Episode 326 - Borromini’s Sant’Agnese in Agone (Piazza Navona)
In 1653, Borromini was asked by Pope Innocent X to take over the building of his family church of Sant’Agnese in Agone in Piazza Navona in Rome, Italy. The result was a revolutionary façade design that tragically was not realized according to Borromini’s plans.
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Episode 325 - Borromini’s Church of Sant’Ivo alla Sapienza
Borromini began construction on another of his architectural masterpieces, the church of Sant'Ivo alla Sapienza in Rome, Italy, in 1642 for Pope Urban VIII. His curvilinear façade, bulging drum, and spiraling lantern are all eye-popping aspects of his design. But it is the extraordinary floor plan of the church which makes it unique – an equilateral triangle with semi-circular niches along its sides and corners cut off by inward swinging arcs.
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19:45
Episode 324 - Borromini’s Oratory of the Filippini
In 1637, Francesco Borromini designed and began building an oratory – a place for public worship and musical performances – for the followers of St. Phillip Neri, known as the “Filippini.” The façade of this oratory is another of Borromini’s visionary architectural projects with its curved plan and unorthodox sculptural elements.
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20:38
Episode 323 - Borromini’s Church of San Carlo alle Quattro Fontane (Part II)
The cloister and façade of the church complex San Carlo alle Quattro Fontane (better known in Rome as “San Carlino”) are two of the most beautiful and revolutionary aspects of Borromini’s design for this project.
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19:36
Episode 322 - Borromini's Church of San Carlo alle Quattro Fontane
The church of San Carlo alle Quattro Fontane (1634) - better known to the Romans as San Carlino (“little St. Charles”) due to its small size - is one of the most revolutionary in the history of art and introduces the new architectural vision of a Baroque genius named Francesco Borromini.
This podcast will explore the development of the art, architecture, culture and history in Italy, from ancient Roman times through the Renaissance. Listeners will develop an understanding of Italy’s role in the development of Western civilization and an ability to appreciate and understand works of art in their historical context.
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