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Free Thinking Through the Fourth Turning with Sasha Stone

Sasha Stone
Free Thinking Through the Fourth Turning with Sasha Stone
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  • The Last Spectacular Ball of the Elite's Empire
    “The last spectacular ball in the history of the empire ... [but] a new and hostile Russia glared through the large windows of the palace ... while we danced, the workers were striking and the clouds in the Far East were hanging dangerously low." - Grand Duke Alexander MikhailovitchThe theme of the Met Gala this year was Black Dandyism. In case you don’t know what that is, The Met explains:Black Dandyism is cool and all as its authentic self. I’m not sure it maintained that coolness last night with “radical chic” on full display as a symbol of virtue for the powerful watching in real time as their empire comes crumbling down.You no doubt noticed the vibe shift. Something seemed off about it. It was like the Blue Origin flight. It felt inauthentic, all for show, a ritual to genuflect to their chosen status symbols while disguising who they really are.Not that they will be criticized by the people who matter to them. Those outlets that aren’t owned by Donald Newhouse, the billionaire who owns Vogue and the New Yorker, worth around $18 billion, wouldn’t dare say a word. Everyone is to applaud and praise them for their goodness and moral virtue.But as I watched the parade of famous Black artists walk the red carpet, alongside ashamed, self-hating white celebrities who looked like they’d been kidnapped and who couldn’t wash away the fear in their eyes, I could see the man behind the curtain, or in this case, the woman.Who are they kidding? This was not power or progress, not for any of them. The Met Gala served the same purpose it always has: to make rich white people look good. How they measure what defines good is all that has changed.The white guilt among the wealthy in our modern Gilded Age is thick. They know something is ending. They can feel the ground shifting beneath their feet. Just as the very wealthy in the late 1800s did. They have no choice but to try to buy absolution by bribing the virtuous to be their facade.They have no choice. They know the mob would eat them alive if they didn’t defer, de-center, elevate, platform, and do something to make their insular world seem like the good place, not the bad place. They have to be on the right side to survive a little bit longer, to hold their place in society, even as, especially as everything falls apart.They didn’t call it “virtue signaling” during the Gilded Age. They called it Civic Virtue, which has a long history in America, going all the way back to the Revolution. It is one of the reasons we see so many of the big names from that era splashed across major institutions, like the Andrew Carnegie institution, etc.The billionaires alive today are all expected to give back to society in a way that justifies or absolves them of their sins. But something else entirely is going on with what we saw at the Met Gala and with Blue Origin. It wasn’t Civic Virtue so much as virtue signaling.But it does seem strange in a year when Donald Trump and his MAGA Deplorables won the popular vote, where he is attempting major change to elevate the silent majority, to attend this spectacular ball and to send yet another message to America that you are not invited to this party because we think you are bad people, racists. So we’ll celebrate in front of you. We’ll rub it in as though we never lost the election at all.The wealthy aristocracy in our country has figured out that they need shields. They must hide behind people whom no one would dare attack or criticize. It is the reversal of the fanaticism that afflicted and ignited the mob when the streets were filled with protesters in the Summer of 2020.What we see now is their way of healing from the trauma of the agreed-upon reality that emerged that Summer. Most people don’t remember how unprecedented this uprising really was. Remember chanting through the neighborhoods in Seattle?If you were cowering in your home as a Good White Liberal, what did you make of that? How much guilt did you feel? Their escape hatch for all of this madness we’ve been living through, a fake-pretend fix to oppression because Lulu Lemon and the Lifetime Network now center Black characters and de-center “whiteness.”I’ll never forget my white friends in Santa Monica, of all places, hurling themselves in front of “Black bodies” because the cops were less likely to shoot them. They all believed this delusion, even in Santa Monica. But now, there is a reversal of that dynamic playing out. White people need Black people and other non-whites or LGTBQIA+ members to hide behind. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit sashastone.substack.com/subscribe
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  • What Kamala Harris Gets Wrong About Elephants
    Kamala Harris might have many gifts, but intelligence is not one of them. How else to explain her speech, where she compared today’s Left to a herd of protective elephants?Here is the clip:As with most of Kamala Harris’ speeches, there was no there there. It was delusional gobbledegook that seemed to get really obvious things wrong, especially the way she ended the speech by saying this country doesn’t belong to those in the White House but to “we the people.” Yeah, uh, what part of winning the popular vote is not “we the people,” Kamala?I thought of that line in The Big Lebowski:The Democrats have decided their leader should be Kamala Harris, and they set her loose, careless metaphors and all. What else can they do? Tell the truth? “Sorry, we tried to make Kamala Harris happen again. We already knew she was a tragically weak candidate who couldn’t even win in her home state of California, and is mostly known for her extreme cringe and her viral word salad clips. But she’s a woman of color, and white women will never vote for a normie white dude, so let’s make Kamala Harris great again?”Granted, most people on the Left have become so disconnected from reality that they can’t see the big picture anymore, but even still, if there is one thing we know about elephants other than that they are intelligent, empathetic creatures, it is that they, like all mammals, protect their young to ensure reproduction and survival.And of all animals to drag into this mess, why must it be elephants? This is a strange thing to be outraged about, but I love elephants. I love them like I love pigs. It isn’t just that they are intelligent, although they are ranked number five on the list from How Stuff Works (pigs not far behind).I love their deep empathy because I have too much of it and can relate. I love how they remember those who protected and raised them, even decades later. I hate that they are hunted and butchered (just as I hate factory farming with pigs). I realize I must accept these realities, but it doesn’t make it hurt any less.But mostly, like all mammals, elephants are known for being ferocious protectors of their young, so much so that the entire group is often involved in saving even one calf.You should see what a mother elephant would do to anyone who came near her baby with a surgical scalpel or dangerous, irreversible drugs to sterilize them for life.Do you think elephants would be casually aborting their children or allowing gender clinics to guide them toward irreversible harm to their bodies, all in the name of some imaginary mass delusion? Do you think elephants would divide people based on skin color and gender identity and deem those the most vulnerable?Elephants are matriarchal because the older female elephants have gathered enough knowledge to help guide and lead the herd through treacherous terrain. The males must leave when they become adolescents and form a herd with other males who teach them what they need to know.For the Left, they like the part where elephants form a herd of females and exile the males. They don’t like the part where the most important thing to them is ensuring reproduction and survival.That’s last thing they do on the Left now. They seem to be actively trying to extinct themselves, whether it’s buckling to a dangerous cult that sterilizes the young, or encouraging abortions to the tune of one million per year.Those who have paid the highest price for this are the children whose mothers can’t protect them because they are cowards, not like mother elephants, that’s for sure. Fathers, too. They’ve been castrated metaphorically and literally. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit sashastone.substack.com/subscribe
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  • Why the Democrats Will (try to) Impeach Trump a Third Time
    “The Party told you to reject the evidence of your eyes and ears. It was their final, most essential command.”―George Orwell,1984It isn’t that one crazy, alleged animal-abusing Democrat who just introduced articles of impeachment against Trump who will define Resistance 2.0.It’s the more serious threat that looms ahead should the Democrats take the House next year.Steve Bannon has become the harbinger. He predicted it in 2018, and he’s predicting it now.He’s right. They have no other plan for America, not in the four years Trump was in power the first time, not for Biden’s four years, and not now. They have one directive: to purge Trump and MAGA from utopia.It’s beginning to look a lot like 2016, only this time I’m watching from the other side of the door. I escaped, but only just barely. I sometimes look back at who I was then and scratch my head. How could I have been that easily manipulated? How could I have believed them?I believed it all. I read every book on Putin. I hung on every word that came out of Rachel Maddow’s mouth. I believed the New York Times had our best interests at heart. I could not believe or even imagine that the people I trusted would eventually expose themselves as weaponized, partisan propaganda machines.I try to connect with the Democratic centrist I used to be because that is still where most of my friends and family are, not to mention all of American culture and most institutions. They live in a completely separate reality, and I live in this one.The only comparison I can make takes us back to just before the last Civil War. One reality not only justified slavery but also existed inside a utopian Antebellum paradise of Southern Belles and wealthy plantations, but also believed ending slavery was an existential crisis they could not survive. How else to convince so many to go fight and die for a cause?The pre-war propaganda whipped both sides into a frenzy that would eventually take them to war. From War History Online:In the decade prior to the Civil War, the American press began flourishing and evolved rapidly in terms of technology, output, and distribution. Meanwhile, the number of newspapers expanded and a new style of weekly pictorial publications filled with comics and illustrations became popular and widespread in northern and southern states.This mass distribution of picture-based media was eagerly and voraciously consumed by the American public. It also proved ideal for distributing and disseminating propaganda and successfully pushed divisive ideologies from both sides of the divide.Sound familiar?When the Union Army won the war, however, their utopian paradise in the South was upended, which kicked off episodes of mass hysteria that would eventually lead to Jim Crow laws, the KKK, segregation, and worse.It’s easy, especially for the modern-day Left, to see those crimes against humanity as a disease that lives inside of white people, the sin of racism, a war they believe they’re still fighting today.The side that suddenly had all of the wealth and power after the rise of Silicon Valley and the marriage between the Obama coalition and culture was lacking only one thing: spiritual reliefI was part of it. I was a “woke” blogger, though we did not use that word then, and many don’t dare use it now. What mattered to me was elevating non-whites and other marginalized groups in the film industry. That gave me, a white woman, a sense of purpose, a deeper meaning for my work and my life, something I’d never felt before.But to be “woke” as translated for white people means believing you share your country and your culture with racists afflicted with “white fragility.” At first, it was an idea that spread, but by 2020, it was mandated.It makes sense when you consider our country expanding onto the new frontier of the internet, where the free market, cities, towns, and demographic groups mattered less than this giant swirling soup of humanity we suddenly had to make sense of. What better way than to divide us up into easily recognizable categories?2016 was, to all of us, a sign that the Confederacy had returned, especially since Trump was now a prominent figure on Twitter, just like Obama had been. We saw his win as an act of war. We were to obstruct, block, shun, attack, or resist. He was not to be allowed to govern, which would ensure his destruction, or so we thought.What we didn’t do, however, was listen to the voters. They were invisible to us because we wrote them off as angry white deplorables clinging to their guns and religion. They don’t deserve representation. No, it wasn’t we who failed. It was Trump who invaded us and is now oppressing us.We couldn’t see things any other way. Because we were the “good” side and those people over there had to be the “bad side.” The nation’s first Black president, we believed, was hated by white Americans, and now, they were coming to dismantle his legacy, our utopia, and Make America White Again. They still believe that. It is existential to them, which explains the ongoing need to purge their utopia of threatening people.Those same realities that decided who got to stay and who had to go also existed in George Orwell’s 1984. What is “cancel culture” anyway, but virtual gulags?Anyone who didn’t agree with the reversed hierarchy was out. You couldn’t just go along with it; you had to believe it. You had to love Big Brother.Orwell had it so right when he wrote in that last paragraph, “He was in the public dock, confessing everything, implicating everybody.”I could feel it, the mass dehumanization. It didn’t sit right with me. I was disgusted by how my side was behaving, but it wasn’t until I walked in the shoes of Trump supporters that I knew for sure that this really was a Civil War.No, Trump supporters were not getting lynched or put in concentration camps or a gulag. But the mechanisms at play are the same. I’ve never seen people in America feel emboldened to attack another group this way, but no doubt it has happened many times throughout our history.To justify that they are the “good” side, they must continue to find victims of oppression based on skin color or gender identity. They don’t seem to care that much about the hollowed-out, torn-down neighborhoods in the middle of the country, where people of all skin colors are suffering. No, it has to be those who come from other countries, helpless and faceless, defined only by one thing: the color of their skin. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit sashastone.substack.com/subscribe
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  • There's No Such Thing as a "Sane" Democrat
    The rage and hysteria are escalating. They’re openly calling for Trump’s assassination.They’re marching, they’re protesting, they’re screaming into the void for what, they don’t know. Something has been taken from them, something they desperately want back. It’s been ten long years of fighting, but nothing has worked. There is no way out for them. They’re trapped.If you talk to one of them, they will tell you they believe things that aren’t true. Trump is taking away Social Security and Medicaid. They’ve eliminated the National Center for Missing and Exploited Children. They’ve eliminated the Department of Education. They’re “disappearing” people from the streets and sending them to concentration camps.The truth doesn’t seem to matter and hasn’t for a long time now. Hyperbole is all because they have nothing left to sell, no vision for America’s future. Who would they be if they weren’t the people hunting Donald Trump? They do not know. They’ve destroyed themselves trying to destroy him.The headlines fed to them supercharge their rage. These are mostly educated white women in real life, but in their fantastical imaginings of their cosplay resistance, they are warrior protectors of every oppressed group. It’s all coming true. Doomsday is here.They don’t like the word “hysteria” because it hearkens back to the dark ages when women’s mental health issues were mislabeled that way. It’s the word. It’s always the word. They felt like no one could hear them scream. Out of that eternal frustration came the feminist movement, a movement now dead in its tracks.It’s the word “hysteria,” like the word “woke,” like the word “illegal,” like the word woman like the word “homeless,” like the word “fat.” Change the word, change reality.These white women can’t be feminists anymore because that makes them “white feminists” or “Karens.” They hate those words too. They must always defer, apologize, step back, de-center themselves, and elevate women of color who matter more. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit sashastone.substack.com/subscribe
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  • A Good Friday Special: Interview with Poet Joseph Massey + Giveaway
    I have known Joseph Massey For quite some time now, we have always wanted to do an interview, but we never made it happen for one reason or another. Now, after we collaborated on a video (see below) and he’s written a brand new book that has shot to the top of the charts at Amazon, thanks to an appearance on Megyn Kelly’s show, we thought it was a good time to have a deep conversation about everything from his faith, to his poetry and of course, to the craziness of the Left and cancel culture.We will be giving away five free copies of America is the Poem. Joseph will select interested participants from the comments. Please leave a comment if you’d like to be considered. I will contact the winners for addresses.Have a listen to the podcast above, and here is a link to the book on Amazon:America is the Poem video, Joseph and I collaborated on together:Joseph’s appearance on Megyn Kelly’s show:A sampling of photos of Massey’s work, but you can find more at his Instagram.For more or to subscribe to Joseph’s Substack, click here: Joseph Massey Hope you enjoy our conversation, and let me know if you’d like to hear more interviews from me. I hope to post one more thing for Easter Weekend, but otherwise, please enjoy the holiday, and for those celebrating Passover too. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit sashastone.substack.com/subscribe
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Essays on politics and culture from Sasha Stone's Substack. A former Democrat and Leftist who escaped the bubble to get to know the other side of the country and to take a more critical look at the left. Sashastone.substack.com sashastone.substack.com
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