The Shakespeare and Company Interview

An edited version of this conversation is now available as part of our collaboration with The Yale Review. Read it here: https://yalereview.org/article/shakespeare-and-company-interview-arundhati-roy

Recorded live at Shakespeare and Company, Paris, Adam Biles sits down with Arundhati Roy to discuss her memoir Mother Mary Comes to Me. Roy reflects on writing a “novelist’s memoir,” where memory and imagination blur, and explores her complex relationship with her mother, Mary Roy. The conversation moves from Roy’s unconventional childhood in Kerala to her formative years in architecture, activism, and the aftermath of The God of Small Things. She discusses resisting literary celebrity, embracing political responsibility, and finding strength in chosen families and friendship networks. With candour and wit, Roy rejects reductive “therapy narratives,” instead offering a portrait of identity shaped by contradiction, resilience, and love.

Buy Mother Mary Comes to Me: https://www.shakespeareandcompany.com/books/mother-mary-comes-to-me

Arundhati Roy is the author of the novels The God of Small Things, which won the Booker Prize in 1997, and The Ministry of Utmost Happiness, which was longlisted for the Booker Prize in 2017. She is the author of various works of non-fiction including My Seditious Heart, Azadi and The Architecture of Modern Empire.

Adam Biles is Literary Director at Shakespeare and Company, Paris
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Recorded live at Shakespeare and Company, Adam Biles speaks with Ben Lerner about his novel Transcription, a formally inventive meditation on technology, memory, and human connection.

Beginning with the novel’s deceptively simple premise (a writer loses his recording device and reconstructs an interview from memory) the conversation expands into questions of mediation, voice, and authenticity. Lerner explores how devices reshape attention and relationships, suggesting that humans themselves function as “media,” transmitting voices across time and between generations.

The discussion moves between the philosophical and the intimate: from the limits of digital communication to the emotional power of disembodied voices, from intergenerational care to the fragile transmission of experience. Ultimately, Transcription emerges as a reflection on how stories, memories, and voices persist—less as fixed recordings than as living, shifting acts of interpretation.

Buy Transcription: https://www.shakespeareandcompany.com/books/transcription-4

Ben Lerner was born in Topeka, Kansas, in 1979. He has received fellowships from the Fulbright, Guggenheim, and MacArthur Foundations, and is the author of three other internationally acclaimed novels, Leaving the Atocha Station, 10:04 and The Topeka School. He has published the poetry collections The Lichtenberg Figures, Angle of Yaw (a finalist for the National Book Award), Mean Free Path and No Art as well as the essay The Hatred of Poetry. Lerner lives and teaches in Brooklyn.

Adam Biles is Literary Director at Shakespeare and Company.

Listen to Alex Freiman’s latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w

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Why Translate Homer Again? Daniel Mendelsohn on his new Odyssey

This conversation explore’s Daniel Mendelsohn’s new translation of The Odyssey. Mendelsohn reflects on why this endlessly retranslated text still invites fresh interpretation, describing Odysseus as a “proto-author” whose storytelling shapes reality itself.

The discussion delves into the craft of translation; balancing precision with poetic vitality, preserving the strangeness of Homeric Greek while remaining readable, and making deliberate choices about line length, diction, and even spelling.

Mendelsohn also highlights the influence of teaching and lifelong engagement with the text, emphasising close reading and the role of students in deepening understanding.

Beyond technique, the conversation explores why The Odyssey endures. its themes of homecoming, identity, storytelling, and time continue to resonate across generations, making it both an ancient epic and a strikingly modern work.

Buy The Odyssey: https://www.shakespeareandcompany.com/books/the-odyssey-51

Memoirist, critic, translator, and frequent contributor of essays to The New Yorker and The New York Review of Books, where he is Editor-at-Large, Daniel Mendelsohn is the author of ten books, including the international bestsellers The Lost: A Search for Six of Six Million, winner of the National Jewish Book Award and the National Book Critics Circle Award, and An Odyssey: A Father, a Son, and an Epic, an NPR and Kirkus Best Book of the Year. His other honors include the Prix Médicis in France and the Premio Malaparte, Italy’s highest honor for foreign writers. In 2022 he was made a Chevalier de l’Ordre des Arts et des Lettres by the Republic of France. He is currently the Charles Ranlett Flint Professor of Humanities at Bard College.

Adam Biles is Literary Director at Shakespeare and Company.

Listen to Alex Freiman’s latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w
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In this special edition, we revisit three conversations with Shakespeare and Company rare book dealer Ben Brown, originally recorded in 2022. Across these episodes, Ben guides us into the fascinating, often mysterious world of book collecting.

We begin with the basics: what makes a first edition and how collectors identify them. Ben shares insights into the thrill of the hunt and the appeal of owning a first edition. Next, we explore the extraordinary publishing history of Ulysses, from censorship battles to rare early editions, revealing how controversy shaped its legacy. Finally, we turn to signed books, unpacking why an author’s signature adds emotional and monetary value—and how provenance can transform an object into a story.

Discover our rare books collection here: https://www.shakespeareandcompany.com/lists/rare-books
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This week Adam Biles speaks with Tash Aw about The South, his novel of inheritance, identity, and quiet upheaval. Set on a decaying farm in southern Malaysia, the story follows a family confronting generational fracture, class tension, and the uneasy weight of belonging. Aw explores how landscape is felt through the body rather than described, and how memory—fragmentary and unreliable—shapes narrative voice.

The conversation covers adolescence, queer awakening, and the tension between freedom and fear when removed from social scrutiny. Aw reflects on writing from hindsight, the interplay between personal experience and fiction, and the ways families both sustain and constrain individual identity.

Buy The South: https://www.shakespeareandcompany.com/books/the-south-7

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TASH AW is the author of five novels, including We, the Survivors, and a memoir of a Chinese-Malaysian family, The Face: Strangers on a Pier, both finalists for the Los Angeles Times Book Prize. His work has also won a Whitbread Award, a Commonwealth Writers’ Prize, and an O. Henry Prize, and has three times been longlisted for the Man Booker Prize. His fiction has been translated into twenty-three languages.

Adam Biles is Literary Director at Shakespeare and Company.

Listen to Alex Freiman’s latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w
Hosted on Acast. See acast.com/privacy for more information.