Data Transmission Podcast

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Joey London Style steps up for Data Transmission as his ‘Clurb’ EP lands on Hottrax this January.

Fresh from his latest outing on Jamie Jones’ label, the London-raised, Manchester-based selector delivers a mix stacked with groove and intent. ‘Clurb’ and ‘Little Bitter’ both feature, with the latter his personal pick, and you can hear why. Tough drums. Weighty low-end. Built for busy rooms.

There’s plenty of Joey London Style dubs in here too. ‘Copy Kats’, ‘HOT GIRL CRAZY’, ‘The Speed Train’ and ‘Grip Tight’ all get a run out, sitting alongside cuts from Joe Thomas, Ruggier and Baylee Brown. It moves fast. It keeps its punch. No filler.

If you’ve been following his rise through Hottrax, Cuttin’ Headz and Metamorfosi, this feels like another clear step forward. Focused, confident and very much aimed at peak-time.

Stream the full Joey London Style mix now on Data Transmission and grab ‘Clurb’ via Hottrax on 23rd January.

Josh Hvaal steps up for DT Podcast 946 with a 100% JHV Mix, and it lands heavy.

Eight releases deep with Jamie Jones and his Hot Creations camp, Josh Hvaal has moved from breakthrough name to reliable club weapon. From ‘The Sound EP’ through to a steady run of dancefloor records, he’s earned backing from heads like Patrick Topping, Joseph Capriati, Solomun and Pete Tong. Not by accident. The tunes work.

This week’s mix says it plainly. A journey through the sound of a 100% JHV Mix. Fourteen tracks. All Josh Hvaal. Around 75% unreleased. No filler, no detours. Just rolling drums, tight low end and that clipped vocal energy he’s dialled in over the last few years.

There’s weight in the IDs. You can hear the next six months taking shape. ‘Where Ya Been Baby’ and ‘Rhythm Of House’ bring that direct, peak-time bounce. ‘Want 2 Feel’ locks into a groove that feels built for low ceilings and warm rooms. And then there’s ‘Hustlers Dance’, the standout and Josh Hvaal’s personal favourite in the mix.

‘Hustlers Dance’ drops Friday 13th February on Trick, the label run by Patrick Topping. It’s one he’s been working towards for a while, and you can hear why. It’s sharp. Confident. Built for those moments when the floor is already moving and you just need to push it further.

Josh Hvaal has been steadily building his own lane too with Gibberish, unveiled by Pete Tong on BBC Radio 1, and that same drive runs through this hour. It feels focused. No hype. Just club music made by someone who spends time in clubs.

DT Podcast 946 is a marker. A snapshot of where Josh Hvaal is right now, and where he’s heading next.

Lock into the full 100% JHV Mix, and keep ‘Hustlers Dance’ on your radar this Friday.

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HOLL3 lands on d0ted with the ‘Transcend EP’, out 27 February 2026, but this drop is really about context. Because alongside the release, she steps up for a Data Transmission Spotlight Mix, and that’s where the picture fills in properly.

The EP itself is tight and direct. Three tracks that pull from UKG pressure and techno weight without getting stuck in either lane. ‘Never Be The One’ leans vocal and punchy. ‘Fresca’ goes low and murky. ‘Space Duck’ keeps things restless and wired. It’s club music built from a DJ’s instincts, not studio habits.

That mindset runs straight through the mix. This is high-energy, no-dead-air selection. UKG, rave, bass, techno and hard-edged club cuts stitched together with purpose. Originals, unreleased bits, and proper curveballs. It moves fast, but it’s controlled. Exactly how her sets land.

HOLL3’s been building this quietly for a while. Dame Game, grassroots parties, serious support slots, and now production that backs up the reputation. This mix feels like a marker moment.

Lock into the Spotlight mix first. Then circle back to the EP.

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There’s a certain type of mix that doesn’t shout. It just locks in and keeps things moving. This one lands exactly there, with HASKELL stepping up with a fresh Data Transmission session as he opens 2026 on Strangelove. No gimmicks, no filler, just club music played by someone who understands pacing, pressure, and when to let a groove breathe.

HASKELL’s rise has been steady rather than noisy. Releases across Toolroom Records, Nervous Records, Myth Of NYX, IN/Rotation and Strangelove Records have built a catalogue that works where it counts. In the booth. On proper systems. The records sit between house and stripped-back club cuts, rolling rather than racing, focused on movement and control.

That mindset runs through this mix. His new Strangelove cut Ice sets the tone early, cold drums, tight low-end, no wasted energy. From there it’s a selector’s run. Lipstick brings swing and weight, DOUBLE C does what PAWSA does best, pressure without shouting. Cuts like El House and Power Of Love keep things ticking with that late-night bounce, the kind that works just as well in a low ceiling basement as it does on a warm rooftop.

There’s a strong run of HASKELL originals woven through the set too. Shake That, unreleased IDs, and the collaboration energy hinted at with the I Need You Baby cut all reinforce a clear point of view. This is club music made by someone who plays clubs regularly, not theory, not trends.

A lot of that discipline comes from outside music. Before records and road life, HASKELL competed internationally in rugby, and you can hear that mentality here. Repetition, timing, restraint. Knowing when to push and when to hold. It’s the same logic that made Go Deep with Mark Knight and Gene Farris such a strong Toolroom moment last year, functional, confident, built to last past first plays.

This mix feels like a proper marker for the year ahead. No rush, no rebrand, just someone doubling down on what works and delivering it clean.

Get locked in and listen via SoundCloud, Mixcloud or Apple Podcasts. This one’s built for long blends and late finishes.

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From acid tapes and jungle MCs to sweaty tech house basements, Cizzzla’s journey has always been about energy. Real energy. The kind that rattles walls and keeps floors moving long after lights should be up.

Coming up on pirate radio and cutting his teeth as MC EKO on stations like Delight FM and Rinse, he built his name the old way. Mic skills sharp. Presence loud. Reputation earned. From Ayia Napa to Garage Nation, Sidewindah and stages shared with Dizzee Rascal, EZ, So Solid Crew and Heartless Crew, this is proper scene graft.

Fast forward and the reload is heavy. Cizzzla is back with a tech house edge that hits hard. Percussion-led grooves. Choppy vocals. Bass that swings low and punches back. Influences nod to James Hype, Skrillex and Chris Lake, but the flavour is his. Fast mixes. Quick transitions. No filler.

Right now he returns to DT Weapons with “Boomerang”, a raw, floor-ready weapon built for late nights and low ceilings. Deep bass. Tight groove. No nonsense. It snaps back every time and leaves the dancefloor begging for one more spin. Straight into the USB.

To mark it, Cizzzla steps up for the Spotlight Mix Series with a set that doesn’t mess about. His own cuts sit front and centre.
Best Kinda Drug, How Ya Like It, One Time For Ya Mind, Boomerang, We Run Sound, The Fcuk Up.
All killers. No dead space.

Around them you’ll catch heat from Ship Wrek & Disco Lines, Valentino Khan, Don Diablo, Alok, Luke Alexander and Raffi Habel. Club tools built for basements, rooftops and those proper sweaty warehouse moments where phones stay down and hands stay up.

This one’s all bounce. All pressure. All dancefloor.

Lock in.
Turn it up.
Listen now on SoundCloud.

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👉 Data Transmission:
⚡️ Instagram: http://instagram.com/datatransmission
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⚡️ iTunes Podcast: https://goo.gl/TK1Xxu
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⚡️ Follow our Spotify Playlist: https://spoti.fi/3CFr4Rm