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For Flux Sake

Kathy King, Rose Katz, Matt Katz
For Flux Sake
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  • What are the do’s and dont’s of working in a community studio?
    Joining a new community studio can be exciting, but also a little scary. Today the gang talk about how to be a good community member. They also answer listener questions about clay color changes, using tar paper in the studio, and where to start when you get your first potter’s wheel. Do you have questions or need advice on glazes? Drop us a line at [email protected] and you could be featured on an upcoming show.   Have you checked out the new For Flux Sake Patreon? This is a great way to show your support and have access to discounted merch, live hangouts, and extra episodes. Head over to Patreon and sign up today.    Today's episode is brought to you by Monkey Stuff, The Rosenfield Collection, Cornell Studio Supply, and Ceramic Materials Workshop’s Making Glaze Make Sense.   This week’s episode features the following topics: vitrification, under fired, clay color, tar paper, community studio, potters wheel  
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    33:36
  • How do you convert glazes to European materials?
    Have you ever moved and had to convert your glazes to materials from a different continent? Today the gang talk about how you might do that along with why ‘S’ type thermocouples are the best for accurate firings. They also answer listener questions about upcycling large amounts of casting slip and solutions for handles that keep popping off. Do you have questions or need advice on glazes? Drop us a line at [email protected] and you could be featured on an upcoming show.   Have you checked out the new For Flux Sake Patreon? This is a great way to show your support and have access to discounted merch, live hangouts, and extra episodes. Head over to Patreon and sign up today.    Today's episode is brought to you by Monkey Stuff, The Rosenfield Collection, Cornell Studio Supply, and Ceramic Materials Workshop’s Making Glaze Make Sense.   This week’s episode features the following topics: thermocouple, casting slip, pulling handles, BMix, European glazes  
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    39:47
  • What’s the history behind Orton cones' unusual numbering system?
    Today’s episode starts with a trip to Materials Corner where the gang talk about the likely end of a favorite Kaolin for soda firing. They also answer listener questions about the logic behind Orton cone’s numbering system, the cause of scumming in clay, and the lowest temperature that it's ok to store clay. Do you have questions or need advice on glazes? Drop us a line at [email protected] and you could be featured on an upcoming show.   Have you checked out the new For Flux Sake Patreon? This is a great way to show your support and have access to discounted merch, live hangouts, and extra episodes. Head over to Patreon and sign up today.    Today's episode is brought to you by Monkey Stuff, The Rosenfield Collection, Cornell Studio Supply, and Ceramic Materials Workshop’s Making Glaze Make Sense.   This week’s episode features the following topics: Materials Corner, Helmar Kaolin, Orton cones, scumming, winterizing your studio  
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    33:43
  • Is the bacteria in reclaimed clay a problem?
    To start the show Kathy shares about the research being conducted into vanishing historic lusters at the Harvard Art Museum. The gang also answer listener questions about material supply chains, the cleanliness of reclaimed clay, and why Matt and Rose went solar. Do you have questions or need advice on glazes? Drop us a line at [email protected] and you could be featured on an upcoming show.   Have you checked out the new For Flux Sake Patreon? This is a great way to show your support and have access to discounted merch, live hangouts, and extra episodes. Head over to Patreon and sign up today.    Today's episode is brought to you by Monkey Stuff, The Rosenfield Collection, Cornell Studio Supply, and Ceramic Materials Workshop’s Making Glaze Make Sense.   This week’s episode features the following topics: Chinese lusters, supply chains, reclaimed clay, bacteria, carbon foot print, solar  
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    35:32
  • What makes a glaze have a wide firing range?
    Have you ever wondered why some glazes have a wide firing range? Today the gang talk about this phenomenon, answer listener questions about adding stains to clay bodies, and discuss underglaze application. This episode also starts with a trip to Materials Corner along with a check in from a listener about the porosity of flower pots. Do you have questions or need advice on glazes? Drop us a line at [email protected] and you could be featured on an upcoming show.   Have you checked out the new For Flux Sake Patreon? This is a great way to show your support and have access to discounted merch, live hangouts, and extra episodes. Head over to Patreon and sign up today.    Today's episode is brought to you by Monkey Stuff, The Rosenfield Collection, Cornell Studio Supply, and Ceramic Materials Workshop’s Making Glaze Make Sense.   This week’s episode features the following topics: Firing range, materials corner, frit 3134, flower pots, underglaze, brushing glaze  
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Matt and Rose Katz of the Ceramics Materials Workshop and Kathy King of the Ceramics Program at Harvard University discuss listener questions about clay and glaze. This show will have you laughing and learning about the chemistry behind ceramics in no time.
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