AIPT Comics

Ryan North has a knack for giving superheroes problems that their powers cannot easily solve. This week on the AIPT Comics Podcast, we’re running our full conversation with North as he catches us up on a busy year and a half that has included the end of One World Under Doom, the launch of Doomquest, his jump to DC with The Flash, and his continuing adventures with Marvel’s First Family.
North digs into the unlikely fever-fueled origin of Doomquest, why the series became a Doctor Doom character study, and the freedom that comes with dropping Victor into different moments in history. We also get into Wally West’s increasingly dangerous ability to prevent disasters before they happen, why joy remains essential to North’s take on the Flash, and how the Fantastic Four continue to open doors to wonderfully strange science-fiction stories.
The conversation goes even further into the challenges of writing ridiculously powerful heroes, North’s approach to continuity, superhero horror, his desire to make more creator-owned work, and the novel he’s been quietly working on. Plus, we somehow end up debating Doom, Reed Richards, and Wally West in an escape room, which sends North down a wonderfully bizarre escape-room rabbit hole.
Interview: Ryan North
Sep 23, 2026, The Flash #37
Releases Oct 21, 2026 Doomquest #5
Releases Sep 30, 2026 Fantastic Four #17
AIPT: The last time we had you on was back in February 2025, and quite a bit has happened since then. One World Under Doom has come and gone, Fantastic Four has kept rolling, and now you’ve added The Flash to your plate at DC. Looking back at everything that’s happened since we last talked, what’s the past year and a half been like for you creatively?
AIPT: Doomquest has almost felt like a series of tests for Doom, dropping him into different points in history and asking whether he can outthink everyone who came before him. But issue #4 does something crueler and gives Victor the chance to live a genuinely happy life with Valeria. Was confronting Doom with happiness always one of the destinations you wanted this series to reach?
AIPT: What I find fascinating about Doomquest is that Doom keeps getting opportunities to prove he's the smartest or most capable person in the room, but that doesn't necessarily mean he's becoming a better person. When you're writing him, where do you draw the line between Doom actually growing and Doom simply finding new evidence that he was right all along?
Why center your Star Trek story on the Pakled?
AIPT: Over in The Flash, Wally's "Flashes of Insight" have evolved to the point where he can glimpse what is about to happen and potentially prevent accidents and crimes before they occur. That sounds wonderful until you start thinking about the implications. Is the danger here less about whether Wally can save everyone and more about what happens to someone who starts believing he should?
AIPT: Your Wally is someone who genuinely loves being the Flash, which feels important because superhero comics can sometimes make being a hero seem completely miserable. How important is that joy to your version of Wally, especially as his ability to see and prevent disasters starts putting more responsibility on his shoulders?
AIPT: In Fantastic Four, you've been able to go from enormous cosmic and scientific problems to wonderfully strange ideas like the Future Foundation returning and Doom's technology leaking into the wider world. After writing these characters for this long, what still makes you stop and think, "I can't believe nobody has done this Fantastic Four story before"?
AIPT: You're currently writing Reed Richards, Doctor Doom, and Wally West, three characters who can approach impossible problems from very different directions. Do you find yourself thinking about them differently when constructing a story, or is there a common Ryan North rule for writing someone who can potentially break your plot if you give them five minutes to think?
Danger and Other Unknown Risks a fab creator owned title, do you have anything similar or in the creator owned realm in the works?
AIPT: Finally, something silly: Doom, Reed Richards, and Wally West are trapped in an escape room together. Who actually solves it, who insists they solved it first, and how quickly does the escape room regret letting these three people inside?

Earlier this week, AIPT revealed that Tom King and Daniel Sampere’s Wonder Woman run is coming to an end with issue #40 this December. Now, you can hear the full conversation behind that interview on the AIPT Comics Podcast.
Nearly two years after we last spoke with King and Sampere about their ambitious plans for Diana, the creative team returns to reflect on how those plans changed and what it means to finally approach the last page. King discusses an original vision that could have stretched to 100 issues, while Sampere looks back at how drawing Diana changed his approach to storytelling, particularly the quieter acting, expressions, and gestures that define her character.
The conversation also digs into Trinity’s evolution, Steve Trevor’s death and return, the Sovereign and Matriarch, and the qualities King and Sampere believe define Wonder Woman after spending years telling her story. With Wonder Woman #37 beginning the final stretch and issue #40 set for December 16, this is the full audio chat about bringing their run home.
Visit our Patreon page to see the various tiers you can sign up for today to get in on the ground floor of AIPT Patreon. We hope to see you chatting with us on our Discord soon!
NEWS
Marvel NYCC Plans
DC NYCC Plans
DC December 2026 solicitationsWonder Woman arc ends with #40

‘Fantastic Four: First Foes’ finale introduces the Wizard and Frightful Four
Marvel unveils ‘Black Widow: Black, White & Red Room’ for December 2026
Marvel reveals Miracleman’s new era with two ‘Avengers: Armageddon’ covers
Miracleman joins the Avengers for November 2026 relaunch
Exclusive: ‘The Simpsons Treehouse of Horror’ gets complete 3-volume omnibus box set
Disney’s beloved 1973 animated classic returns 50 years later for ‘Robin Hood’
Exclusive: Francesco Francavilla sets sail with ‘Vengeance Unchained: The Legend of Black Caesar’ cover
'The Princess Murders' ble nds slasher horror, dark comedy, and fairy tale satire
Our Top Books of the Week:
Dave:
Avengers: Armageddon #4 (Chip Zdarsky, Delio Diaz & Frank Alpizar)
Ofiusa #1 (Guillem March)
Chris:​​
Regicide #2 (Patrick Kindlon, Ludovic Lalliat)
The Patron #2 (Christian Ward, John Pearson)
Standout KAPOW moment of the week:
Chris: Exquisite Corpses: Fox Mask Killer #1 (Che Grayson, Adam Gorham)
Dave: Avengers: Armageddon #4 (Chip Zdarsky, Delio Diaz & Frank Alpizar)
TOP BOOKS FOR NEXT WEEK
Chris: Star Trek #1 (Christopher Cantwell, Dennis Menheere)
Dave: Muppets Take the Marvel Universe #1 (Various)
JUDGING BY THE COVER JR.
Dave: Universal Monsters: Blood of the Wolf Man #4 (Mike Del Mundo Cover)
Chris: Marvel Mangaverse: Ghostlocke #1 (Yuji Kaku Main)
Interview: Wonder Woman - End of Tom King and Daniel Sampere’s run
With Wonder Woman #40 officially ending your run on December 16, how much of that final issue resembles the ending you envisioned when you first started the book? Were there pieces of the finale you already knew back at issue #1?
One thing that has defined this run is Diana’s ability to be incredibly powerful without losing her compassion. In #37, she’s fighting a giant monster while calmly teaching two babies a lesson. What did you identify early on as the essential qualities of Wonder Woman that you never wanted to lose?
Daniel, knowing #40 is your final issue, did you approach drawing it differently? Was there a feeling of, "This might be my last chance to draw Diana doing this," that pushed you toward certain images or ideas?
Steve Trevor’s death hung over the book for a long time, so seeing Diana finally reunite with him in #37 carries a lot of weight. How did you approach that reunion after keeping Diana and Steve apart for so long?
Trinity has gone from a mysterious new character to someone deeply embedded in Diana and Steve’s story. Looking back now, what surprised you most about who Trinity became compared to the character you originally imagined?
The Matriarch is literally going through Hell in the upcoming special, while #39 brings the Sovereign back before the finale. How does the Matriarch’s relationship with her father reflect or complicate what you explored through the Sovereign earlier in the run?
When readers close Wonder Woman #40 on December 16, what do you hope they understand about your version of Diana that perhaps wasn’t as clear when the run began? Is there something about the run that you think will take on a different meaning once the full story is known?

This week, Michael Walsh joins the AIPT Comics Podcast to talk Jonah Hex and the Shadow of Death, his new DC Next Level series launching October 7. Walsh digs into bringing horror to the Old West, exploring an older Jonah Hex wrestling with his past, building new supernatural mythology into the DC Universe, and the influences behind his take on the legendary gunslinger. We also get into Exquisite Corpses, including how the writers’ room shaped Walsh as a storyteller, his role overseeing the current spinoffs, and some early teases about what he and James Tynion IV are cooking up for Season 2.
Before that, Dave and Chris Coplan break down the week’s biggest comics news, including the Amazing Spider-Man #1000 preview and DC extending The Fury of Firestorm. Then it’s our favorite comics of the week, standout KAPOW moments, the books we’re most excited about next week, and Judging by the Cover Jr., featuring some of the best cover art hitting shelves.
Visit our Patreon page to see the various tiers you can sign up for today to get in on the ground floor of AIPT Patreon. We hope to see you chatting with us on our Discord soon!
NEWS
Marvel reveals ‘Amazing Spider-Man’ #1000 preview with Aunt May shockerAnd TRIPLE H is writing a story!?

Symbie’s origins will be revealed in upcoming one-shot
DC extends ‘The Fury of Firestorm’ through issue #15
Rob Liefeld gets in on Midnight Universe gimmick with ‘Avengelyne’ #1 Midnight Variant
Our Top Books of the Week:
Dave:
The Forever Home #1 (Christian Ward, Sami Kivelä)
Doomquest #4 (Ryan North, Francesco Mobili)
Chris:​​
The Karman Blade #1 (DVP, Ian Bertram)
Chachu #2 (Iman Vellani, Marianna Ignazzi)
Standout KAPOW moment of the week:
Chris: Hellraiser: Resurrections — The Onanistic Ritual #1 (Zac Thompson, Gavin Mitchell)
Dave: Spawn '77 #1 (Mark Spears, Todd McFarlane)
TOP BOOKS FOR NEXT WEEK
Chris: Batman Day 2026: Batman of Two Worlds #1 (Matt Fraction, Javier Fernandez)
Dave: Exquisite Corpses: Fox Mask Killer #1 (Che Grayson, Adam Gorham)
JUDGING BY THE COVER JR.
Dave: A Mischief of Magpies #2 (Matias Bergara 5 Copy Cover)
Chris: The Patron #2 (John Pearson Variant B)
Interview: Michael Walsh - Jonah Hex and the Shadow of Death #1, out Oct 7, FOC Sept 14
AIPT: You’ve described yourself as a horror creator, but Jonah Hex isn’t traditionally the first DC character people associate with horror. What did you see in Jonah that made you think he could be a genuinely great horror character?
AIPT: This is an older Jonah Hex whose days as a bounty hunter seemingly ended some time ago. What interested you about meeting him at this stage of his life instead of telling another story about Hex in his prime?
AIPT: The solicitation describes Jonah’s life as one of “bloodshed, pain, and guilt,” and redemption seems central to this story. Does Jonah actually believe he deserves redemption, or is taking on this threat more about finally finding something worth dying for?
AIPT: The evil arriving in Ashecott is described as something older than the town and from beyond the world its residents know. How do you introduce something truly supernatural without losing the dirt, grit, and grounded quality that makes a Jonah Hex Western feel like Jonah Hex?
AIPT: We’re still waiting for season two of Exquisite Corpses, so I have to sneak one in. After building that world collaboratively with so many creators, did anything about that experience change the way you approached writing, drawing, or surprising readers on Jonah Hex and the Shadow of Death?
AIPT: Finally, Jonah Hex gets dropped into an Exquisite Corpses-style killing competition. No guns allowed. What completely inappropriate weapon are you giving him, and how far does he make it?

This week, Eisner Award-winning writer Saladin Ahmed joins the AIPT Comics podcast to talk about three very different heroes currently occupying his writing desk: Cheetara, Wolverine, and Bishop.
With ThunderCats: Cheetara launching September 9, Ahmed discusses taking one of Third Earth’s most mysterious heroes into her own ongoing series, the troubling visions that challenge what she knows about ThunderCats history, working with artist Andrea Arcari, and the freedom Dynamite has given him to push and reshape the mythology.
The conversation also returns to the X-Men universe, where Ahmed’s working on Wolverine and Bishop. We dig into where both characters currently stand, the distinct challenges of writing two veteran mutants, and what Ahmed is building toward in each series.
Visit our Patreon page to see the various tiers you can sign up for today to get in on the ground floor of AIPT Patreon. We hope to see you chatting with us on our Discord soon!
NEWS
Indiana Jones hunts Marvel’s greatest artifacts in new variant covers
Batman vs. Absolute Batman: DC reveals its big Batman Day 2026 special
Boom-Boom takes charge as Marvel announces ‘Fugitive X-Force’ #1
Curt Pires and Jok unleash time-traveling monsters in ‘Creature Corps’
Our Top Books of the Week:
Dave:
The Legion of Super-Heroes #1 (Joshua Williamson, Hayden Sherman)
Superman: The Stranger (Wes Craig)
Alex:​​
The Legion of Super-Heroes #1 (Joshua Williamson, Hayden Sherman)
Crowbound #1 (Jeff Lemire, Dustin Nguyen)
Standout KAPOW moment of the week:
Alex: Captain America #15 (Zdarsky, Schiti)
Dave: Doom Patrol #1 (Darcy Van Polgeest, Nico Henrichon)
TOP BOOKS FOR NEXT WEEK
Alex: The Forever Home #1 (Christian Ward, Sami Kivelä)
Dave: Six of Us #1 (Tom King, Gabriel Hernández Walta)
JUDGING BY THE COVER JR.
Dave: Black Cat #14 (Josemaria Casanovas)
Alex: The Karman Blade #1 (Ian Bertram)
Interview: Saladin Ahmed - ThunderCats: Cheetara (FOC August 10, out September 2)
1. Cheetara has always been one of the more mysterious ThunderCats because of her visions. What excited you about making those visions the engine of an ongoing series rather than just a supporting trait?
2. The solicitation mentions voices that contradict the Book of Omens and even praise the Mu'Tants. Were you interested in exploring how faith or certainty can be challenged when someone suddenly has conflicting truths?
3. One thing I've always liked about Cheetara is that she's often the calmest person in the room while everyone else is reacting emotionally. How did you approach giving her an internal journey that still feels true to that personality?
4. This is your first project with Dynamite and your first time writing ThunderCats. What surprised you most once you started digging into the mythology? Was there a corner of the universe you found yourself unexpectedly fascinated by?
5. Andrea Ancari is relatively new to American readers. What did you see in his storytelling that made him the right artist for a book balancing action, visions, and psychological mystery?
6. ThunderCats has existed across cartoons, comics, and multiple reinterpretations over decades. Were there specific versions of Cheetara you found yourself drawing inspiration from, or did you intentionally try to build your own voice for her?
Wolverine / X-Men questions
1. One thing I've really enjoyed in your Wolverine run is seeing Logan genuinely vulnerable again. Between the broken claws and now the healing factor failing, what opportunities does a weakened Wolverine create that an invincible Wolverine simply can't?
2. Wolverine #21 was almost a bottle episode, with Logan and Nightcrawler just trying to relax before everything goes wrong. How important are those quieter character issues when you're writing someone who's usually defined by violence?
3. Julius Ohta has become a fantastic collaborator on the series. Are there moments where his storytelling or acting has changed the way you approached later scripts?
Bishop / X-office question
With both Wolverine and Bishop, you've been working inside a very interconnected X-Men line. How much collaboration happens behind the scenes?
Bonus fun question
You've now written everything from Miles Morales to Wolverine, Daredevil, and now Cheetara. Is there a dream character or franchise that still sits on your bucket list where, if the phone rang tomorrow, you'd immediately say yes?

Visit our Patreon page to see the various tiers you can sign up for today to get in on the ground floor of AIPT Patreon. We hope to see you chatting with us on our Discord soon!

NEWS

Hickman’s ‘Midnight X-Men’ is a ‘mutant, vampire epic’ with Krakoa-era DNA

Midnight Previewssssss



Marvel’s next Avengers vs. X-Men showdown is happening on the hockey rink

Whatever this news is it sounds stupid



Vault reveals ‘One Zero Zero One Saves the World’ from Jeremy Robinson and Tiago Palma

Vault announces ‘Inanna: The Name She Lost’ from Inanna Sarkis, Tim Seeley and Ademir Leal

Dark Horse spotlights Doctor Doom in ‘Marvel’s Most Villainous’ Volume 2

Dark Horse and Marvel celebrate classic X-Men history with ‘The Art of The Uncanny X-Men’

Dark Horse collects Jack Kirby’s Marvel Westerns in new three-volume series

Our Top Books of the Week:

Dave:

Operation: Iron Coffin #2 (Kenny Porter, Tyrell Cannon)

Hammerfist #1 (Rick Remender, Steve Epting)

Alex:​​

Fireborn #4 (Curt Pires, Franklin Jonas, Patrick Mulholland)

Absolute Wonder Woman #23 (Kelly Thompson, Hayden Sherman)

Standout KAPOW moment of the week:

Alex: What If… Cassandra Nova Killed Charles Xavier? #1 (Sumit Kumar, Ashley Allen)

Dave: Godzilla Conquers the Multiverse #2 (Gerry Duggan, Javier Garron)

TOP BOOKS FOR NEXT WEEK

Alex: Crowbound #1 (Jeff Lemire, Dustin Nguyen) & The Doom Patrol #1 (Darcy Van Poelgeest, Nico Henrichon)

Dave: Marvel Dimensions (Alex Ross)

JUDGING BY THE COVER JR.

Dave: Cruel Kingdom #1 (Yanick Paquette)

Alex: Legion of Super Heroes #1 (Hayden Sherman)

DSTLRY - David Steinberger (co-founder and CEO) and Chip Mosher (co-founder and CCO)

DSTLRY has settled into its partnership with Penguin Random House, and readers are starting to see a steadier publishing cadence again. Looking back, what did that transition teach the company, and how does it position DSTLRY differently heading into the rest of 2026?

You've said from the beginning that DSTLRY wasn't trying to become "just another publisher." Now that the initial launch period is behind you, what do you think defines DSTLRY's identity today compared to when you first announced the company?

We've seen collections like Warm Fusion and A Mischief of Magpies join the schedule alongside new single issues. How important is building a strong hardcover library for DSTLRY's long-term vision, especially as more readers discover these books after their initial release?

Neon Ichiban has grown quickly from a digital comics platform into something that feels much more creator-focused. At what point did you realize the platform could become more than simply a place to read comics?

The new partnership with Scott's Collectibles brings a huge roster of creators into Neon Ichiban's digital remarques program. Why was that collaboration the right next step, and how do you see it changing the experience for fans who collect sketches and signatures?

One of the most intriguing ideas behind Neon Ichiban is the Digital Fast-Pass at conventions. Do you see this as solving a long-standing problem for fans who spend hours waiting in Artist Alley, or is the bigger goal expanding access to creators beyond the convention itself?

You've spent years thinking about where comics are headed digitally, first at Comixology and now with Neon Ichiban. What do you think today's readers expect from a digital comic that they didn't expect even five years ago?

Both DSTLRY and Neon Ichiban seem to share the same philosophy: giving creators more opportunities while giving fans new ways to engage with their work. Is there a bigger vision connecting those two efforts, and where do you hope they are a year from now after another SDCC has come and gone?