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Scaffold

The Architecture Foundation
Scaffold
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  • Kenneth Frampton (Part 2)
    In part 2 of Kenneth Frampton’s Scaffold interview, we focus on his own experiences - from his early desire to become a farmer, and the long hesitation that kept him from starting a family, and his regrets around leaving architectural practice for a life of writing. These biographical threads are woven through his encounters with key thinkers – from Herbert Marcuse and Tomas Maldonado to Juhani Pallasmaa and Hannah Arendt – and with buildings like Corringham and Aalto’s Villa Mairea and the transformation in perspective they represent.The discussion moves between the question of anti-capitalist architecture, the inundation of images in contemporary life, and the importance of what Frampton calls the microcosmos – architecture as the creation of “a small world” where society can begin to recognise itself. Along the way, Frampton reflects on what it might mean not to separate the reality of work from the pleasure of life.Scaffold is an Architecture Foundation production, hosted by Matthew Blunderfield. Download the London Architecture Guide App via the App Store or Google PlayBecome an Architecture Foundation Patreon member and be a part of a growing coalition of architects and built environment professionals supporting our vital and independent work. Hosted on Acast. See acast.com/privacy for more information.
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  • Kenneth Frampton
    Architectural historian Kenneth Frampton remembers the exact moment of his political awakening. Arriving in the United States in 1965, flying over the blazing island of Manhattan and suddenly grasping the visibility of capitalist power there—“a ferocious panorama” of light, cars and consumption that stood in stark contrast to what he calls the “concealed” capitalism of mid-century Britain. From that moment, his architectural writing became inseparable from politics: shaped by Hannah Arendt’s idea of the space of appearance, by phenomenology’s insistence on embodied experience, and by a Marxist attention to exploitation, power and the global neoliberal order.In this first episode of a two-part interview, Kenneth Frampton, arguably the most celebrated and influential architectural thinker of the past half century, looks back over nearly six decades of his writing and teaching.In the first half of the conversation he addresses the idea critical regionalism as “an architecture of resistance” to commodification, connects phenomenology to political agency rather than aesthetic escapism, and defends his own “operative” criticism—writing that openly aims to influence how architects practice. He is unsparing about the state of architectural education, where social-justice rhetoric often displaces serious engagement with construction and craft, and where capitalism itself remains strangely unnamed. Along the way he reflects on being, as he puts it, “a Marxist who believes in phenomenology,” on the tectonic poetics of building, and, closing out the episode, he reckons with becoming a father at 52 and a grandfather in his mid-90s—thinking about legacy, continuity and what it means for architects, in Álvaro Siza’s phrase, not to invent anything, but to transform reality.Scaffold is an Architecture Foundation production, created and hosted by Matthew Blunderfield. Become an Architecture Foundation Patreon member and be a part of a growing coalition of architects and built environment professionals supporting our vital and independent work. Hosted on Acast. See acast.com/privacy for more information.
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  • playbody
    Today’s episode considers a part of the built environment that’s often overlooked in architectural discourse, yet has become one of the most vibrant sites of experimentation in recent years: the nightclub.Since the post-COVID resurgence of nightlife, we’ve seen club spaces music festivals become laboratories again — places where architects, artists and designers, artists test how bodies move, gather, and connect. After years of enforced separation, there’s been a renewed appetite for intimacy, tactility, and collective presence. Nightclubs have stepped into that space, foregrounding not just sound and spectacle, but how architecture can invite touch, trust, and new forms of social closeness.There are few people exploring that frontier more boldly than today’s guests: Thea Arde and Joel Jjio, the duo behind playbody. Playbody is far more than a club night — it’s an ongoing design research project that treats the dancefloor as a site of architectural inquiry. Their events incorporate sculptural objects, spatial interventions, and choreographic prompts that encourage people to rediscover their own physicality in relation to others.In a time when digital life keeps pulling us apart, their work asks a simple but radical question: how can design rebuild social intimacy? Today we’ll talk about how playbody grew from a nightlife concept into a design studio, how they prototype through parties, and why they see the club as a critical testing ground for the future of spatial practice.Scaffold is an Architecture Foundation production. Support our work by becoming a member on Patreon. Hosted on Acast. See acast.com/privacy for more information.
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  • OMA at 50
    This special guest episode marks the launch of the podcast OMA at 50.Conceived and produced by architect Richard Hall, the series explores the Office for Metropolitan Architecture’s enduring influence on architectural culture, featuring conversations with an incredible roster of architects, academics, and historians.Marking OMA’s 50th anniversary, the podcast features some of the most authoritative voices on OMA — including Laura Schrijver, Pier Paolo Tamburelli, Sébastien Marot, Giovanna Borasi, and many others.New episodes are released every Thursday. Subscribe by searching OMA at 50 on Apple Podcasts, or by following this link. Hosted on Acast. See acast.com/privacy for more information.
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  • Truwant + Rodet +
    Truwant+Rodet+ is a Basel-based architecture firm founded in 2015 by Charlotte Truwant and Dries Rodet, which operates across the fields of architecture, landscape urbanism, exhibition making, installations, furniture design, research, and teaching.In 2017, they received the Swiss Art Award for their project A Pavilion. Since 2018, they have been developing the project, Fountain of Youth with Fabian Marti for the Campus Santé in Lausanne. In 2020, Truwant+Rodet+ won the renovation for the Centre Culturel Suisse in Paris with the Parisian firm ASBR. In 2022, they won the competition for the renovation of the Stadium of Bulle.This conversation was recorded remotely on 12 September in Basel and London. Special thanks this week to Bárbara Maçães Costa.The essay "Time as Material" referred to in the conversation can be accessed here. Hosted on Acast. See acast.com/privacy for more information.
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Interviews with architects, artists and designers. Produced by the Architecture Foundation and hosted by Matthew Blunderfield. Hosted on Acast. See acast.com/privacy for more information.
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