AIPT Comics

• Blind bag bonanza and Jacob Phillips & Tate Brombal unpack 'Everything Dead & Dying'

  Visit our Patreon page to see the various tiers you can sign up for today to get in on the ground floor of AIPT Patreon. We hope to see you chatting with us on our Discord soon!NEWSMarvel’s Stormbreakers unleash wild new costumes for your favorite heroesBlack Panther goes cosmic in explosive new Marvel era after Hickman’s 'Imperial' #4Ultimate Universe Preview: 'Ultimate Endgame' kicks off in December with 5 issues, new story details, and secret blind bagsSteve Ditko’s ‘Amazing Spider-Man’ gets an Act 4 Artist’s Edition in 2026Super Sonic Monthly: Your fast track to IDW’s Sonic comics'TMNT' #13 kicks off a new era with Blind Bag Variants and a deadly new villainDynamite Entertainment updates Vampirella Kickstarter pricing for blind bags and moreLiam Sharp brings back 'Spawn: The Dark Ages' with a gritty new miniseriesPopeye sets sail for 'I Hate Fairyland' in the wildest crossover yetComics legends tease Lex Luthor’s iconic suit for James Gunn’s sequel 'Man of Tomorrow'DC returns to NYCC 2025 with panels, exclusives, and a celebration of 100 YearsOur Top Books of the WeekDave:Amazing Spider-Man #11 (Various)Ultrawild: An Audacious Plan for Rewilding Every City on Earth OGN (Steve Mushin)Chris:​​Blood Honey #1 (Sean Peacock)TexArcanum #2 (Christopher Monfette, Miguel Martos)TOP BOOKS FOR NEXT WEEKChris: Toxic Crusaders #1 (Matt Bors, Tristan Wright)Dave: Absolute Batman #12 (Scott Snyder, Nick Dragotta)JUDGING BY THE COVER JR.Dave: Eddie Brock: Carnage #8 (Pete Woods Cover)Chris:  Powers 25 #1 (David Mack Variant)Interview: Everything Dead & Dying #1 out September 3, 2025 - Jacob Phillips, Tate BrombalThis is your first collaboration together—what drew you both to Everything Dead & Dying, and what made now the right time to tell this story?Jacob, you’ve built a reputation for capturing grit, loneliness, and eerie atmosphere in books like That Texas Blood and Newburn. What visual tone were you aiming for with Everything Dead & Dying?The book has been described as The Last of Us meets Yellowstone. How did you strike a balance between horror, western, and emotional drama without tipping too far into genre cliché?How did you both approach the undead in this world? Are they metaphors, monsters, or something else entirely?The series clearly explores themes of love, loss, and survival. Was there a particular moment or relationship in the book that was especially personal or meaningful for either of you to write or draw?Tate, this marks your Image Comics debut. What freedoms—or challenges—did working at Image bring compared to your previous work in the DC and BOOM! Worlds?You’re working with an amazing lineup of variant artists, including Sean Phillips and Joshua Hixson. How involved were you in curating that roster, and what do those covers add to the tone of the series?With just five issues to tell the story, how are you approaching pacing and world-building to ensure it still hits with emotional and thematic weight?If you had to live with one undead pop culture character as your roommate—zombie, vampire, ghost, whatever—who would it be and why? Bonus points if you argue over the dishes.

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• Mike del Mundo on his Marvel art book, creative process, and career evolution

  Visit our Patreon page to see the various tiers you can sign up for today to get in on the ground floor of AIPT Patreon. We hope to see you chatting with us on our Discord soon!NEWSFirst Look: Dan Mora assembles all 32 fighters in informative ‘DC K.O.’ #1 variant coverCan he beat the entire universe? Marvel unleashes Hulk like never before in 'Smash Everything'The Maker’s return nears, and a cosmic Daredevil arrives December 2025Eat like an Avenger: Marvel’s 'Meals to Astonish' #1 brings superhero recipes to lifeFirst look: Ryan Stegman & superstar artists redefine the X-Men in Age of Revelation coversExclusive: Corin Howell’s ‘Lilith’ returns as an ongoing series in 2026Todd McFarlane and Steve Orlando bring comics power to The Boulet Brothers’ 'Dragula: Titans' season 2Our Top Books of the WeekDave:Beneath the Trees Where Nobody Sees: Rite of Spring #2 (Patrick Horvath)Death Of The Silver Surfer #3 (Greg Pak, Sumit Kumar)Chris:​​The Voice Said Kill #2 (Si Spurrier, Vanesa R. Del Rey)The Man Who Dreamed The Impossible #1 (Mario Freitas, Lucas Pereira)Standout KAPOW moment of the week:Chris: The Mortal Thor #1 (Al Ewing, Pasqual Ferry)Dave: Gehenna Naked Aggression (2025) #3 (Patrick Kindlon, Maurizio Rosenzweig)TOP BOOKS FOR NEXT WEEKChris: Everything Dead & Dying #1 (Tate Brombal, Jacob Phillips) Dave: The Amazing Spider-Man #11 (Joe Kelly, Pepe Larraz)JUDGING BY THE COVER JR.Dave: TMNT #11 (Javier Rodriguez) or ASM #11 (Lee Bermejo)Chris: Star Trek: Red Shirts #2 (Chris Shehan Main Cover)Interview: Mike del Mundo about career and The Marvel Art of Mike Del Mundo. You still have a few days to back this project!You’ve long been known for your concept-driven, highly stylized covers—how does it feel to see your Marvel career collected in such a high-end format like The Marvel Art of Mike Del Mundo?Looking back at your early breakout work, like your X-Men Legacy covers, how do you think your style or approach has evolved since then?The new art book includes never-before-seen pieces and a companion sketchbook—can you walk us through your process from sketch to final composition?How does your mindset shift when moving from cover art to sequential work?How do you balance surrealism, symbolism, and storytelling in a single image—especially when working on iconic characters with decades of history?Of all the covers and interiors featured in the book, is there one piece that holds particular personal meaning for you?What do you hope readers and fans take away from seeing your sketches alongside the final printed pieces?You’ve also been doing incredible world-building in 3 Worlds / 3 Moons with Jonathan Hickman—how does that creator-owned space challenge or expand your approach compared to Marvel work?What advice would you give to artists trying to push boundaries or find their own visual voice within superhero comics today?If you could design a cover for any Marvel character doing something completely unexpected—like Hulk as a ballet dancer or Doctor Doom hosting a cooking show—what would it be, and how would you make it look cool?

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• Soo Lee talks Wizard of Oz, Star Wars horror, and making classics fresh again

  Visit our Patreon page to see the various tiers you can sign up for today to get in on the ground floor of AIPT Patreon. We hope to see you chatting with us on our Discord soon!NEWSMarvel Comics November 2025 solicitations Feast your eyes on four 'X-Men of Apocalypse' #1 coversIn 'Captain America' #6, meet the United Captains: Marvel’s most controversial super-team?Marvel gives Echo a shocking new power in 'Echo: Seeker of Truth' #1Marvel finally gives Wiccan his first solo series in a dark new 5-issue magical sagaMarvel’s first-ever blind bags launch with 'Ultimate Endgame' #1, and fans could pull secret covers‘DC K.O.’ #1 to launch with mystery ‘Lights Out’ polybags packed with rare foil variantsDC unleashes a deadly new villain in 'Wonder Woman' #25, meet the MatriarchJeff Lemire reveals ‘JSA: Year One’ taking the team to the Golden AgeFrank Miller & Todd McFarlane reunite for first Spawn cover collaboration in 30+ years​​Image Comics to reprint All-Negro Comics, the 1947 milestone in Black comics historyMarjorie Liu and Garry Brown launch ‘BRZRKR: The Bleeding Tide’ this fallOur Top Books of the WeekDave:Detective Comics #1100 (Various)Absolute Batman #11 (Scott Snyder, Clay Mann)Chris:​​Escape #1 (Rick Remender and Daniel Acuña)Bloodletter #3 (Joseph Illidge, Tim Seeley, and Christian Rosado)Standout KAPOW moment of the week:Chris: Escape #1 (Rick Remender and Daniel Acuña)Dave: New Avengers #3 (Sam Humphries, Ton Lima)TOP BOOKS FOR NEXT WEEKChris: Immortal Legend Batman #1 (Kyle Higgins, Mat Groom, and Erica D'Urso)Dave: Universal Monsters: The Invisible Man #1 (James Tynion IV, Dani)JUDGING BY THE COVER JR.Dave: Invisible Man #1 (Rosemary Valero-O'Connell)Chris: Imperial War: Planet She-Hulk #1 (Nimit Malavia variant)Interview Soo Lee - Wizard of Oz (September 30)1. This year marks the 85th anniversary of the 1939 Wizard of Oz film. How did that milestone influence your approach to adapting the story?2. You’ve been granted access to the film’s archives—what kind of reference material or behind-the-scenes details most inspired your adaptation?3. You’re launching a Kickstarter for this project this month—what can backers expect in terms of rewards, exclusives, or behind-the-scenes content?4. You’re handling writing, art, and covers. How did balancing all three roles shape the way you told this story?5. You’ve described this as “not reinventing the wheel” but adding your interpretation. Can you share some of the ways you’ve put your own creative stamp on the classic?9. How do you hope this adaptation will resonate with younger readers who may be discovering The Wizard of Oz for the first time?10. What was the biggest artistic or storytelling challenge you faced in bringing Oz to life on the page?7. Any desire to make it fresh?11. (Fun) If you could click your heels and instantly visit any fictional world besides Oz, where would you go, and who would you bring with you?

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• Chris Condon on Wolverine, Green Arrow, and taking big swings in comics

  Visit our Patreon page to see the various tiers you can sign up for today to get in on the ground floor of AIPT Patreon. We hope to see you chatting with us on our Discord soon!NEWSDC Comics Solicitations November 2025New 'Batman/Deadpool' #1 details reveal wild DC/Marvel team-ups & creative teamsDC’s Batman Beyond meets Static in explosive new elseworlds SeriesInfernal Hulk coming later this yearTwo Spider-Men, deadly new villains: Amazing Spider-Man’s road to #1000 heats upStrange new realms: Doctor Strange Becomes Asgard’s Sorcerer Supreme in DecemberMarvel revives ‘90s X-Men chaos with 'X-Men: Tales from the Age of Apocalypse' #1New Avengers #6 newsDisney & Marvel Comics are coming to WEBTOON with 100+ titles and all-new storiesExclusive interview: Rodney Barnes on the real-life horrors behind Oni Press’ ‘Crownsville’'Dracula: Book III — The Count' reveals the vampire’s dark London hideawayTMNT, Godzilla, Star Trek & more: IDW brings massive exclusives and surprises to NYCC 2025New urban fantasy 'Under York' coming November 2025Our Top Books of the WeekDave:Predator Kills the Marvel Universe #1 (Percy, Marcelo Ferreira & Daniel Picciotto)Batman: Dark Patterns #9 (Dan Watters, Hayden Sherman)Alex:​​Predator Kills the Marvel Universe #1 (Percy, Marcelo Ferreira & Daniel Picciotto)Superman: The Kryptonite SpectrumStandout KAPOW moment of the week:Alex: The Ultimates #15 (Camp, VON RANDAL)Dave: X-Men #20 (Netho Diaz, Jed MacKay)TOP BOOKS FOR NEXT WEEKAlex: Absolute Flash #6 (Lemire, Robles) & Exquisite Corpses #4 (Tynion, Walsh, Che Grayson, Adam Gorham)Dave: Absolute Batman #11 (Scott Snyder, Clay Mann)JUDGING BY THE COVER JR.Dave: Event Horizon: Dark Descent #1 (Christian Ward)Alex: Nightwing #129 (Serg Acuña Variant)Interview: Chris Condon - Ultimate Wolverine, Green Arrow, and News From The Fallout**Regarding News From The Fallout, you mentioned wanting to highlight Jeffrey Alan Love’s distinctive, iconographic style and push the boundaries of readability and emotional impact in black-and-white—how did you balance that visual ambition with your scriptwriting?****Humor in horror was a conscious choice—especially Otis's repeated animal-shooing gag—in order to keep the tone varied and impactful. How do you view the role of levity in darker narratives, and was that hard to weave into the story?****Green Arrow has taken on a grounded, street‑level tone, focusing on character interactions and big‑pharma themes. How did you adapt Ollie’s voice and moral compass to fit that setting while keeping iconic elements intact?**Between writing for Green Arrow, scripting Ultimate Wolverine, and launching News From The Fallout, you’re balancing very different tones and genres. How do you switch creative gears between mainstream superhero work and experimental creator-owned stories?Ultimate Wolverine launched early this year—what fresh angles or emotional truths are you exploring compared to past Wolverine iterations?Your work this year traverses themes of isolation (Fallout), social justice (Green Arrow), and visceral heroism (Wolverine). How are you threading your personal storytelling voice through these varied genres and publishers?Looking back at your 2025 slate so far—what’s been the biggest creative challenge, and which project pushed you most as a writer?Between Otis shooing raccoons in News From The Fallout and Green Arrow’s trick arrows, it seems like you have a knack for writing characters who could survive in the weirdest camping trip imaginable. So: if you had to survive a weekend in the desert with Wolverine, Green Arrow, and Otis—who’s cooking, who’s in charge of the firewood, and who’s most likely to accidentally summon a threat to the camp?

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• Benjamin Percy on building the ‘Percyverse,’ 'Predator Kills the Marvel Universe', and Red Band 'Punisher'

  Visit our Patreon page to see the various tiers you can sign up for today to get in on the ground floor of AIPT Patreon. We hope to see you chatting with us on our Discord soon!NEWSMarvel Knights returns with Jimmy Palmiotti headlining new 'Daredevil/Punisher' seriesMarvel reveals epic Inhyuk Lee “Street-Verse Variant Covers”Marvel sheds new light on '1776' #1 celebrating AmericaMarvel Unveils Toy Story Homage Covers to Celebrate 30 Years of Pixar’s Iconic FilmMarvel could have Gwenpool erase one of Spider-ManDC Black Label launches ‘Batman/Green Arrow/The Question: Arcadia’ for November 2025Hayden Sherman talks ‘Absolute Wonder Woman’, Batman, and DC’s Absolute Universe at FAN EXPO Boston 2025Skybound and Act 4 launch Kickstarter for J. Scott Campbell’s 'Danger Girl Artist’s Edition'Die is coming back, with new series Die: Loaded from ImageMaleficent returns in a dark new comic series from Dynamite for October 2025Top Comics July 2025Our Top Books of the WeekDave:Cruel Universe 2 #1 (Various)Monkey Meat: The Summer Batch #5 (Juni Ba)Alex:​​Poison Ivy #35 (G. Willow Wilson, Marcio Takara)One World Under Doom #6 (Ryan North, R. B. Silva)Standout KAPOW moment of the week:Alex: Uncanny X-Men #19 (Simone, Marquez)Dave: Ultimate Wolverine #8 (Chris Condon, Alessandro Cappuccio)TOP BOOKS FOR NEXT WEEKAlex: The UnChosen #2 (David Marquez)Dave: Superman: The Kryptonite Spectrum #1 (W. Maxwell Prince, Martin Morazzo)JUDGING BY THE COVER JR.Dave: Eddie Brock: Carnage #7 (Ivan Shavrin Variant Cover)Alex: Superman: The Kryptonite Spectrum #1 (Alex Eckman-Lawn & Juan Ferreyra)Interview: Ben Percy - Talking Predator, Punisher, and more!1. In Predator Kills the Marvel Universe, you’ve teased a meditative tone as much as a brutal one. Can you talk about how you approached giving emotional weight to what could easily be a pure spectacle series?2. We know Frank Castle is at a low point in Punisher: Red Band, but you’ve also said it’s a story about who Frank becomes when he has nothing left. What’s the most surprising aspect of Frank you think readers will discover in this series?3. We here at AIPT have covered the use of the Punisher symbol via 3rd party swag outside of Disney, we even saw its use in the recent Daredevil show, what’s your take on the Punisher logo and its use?4. With both Red Band and Predator Kills launching this year, you’re leaning into stories with serious ultraviolence. As a writer, how do you decide when violence is meaningful versus when it's gratuitous?5. You mentioned in the Predator Kills the Marvel Universe press release that some heroes are more “killable” than others. Without giving anything away, was there a particular Marvel character that was the hardest to write a death for—either logistically or emotionally?6. You’ve done a lot of work balancing character legacy with reinvention—especially with Hellverine and now Red Hulk. How do you decide what to preserve and what to explode when you're writing these kinds of legacy figures?7. Spider-Man and Predator is a wild matchup. Can you tease what their conflict reveals about Peter Parker that we haven’t seen before?8. Both Red Hulk and Hellverine feel like "dark mirror" characters—but wildly different in tone and execution. Do you see thematic overlap between them? How do you avoid them becoming just monstrous versions of other heroes?9. You’re clearly building (or helping shape) a kind of hyper-violent sublabel within Marvel between Red Band, Predator crossovers, and these monstrous anti-heroes. Would you want to keep expanding this “Percy-verse”? And if so, who would you tap next?10. (Fun one): If Predator could take on one Marvel team in a cooking competition, who would it be—and what’s Predator’s signature dish?Short novel as a newspaper - subscribe - start November - post-apocalyptic  “The End Times” Station 11 meets our townbadhandbooks.com

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