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Bulletproof Screenwriting™ Podcast

Bulletproof Screenwriting
Bulletproof Screenwriting™ Podcast
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  • BPS 423: From Instagram Mysteries to Indie Horror The Bold Experiments of Joe Kowalski
    When the winds of curiosity rustle the mind and stir the soul, they often bring with them storytellers—those rare beings who don’t just recount events but breathe life into them. On today's episode, we welcome Joe Kowalski, a young filmmaker from Cleveland whose creative spirit dances between shadows and light, weaving stories through film, mystery, and innovation.Joe Kowalski is a filmmaker, game designer, and storyteller whose projects explore new ways to experience narrative across media.In this profound conversation, we journey through Joe's unique endeavor—a Stephen King “Dollar Baby” short film adaptation titled I Am the Doorway. What begins as a seemingly simple homage to the horror maestro evolves into a lesson in humility, time management, and artistic vision. Joe’s choice of story, influenced by a girlfriend and the limitations of a shoestring budget, was no accident. It was a study in resourcefulness—making the most of what one has while honoring a source of immense creative power. “You have to know what you can realistically accomplish,” Joe said. And that, my friends, is wisdom beyond years.Joe didn’t stop at simply retelling a tale. He reframed the horror classic into a new cinematic experience, wrapping Stephen King’s suspense within a short film festival format. This wasn’t about profit or prestige—it was about community, experimentation, and delivering value to the audience. His respect for the time and effort of collaborators is unwavering: “That’s the biggest thing they can give you,” he mused. And in a world obsessed with the bottom line, such reverence is sacred.But his imagination doesn’t remain tethered to the screen. Joe designed an interactive Instagram murder mystery game—an elegant rebellion against linear storytelling. Through a labyrinth of tags and grids, players navigate a digital whodunit, one clue at a time. Each piece of the game reveals not just a path to the culprit, but a deeper truth about human curiosity and our hunger for connection. It’s a digital scavenger hunt of intention, ingenuity, and play. A new mythology told in swipes and likes.Lest one believe that his path has been frictionless, Joe admits to the chaos of low-budget production, the stress of festivals, and the heartbreak of seeing good work shelved for lack of fit. Still, he views each project as a sculptor views stone—not yet perfect, but perfecting. His year-long film PRISM is another feather in this vibrant cap—a color-coded exploration of identity and emotional entanglement told through color-isolated cinematography. Here is a man who does not merely shoot films; he paints them.Throughout the conversation, what resounds most is Joe’s blend of youthful energy and ancient patience. He reveres the creative process, yet he’s unafraid to let go when the time calls for it. Whether planning podcasts with friends or studying the rise of VR storytelling, Joe doesn’t merely chase the next trend—he studies its rhythm, its heartbeat, and asks how it might elevate human experience. “You have to care about the story even when you don’t feel like caring about it,” he says—and that is the quiet devotion of an artist in bloom.Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.
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  • BPS 422: The Unscripted Journey of Steven Bernstein From Cinematographer to Storyteller
    What if the greatest stories of our lives are the ones we never meant to write? On today’s episode, we welcome Steven Bernstein, a man whose journey through the world of cinema has been anything but predictable. A writer at heart, a cinematographer by accident, and a director by destiny, his career is a living testament to the art of surrendering to the unknown. From his early days at the BBC to the sets of Hollywood blockbusters, his story unfolds like an unplanned masterpiece—one that ultimately brought him full circle, back to the thing he always loved: writing.In this profound conversation, Steven Bernstein recounts his journey from philosophy student to award-winning cinematographer, where his love of storytelling found an unexpected home behind the lens. He speaks of the curious ways life moves us, sometimes against our best-laid plans. “You tend to go with those things that are providing you income,” he muses, reflecting on how a passion for writing gave way to cinematography, leading him to films like Monster, Like Water for Chocolate, and Scary Movie 2. Yet, even as he shaped light and shadow for some of cinema’s most striking images, the writer within him never faded.There is an undeniable poetry in the way Bernstein describes his work. He doesn’t just shoot a film; he composes it, layering meaning through framing, movement, and light. Every choice—a dolly push, a backlight, an asymmetrical composition—whispers something to the audience. It’s a language beyond words, one that he speaks fluently. “Everything to do with film is a language,” he explains. “And like any language, it’s made up of two parts: that which we present and that which we mean.”His journey back to writing was not an easy one. After years of crafting imagery for others, he took a leap into directing his own films, starting with Decoding Annie Parker. It was a lesson in risk and resilience. At one point, he spent five years in poverty, refusing to return to the safety of cinematography. “If you hold out for the dream, maybe you achieve it,” he says. It is a stark reminder that the artist’s path is often one of sacrifice, but those who persist find themselves richer in ways beyond money.Yet, Bernstein also understands the tension between art and commerce. Filmmaking is an expensive endeavor, and investors want guarantees. He describes the struggle of balancing creative vision with financial expectations, a dance between inspiration and limitation. And yet, some of the greatest filmmakers—Terry Malick, the Coen Brothers, Charlie Kaufman—have defied convention, proving that the most resonant stories often break the rules.The conversation moves to the nature of collaboration, the unspoken alchemy that happens on a film set when everyone is in sync. He recalls moments from Monster, where the crew, sensing the gravity of a scene, chose to remain completely silent, whispering only when necessary. It was an unspoken agreement, an offering to the art being created. “It was one of the most magical moments I remember in any film I’ve ever worked on,” he recalls. It is a glimpse into the rare, sacred spaces where true storytelling happens—not in the scripts, but in the spaces between them.Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.
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  • BPS 421: Behind the Scenes of Sharknado Turning Sci-Fi Madness into Storytelling Gold with Andrew Shaffer
    The mind is a curious trickster, delighting in dreams where logic pirouettes in absurdity. In today's extraordinary episode, we welcome Andrew Shaffer, a humorist and New York Times bestselling author whose wit slices through the storms of reality with a twinkle in his eye and a chainsaw in hand. From the earliest pages of his life, Andrew Shaffer was destined to dance with the ridiculous and sublime. As a child, he devoured horror and science fiction with a ravenous appetite, only to find himself drawn back to these imaginative playgrounds after a detour through the hallowed halls of literary fiction. His journey led him, almost inevitably, to the playful chaos of "How to Survive a Sharknado," a manual for the absurd that demands both laughter and preparation.In the dance of ideas, Andrew revealed how the birth of the Sharknado survival guide was as spontaneous as a tornado filled with teeth. Inspired by the original cult film, he offered his humorous talents when Random House and SyFy decided to create a companion book. Imagine being tasked with making flying sharks scientifically plausible; as he put it, "I had to talk to a marine biologist and ask, not could this happen, but how it might happen." It is in such delightfully impossible questions that the spirit of creativity is set loose.Throughout the conversation, there was a beautiful lightness, the kind one finds when nonsense is taken seriously. Andrew's research involved binge-watching over 30 sci-fi films—some genuine, some fabricated solely for the book—to weave an interconnected universe of mayhem. When asked how one might survive a Sharknado, he smiled into the void and said, “The answer in the book is simple: Stand and fight. Grab a chainsaw.” It is a lesson not just for storms of sharks, but for all the monstrous whirlwinds that life throws at us. Yet beneath the chuckles and chainsaws, Andrew's words echoed a deeper wisdom. Too much meta-awareness, he warned, robs a story of its soul. "If everybody's in on the joke," he said, "then the joke itself isn’t that funny anymore." Ah, but isn’t that true of life itself? When we cling too tightly to cleverness, we risk missing the raw wonder that makes each absurdity luminous. Perhaps the most chilling revelation of the day was the invincibility of the ghost shark, a creature birthed from sci-fi chaos. Manifesting from toilets, swimming pools, and even water bottles, it served as a reminder: some forces cannot be outrun; they must be met with courage, humor, and an open heart.Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.
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  • BPS 420: Out of Time and the Back to the Future DeLorean Documentary with Steve Concotelli
    Today on the show we have documentary filmmaker Steve Concotelli, the director of OUTATIME: Saving the DeLorean Time Machine. Out of Time is the documentary about the restoration of the screen used Back to the Future DeLorean Time Machine.We discuss how the film came to be, his Kickstarter campaign, getting the rights from Universal, working with Back to the Future co-creator, producer and overall Godfather Bob Gale and how he distributed his little indie doc.Here’s some more info on Steve. Steve has been a creative force in the entertainment industry for over 10 years.  He began his career as an Editor on G4’s “Attack of the Show”.  Since then, Steve has worked nearly every job in production including Writer, Producer, Videographer, and ultimately, Executive Producer.  His clients span the creative landscape and include Disney, Crackle, Paramount, Science Channel, Discovery, TruTV, Spike and more.In 2015, Steve partnered with Universal Pictures to create OUTATIME: Saving the Back to the Future DeLorean Time Machine, a feature-length documentary about Back to the Future.  Steve wrote, produced, directed, and edited the film.  Since its release, OUTATIME has received critical praise, winning the “Best Documentary” Award at the 2016 Gen Con Film Festival. Currently, Steve is the Senior Creative Producer at Cricket Pictures in Los Angeles.Enjoy my “time-bending” interview with Steve ConcotelliBecome a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.
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  • BPS 419: Going Undercover and Directing for VICE with Natalia Leite
    Today’s guest is writer/director Natalia Leite. This director is one of the bravest filmmakers I’ve ever met. Her work on the VICE documentary ‘Life as a Truck-Stop Stripper was breathtaking. Not only did she direct the piece but one of the subjects in the film as well. Take a look below at her amazing work.Everyone knows what charming places strip clubs can be, but perhaps there is no club so charming as one in Moriarty, New Mexico—a truck stop with taxidermy and the bras of former employees on the walls, a few poles, a shitload of black light, and plenty of titties. Never mind that The Ultimate Strip Club List website describes it as the place “where strippers go to die.” Natalia Leite and Alexandra Roxo go Gonzo as they pose as strippers and experience something that can be best described as a Marina Abramovic performance crossed with a bizarro episode of Wife Swap directed by David Lynch’s daughters, set in the type of place where a one-eyed guy who shot himself in the head dispenses meditation advice to two naked women.Natalia Leiteis a Brazilian writer/director. Her work has been described as having “a bracing, assertive style” (Variety), “emotional intelligence and sensitivity” (LA Times), and as “cementing the reign over highly stylized, sexually progressive dramas” (Slant).Her feature film “M.F.A.”, a psychological thriller centered around rape crimes in a university, premiered at SXSW 2017 and was nominated for a Grand Jury Prize. The film stars Francesca Eastwood and was released in theaters October 2017. Her feature film debut, “Bare,” premiered at the Tribeca Film Festival in 2015, starring Dianna Agron.The film was released by IFC Films and Paramount Pictures. Natalia has created original content for Vice Media, most notably the provocative Vice show “Every Woman” which has garnered over 11 million views. She co-created and starred in the series “Be Here Nowish,” and has directed and shot documentaries internationally.Natalia is a contributing writer for Talk House and has been a featured speaker for NY Women In Film & Television, Apple Store Talks, IFP Filmmaker Conference, and numerous Universities. She also directs branded content for Vans, The North Face, Nasty Gal, and other companies. She recently signed with bicoastal production company Humble, her first commercial representation, and directs branded content for Vans, The North Face, and other companies.Enjoy my conversation with Natalia Leite.Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.
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The Bulletproof Screenwriting Podcast shows you how to make your screenplays bulletproof. Weekly interviews with Oscar® and Emmy® award winning screenwriters, story specialists, best-selling authors, Hollywood agents and managers, and industry insiders. We cover every aspect of the screenwriting process. This is the screenwriting podcast for the rest of us. No fluff. No BS. Just straight talk that will help you on your screenwriting journey.Some of the past guests include 3X Oscar® Winning Writer/Director Oliver Stone, Eric Roth (Dune, Forest Gump), Edgar Wright (Shaun of the Dead), Richard Linklater (Boyhood, Slacker) James V. Hart (Dracula, Hook), John August (Big Fish, Aladdin), Jim Uhls ( Fight Club), Peter Rader (Waterworld), Diane Drake (What Women Want), Daniel Knauf (Carnival, Blacklist), Derek Kolstad (John Wick) and Pen Densham (Robin Hood, Backdraft) to name a few.Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.
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