Episode 229 | What We Make of It All, with Karen Swallow Prior
In this episode of Persuasion, Erin and Hannah end their reading of Mary Shelley's Frankenstein with professor Karen Swallow Prior. The trio look back at the life of Mary Shelley and explore the context of the novel's place in literature, Mary Shelley's life and situations, and the lessons we can still glean for today.
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29:31
Episode 228 | What We Make of Destiny
Destiny and fate are central to Mary Shelley’s classic Frankenstein, which inspired our fall Persuasion series, What We Make of Ourselves. In this episode, Erin Straza and Hannah Anderson discuss the sixth and final reading (Volume III: Chapters 5–7), as Victor and his creation wrestle with fate and if they have any say whatsoever over the course of their lives. Now at the end of Victor’s story, destiny is seen as the flip side of the ambition that launched us into this tale. Christians especially wrestle like this as we try to make sense of how our actions matter in light of God’s sovereign will.
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37:42
Episode 227 | What We Make Of Our Mistakes
Mistakes and regret are central to Mary Shelley’s classic Frankenstein, which is inspiring our fall Persuasion's series, What We Make of Ourselves. In this episode, Erin Straza and Hannah Anderson discuss the fifth reading (Volume III: Chapters 1–4) and Victor’s ongoing struggle with his decisions and the resulting fallout thereof. His inner turmoil is on display for us, giving a snapshot of his tortured mind and soul.
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39:17
Episode 226 | What We Make of Our Stories
Stories and storytelling are central to Mary Shelley’s classic Frankenstein, which is shaping our fall Persuasion‘s series, What We Make of Ourselves. In this episode, Erin Straza and Hannah Anderson discuss the fourth reading (Volume II: Chapters 5–9) and the stories shared by each of the characters.
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40:17
Episode 225 | What We Make Of Others
Frankenstein, which is the foundation of our fall Persuasion's series, What We Make of Ourselves. In this episode, Erin Straza and Hannah Anderson discuss the third reading (Volume II: Chapters 1–4), exploring the characters’ expectations of and dependence upon others. Shelley’s novel, while falling in the goth/horror genre, spends considerable time addressing the fallout we face when our connections with others are strained or severed.
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