eyed Peas. They had a virtual reality experience at Sundance. will.i.am is both a musician, and he’s also a media and tech personality and did some investing. So it was like a really fun experience that I could name out some other folks that we got to meet over the time, and it was amazing. I put so many hands in and out of this demo.It was a really funny thing, but it was also a wild experience, because the way they treat you, even though I just had a virtual reality experience, they treat you like a filmmaker there. You get to go to all these cool things. This filmmaker I’m a fan of named Darren Aronofsky, who made the film Requiem for a Dream and The Whale, he was there, and he had a VR experience there as well. So it’s just like this amazing time to meet a lot of the folks that I really admired through my time in film and just got to have a taste of that experience up close.But it was wild because I was in my mid-20s and there was this tech and it had to be demoed, and all of a sudden I had to travel the world and just show this off to people. And this is a conference in Montreal, and this is a video for a YouTube channel called Tested that got a bunch of views and went to Japan and to Europe, and across the United States, and this was an amazing experience with this tech. It was so much fun.The Jeff Bezos Demo That Changed EverythingI want to share the story behind this crazy demo to Jeff Bezos.One of the things happening at the company was that we had just had a really big layoff event and I am going to talk about some of the downsides and stories as well. We thought we had some money in the bank coming in; we hired assuming that was gonna hit and close, but the investor pulled out at the last minute. We had to do a snap layoff. If you’ve seen the Marvel, which Avengers one was it? Was it Endgame where half of the people disappear? That’s what happened to our company, so we call it the snap.The company seemed like it was going out of business, but we had just committed to this re:MARS event that Amazon was doing. We had put all this work into this really cool robotic project. If you can use gloves in VR, you can use them to control robot hands. There are sensors on the robots so you can feel what the robot feels.We were selected for this conference, and we’ve been invited to it. We pulled some favors to get into it. We were like “You know what? We’ve worked so hard on this really cool prototype, and we had partners from this other company that makes the robot hands, which was based in London. They were flying in. They were counting on us, and we thought, “Maybe it will be a last draw and let’s have some fun at this conference in Vegas.” And I’m like, “You what? Let’s go for it.” As long as we’re here, and we’ve shown up, and we have nothing to lose, we’re just gonna we’re gonna go for it.I am testing the robot hands here, and as we were setting up, everything kept breaking. We couldn’t get it to control. There were no safety features on it, and these robot hands are like $100,000. If you smack it into the table, if you do that, they could break. The conference organizers were looking at us with these massive robot hands, and like, “Do we have to kick you out of the conference? Your stuff is not working, and we are about to open”. And I was like, “No, it’s gonna work, it’s gonna work.”The organizer came to me and said, “Okay, I’m gonna try it.” I’m like, “Oh, gosh, the safety stuff is gone.” Not the safety of the person, but the safety of the expensive robot hands. What if she breaks it? So we do it, and she’s having fun with it, I could tell. “Okay, it’s actually working well enough, even though it’s not perfect.” And she said, “Okay, hey, take my camera, and you’re gonna record me as if I’m Jeff Bezos, and I’m gonna send it to Jeff and see if he wants to do it.” So I did that, and she said, “Okay, I’m gonna send it, I’ll let you know what he thinks. And I got a text later, “Hey, he’s gonna come tomorrow at 5. It’s a private demo, don’t tell anybody.” Of course, I find all the journalists, and I tell them, “Hey, Jeff Bezos is coming at five. You definitely want to be here.”I got these journalists to be right front and center when Jeff Bezos shows up to do our demo, and I didn’t get a great picture of him. At that time, Jeff Bezos was still very involved with Amazon. He wasn’t just like going and partying on yachts or whatever he does now. He was more like a tech influencer or person than he is today. So he comes and does it, and it is awesome. And then, the journalists that I planted there, they all cover it, immediately, they’re telling the stories, and all of a sudden it’s like trending on Twitter. He tweets about it, he Instagrams about it, and for years afterwards, that was like the top thing where I’d get notifications all the time, and he tagged us as well. He tagged us in his stuff, even though he didn’t have to.Because of that, the next week we got a big investment deal. The company was saved, at least for the time being. It was an amazing turnaround. So that was a super fun story.👍👍👍👍Rule of Thumb #4: If you are going to ride on a rocket, be sure to pack a parachuteThere is a famous quote from Sheryl Sandberg, who is a big tech person, and she was at Google and Facebook and wrote the book Lean In. She says:“If you’re offered a seat on a rocket ship, don’t ask what seat! Just get on.”I have been talking about the rocket ship part of the journey, but I’m going to go to my rule of thumb number four: If you are going to ride on a rocket, you should also pack a parachute.You should be sure to pack a parachute because not all rockets are successful. I hinted at some of the stories with HaptX having a snap layoff, which was really brutal. It turned into a fun story with Jeff Bezos, but these people I worked with lost their jobs with no notice.HaptX ultimately had more of those things, and I left shortly after the Jeff Bezos event in 2020. I had a really great four years there but also there were really brutal times where things didn’t work out, layoffs happened, and it was really tough. After HaptX, there was another startup in the Seattle area that was the hot rising star called Convoy. It was a trucking startup, an Uber Freight competitor. It got funding from Bill Gates. Then Bono joined Jeff Bezos and Bill Gates as investors. Al Gore was an investor. Google invested $185 million. They reached a $3.8 billion valuation.I joined them after the Google one, before the $3.8 billion one, and they were on the upswing. I thought, “This is the place to bet. If I’m joining this company and Jeff Bezos, Bill Gates, and Bono are investing, it’s a sure thing, right?”Well, it wasn’t. It shut down a couple of years ago. It fired a bunch of people without notice. It totally collapsed.I left before the collapse—that is the parachute thing. I was there for two years riding the upswing, but under the hood, especially as a marketer working with sales folks, you could see it was a weird deal. They were buying market share in a lot of ways and doing deals that weren’t good for them.If you can see those things happening, don’t get wowed by the big celebrity names backing a thing. They are prone to making mistakes too. Get a look under the hood at what is happening.The Power of the Startup NetworkAndrew Mitrak: The startup I joined after Convoy was actually founded by early Convoy engineers. The startup was called Glue—originally it was called Mystery, doing “date nights out.” Then the COVID-19 pandemic happened, and date nights out became illegal. You couldn’t do date nights out. So, they shifted to doing virtual employee events. The pandemic caused a boom in virtual events for companies because companies needed to engage their remote teams to avoid “quiet quitting.”It was a smart move, basically riding the pandemic wave. However, the story shifted for that company too. When “return to office” happened, companies started to cut costs, and team events are often the first thing cut from a budget. So, I was there for close to two years, had a lot of fun and led a marketing team, but that was one where it didn’t quite work out.In the meantime, I loaded this at the start and I had built a side hustle doing outbound marketing, basically lead generation. I founded that with another former Convoy employee. This was the next thing I was gonna try, which was running it full time as a company (Wolfscale). It was a really good side hustle. Running that full-time as an agency was tough.What is cool about this story is how that company, Convoy, led to a lot of other companies being founded beyond it. So what’s fun is that when you’re at a startup, even if it fails, you’re building this amazing network of other entrepreneurs who are startup-minded, and a lot of those companies became customers of Wolf scale. I worked at one of those other companies as well. And ultimately, Convoy is what led me to my job at Google. The person who hired me at Google was somebody I had worked for two years at Convoy. We had a very high opinion of each other.And so even if something, a startup can fail, the company can fail, but you can succeed, that if you position yourself the right way, or ideally, you kind of get out before things blow up, or you’re kind of thinking of your parachute or your next steps, before things go bad, you can kind of ride the upswing, get some of the benefits of the company, you learn a lot from the start up experience, while not, kind of protecting yourself from some of the downside as well. Well, of course, trying to help the company succeed, but sometimes a company, you know, success or failure is somewhat out of your control as a marketer.👍👍👍👍👍Rule of Thumb #5: It’s all about relationships.(And they matter more than ever in a world of AI.)Andrew Mitrak: This is my final rule of thumb before we open up for questions.At the end of the day, everything is about relationships. Relationships matter more than ever in a world of Artificial Intelligence.There’s a lot of uncertainty about what’s going to get replaced and what’s not. Whether you trust somebody or not, whether you work with somebody or not, whether it’s somebody who makes you happy at work, that’s something that AI won’t be able to replace ever. Basically, for all of human existence, it’s been about relationships.Every story I’ve told you here, everything happened because of relationships. My story and I wouldn’t make sense for me to talk about every individual person who got through along the way, but everything was because of somebody placing their faith in me, or hiring me, or trusting me to do some campaign, or working with me on something. All the jobs I’ve talked about, nothing ever happened because I applied online. Sure, maybe a job application through an online form was part of the process at some point, because it’s like a formality. But I always had someone. They’re either a personal reference or they’re directly at the company, or they’re directly the hiring manager, who was a reference in playing a part in beginning their role. So overall, all of this happens because of relationships.Your reputation is really everything. Are you capable? Are you ambitious? Are you a good person to work with? Those elements are always part of it. So the final takeaway is that everything is about relationships.By the way, a great way to build relationships is a podcast, because all of a sudden, you’re meeting all these amazing guests, and you’re building relationships with them. You’ve researched their work, and you get to meet people who, otherwise, you might not have a reason to meet with you, and you just get to say, Hey, I have a podcast, do you want to talk? And they’ll talk to you, it works that way. I could go on. I have more slides about the podcast and other stuff, but I want to stop here and open it up to Q&A from the group.Q&A: Big Tech vs. Startup CultureXiaoying Feng: I remember someone asking about the difference between working in a startup and working at Google.Andrew Mitrak: Going into Google, I am the happiest I have ever been. I love it and it is a really great place to work. Of course, there are tradeoffs with any big company. When I was at a startup, I reported to the CEO or the Board of Directors. I had a pretty big role, managed a team, and got to think about the large scope of marketing.A tradeoff at a bigger company is that you narrow your scope. You focus on a specific area. You are going to be much more collaborative, and you have bosses, and bosses’ bosses, and their bosses have bosses. You will be taking the orders. You always have a boss, even you work at your own company. Your clients will be your boss at the end of the day. You operate in a more well-defined space. There is a tradeoff. There is a lot to do within that space, and there are new skills I am building, but it is different than running wild and demoing to Jeff Bezos.I am personally grateful I had the experience of doing a startup before joining a big company. I can do a lot of things myself because I had to do them myself. There are people who have only worked at big companies who rely on agencies to do the job or other teams to get things done. I tend to just do a lot of things myself. I think that helps you stand out and that also shows that you have a lot of capabilities. Personally, I like the experience with several startups.Also, selling things matters. When I was an entrepreneur, even when I was freelancing, I had to sell. I had to invoice clients and negotiate. As a marketer, if you are able to sell something and understand what that is like, and if you are supporting the salesperson, you learn so much more about marketing. At the end of the day, you are marketing stuff, and it will lead to the salesperson closing the deal. If you can empathize with the salesperson and go through what they are doing, you will be much better at your job. There are a lot of differences and these are my top thoughts about the differences.Q&A: Balancing Work, Side Hustles, and FamilyXiaoying Feng: You do so many side hustles and have your main job. Do you ever sleep at all?Andrew Mitrak: I also have three kids—a five-month-old, a three-year-old, and a five-year-old. So, I haven’t gotten a lot of sleep since I had kids, to be honest!I definitely sleep overall, but I tend to like having a project at the end of the day. The biggest thing I gave up when I started the podcast was video games. I used to have a habit where, as my kids were falling asleep they’d want me to be next to them. And as they were falling asleep I would play my Nintendo Switch, mostly Zelda games.I just stopped doing that. Instead, I have my laptop open and I will edit or research as they falling asleep. I think it is a more productive use of time. I really enjoy video games, but it is easy to get addicted to them. I try to replace one addiction with another.I treat this podcast like a game: Can I get that guest? Is that going to be a good interview? Can I make the next one better than the last one? That is how I think about it.👍 Bonus Rule of Thumb: Learn to Send a Cold EmailXiaoying Feng: I have one more question connected to your podcast. How do you reach out to so many famous people? It is so difficult to start.Andrew Mitrak: This is actually going to be my Rule of Thumb #6.The number one guest I got was Philip Kotler. He is called the “Father of Modern Marketing.” He is in his 90s. I figured if I was going to talk to someone, I wanted to talk to a primary source. Who better than a person who’s widely regarded as the father of modern marketing? He seemed like the right guy to talk to, and he hadn’t been on that many podcasts. He isn’t really on the “podcast circuit.”This is literally how I reached out.My Rule of Thumb #6 is: Learn to send a cold email. Or just do cold outreach and meet with strangers. This kind of ties into building relationships, and a lot of marketing could be condensed into a cold email.He responded within two hours.There are a few things to unpack here. First, the podcast is called A History of Marketing. What guest doesn’t want to be part of history? If you are a marketer, the name itself lends itself to getting a guest. It isn’t “The Andrew Mitrak Podcast” that nobody would listen to and nobody wants to be part of.Second, I called it a “new podcast series.” I had never recorded a single episode before. If he hadn’t replied, who knows if I would have even launched it?Third, I showed that I had read his book. I flattered him. I’m not some random person. I’ve done the work.Fourth, I said “our listeners.” I knew I would have at least two listeners—me and my wife. I haven’t published my podcast yet but I didn’t say how many. I also talked about what I intend to do.Finally, the 45-minute request is a hack. If somebody agrees to 45 minutes, they’ll agree to an hour. If you say a half hour, somebody expects to get it done in a half hour. You say 45 minutes, they expect to get done 15 minutes after that. And so it’s a way to ask for as little as possible, but get the most possible.I also like the thrill of cold email. I had a lot of success early on, and then the thing that also happens after that, is a bowling strategy. You get one person, and then they get the other ones to knock down, right? Every other guest is like, oh, you talked to Philip Kotler? Sure, I’ll do it because Philip Kotler did it. That’s amazing. If you can find your first win, the next ones are a lot easier. Phil himself was like, “Hey, I talked to Andrew. He asks good questions. He sent off emails to a handful of other folks who became guests of early episodes as well. So, doing outreach, and if you’re a professional or young person, don’t just say, “Hey, could I grab coffee with you for 45 minutes to ask about my career?” People are busy, and they can’t do that all day, right?But if you have a project, I’d love to help somebody with a project. If you’re doing a course, if you’re working on something like a startup, if you’re trying to learn something or build something, people love to help people who are young. People love to help people build stuff. They don’t want to have somebody suck out their time and ask about how to help their career. They want to help you build a thing. So, finding what is the thing that you’re asking, how can you have a project that makes people want to talk to you? I am not saying everybody should start a marketing history podcast, but if you can find your own marketing history podcast or find your own type of project that can lead you to interesting people and to publishing things online, then that can just pay dividends for the rest of your career. ​​Andrew Mitrak: Thanks so much for having me. This was a lot of fun. I hope it was somewhat entertaining and useful. Xiaoying, thanks for inviting me. It was an honor to speak with you, and I had a lot of fun. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit marketinghistory.org

A History of Marketing / Episode 42 This week, I’m sharing my excellent conversation with Geoffrey Colon, a creative strategist and author of Disruptive Marketing. Geoffrey is a self-described “hybrid” marketer with a career spanning the full spectrum of the industry, from running street teams for Red Bull to leading brand strategy at Microsoft, with stints at Ogilvy, Dentsu and his own agencies in between. He’s won Cannes Lions, Webby’s, and bylined articles in Fast Company and Advertising Age.In our conversation, Geoffrey draws a direct line between the first radio ads of the 1920s and the creator economy of today. He argues that the most successful marketers aren’t the ones try to invent something new, but those who embrace the art of the “remix” copying, transforming, and combining ideas from the past.Here is what you’ll learn in this episode:* The First Radio Ad: The story of station WEAF in 1922, and how a real estate promotion for apartments in New York City created the blueprint for interruptive advertising methods still in use today.* The Art of the Remix: Why Geoffrey believes we overvalue “originality” and undervalue the power of borrowing ideas from adjacent industries to create something new.* Guerrilla Tactics: A look back at the era of Red Bull street teams, and why physical, guerrilla marketing is making a comeback in a digital-first world.* The Power of Unlearning: Why the age of AI isn’t just learning new tools, but being willing to “unlearn” old ways without falling victim to sunk costs.Be sure to check out Geoffrey’s newsletter at Creative Studies and his popular TikTok.Listen to the podcast: Spotify / Apple PodcastsThank you to Xiaoying Feng, a Marketing Ph.D. Candidate at Syracuse, who volunteers to review and edit transcripts for accuracy and clarity.The First Radio Ad: WEAF and the Birth of Broadcast MarketingAndrew Mitrak: Geoffrey Colon, welcome to A History of Marketing.Geoffrey Colon: Thanks for having me.Andrew Mitrak: You wrote a book called Disruptive Marketing, which we’ll talk a lot about. The very start of the book talks about the first radio ad on WEAF back in 1922. Can you talk about this story and how did you kind of come across this?Geoffrey Colon: So WEAF was a station in New York City. At the time, radio was music and people talking on it. They would do things no different than today. They would maybe talk about what was happening in the world. That’s where most people were getting news, probably similar to how a lot of people get news on a news feed now on a social media app. You would turn the radio on and listen, I think as a group, to sort of figure out, “Oh, what’s going on?” and you would be entertained that way.And at the time, they had to figure out how to monetize radio. It was expensive. The technology to run it was expensive. And I think the station said, “Well, how are we going to make this work? Because we have to figure out how to pay for all of this equipment.” And one of the people there got the idea of, “Well, why don’t we talk about things that need to be promoted?” And they came up with an idea of, “Let’s promote this local housing that was basically available in the Bronx* where families could go live.” And that was really the first radio ad as we knew it.[*Correction: The neighborhood was in Queens, not The Bronx] And that, I guess, was the beginning of the end, if you want to look at it that way, Andrew, in the sense that all media always has advertising that invades it. So you have radio, you have television, you have the internet, you have social media, you have whatever comes next. But advertising always figures out how to invade these spaces where people pay attention to something.Andrew Mitrak: It’s a great story. I’m wondering, reading your book, it was published in 2016. It’s all here and now, future-looking work. And by the way, a lot of the future sort of, the things that you say in 2016 will happen in the future, happened in the future. So it’s very prescient in a lot of ways. But you start the book with this case study from 1922. What was your thinking? Why was that? Why did you feel the desire to start with this particular case study? What lessons did you want readers to draw from it?Geoffrey Colon: Yeah, there’s a tendency of us in marketing and many fields, we don’t really look back on really older history. We have a tendency of looking at things that have happened in the last two, maybe five-year cycle. And what I wanted to do is note like, hey, wait a minute. Here is a case of something that is 80-some years old and it basically explains how almost everything, what happens in every media space.So like when people say, “Oh, the world is about attention and capturing attention,” it’s like, well, that was the case back in 1922 when this radio station decided, “Oh, let’s use attention, people’s attention to promote an opportunity to live somewhere.” I mean, we’ve always been in an attention economy. I don’t think that’s new at all. And that’s what I was really trying to show. And I’ve always been a believer of like everything is a remix. If we go back and study history, it doesn’t necessarily, you know, what’s the phrase? It doesn’t repeat, but it rhymes. And that I think we’re not good as an industry of looking at how a lot of things are remixed and recycled from older eras that we just figure out like, “Oh, how do we make that fit the new era?” This concept of copy, transform, and combine.Andrew Mitrak: Yeah, no, it’s totally true. It’s a theme that we’ve covered a lot on the show of that there’s these things that feel like contemporary debates within marketing or advertising. Is it creativity or is it measurement? Is it storytelling or is it salesmanship? And these debates, they’ve been happening for like 150 years. It’s like a lot of the things, it’s like, “Oh yeah, you could just trace it back.” And it’s not new. And it’s like, gosh, wouldn’t you think like we would just acknowledge that or at least start like, “Yeah, these are debates that have happened. Let’s kind of move forward from there.”Geoffrey Colon: Yeah. Performance versus brand. I mean, a lot of people could say, wait a minute, that, you know, David Ogilvy was talking about that because he was always like, “If advertising doesn’t sell, then it’s not really doing what it’s supposed to do.” We have those debates now in this current era where it’s like, “Well, does it help sell?” It’s like, all right, we’ve been talking about this for 50, 60 years.Andrew Mitrak: Yeah, totally. So one of the things that I like about this WEAF radio case study story is that one of the things is that this idea of radio ads didn’t come from radio people. That it came from like telephone people at AT&T. And that it’s like there was an innovative thing at the time, right? It was radio and it was ads and it was selling stuff and that was a way to monetize it. So there was innovation there, even though it was also interruptive. But it was people borrowing ideas from an adjacent industry and applying them in a novel way. And it seems like that’s a theme throughout your work is that that’s an angle for creativity and for the eye. Can you speak to that idea of borrowing from adjacent industries and applying them?Geoffrey Colon: Yeah, I mean, I’ve always been a generalist, not to use that term, but you know, how do you look at the world that, you know, in a wide manner? And then say, “They’re doing this over there. How do we apply that in our area?” But again, remix it so it fits our area. I sort of cringe when people will sort of say, “We need to go out and get an expert to do this particular job.” And then the job isn’t really creative or the output from that job isn’t really creative. And then people will sometimes be frustrated and say, “Well, it’s not as creative as I thought it would be.” And it’s like, well, yeah, because you’re basically having people who are not really wide, they’re just deep. And they’re doing exactly what you expect them to do.I mean, there’s plenty of areas in marketing where I see this. Like if you market healthcare or insurance, you are probably doing a lot of the same things there. It wasn’t until a couple of years ago when you had organizations like GEICO and Progressive and State Farm said, “Wait a minute, let’s throw that old playbook out because they actually hired people who came from different industries to figure out what their marketing and advertising was going to look like.” So I think, you know, we should take more risk in terms of who can we get that is unique to basically apply their learnings to our field.We’ve seen this in lots of different areas. Even if people say like, “Well, you wouldn’t hire someone outside medicine to work on medicine.” The thing is doctors and scientists are still inspired by lots of areas outside of medicine that they then apply. This is why, you know, you have a lot of medical scientists now saying things like, “Hey, one of the best things you could do is actually fitness.” And fitness doesn’t necessarily fall into like medical science, Andrew. It falls into like, well, wait a minute, that deals with like VO2 max and basically walking and doing things that should really, you know, come natural to people. But, you know, the more you apply things from other areas, the more that actually can lead to some interesting outcomes for, you know, how we basically navigate life.Andrew Mitrak: Totally. You know, this is like another area that even within the guests that I’ve spoken with, I’ve spoken with real like, you know, marketing PhDs, experts, and folks who like are very, very deep into marketing as a discipline. And then I just had an interview that I just recently published with a historian at Nike. And basically the gist of the story was that, you know, their first head of marketing was their lawyer. Phil Knight was an accountant. Carolyn Davidson, who designed the Nike logo, was a student. And all these people who aren’t trained marketers, didn’t learn about the 4 Ps, you know, and didn’t get an MBA, but they just had good instincts, they had a passion, and they made many of the best marketing decisions of all time.And it’s just kind of a thing to square. Like what is it? Is it worthwhile to read a bunch of marketing books and really learn it? Or what does that say when so many like folks who seem like amateurs or are not experts but can make a lot of the same, the right decisions on it? So like, yeah, what’s your reaction to that?Geoffrey Colon: Yeah, I mean, I’m in the middle there. I’ve always been more of like a hybrid where it’s like, I think it’s bad if you’re a person who’s like, “Well, you shouldn’t study anything on marketing. You should just go do it and wing it.” I mean, like there’s a lot to learn from the science of marketing. I think like it’s important to study those things. That being said, I also think it’s good to not be mired in, “Oh, well, that’s the way to do it and that’s the only way to do it.” Because you don’t make up any ground that way, Andrew, when you sort of get stuck with the, “Well, this is how things have worked the last 60 years. That’s what we’re going to continue to do.” Because ultimately that’s what leads to fatigue from most audiences where they’re just like, “I know I’m looking at advertising or I know I’m being marketed to.” And then it becomes less effective.So I think it’s somewhere in the middle. I always tell students who are marketing majors, “Oh, I’m glad you’re doing that. But go build a business too. Go learn how to actually build a business, even if it’s like selling t-shirts online. Just go learn how to do something so you’re not a person that I call the professional managerial class, people who have advanced degrees, but when you say, ’Have you ever built anything?’ they’re like, ’Well, no, I’ve only managed things.’ I’m like, ah, I don’t know if you really, you know, I don’t know if that’s all that you need to do to make things really happen in life.”Andrew Mitrak: Or go sell something as well. Like building something and selling something, it’s like your empathy for a salesperson as a marketer changes so much if you’ve had to like sell and close a deal yourself or things like that where it’s like, yeah, you have to have like life experience to apply it as well.To kind of wrap a bow on the WEAF radio case study, it’s like on the one hand, this is a hundred years ago now and there are still radio ads and there’s still interruptive things. But then part of the lesson is like, can’t we evolve past that? Can’t we get past interruption? But then interruption still exists. And does that just mean that it’s been around for a hundred years, it’ll be around for a hundred more years and there’s that Lindy effect where it’s like it’s just existed forever and it’ll continue? There’s some reason to that? Or is the lesson like, no, we need to really think of how to break away from it? Do both of those things exist at the same time? Or what’s your thought about that?Geoffrey Colon: Yeah, I mean, I think if you didn’t have interruptions, you would just sort of have what we have with streaming nowadays. When I mean streaming, like when a streamer goes on YouTube and is on there for four hours or they’re on Twitch and you’re like, “Wow, like you’re not taking a break at all.” You just, ultimately the audience fades as well from scenarios like that. I’m not saying that everything has to have advertising breaks, but I think advertising when you do interrupt, you can decide what, you know, whether you want to take a break and not pay attention or you may happen to pay attention.I don’t know what the answer is there because I think if you integrate more advertising or more sponsorship into media, people start to get upset about that as well because they’re listening to you talk like you and I are talking and then all of a sudden they’re like, “Wait a minute, they’re talking about something and I think they’re trying to promote it.” And I don’t like that either. So it’s, you know, it’s, we’re in a weird world where we’re always trying to figure out the best way to sell or give awareness to something. And I don’t know what the right answer is.Andrew Mitrak: Yeah, sort of, I guess that’s part of the fun. It’s like an evergreen challenge and we continue to experiment.Guerrilla Marketing: From Ancient Rome to West PhiladelphiaAndrew Mitrak: And so, okay, shifting from that example, I also want to talk about some of the kind of historical moments of your own career because a topic that I haven’t covered at all in the show is guerrilla marketing. And can you just share when did you first start doing guerrilla marketing?Geoffrey Colon: You know, I was really, I got really into like graffiti and street art having grown up not far away from Philadelphia where graffiti actually, the modern graffiti I should say, was invented. If we look at, you know, where graffiti really originated from, there’s cases of it going back to ancient Rome and ancient Greece. But the modern version of it came from Philadelphia and then it was really...Andrew Mitrak: Like the opening of The Fresh Prince of Bel-Air [Laughs]Geoffrey Colon: Correct. Correct. No, that’s actually a good example. And then New York City took it and put it on another level. So I’ve always really been interested in guerrilla marketing because you are doing something out of context, out of the norm. You might be, you may see a blank wall somewhere and you’re like, “Okay, how are we going to take that over and paint it in a way that draws attention to what our product is that we’re doing?” It might be what we’ve seen recently with people setting up real-life versions of people in storefronts and getting people’s attention because they’re like, “Whoa, what is going on in there?” There was a recent case of a B2B product called Ramp that recently did this in New York City.So it’s, you know, guerrilla marketing does exist still. There’s just less cases of it because you can’t track it. You can’t really see what the effectiveness of it is. But it makes for good PR and it can be exciting because you can do stuff that’s just sort of out of the norm that we have usually been doing, I would say the last, you know, 20 years where we sort of stick to the playbook.Andrew Mitrak: It’s funny because you mentioned how you don’t see as much of it anymore. And it is one where as I became aware of marketing, I would hear a lot about guerrilla marketing, right? And I think that in the early 2000s-ish to maybe the late, early 2010s, I feel like I just heard guerrilla marketing as sort of a buzzword a bit. And then I don’t hear as much about it anymore. Is it because it’s been absorbed into normal marketing? Is it just like a PR stunt, I guess? Or is it that there’s actually less of it happening as the world becomes so much more digital? Or it’s not really a digital guerrilla marketing per se and that’s, and it’s not trackable and therefore so much marketing is digital that it’s just less guerrilla is part of it? Is that sort of, like why is it disappearing, I guess is my long-winded way of asking a question.Geoffrey Colon: I think we’ve, I think you hit the nail right on the head. I think we have over-indexed on digital. And so we don’t really put an emphasis on guerrilla marketing because that’s in the physical world, it’s in an analog world. The reason I think it’s starting to creep up again is because people are doing a lot more things in real life. But also a lot of that scales. Canadians actually were really big on guerrilla marketing. They, in Vancouver, they called it culture jamming. That, I mean, like Canada really sort of led the way. I think Kalle Lasn who wrote the book on guerrilla marketing is Canadian. So I don’t know what it is north of the border that made Canadians do that, but I think they saw something that said, “Wait a minute, let’s take advantage of the physical space and then figure out ways to draw attention to ourselves.” And then that’s just, that has spread across the world, you know, pretty much to every territory, every country now does some form of guerrilla marketing for brands.Andrew Mitrak: And as you were early in your career, you were doing some guerrilla marketing yourself. And I think, did you work with the Red Bull street team?Geoffrey Colon: I did. Yeah. That was pretty wild.Andrew Mitrak: What was that story?Geoffrey Colon: I was running sort of my own, this is early 2000s, my own influencer business out of my apartment in Brooklyn. And Red Bull approached me because I used to do a lot of street teams for music releases. Anytime there was something big coming out in the music world, street teams were the most effective way to call attention to that because you still had physical record stores. So you wanted to make sure people knew when something was coming out. And they said, “Hey, we want to hire you to figure out how to do this to get our product out to more people.”And Red Bull at the time was really only popular, the first area in North America that it was really popular was Miami because they sort of figured out how to get the product into nightclubs there. And then they said to the bartenders, “We’ll give you this product for free, but can you push it based on these drinks that you can mix together?” And then more people were like, “What is that?” And it’s like, “Oh, that’s Red Bull.” And that drove word of mouth that then got the beverage to grow off-premise. So it actually started to show up in like delis and grocery stores.But I ran, you know, street teams in New York for a while for Red Bull. And now we still see the cars out there with the can on the back that drive around. I mean, again, that’s a lot of guerrilla marketing as well. Like people will always ask me like, “What do you get from that?” But you get attention. You go to an event, people see things. Sampling was really big. So, you know, we would do a lot of things where we would actually get the can in people’s hands to try it. You know, I don’t see a lot of that anymore.Andrew Mitrak: I don’t know if I hang out in the areas where that might occur anymore. But I know when I was in college, I think that was the very first time I had a Red Bull, I think, was somebody with a car and a can and handing it to me. And being a poor college student, I’m like, “All right, sure, I’ll get some free calories out of this.” And that, I don’t know, I didn’t convert me. I don’t drink many Red Bulls, but you know, it got me to try it and be aware of it a lot.So how did you transition from having your own agency to working at Ogilvy?Geoffrey Colon: I sort of went from having my own to working at a couple of other places. And then, you know, Ogilvy had an opportunity and I was working at a really large digital agency before I went to Ogilvy. And I just was like, “Wow, it would be interesting to be at a big traditional agency at a time when they were really yearning for people with social media and digital experience.” And so, you know, I had a great boss there. She totally got it, was really a good social media marketer herself. And we just were able to apply a really lot of interesting strategy to the clients that we had. But I was also able to learn a lot from like the traditional creative directors there and how things were put together, you know, for what I guess we would consider old media. But I think, you know, when you understand that entire mix of how to buy media, how to make creative, what does that creative look like, what do these stories look like, what’s a customer journey look like? I mean, it’s a good education, I think, to be in an organization like that.David Ogilvy and the Hybrid Marketer: Balancing Creativity and FundamentalsAndrew Mitrak: Yeah, you were kind of talking about how you want to do both. You want to be a hybrid creative, but also you want to know the principles of marketing and you want to know the fundamentals. And it seems like that’s something you get out of a place like Ogilvy is some of the structure and discipline and kind of the big company thinking and almost understand which parts need to be disrupted in a way because you’ve kind of seen how a larger agency works firsthand.Geoffrey Colon: Yeah, and I mean, David Ogilvy is interesting because he has tons of case studies of things that I would consider to be disruptive for their time and place. I mean, a lot of times people are like, “Oh, that’s an old stodgy, you know, advertising agency.” But when you look at the case studies again, going back to how we look at history, it’s like, wait, what, you know, they did then could be applied now. And that can be quite disruptive. Putting an eye patch on someone who is, you get people to pay attention to the fact, “Oh, why does that person have an eye patch? Oh, that’s an interesting shirt.” You know, that’s, those are interesting tactics.Andrew Mitrak: Yeah. So how much, so you mentioned David Ogilvy and you worked at the agency Ogilvy and he had, he had probably retired in what, like the 80s and had passed away by the time you were at the company, right? But was his legacy still there? Like does his legacy a big part of the, you know, it still bears his name, so clearly it’s at some point it’s there. But do they still kind of like give everybody Confessions of an Advertising Man and have them like read Ogilvy on Advertising to sort of understand sort of some of the history of it?Geoffrey Colon: Your first day there, I remember, here’s Ogilvy on Advertising. Everybody gets that book who joins the agency. Yeah. So his spirit is definitely embedded there. There are quotes all over the walls there. I don’t think that I don’t think they’ve tried to move away from their historical legacy like a lot of other larger agencies have.Andrew Mitrak: Yeah, because a lot of other agencies, you know, the one of the names like Ogilvy just becomes an O, like an extra thing in like the big string of letters and it’s like it gets merged in and gets shortened and you kind of lose like who was that guy to begin with. So it’s cool that his legacy was still there. Like what, how was it sort of applied still? Like how does it go from like a wall or some quote to actually like showing up in materials?Geoffrey Colon: Yeah, I mean, every brief there is still originated from what his briefs were. So that hasn’t gone away. And if people are like, “Well, why don’t they update that?” Because it works. Like why change that? It’s because it’s simplified, Andrew. It’s really simplistic. And I think the issue with briefs is we make them so complex that when you get them back, you’re like, “This is 25 pages,” whereas it’s one page with three things that you’re basically trying to do.And I find in this day and age when everyone’s like, “Okay, let me do my hand talking here. Here’s the 70 things.” It’s like, no, no one’s going to remember that because people don’t have the time or attention to remember that. What’s the one thing you really want to get across? I think that’s important in terms of not just advertising, but like anything you’re trying to do in marketing. Whether it’s marketing a product, marketing someone who’s trying to run for office, or marketing anything, an idea. You really need to, you know, this is where the whole elevator pitch comes from. Nobody really wants to be in an elevator being pitched something that they’re like, “Yeah, I don’t understand what you’re saying.” They just want to know like, “Oh, by the way, I have an idea. It takes this and this.” And they’re, “Oh, yeah, let’s actually do that.” So communications skills, I think we’ve made them way too complex for the 21st century. And we can make them much more intelligent again.Andrew Mitrak: As far as the complexity, one of the truisms from David Ogilvy, his principles is like, if you have a successful campaign, keep running it. It’s like you’re not presenting to a standing army, you’re presenting to a marching parade. And the idea that if you have something that works, you don’t need to just like change it up every season just because. And I feel like there is a thing where it’s like people, you know, have the new holiday ad just because and totally rewrite everything just because it’s like a new year. And there probably could be a little more of just repeating a good message, sticking with a good slogan, not rebranding and having a new jingle or whatever. Like, yeah, do you think about that or are there other sort of like lessons that folks should sort of embrace still from Ogilvy?Geoffrey Colon: Yeah, I mean, that’s a big one. Like even modern thinkers like Mark Ritson talk about that. Like he will say, “Why are people running these new ads or why do they have a whole new campaign when they should run the this other one?” It’s one thing if you change a campaign because let’s say the company has new products or features of those products. But if you’re like, “Hey, let’s do a brand campaign.” It’s like, is your brand still based on what it is that you sort of laid the foundation for with this original campaign? Yes. Then keep running that because you’re, to your point, and I love the analogy, it is like a parade. There’s a lot of people who have not probably seen the messaging that you have to keep hitting and hitting and hitting until they realize like, “Oh, that’s interesting, that company.”And I think we’ve seen that in a lot of different areas, people taking that to heart. I just also liked David Ogilvy’s approach to the fact that, you know, he said like, “Your customer isn’t a moron. It’s your wife.” I think I have that quote correct.Andrew Mitrak: Yeah, it’s along those lines, yeah.Geoffrey Colon: Yeah, it’s like we have a tendency of thinking that our audiences are different from who they really are. And I think we’re actually going back to an era where if you understand who the audience is because let’s say you’re marketing something that you yourself use. So you’re like, “Oh, I know who the audience is.” Like that’s way more impactful than people who may say, “Well, this is who we want the audience to be.” That’s very different and that sometimes is delusional, if I may say that word.Andrew Mitrak: Yeah. No, exactly. It’s funny because when I recommend Ogilvy, I say, “He does use some gendered language at the time. Yada yada.” Like caveat, it was a different, I mean, I don’t know if it’s a good excuse, but it was a different time. But like there’s a lot of truth to that. And the intention behind it is actually, yeah, speak, don’t assume your customer is a moron. Like they’re actually intelligent. You don’t have to dumb things down that much.He also was a proponent of like actually having a lot of detail in your ads. And I don’t know if that works totally today on social and of course it doesn’t apply to every format. But in general, like just assuming like sometimes there’s a thing like, “Oh, everything has to fit in, you know, a three-word slogan and you can’t have a, you know, but it’s like actually sometimes you want to read a paragraph of like good copy about why this product is so great or that, you know, that Rolls-Royce ad about how it’s at 60 miles an hour, the loudest thing in this is the electric clock or whatever it was. Like these little things that just like, “Oh yeah, that like totally catches your imagination.” And he’s willing to write longer, which I also also like.Geoffrey Colon: Yeah. Yeah.From Agency to Big Tech: The Microsoft ShiftAndrew Mitrak: So you shifted from Ogilvy to Microsoft, and which is like a pretty big transition. So at this point you’ve been a solo agency owner, you’ve worked at leading digital agencies, you’ve worked at larger ones like Ogilvy, and here you are at like among the top few largest companies in the world and you do a brand leadership role for you. Like what was that like going to Microsoft and what was like sort of the big shift from agency world to, you know, big tech world?Geoffrey Colon: I mean, it’s a huge leap in terms of the learning curve because you’re going from outside a company and really being sort of an advisor because that’s really what agencies are, they’re advising their clients, to being in-house and having to learn everything about the brand. From like the history of the brand, every product at the brand, every failed product at the brand because that comes into play too in terms of understanding evolution. Every solution area that the company was involved in.I mean, there’s a lot to learn there, especially for, you know, when I got there, I think the company was around 40 years old, but it feels like 100 years old because there’s so many things that a company like Microsoft does. So yeah, it was a big learning. And I liked that though. I think, you know, drinking out of a fire hose is good for everyone to do at least once in your life where you don’t feel intelligent, you constantly feel like, “Wow, I don’t know anything.” And you have really, really smart people in the room around you at all times because that’s how you get smarter. That’s how you get better. You don’t get smarter or better by being around people who aren’t really good at their craft. So I think that was a great challenge. I looked back at that era and it’s, it was almost like having an advanced degree on steroids, Andrew, because you’re just like learning how to scale multi-billion dollar businesses.Disruptive Marketing and DisruptiveFMAndrew Mitrak: And so you wrote Disruptive Marketing while you were employed at Microsoft, right?Geoffrey Colon: Yes.Andrew Mitrak: And you’re publishing this and hosting a podcast called Disruptive FM while you were at Microsoft. And did you feel like, were you partly speaking and preaching to Microsoft employees trying to like evangelize a shift in thinking? Or were you more like and also speaking to people outside of Microsoft? Or what was your approach to sort of communicating both within your company and outside your company?Geoffrey Colon: Yeah, it was internal and external. I think what I identified is that regular people on the internet were going to have larger influence than what I guess you would call the mainstream media or journalists. At the same time, I also thought employees were going to have huge influence on how you sell products. And then you were also going to have a huge influence on the other people who work at the company in terms of inspiring them.I think what I identified early on is what you call, you know, the creator economy. This was 2013, 14 where I was like, “Hey, video is everywhere. This is, you know, how things are going to work.” And I remember someone going like, “No, no one’s going to watch video with like regular people or people who like work at a company.” And then I was like, “Hey, I think podcasting is going to be big and I think it’s also going to convert into like audio video like we’re doing right now.” And I remember someone saying, “Nope, that’s not going to happen either.”But the reason I look back on that and I realize why those people said that, these were people who were PR folks who were scared about change because if that changes, then their job, which was pitching people at the New York Times or Fortune or Wired, they don’t see that as relevant. And it’s like, no, no, no, no, you can adapt because you’re just going to be pitching to creators, these people who are all talking about different things on YouTube or TikTok. I just don’t think they could see that, Andrew, at the time. I think they see it now. But I think every company sees that now. So I don’t know. It’s sometimes lonely seeing some of these things, you know, ahead of the curve and at other times it’s pretty interesting. So...Andrew Mitrak: That’s right. I mean, because you’re also, you’re being a little provocative too. You’re talking about disruption and there are probably people where, you know, you kind of criticize MBAs a little bit. You probably work with a lot of MBAs, right? And you’re talking about this old way of doing things and Microsoft is probably doing a lot of those old things. Did that lead to any uncomfortable meetings at all or anything like that? Or what was that like?Geoffrey Colon: Yeah, I mean, I think that provocation, like if you look at how people provoke on the web now, a hot take gets people to, you know, “What? Why are you saying that?” You know, um, I think there were parts of the book that I, when I wrote it, I was like, “I’m going to say stuff that is controversial because otherwise no one’s going to pay attention.” And that’s sort of how the web operates for better or for worse. I don’t think it’s always a good thing that people do that.I think now if I rewrote the book or wrote a second book, I would take a different tone of that’s much more uplifting and has more of a collective leadership style. But at the time, that’s what you did to provoke people out of like a stupor. And yeah, those, I mean, sometimes people would be like, “Nah, this is not, you know, this is not where things are headed. This is always going to be relevant.” You know, that’s not necessarily something I always wanted to get into debates with people about. But, you know, I saw like, hey, there’s a need for creative technologists at these companies. There’s a need for people who understand APIs just as much as saying, “Well, I got my MBA from Northwestern or Wharton.” I don’t downgrade MBAs. When I wrote the book, I didn’t have one at the time. I went back and got one since. But like I think there’s much more of a need of just human understanding from folks that you may not get from an advanced degree.Andrew Mitrak: Totally. That’s right. And obviously the gist is the point of the book is not to like diminish MBAs or anything like that. But it’s to really advocating for this idea of creative hybrids and that there’s lateral thinking and having broad experience that’s not purely just MBA to management consulting to big tech and management with no experience actually building things and being hands-on and being able to draw inspiration from outside of a very specific worldview.Geoffrey Colon: That’s right. I mean, some of my best employees I worked with had like philosophy degrees. Some of the best UX people could also, you know, code or maybe they failed out of being like an engineer and did business. But like we’re in a weird, like to your point, Andrew, we have weird hybrid roles now that you can’t just say, “Well, I’m going to go and major in this.” It’s like you have to have a lot of different subjects and do a lot of different things and have a lot of range to really apply that to the world that we’re currently in or and the world that we’re like moving into.Podcast Marketing: From Niche to MainstreamAndrew Mitrak: I want to ask more about Disruptive FM because you, I’m relatively new to podcasting myself. I was a long, I was a very, very early like podcast listener like back in like when the Ricky Gervais Show was out in like 2005-ish or something like that. That was the first one I got into. But I mean, I’m sure you even predate me on podcasting.Geoffrey Colon: No, no, no, no. That’s about the time I got into things too. 2005-ish. Yeah.Andrew Mitrak: Right around that, yeah, right around then. But you actually were producing like relatively like way early like as far as especially business-wise, there wasn’t nearly as much business-related podcasting stuff. A lot of it was like comedy shows or things like that. But so Disruptive FM, you’re producing that. What did you learn about podcasting as you were doing it in those early days? Like beyond technical stuff or things like that, what was you worked on it for a long time, you’re still podcasting. What is it that you got out of it and what did you learn from podcasting?Geoffrey Colon: You know, the things that I thought people didn’t want to hear about when I would do episodes where I’d be like, “Oh, I’m going to, you know, interview this person who wrote a book.” I have a lot of authors that were on the show. You know, maybe the book wasn’t a bestseller or, you know, no one really knew who the author was. And I’m like, “All right, we’re going to do this. I doubt anyone’s going to really like this episode.” Those were the ones that always did really, really well. Like the niche topics. People loved hearing about that because they would always say the same thing to me, which is, “You know, hey Jeff, I wouldn’t know about that unless you told me about it.”Which made me realize that even in our algorithmic discovery world, there’s still a need for human curators, people who find things and tell other people about them because not everyone’s going to know about every single thing out there. And then when you make them aware of it, they’re like, “Wow, that is like a fascinating topic. I got really, really into that.” So that was a big learning for me early on, you know, before people said, “Oh, there’s tons of people out there who talk about micro topics.” It’s like, yeah, and a lot of them write books. People are really fascinated about that just as much as they are about, you know, the big authors.The Many Benefits of PodcastingAndrew Mitrak: For sure. Yeah, and reading somebody’s book and then getting to interview that person is a magical feeling too because when you read a book, it’s like you’re so removed from the author in a way. And in podcasting, you’d have no reason to really talk to me per se or spend an hour with me. I’m some guy with a podcast and all of a sudden you will and it’s amazing when you just reach out to people and be like, “Hey, I have a podcast. Do you want to talk about your book and talk about other things?” It’s kind of just a wonderful shortcut to get to meet people and have conversations that you otherwise wouldn’t get to have. And I just personally, I enjoy this and I also, I’m sure did you kind of experience that at all as you were just reading books and getting to talk to cool authors on stuff?Geoffrey Colon: Yeah, and in a lot of ways, I mean you bring up a really good point. It’s like exchanging business cards. I know that sounds wild, but when you’re like, “Hey, would you like to come on my podcast, we’re going to talk about this,” you then are connected to that person. It isn’t so much about the metrics as much as, “Hey, we talked, we got to learn some things from each other. This is really great. Now I know you and now I can actually talk to you in the future.” I mean, almost every person I had on, and I had a lot of guests on over the decade that I hosted that show, I mean I could reach out to almost all of them and say, “Could I ask you a question or could I run something by you?” And some of the people I had were nobodies at the time who are now huge. Scott Galloway, Steven Bartlett, Gary Vee, very early on when not many people knew these people. I had interesting CEOs on as well that most of them are retired but I think it’s interesting in terms of, I’m happy that people actually took a chance and said, “Sure, I’ll go on your podcast.” Some people I don’t even know if they knew what a podcast was when I would bring them on because it was audio at the time, audio only until later.The Evolution of Podcasting DistributionAndrew Mitrak: I didn’t think about that. At that time you were probably still having to explain what a podcast was like, “No, it’s not on the radio. No, it’s not a live webinar. It’s a recording.”Geoffrey Colon: This is how it’s distributed, you know, this is how people listen to it. It was at a time when Apple sort of ruled that world. Spotify didn’t have any podcasts, iHeartRadio didn’t have podcasts, Amazon didn’t have podcasts. I mean, it was still the wild west in terms of listenership and people taking a chance on that, but, you know, look at the medium now.Andrew Mitrak: Do you have any thoughts on how it’s evolved as a marketing channel itself? Like when you were starting, obviously beyond it just growing and there being more listeners and more podcasts in the world overall. Has it mechanically as a marketing channel or how brands or individuals think of it for marketing purposes? Has podcasting changed in your career working on it?Video Podcasting and Gen Z Listening HabitsGeoffrey Colon: Yeah. It’s gotten, I mean, some of the early podcasts I remember were almost three hours, like they were long. And you would just talk about everything. It actually reminds me a lot of FM radio. It’s like, “Hey, let’s just experiment and talk.” And they were minimally edited. You did not edit a lot of it because it just was for people to listen to. Now I find if you’re not doing video, you probably are going to have a harder time being discovered. Now, that’s at this moment. I’m starting to hear a shift from Gen Z listeners saying, “I don’t want to watch video. I want to be in my headphones again.” Now this is a, I haven’t scientifically researched this, but I’m starting to hear from more of the younger generation, they want to just listen to some things, but it still has to be theater of the mind. Meaning there’s two people talking, maybe then there’s something they shift to something else, then they shift to something else. So it’s like you have to still keep the audience engaged. And I think the same is true with anything now is it’s not a matter of being short, it’s a matter of like, is it interesting? Do you have interesting people? Are you talking about interesting things? I mean, that’s the biggest learning I think nowadays.The Shift to Fractional Marketing RolesAndrew Mitrak: You’ve had your own small agency, you’ve worked at large agencies like Ogilvy, you’ve worked in-house at Microsoft, which is one of the biggest companies in the world and you have your own practice again. You have your own agency again now.Geoffrey Colon: I do. Yeah.Andrew Mitrak: And how is marketing different across those environments? Just broad question, but what is the same and then what’s different across them?Geoffrey Colon: You know, most companies that I advise now and consult with, they really want people who are immersed in understanding what their company does. So they’re not so interested anymore in let’s hire an agency and they’ll do X, Y, and Z and then they’ll go away. They probably have an in-house team. So the in-house team does a lot, but they still need people who are outside in to keep them honest because if you look at some of the worst work that’s been done over the last five years, it’s been from in-house agencies that don’t have outside advisors. Because an outside advisor isn’t drinking the Kool-Aid of that company, let’s just say. And you need that. CMOs actually want that. They’ll say like, “Hey, we’re going to have a couple outside consultants.” And you know, you’d always be in-house going, “Oh great, we’re going to have this person who doesn’t know what they’re talking about.” But those people actually would just keep you honest about, like you said, “Hey, I don’t know that’s a great idea. Here’s why.” Or like, “That’s a great idea. You’re not going far enough with it to make impact.” So that’s what I’m starting to realize is that fractional work is really changing what our relationship is with marketing. I noted this in the book as well that most of us would be, let’s say, fractional temporary gig workers when it comes to marketing. And that doesn’t mean that all full-time jobs are going away. It just means that there’s probably less of those on the staff. And then everything else is supplemented with other people who may come on board and do something for five months and then they’re done with that particular project. So it’s almost like the future of marketing is the future of work, which is a lot like putting a movie together. “Hey, you’re going to be working on this. It’s going to take us four months to put it together. After that you got to go find whatever your next gig might be.” And I’ve been working like this now for the past year and a half. And I’ll be honest with you, Andrew, it’s scary, but it’s also exciting at the same time because it’s disruptive to make that point.The Power of Being a GeneralistAndrew Mitrak: It’s great. Everything you’ve talked about, I resonate a lot because I think of myself also as a very generalist type person. My background’s in video and in virtual reality production, things like that. And then startup marketing and I’m at big tech now but also do a podcast. And also have some creative outlet where I want to learn about other things. And my career is never like one thing at a time. It’s at least two things sort of. And you have more than two things. It seems like most of the time you have a lot of things going on, which is I think just good. It’s like a good way to have a rich experience in life and just embrace a lot of things and not like that you’re dilly-dallying and just sampling, but you’re doing a lot of things in a meaningful way, but also wearing hats which makes you better at the other thing. It’s like I do this thing here and that gives me an idea for this company over here. And that’s just I think a productive way to be a good creative and a good marketer, right?Geoffrey Colon: Yeah. It almost is like this, I saw this thing recently where someone said Dr. Seuss actually niched up instead of niched down, which is he was a really good writer, but he knew that just writing words wasn’t going to be enough. So he figured out slowly how to do illustration even though it wasn’t the best. But he figured that out and he became world renowned. That is like I think the way that I look at things now. It’s like someone might say, “Are you an expert in this area?” No, and I probably never will be, but I’ll know enough to be dangerous to get by on that with the other things that you need to blend together to make something happen in our sort of creative era that we’re in. That’s really how creators operate. When you talk to a lot of creators, like people will say, “Oh, you’re amazing at this.” And they’ll be honest. They’ll be like, “I don’t really know how to use that. I just sort of figured it out.” And that mindset, we need more of that, especially to solve I think most of the problems in the 21st century because you can’t just be like, “Well, we don’t know what to do there. Let’s just give up.” It’s like, no, you got to figure that out.Adapting to AI and Unlearning SkillsAndrew Mitrak: Yeah, no, totally. And also I think there’s, we’re at this moment of course with AI where a lot of things are like you have to unlearn and relearn things too. And if you have an experience at learning new things, it’s a little less intimidating to unlearn some things because you’re less attached to them. Because it’s only if your whole body of work has all been in one really specific area doing one thing in one specific way and then this new technology comes and changes that, it’s like, “Wow, I have all this sunk cost.” And I have a little bit of sunk cost across a lot of things, but I’m willing to kind of give it up a little more and change it. So I think it’s like overall a pretty healthy thing.Where to Find Geoffrey ColonAndrew Mitrak: Well, Geoffrey, I’ve really enjoyed this conversation. There are a lot of places where listeners can find you online. Where do you recommend people who have enjoyed this conversation find your work and follow you online?Geoffrey Colon: Yeah, I have a website, geoffreycolon.net. I spell my name with a G just for those who are listening. I’m also pretty active on LinkedIn and I have a Substack like so many people called Creative Studies. I’ve also been a lot more active on TikTok. I know that sounds wild, Andrew, but I don’t know, like sometimes I just like to talk about interesting things because you’re like, “Well, I’m just going to bring the phone out and do it and it doesn’t have to be polished.” And people sort of, they like that. They just join in on the conversation. They ask questions. You know, I try to talk about the things in terms of like, “Hey, everything is a remix. Here’s where this may have originated from and we’re seeing it again.” And I think younger people really love that. And I like that too. I think that that’s important in our era where, I think as a person who’s more advanced in my career, I think it’s important to give back to people who are new in their career, whether it’s through time or advice or just listening.Andrew Mitrak: That’s awesome. I love that, you know, you’ve inspired me. I should open up TikTok again. I’ve dabbled in it and I do get scared about it. But here I am, I’m telling everybody to unlearn and relearn. I’ve got to do it myself and get back on TikTok. So I’ll check out your work there and dabble as well. And it’s great. I know a lot of college students listen to this as well. So I’m glad that you’re there educating young people about your career. So yeah, Geoffrey Colon, thanks so much for joining me. I really enjoyed this conversation and it was just such a pleasure to read your book, to read your work, and I’ll keep following you online because it’s all great stuff you’re putting out.Geoffrey Colon: Thank you, Andrew. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit marketinghistory.org