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Talkhouse Podcast

Talkhouse
Talkhouse Podcast
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  • Evan Honer with Wyatt Flores
    On this week’s Talkhouse Podcast we’ve got a pair of singer-songwriters who exist in a sort of post-genre world: Evan Honer and Wyatt Flores. Honer first came to wider attention with a cover of Tyler Childers’ “Jersey Giant,” but kept people’s attention with a rapid succession of progressively more polished albums, all tied together by his own solid songwriting. For his latest, Everything I Wanted, Honer found himself a new home city, Nashville, where he built a studio in his garage and—as you’ll hear in this conversation—locked himself away to make something bolder than he had before. The result is shiny pop with a gritty heart, and just a touch of country influence. Think Jason Isbell or Pinegrove, two artists Honer cites as inspirations. Check out “Curtain” from Everything I Wanted right here, which I should mention was released by Honer’s own very active independent label, Cloverdale Records. He’s a busy dude, and he’ll be touring the US early next year, so keep an eye out for that. The other half of today’s conversation is Honer’s friend Wyatt Flores, who travels a similar musical ground but you can hear a bit more country in his flavor profile—maybe that’s his roots growing up in Oklahoma. If you’re of the TikTok generation, you may have seen him there; if you’re a bit longer in the tooth, you may have seen Flores on Stephen Colbert, NPR’s Tiny Desk Concert series, or even a recent Austin City Limits appearance. Part of the story behind his debut album, last year’s Welcome to the Plains, was Flores’ struggles with his newfound fame and a sense of imposter syndrome. While it’s brave of him to put that stuff out in the open, it’s pretty clear from the record that he’s the real deal. In this lively conversation, these two young dudes talk about making music, about an impromptu road trip in a busted up trailer, about the strong coffee and rowdy crowds down under, and much more. Enjoy. 0:00 – Intro 2:15 – Start of the chat 5:44 – How to keep old songs feeling fresh 7:28 – "Do people listen more with their eyes than ears?" 12:20 – An impromptu road trip on a busted, old trailer 15:42 – On recording 'Everything I Wanted' 20:37 – On taking the time to listen to albums top to bottom 22:15 – Writing music on the road 27:56 – On experimenting with live vocals 32:20 – The surprising kindness of audiences at live shows 35:20 – On crowds in the U.K., Europe, and Australia Thanks for listening to the Talkhouse Podcast, and thanks to Evan Honer and Wyatt Flores for chatting. If you liked what you heard, please follow Talkhouse on your favorite podcasting platform, and check out all the great stories at Talkhouse.com. This episode was produced by Myron Kaplan and the Talkhouse theme is composed and performed by the Range. See you next time! Find more illuminating podcasts on the ⁠⁠⁠Talkhouse Podcast Network⁠⁠⁠. Visit ⁠⁠⁠talkhouse.com⁠⁠⁠ to read essays, reviews, and more. Follow @talkhouse on ⁠⁠⁠Instagram⁠⁠⁠, ⁠⁠⁠Bluesky⁠⁠⁠, ⁠⁠⁠Twitter (X)⁠⁠⁠, ⁠⁠⁠Threads⁠⁠⁠, and ⁠⁠⁠Facebook⁠⁠⁠.
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  • Tom Morello (Rage Against The Machine) with Grandson
    On this week’s Talkhouse Podcast, we’ve got two guys from different generations who’ve collided with big riffs in recent years: Tom Morello and Jordan Benjamin. Tom Morello is best known as the guitarist for Rage Against the Machine, which smashed together heavy music and activism in the 1990s, inspiring countless bands—some good, some bad, as he’ll freely admit—to sprinkle some hip-hop into their rock. Morello went on to form Audioslave with Soundgarden’s Chris Cornell and find a whole other area of success, but he didn’t stop there: Morello goes wherever the muse takes him, from playing with Bruce Springsteen to doing acoustic sets as The Nightwatchman. He’s always working on new music—and always outspoken politically. Morello tapped Jordan Benjamin to contribute to his 2021 single “Hold the Line,” which makes perfect sense, because the music that Benjamin records under the name Grandson is certainly inspired by Rage, among other artists of course. Grandson has been releasing records for the past decade or so, fusing hip-hop and alt-rock elements with unabashedly political lyrics. For his latest album under the Grandson name, Inertia, Benjamin leaned into a more organic rather than electronic sound—you’ll hear him talk about the transition in this chat. Check out the song “God is an Animal” from Inertia right here. In this lively conversation, Morello and Benjamin talk about working together, about the magic of band chemistry, and about the “technological hellhole we find ourselves in.” It’s still fun, though, check it out. Thanks for listening to the Talkhouse Podcast, and thanks to Jordan Benjamin and Tom Morello for chatting. If you liked what you heard, please follow Talkhouse on your favorite podcasting platform, and check out all the great shows in the Talkhouse Podcast Network. This episode was produced by Myron Kaplan, and the Talkhouse theme is composed and performed by the Range. See you next time! Find more illuminating podcasts on the ⁠⁠⁠Talkhouse Podcast Network⁠⁠⁠. Visit ⁠⁠⁠talkhouse.com⁠⁠⁠ to read essays, reviews, and more. Follow @talkhouse on ⁠⁠⁠Instagram⁠⁠⁠, ⁠⁠⁠Bluesky⁠⁠⁠, ⁠⁠⁠Twitter (X)⁠⁠⁠, ⁠⁠⁠Threads⁠⁠⁠, and ⁠⁠⁠Facebook⁠⁠⁠.
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  • Podcast Preview: Fela Kuti: Fear No Man
    Subscribe to ⁠Fela Kuti: Fear No Man⁠. In a world that’s on fire, what is the role of art? What can music actually…do? Can a song save a life? Change a law? Topple a president? Get you killed? In Fela Kuti: Fear No Man, Jad Abumrad—creator of Radiolab, More Perfect, and Dolly Parton's America—tells the story of one of the great political awakenings in music: how a classically trained 'colonial boy' traveled to America, in search of Africa, only to return to Nigeria and transform his sound into a battering ram against the state—creating a new musical language of resistance called Afrobeat. For years, the world’s biggest stars made pilgrimages to Nigeria to experience Fela’s Shrine, the epicenter of his musical revolution. But when the mix of art and activism got too hot, the state pulled out its guns, and literally opened fire. Fela Kuti: Fear No Man is an uncategorizable mix of oral history, musicology, deep dive journalism, and cutting edge sound design that takes listeners deep inside Fela’s life, music, and legacy. Find more illuminating podcasts on the ⁠⁠⁠Talkhouse Podcast Network⁠⁠⁠. Visit ⁠⁠⁠talkhouse.com⁠⁠⁠ to read essays, reviews, and more. Follow @talkhouse on ⁠⁠⁠Instagram⁠⁠⁠, ⁠⁠⁠Bluesky⁠⁠⁠, ⁠⁠⁠Twitter (X)⁠⁠⁠, ⁠⁠⁠Threads⁠⁠⁠, and ⁠⁠⁠Facebook⁠⁠⁠.
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  • Gus Unger-Hamilton (alt-J) with Tom Vek
    On this week’s Talkhouse Podcast, we’ve got two British gentlemen who made big waves in the past couple of decades and who’ve collided just recently for a celebratory remix: It’s Tom Vek and Gus Unger-Hamilton. Tom Vek released his instant-classic debut We Have Sound back in 2005, putting his own spin on post-punk and dance and riding the wave of so-called “indietronica” with catchy tracks like “Nothing But Green Lights.” He hasn’t exactly been prolific since then, releasing quality albums every few years while also working hard in other areas of the industry: Check out both supercollector.com and his upcoming music player, Sleevenote. But in celebration of We Have Sound’s 20th anniversary, Vek asked a bunch of friends and fellow musicians to remix each of the album’s tracks, including folks like Baths, Glass Animals, and the other half of today’s conversation, Gus Unger-Hamilton of the band alt-J. Check Unger-Hamilton’s remix of Vek’s song “Cover” right here. It’s unsurprising that Unger-Hamilton put his own spin on Vek’s song: alt-J has been scribbling in the bombastic, weirder corners of indie-rock and art-rock for since 2007, though they didn’t release their big debut, An Awesome Wave, until 2012. They’ve since embraced their oddness on a string of records, with the latest being 2022’s The Dream, which was hailed at the time as a return to the power of their debut. New music is likely on the horizon, though as you’ll hear in this chat, alt-J is currently without a label home.  Label homes are one of many things these two chat about in this lively conversation: They’re both into the logos of their favorite record companies, they’re both really into fancy watches, and they’re both back into the lost art of reading a good book. Though Gus admits he hasn’t read a particular novel that his band famously borrowed a title from. Listen and find out which one. Thanks for listening to the Talkhouse Podcast, and thanks to Tom Vek and Gus Unger-Hamilton for chatting. If you liked what you heard, please follow Talkhouse on your favorite podcasting platform, and check out all the great stuff at Talkhouse.com. This episode was produced by Myron Kaplan, and the Talkhouse theme is composed and performed by The Range. See you next time!   Find more illuminating podcasts on the ⁠⁠⁠Talkhouse Podcast Network⁠⁠⁠. Visit ⁠⁠⁠talkhouse.com⁠⁠⁠ to read essays, reviews, and more. Follow @talkhouse on ⁠⁠⁠Instagram⁠⁠⁠, ⁠⁠⁠Bluesky⁠⁠⁠, ⁠⁠⁠Twitter (X)⁠⁠⁠, ⁠⁠⁠Threads⁠⁠⁠, and ⁠⁠⁠Facebook⁠⁠⁠.
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  • Andy Samberg with Asa Taccone (Electric Guest)
    On this week’s Talkhouse Podcast we’ve got two old friends who’ve worked together on such culture-crushing songs as “Dick in a Box”—one of whom is known more for the music, and the other for the funny. It’s Andy Samberg and Asa Taccone. Samberg you surely know for his years on Saturday Night Live and Brooklyn Nine-Nine and tons of big movies. Before all that he was part of the trio The Lonely Island, which blew up on SNL with “Dick in a Box,” among other hilarious jams. The Lonely Island also features Jorma Taccone, and when Samberg and Taccone needed some musical help for their SNL shorts, they would often call Jorma’s brother Asa, who helped them shape “Dick in a Box,” “Motherlover” and plenty of other songs. But Asa’s less inclined toward the funny stuff that his childhood friends are known for; he’s been making his own decidedly less silly music since 2011 in collaboration with Matthew “Cornbread” Compton under the name Electric Guest. The duo just released their first album since 2019, and it’s called 10K—you’ll hear the meaning behind the name in this chat. As you’ll hear, there’s no jokey rap to be found, just a compelling mix of soulful pop: You might not be surprised to learn that in recent years Taccone has also collaborated with the likes of The Weeknd and Carly Rae Jepsen. Check out “Play Your Guitar” from 10K right here. As you’ll hear, Samberg and Taccone are pretty comfortable with each other, because their friendship goes way back. They talk about Samberg’s decision to take a swing at the big time, Lonely Island deep cuts, and the alternate name that Electric Guest briefly considered. Enjoy. Thanks for listening to the Talkhouse Podcast, and thanks to Andy Samberg and Asa Taccone for chatting. If you liked what you heard, please follow Talkhouse on your favorite podcasting platform, and check out all the great stuff at Talkhouse.com. This episode was produced by Myron Kaplan and the Talkhouse theme is composed and performed by The Range. Find more illuminating podcasts on the ⁠⁠⁠Talkhouse Podcast Network⁠⁠⁠. Visit ⁠⁠⁠talkhouse.com⁠⁠⁠ to read essays, reviews, and more. Follow @talkhouse on ⁠⁠⁠Instagram⁠⁠⁠, ⁠⁠⁠Bluesky⁠⁠⁠, ⁠⁠⁠Twitter (X)⁠⁠⁠, ⁠⁠⁠Threads⁠⁠⁠, and ⁠⁠⁠Facebook⁠⁠⁠.
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Your favorite musicians, filmmakers, and other creative minds one-on-one. No moderator, no script, no typical questions. The Talkhouse Podcast offers unique insights into creative work from all genres and generations. Explore more illuminating shows on the Talkhouse Podcast Network.
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