New Books in Music

As Oscar Season rolls around, Recall This Book looks back to John's 2019 discussion with Columbia University professor Sharon Marcus about The Drama of Celebrity, her tour-de-force account of how stars are born, publicized, and in time devoutly scrapbooked by adoring fans.

They tackle a question at least as old as Sarah Bernhardt: who or what makes a star? Rather than crediting star making to the culture industry, to fans, or to star themselves, Sharon makes the case that all three forces together constitute a celebrity creation machine.

After discussing her archival work on theatrical scrapbooking in Indiana, Sharon pulls from the vaults a marvelous Hollywood memoir, Brooke Haywood’s Haywired. That triggers discussion of the studio system and how its models of celebrity are and are not with us today.

Sharon’s two Recallable Books also capitalize on mid-century notions of celebrity: Mommie Dearest by Christina Crawford and Edie: American Girl by Jean Stein and George Plimpton. John’s choice, The Entertainer by Margaret Talbot, another biographical account written by a star’s daughter, gives a slightly rosier perspective on the family memoir.

Discussed in this episode:

Sharon Marcus, The Drama of Celebrity

Daniel Boorstin, The Image (“a person who is known for his well-knownness”)

Theodor Adorno and Theodore Horkheimer, “Culture Industry” in Dialectic of Enlightenment

Henry Jenkins, “Textual Poachers“

Dick Herbdige, “Subculture: The Meaning of Style“

Mark Twain, Patented Scrapbook Innovator

Brooke Hayward, Haywire

Christina Crawford, Mommie Dearest

Jean Stein, George Plimpton, Edie, American Girl

Margaret Talbot, The Entertainer

Read the episode here.
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Breaking the World: Black Insecurity and the Horizons of Speculation (Duke UP, 2026) takes Black speculative fiction as a central archive for understanding global security culture from the Reagan administration to the present. Drawing on black feminist, critical race, and queer of color theoretical traditions, Justin L. Mann posits that world-breaking is an ethical and aesthetic orientation to the dangerous, worldmaking process of securitization--the process by which state and parastate agents augment and build up the tools, techniques, and infrastructures intended to make people safer. World-breaking appears in the fiction of Octavia E. Butler, Colson Whitehead, N.K. Jemisin, in the music and video work of Janelle Monae, as well as unexpected places such as the Marvel and DC Cinematic Universes. Breaking the World charts the difference between securitization and "Black insecurity." Linking securitization to mass incarceration and the militarization of policing, Mann contributes to Black feminist and abolitionist conversations that seek an end to institutional and structural violence. Breaking the World emphasizes that world-breaking is an important aspect of the Black radical imagination, showing that speculation is an essential response to the dangerous worlds of securitization"-- Provided by publisher.
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Since its release in 1976, ABBA's song "Fernando" has been loved by fans around the globe both for its sing-along chorus and its revolutionary spirit.

In Fernando: A Song by ABBA (Duke UP, 2025), Kay Dickinson takes readers from Sweden and Chile to Australia and Poland, tracing the complicated ways the song could express support with anticapitalist and Third World liberation struggles while remaining an unrepentant commodity.

A song about freedom fighters was unlikely to become a pop mega-hit, yet as Dickinson demonstrates, ABBA's lucrative, longstanding appeal rests on their ability to bridge contradictions within everyday life.

Five decades later, "Fernando's" rousing calls for freedom continue to resonate with gay liberation movements and other social struggles, demonstrating how a song can be both revolutionary and an envoy for global capital.

Kay Dickinson is Programme Convenor for Creative Arts and Industries at the University of Glasgow and author of Supply Chain Cinema: Producing Global Film Workers.

Kay on the University of Glasgow’s website.

Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival.

Bradley on Facebook and Bluesky.
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In Johnny Cash International: How and Why Fans Love the Man in Black (University of Iowa Press, 2020), Michael Hinds and Jonathan Silverman examine transnational and translocal fandoms and the legacy of Johnny Cash beyond the United States. Hinds and Silverman explore Cash fandom through YouTube comments, fan pilgrimages to the American South, and other unique relationships to the Man in Black. Hinds and Silverman use ethnography, documentary, and fieldwork and discover the ways Cash transcends race, class, geography, and politics. Cash’s identity as an American performer finds a way to inspire fans worldwide. Starting with their experiences with Cash fans in Norway and Northern Ireland, Hinds and Silverman expand their exploration into the legacy of Johnny Cash to show the ways fans use modern technology and real-world fan communities to create global fan sites and cultures. Hinds and Silverman’s Johnny Cash International is a unique and thoughtful book into why fans love the Man in Black.
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Ben Ratliff is the author of Every Song Ever and Coltrane: The Story of a Sound, which was a finalist for the National Book Critics Circle Award. Run the Song: Writing About Running About Listening (Graywolf Press, 2025) was longlisted for the National Book Award, and the 2026 PEN/Diamonstein-Spielvogel Award for the Art of the Essay. A former music critic for the New York Times, he lives in New York City and teaches at NYU.

Listening Recommendations:

Cara Lise Coverdale, A Series of Actions in A Sphere of Forever

Ishmael Rivera, Lo Ultimo in La Avenida

Book Recommendations:

Solvej Balle, On the Calculation of Volume 1-3

Samuel R Delaney, The Motion of Light and Water

Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers.
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