Bulletproof Screenwriting™ Podcast

• BPS 420: Out of Time and the Back to the Future DeLorean Documentary with Steve Concotelli

  Today on the show we have documentary filmmaker Steve Concotelli, the director of OUTATIME: Saving the DeLorean Time Machine. Out of Time is the documentary about the restoration of the screen used Back to the Future DeLorean Time Machine.We discuss how the film came to be, his Kickstarter campaign, getting the rights from Universal, working with Back to the Future co-creator, producer and overall Godfather Bob Gale and how he distributed his little indie doc.Here’s some more info on Steve. Steve has been a creative force in the entertainment industry for over 10 years.  He began his career as an Editor on G4’s “Attack of the Show”.  Since then, Steve has worked nearly every job in production including Writer, Producer, Videographer, and ultimately, Executive Producer.  His clients span the creative landscape and include Disney, Crackle, Paramount, Science Channel, Discovery, TruTV, Spike and more.In 2015, Steve partnered with Universal Pictures to create OUTATIME: Saving the Back to the Future DeLorean Time Machine, a feature-length documentary about Back to the Future.  Steve wrote, produced, directed, and edited the film.  Since its release, OUTATIME has received critical praise, winning the “Best Documentary” Award at the 2016 Gen Con Film Festival. Currently, Steve is the Senior Creative Producer at Cricket Pictures in Los Angeles.Enjoy my “time-bending” interview with Steve ConcotelliBecome a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.

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• BPS 419: Going Undercover and Directing for VICE with Natalia Leite

  Today’s guest is writer/director Natalia Leite. This director is one of the bravest filmmakers I’ve ever met. Her work on the VICE documentary ‘Life as a Truck-Stop Stripper was breathtaking. Not only did she direct the piece but one of the subjects in the film as well. Take a look below at her amazing work.Everyone knows what charming places strip clubs can be, but perhaps there is no club so charming as one in Moriarty, New Mexico—a truck stop with taxidermy and the bras of former employees on the walls, a few poles, a shitload of black light, and plenty of titties. Never mind that The Ultimate Strip Club List website describes it as the place “where strippers go to die.” Natalia Leite and Alexandra Roxo go Gonzo as they pose as strippers and experience something that can be best described as a Marina Abramovic performance crossed with a bizarro episode of Wife Swap directed by David Lynch’s daughters, set in the type of place where a one-eyed guy who shot himself in the head dispenses meditation advice to two naked women.Natalia Leiteis a Brazilian writer/director. Her work has been described as having “a bracing, assertive style” (Variety), “emotional intelligence and sensitivity” (LA Times), and as “cementing the reign over highly stylized, sexually progressive dramas” (Slant).Her feature film “M.F.A.”, a psychological thriller centered around rape crimes in a university, premiered at SXSW 2017 and was nominated for a Grand Jury Prize. The film stars Francesca Eastwood and was released in theaters October 2017. Her feature film debut, “Bare,” premiered at the Tribeca Film Festival in 2015, starring Dianna Agron.The film was released by IFC Films and Paramount Pictures. Natalia has created original content for Vice Media, most notably the provocative Vice show “Every Woman” which has garnered over 11 million views. She co-created and starred in the series “Be Here Nowish,” and has directed and shot documentaries internationally.Natalia is a contributing writer for Talk House and has been a featured speaker for NY Women In Film & Television, Apple Store Talks, IFP Filmmaker Conference, and numerous Universities. She also directs branded content for Vans, The North Face, Nasty Gal, and other companies. She recently signed with bicoastal production company Humble, her first commercial representation, and directs branded content for Vans, The North Face, and other companies.Enjoy my conversation with Natalia Leite.Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.

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• BPS 418: Drugs, Sex and Higher Love with Slamdance Winner Hasan Oswald

  Today on the show we have Slamdance Grand Jury winning filmmaker Hasan Oswald. Hasan's story is pretty inspiring. He did exactly what I preach all the time, he picked up a camera and began to tell his story. He made his first short film that was later tweeted by Stephen Fry, and the National Geographic came calling to work on their film Hell on Earth: The Fall of Syria and the Rise of ISIS. He has since covered the water crisis in Flint, Michigan, drug trafficking, and homelessness in Philadelphia. He quickly established a unique ability to capture the human experience through "cinema verité."  His unfettered access to and intimacy with his characters creates a seamless veneer between the filmmaker and subject.After getting much need experience in the field he decided it was time to tell larger stories. His first outing as a feature film director, Higher Love, won him the top award at the Slamdance Film Festival. To finance his film he pulled a page out of Robert Rodriguez's playbook and sold his blood plasma to finance his film.Hasan's filmmaking journey is inspiring to say the least. He is using cinema to tell stories that will hopefully change the way people think. Higher Love is available on all major VOD platforms. His current project focuses on the Yazidi Genocide in Iraq.Enjoy my conversation with Hasan Oswald.Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.

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• BPS 417: How I Got My Film Directing Off The Ground with Sean Mullin

  Sean Mullin is an award-winning filmmaker.  His critically-acclaimed feature film debut as a writer/director — Amira & Sam — won the top prize at numerous festivals and was distributed theatrically by Drafthouse Films. He’s the co-writer/co-producer of the film, Semper Fi – alongside Oscar-nominated director Henry-Alex Rubin (Murderball) and Oscar-nominated producer David Lancaster (Whiplash).  Lionsgate released the film theatrically in 2019. He’s the writer/director of a feature-length documentary – Kings of Beer – about the world’s most intense brewmaster competition, which was released theatrically in 2019.  He’s the writer/director of It Ain’t Over - a feature-length documentary about baseball legend, Yogi Berra – which will be released in 2022.Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.

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• BPS 416: The Brutal and Honest Reality of Self-Distributing a Film Today with Jeff MacIntyre

  Today on the show we have 18 time Emmy Award-winning filmmaker Jeff MacIntyre. Jeff is the director of the new film The Great Cookie Comeback. Famous Wally Amos introduced us to his famous cookie in 1975. It was love at first bite! 🍪 Then...he lost it all to a big corporation. For 30 years, Wally’s been hustling to get it back. At 82, facing huge personal and financial challenges, can he make his new cookie as famous as his first? Nobody deserves a Great Cookie Comeback like Wally Amos!Jeff wanted to be completely transparent on what he did right and wrong on his self-distribution adventures. He decides to create a 45 min+ mini-doc explain the good, the bad, and the ugly. Here's some info on the doc.Today, anyone can make an indie film or documentary. The real challenge is selling/distributing your film! In this brutally honest case study, I reveal my steps and strategies for launching a feature doc.Real numbers will be shared! It ain’t pretty, but I hope it helps you. Honestly, there’s too much focus on film-making and not enough on film marketing, film-promoting and film-selling. As indie filmmakers, we must wear all these hats for a fighting chance to successfully self-distribute a film/doc.I just launched a feature-length doc about Wally Amos...THE Amos behind Famous Amos Cookies. This wasn’t my first film. I’ve been cranking out docs for a major network for decades...picked up 17 Emmy Awards along the way. I’m pretty comfortable with “the making” of content. However, brand new was the selling/self-distribution responsibilities with this documentary.Choosing to self-distribute wasn’t an easy choice. But the alternative of “traditional” film distribution was as appealing as getting a colonoscopy from a dentist. 96% of distributors see you like a juicy fly which they hope to woo to their web. Getting drained dry by a used Porta Potty salesman wasn’t a priority. So, I decided to blaze the self-distribution trail alone.There are so many moving parts to pull off a successful film launch. Fresh off the trail, I thought it might be helpful to document the entire experience for other indie filmmakers. Rarely, do creatives share exact numbers? From the film’s production budget to ad spend to profits, I peel the curtain back. Warts and all, you’re going to have a front-row seat on what it looks like to self-distribute, market, and sell a doc in this new era of indie film.Famous Amos even made it on Shark Tank to pitch his new cookie concept.I reached out to Jeff so he could share his story with the tribe. If you are thinking of self-distributing your film this is an episode you will not want to miss.Enjoy my conversation with Jeff MacIntyre.Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.

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