The Screen Podcast

Razor Film co-founder Roman Paul and Komplizen Film co-founder Janine Jackowski explain why the German film sector is undergoing a major transition.

Host Wendy Mitchell talks to Jackowski and Paul about some of the challenges facing production in Germany at the moment and the advantages of European co-production.

Paul co-founded Razor in 2002 with Gerhard Meixner, and their credits include Waltz With Bashir, The Perfect Candidate and Quo Vadis, Aida?.

Jackowski founded Komplizen in 1999 alongside Maren Ade, with Jonas Dornbach joining as managing director and producer in 2010. Their output has included all of Ade’s films, plus Pablo Larrain’s Spencer and Marie Kreutzer’s recent Cannes Competition title Gentle Monster.

Both companies are part of The Creatives, the alliance of nine international production companies, which is also discussed in the podcast.

The Screen Podcast is produced by Ellie Calnan, with Wendy Mitchell serving as editorial director. New episodes every Thursday.

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In this week’s episode of The Screen Podcast, the team delves into the talking points from European exhibition convention CineEurope, which took place in Barcelona last week (June 22-25).Host Wendy Mitchell is joined by Screen’s box office and awards editor Charles Gant, who takes us through all the studio presentations at CineEurope, and picks out some of the key titles.He picks out Zach Cregger’s 'Resident Evil' as one of the intriguing projects on show, and explains what was said (or not said) about the Paramount-Warner Bros merger.For more on the stories mentioned this week, go to https://www.screendaily.com/Read more of Charles' insights into CineEurope below https://www.screendaily.com/features/seven-talking-points-from-cineeurope-2026/5218143.article Hosted on Acast. See acast.com/privacy for more information.

In this week’s episode of The Screen Podcast, the team debates why open letters have become so popular in the film industry and what kind of impact they can have. Host Wendy Mitchell is joined by Screen’s deputy editor Louise Tutt and Europe editor Tim Dams to discuss the latest in a growing trend of open letters - this time, two in support of Israeli-born filmmaker Nadav Lapid, who was forced to withdraw from the FID Marseille jury as part of a cultural boycott of Israel. Other film industry open letters in recent months covered topics such as Canal+ owner Vincent Bollore, the Berlinale’s stance on Gaza and the Paramount-Warner Bros Discovery deal.The trio then discussed the new deal between Netflix and France’s TF1, which will make TF1’s content available on the streaming service.The Screen Podcast is produced by Ellie Calnan, with Wendy Mitchell serving as editorial director. New episodes every Thursday.For more on the stories mentioned this week, go to https://www.screendaily.com.France’s CNC responds to Nadav Lapid situation https://www.screendaily.com/news/frances-cnc-responds-to-nadav-lapid-situation-by-launching-a-support-service-for-filmmakers-and-festivals/5218009.articleNetflix rolls out TF1 content in France https://www.screendaily.com/news/netflix-rolls-out-tf1-content-in-france-marking-streamers-first-tie-up-with-local-broadcaster/5217808.article Hosted on Acast. See acast.com/privacy for more information.

In this week’s episode of The Screen Podcast, Aardman co-founder Peter Lord discusses 50 years of the historic UK animation company. Ahead of the Annecy film festival, senior international reporter Ben Dalton speaks to Lord about co-founding the Bristol-based company with David Sproxton over 50 years ago and their decision to become an employee-owned business in 2018.The animator, whose credits include Wallace & Gromit and Chicken Run, also discussed AI and how much Aardman would embrace the new technology. Hosted on Acast. See acast.com/privacy for more information.

In this week’s episode of The Screen Podcast, US producer John Sloss speaks to Wendy Mitchell about finance trends, working in Europe, and the restructuring of deal-making. Sloss is the founder and CEO of Cinetic Media and also a partner at the law firm Sloss Eckhouse Dasti Haynes LawCo. His credits include Richard Linklater’s Nouvelle Vague, Blue Moon, Boyhood and Before Sunrise series as well as Todd Haynes’s Velvet Underground, Wonderstruck and I’m Not There. Sloss has also worked on several Oscar winners, including Boys Don’t Cry and Green Book and sold films such as Napoleon Dynamite and Little Miss Sunshine. “The process of deal-making has gotten elongated, which isn’t necessarily a good thing for the people selling films,” Sloss said. “The people buying films are controlling the market a little more and tamping down the urgency that we used to try to create.” Hosted on Acast. See acast.com/privacy for more information.