Great conversations with visual artists, gallery and museum directors and curators.
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Nusra Latif Qureshi's House of Irredeemable Objects
Nusra Latif Qureshi has built a career extending South Asian painting traditions while pressing on empire, displacement, and desire — revealing how power cloaks itself in colour, and how history leaves its mark on objects.The House of Irredeemable Objects at MUMA brings together thirty years of Nusra Latif Qureshi’s work — an examination of tradition, history, and the everyday — alongside a new commission which draws on Monash University's rare books collection. Qureshi explores how objects can carry something larger than themselves — a trace, a wound, or a memory — and reminds us that beauty and violence often walk side by side.
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Sophie Cape's wild landscapes take out top prize
Some paintings are sealed off from the world: neat, polished, contained.But Sophie Cape's canvases feel porous, weathered by the elements themselves. Not so much painted, as unearthed.Once an elite athlete, Sophie turned to art after devastating injuries.It's a path that has brought her attention and acclaim, including winning this year's Hadley's Art prize, Australia's richest prize for landscape painting.
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Thomas Demand recreates the world
Throughout his practice, the German artist Thomas Demand rebuilds the world in paper, meticulously constructing life-sized models of everyday spaces or scenes. Te scene is photographed, and the models destroyed.Demand is in Australia as the curator of the 38th Kaldor Public Art Project and here, it is the exhibition itself that becomes the artwork.Inspired by a work by Sol LeWitt, Demand has recreated the lines of the canvas in the three dimensional space of the gallery: walls float, suspended from wires, their skins wrapped in the colours of clay, moss, cobalt, and lemon.
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Nicolas Rothwell returns to the Western Desert
Nicolas Rothwell writes at the edges of things. He's twice won the Prime Minister's Literary Award — for both fiction and non-fiction — and his work slides between both registers: fiction brushes against fact, philosophy slips into story.His latest novel, Yilkari: A Desert Suite, written with his wife, Alison Nampitjinpa Anderson, takes readers deep into the Western Desert, showing how Country makes art, how absence reveals, and how silence can heal.Rothwell reflects on his autodidactic approach to art and on the tension between concealment and revelation in the work from the Western Desert.
Visual artists tell you why and how they create! From studio visits, intimate interviews, and live issues, we take art out of the gallery and into your ears.
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