Movies about car racing sound like operas scored entirely for bassos. "Ford v Ferrari" fills that bill, but it also has significant things to say on a variety of worthy subjects. It's a great spectacle with a resonant soul to go with its smarts.
Every divorce story is a marriage story, but every movie about divorce is not on the level of Noah Baumbach's "Marriage Story." Marvelous performances, steel-trap writing that also manages to be heartfelt--it's a deeply affecting classic.
Here's an all-points bulletin about Martin Scorsese's "The Irishman." It's a huge movie, made to be seen on big screens, but it's a Netflix production that will be playing in theaters, and not all that many of them, only for three weeks. See it if you can before this genuine epic shrinks down to the size of a streaming attraction.
Words, words, words. "Synonyms," an Israeli film set in Paris, is all about them. For once, though, wordiness in a movie is a good thing, even a delightful thing.
Three years ago Robert Eggers made his dark mark with a remarkable debut feature called "The Witch." Now he's back with "The Lighthouse," a horror fantasy in a dramatic and aesthetic class by itself.
El crítico de cine Joe Morgenstern, que todas las semanas despelleja películas en este podcast o las asciende al cielo hollywoodiense, es ganados de un Pulitzer, ha trabajado en el New York Times y en otros grandes diarios estadounidenses. Eso quiere decir que la opinión de este señor cuenta y debería consultarse siempre antes de ir al cine.
Sitio web de la radio
Escucha KCRW Film Reviews, KCRW Bookworm y muchas más emisoras de todo el mundo con la aplicación de radio.net