Data Transmission Podcast

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Jill Stanley lands in our Spotlight Mix series fresh from her dt weapons debut, ‘99’, a track built for the point in the night when the room is locked in and subtlety can wait.

The Los Angeles-based DJ and producer has one of the more unusual routes into dance music, balancing club records with life as a trial lawyer and law professor. Musically, though, the focus is clear. House and tech house, tight drums, heavy low-end and records that get to the point quickly.

That same approach runs through ‘99’. Released on dt weapons this month, Jill Stanley’s track rolls on a punchy groove, crisp percussion and a hypnotic vocal hook, keeping the pressure on without overcrowding the mix. It follows releases and remixes connected with Defected, Space Yacht, Natura Viva and My Techno Weighs A Ton, and feels like a natural fit for the label.

Her Spotlight Mix gives us a wider look at what sits around that sound. Jill mixes Radio Slave and Kameelah Waheed’s ‘All Rize’ with cuts from BUJA, VLTRA, Genesi, Joshwa, Discip, OMRI, SIDEPIECE and Volkoder, while dropping plenty of her own material into the session.

Alongside ‘99’, there are Jill Stanley productions including ‘Death Wish’, ‘Wouldn’t Be You’, ‘Break It Down’, ‘Get Cold’, ‘Bad Behavior’ and ‘Good Time’. That makes this less of a quick promo mix and more of a proper snapshot of where her sound is heading right now.

Rolling tech house, tougher late-night moments and enough bounce to keep things moving. Get into Jill Stanley’s Spotlight Mix below.

**Tracklist**

1. Class of Classes, V-Lake, Carmz
2. All Rize (DJ Minx Remix), Radio Slave, Kameelah Waheed
3. Touch My Body, BUJA (BR)
4. Bad Habit (VLTRA Extended Remix), Thomas Newson, LOVRA
5. 99, Jill Stanley
6. Death Wish (VIP Mix), Jill Stanley
7. Cheat Code, Genesi, XORO, Aya Anne, Milher
8. Out of My Mind (Rello Remix), Joshwa, Rello
9. Intoxicated, Discip
10. My Killers, OMRI, Yamagucci
11. Body, Alex Kaspersky, Adam Sellouk
12. Can I Ride, 95 South, SIDEPIECE
13. Wouldn’t Be You, Jill Stanley
14. My House, Volkoder
15. Break It Down, Jill Stanley
16. Get Cold, Jill Stanley
17. Girls (Lowdown Remix), Supafly, Greg Stainer, Ca$h X
18. Bad Behavior, Jill Stanley
19. Good Time, Jill Stanley

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Jewel Kid lands on Data Transmission with a live mix recorded at Groove & Bass Festival in Quebec, Canada, arriving fresh from his ‘Explicit Behaviour’ EP on Radio Slave’s Rekids.

There’s something different about a mix caught in the middle of a festival rather than pieced together in the studio. This one comes straight from the floor, with Malta’s Jewel Kid taking control at Groove & Bass in Quebec and working through the kind of chunky house and tech house grooves that have kept him busy for more than two decades.

That experience runs deep. Jewel Kid has released across Toolroom, Alleanza, Glasgow Underground, Abode and Nervous, while his touring history includes Space Ibiza, Space Miami, Egg London, Cielo New York, Womb Tokyo and Sankeys Ibiza. He’s also a Carl Cox Worldwide Remix Competition winner, with multiple records landing inside Beatport’s Top 10.

The mix arrives just after his Rekids debut, ‘Explicit Behaviour’, released on 14th August. The three-track EP finds Jewel Kid leaning into big drums, analogue pressure and classic house touches, from the piano stabs and sirens of ‘Explicit Behaviour’ to the Chicago influence running through ‘In The Dance’ and the rolling tension of ‘The Tribute’.

No tracklist on this one, so there’s no skipping ahead to find the IDs. Just press play and let Jewel Kid handle it as it happened in Quebec.

Listen to the full Groove & Bass Festival recording below.

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There’s a proper late-night shape to this one.

For our latest Spotlight Mix, Mack Loenz steps in with 18 tracks of electro, house, techno and bass-heavy club music, arriving just ahead of his debut album ‘From The Heart’ on Maceo Plex’s Lone Romantic imprint on 4th September.

Behind Mack Loenz is Larry McCormick, an artist many heads will already know as Exzakt. That project saw him release through the likes of Tresor, Fabric, Turbo and Skint, but Mack Loenz has become the next chapter, pulling those electro roots into something more cinematic, melodic and built for bigger rooms.

You can hear that thinking all over this mix.

Fred again.. kicks the door open before Chris Lorenzo and Kah-Lo push things towards the club, then Mack drops his own ‘Right From Wrong’ Club Mix into Maceo Plex’s ‘The Plan’. From there, Kyle Watson, Beswerda, Glowal, MPH and Anti Up keep the pressure moving without the selection ever getting stuck in one groove.

There are a few nice left turns too. Craze and Black V Neck bring some low-end swagger, Mack slips in his own VIP mashup of Fred again. and Skepta’s ‘Victory Lap’, while Maceo Plex appears several times across the hour. It makes sense given the relationship between Mack, Lone Romantic and the forthcoming album, but none of it feels like box-ticking. The records earn their place.

His own ‘Sunrise’ arrives late in the mix, one of two tracks from ‘From The Heart’ featured here. The ten-track LP pushes further into Mack’s blend of analogue synthesis, glistening arps, heavy basslines and emotional electronics, balancing proper dancefloor weight with a more reflective side.

And then comes the closer.

Mack finishes with Maceo Plex’s 2013 remix of Kavinsky, a particularly poignant choice following the French producer’s death in Paris last month at the age of 50. Kavinsky was one of the defining names of the second wave of French Touch, and his influence stretches far beyond ‘Nightcall’.

It’s a classy way to finish a mix that clearly comes from someone who still cares about selection, sequencing and where a record sits next to the one before it.

Turn it up.

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New York’s Resco (US) takes control of today’s Spotlight Mix, fresh from landing on Sound D’Elite with his new three-track ‘Dat Funk’ EP.

Released on 7th August, the EP sees Resco linking with Chris Brooks, Max Vitelli and M.O.E across three rolling club cuts. The title track ‘Dat Funk’ brings tight percussion, low-end pressure and chopped vocals, while ‘Get Back’ keeps that swing moving before ‘Dirty Checks’ rounds things out with a darker, bass-heavy groove.

Since breaking through with his Beatport-charting ‘Crazy’ EP in 2024, Resco has been steadily building his name, picking up support from Jamie Jones, Joseph Capriati, Ilario Alicante, Franky Rizardo and Cloonee along the way. His records have already found their way into sets at Elrow and Music On at Pacha, which tells you plenty about where his music is aimed.

That same thinking runs right through this mix. Resco works through tracks from DJ Entwan, Reenday, Freenzy Music, Tomi&Kesh, Supernova and CASSIMM, alongside his own collaborations with Mike Haley and Chris Brooks.

There’s plenty of movement in here, from the chunky roll of ‘Big City Roller’ and ‘Get Back’ through to Sandro Martins’ ‘Baile de Favela’ remix and CASSIMM’s ‘That Funky Sound’. And, fittingly, Resco closes the session with ‘Dat Funk’, bringing things back to the release currently doing the damage.

Turn it up and get into Resco (US)’s Spotlight Mix below.

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👉 Data Transmission:
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Marco Lys Steps Into the Data Transmission Podcast

There are very few producers who have stayed this consistent for this long.

Marco Lys has been shaping house and tech house for more than two decades, releasing across Black Book, VIVa Music, Circus, Bambossa, SBJKT and plenty more along the way. The Venice-born producer has built his name on rolling grooves, tribal percussion and records made with the dancefloor firmly in mind.

That formula has kept him near the top of the pile. Marco sits among Beatport’s leading House artists, pulls in more than 430,000 monthly Spotify listeners, and his remix of Cajmere feat. Dajae’s ‘Brighter Days’ became one of the defining house remixes of 2023.

For his Data Transmission podcast, he gets straight down to business.

The mix moves through cuts from Javi Bora, Vibe Killers, Route 94, Piem, Ammo Avenue and Detlef, alongside a serious amount of Marco’s own music. ‘Real Love’, ‘Super Hot’, ‘Flute’, ‘So Good’, ‘Solo’, ‘Kente Flow’, ‘Too Bad’ and ‘Hause Muzica’ all make appearances.

It is exactly where Marco Lys operates best. Big grooves, tight drums and enough swing to keep things moving from the club basement through to the festival floor.

Get stuck into Marco Lys’ Data Transmission Podcast below.