Little Known Facts with Ilana Levine

Rachel Chavkin received the 2019 Tony Award, Drama Desk Award, and Outer Critics Circle Award for Best Director of a Musical for Anaïs Mitchell’s Hadestown. She is a director, writer, and dramaturg, as well as the founding Artistic Director of Brooklyn-based ensemble the TEAM (theteamplays.org), an internationally renowned experimental company whose consensus-driven collaborative process was the subject of the documentary The TEAM Makes a Play (directed by Emmy winner Paulette Douglas). Additional selected: Dave Malloy's Natasha, Pierre, & The Great Comet of 1812 (Broadway featuring Denée Benton & Josh Groban); Carson Kreitzer and Matt Gould’s Lempicka (Williamstown); Caryl Churchill's Light Shining in Buckinghamshire (New York Theatre Workshop), Marco Ramirez’s The Royale (Old Globe, Lincoln Center); Bess Wohl’s Small Mouth Sounds (Ars Nova, Off-Broadway, National Tour); Sarah Gancher’s I’ll Get You Back Again (Round House); and multiple collaborations with Taylor Mac, including The Lily's Revenge, Act 2 (HERE). In addition to her awards for Hadestown, Chavkin is a recipient of a Tony Award nomination for Best Direction of a Musical, three Obie Awards, a Drama Desk Award, multiple Lortel Award nominations, two Doris Duke Impact Award nominations, and the 2017 Smithsonian Award for Ingenuity along with Dave Malloy. Her first film, Remind Me, was an official selection of the Venice and Beverly Hills Film Festivals. Feature film  - Hadestown and Shrew's Nest (Paramount). Proud NYTW Usual Suspect and Member SDC.
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Julie Rottenberg & Elisa Zuritsky

Julie and Elisa have been collaborating since they were nine years old, when they met at a Saturday morning acting class in Philadelphia. A few years later, they became writer/producers for HBO’s Sex and the City, where they earned three Emmy Award nominations and three Writers Guild Award nominations for Outstanding Writing in a Comedy. Since then, they’ve gone on to write for Smash, Divorce, and Odd Mom Out, where they were co-showrunners, and were writers/Executive Producers on HBO’s And Just Like That... where Julie also directed. They’re currently writing for Amazon’s Every Year After, based on the best-selling Carley Fortune novel Every Summer After. They’re finally writing a screenplay based on their lifelong friendship and partnership, entitled Ampersand, and Elisa is working on her first novel. They both live in Brooklyn; each has one husband and two children.
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Brian Platzer is the critically acclaimed author of the novels The Optimists (Little, Brown), Bed-Stuy Is Burning and The Body Politic (both Atria/Simon & Schuster), as well as the parenting book Taking the Stress Out of Homework (Avery/Penguin Random House). 

He has written frequently for The New York Times, NewYorker.com, New York Magazine, The New Republic, and many other publications.

As a novelist, Brian has toured the country discussing the craft of writing as well as the issues at the heart of his work, such as education, gentrification, chronic illness, relationships, and American politics.

As a humor writer, Brian has frequently written for The New Yorker’s Shouts and Murmurs and McSweeney’s Internet Tendency.  He recently wrote the viral article “Paw Patrol Is Contemptable Trash”; in New York Magazine, and he has performed comic essays on NPR as a featured guest on Live From Here.

As an educator, Brian currently teaches 8th and 12th grade English at Grace Church School in Manhattan, having previously taught literature and writing at Johns Hopkins. Brian is a CNN contributor on education, and wrote, with Abby Freireich, the weekly “Homeroom”; column in The Atlantic as well as various articles on study skills for the New York Times.

Brian is also the co-founder with Abby of Teachers Who Tutor|NYC, New York City’s only tutoring company where all the tutors are classroom teachers with master’s degrees.

Together, Brian and Abby are among the city’s leaders in education-consulting, tutoring, and executive function coaching.

Brian suffers from chronic dizziness and has written a series of essays for the New York Times chronicling his experiences and those of fellow sufferers. Brian is a graduate of Grace Church School, Dalton, Columbia, and Johns Hopkins University.

He currently lives in Bed-Stuy, Brooklyn with his sons and his brilliant wife, Alex Hardiman.
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Nicole Travolta is the creator and star of the critically acclaimed solo show Nicole Travolta Is Doing Alright, a high-energy blend of stand-up, confessional storytelling, and transformational character work that has toured nationally and internationally. Originally developed in Los Angeles, the show has since played sold-out engagements Off-Broadway and at the Edinburgh Fringe Festival, earning 4- and 5-star reviews and coverage in Vanity Fair Italia, The LA Times, BroadwayWorld, The Daily Beast, Broadway Baby, and Outloud Culture. Travolta trained at The Groundlings and Upright Citizens Brigade, where she developed her signature character-driven style. Onstage, she seamlessly shifts between raw confession and razor-sharp impressions — including Jennifer Coolidge, Carrie Bradshaw, and Drew Barrymore — creating what critics have described as a singular comedic voice. Her television credits include Anger Management, Two and a Half Men, and The Middle. She is currently developing Nicole Travolta Is Doing Alright for screen adaptation.
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Geraldine Hughes is a Northern Irish film, television and stage actress. Geraldine Hughes might not be an easily recognizable face for most, but she has quietly accumulated a long list of film, television and theater credits, most notably as the character of Little Marie in 2006’s film Rocky Balboa. Born in West Belfast, she moved to America after receiving a scholarship to attend university, graduating from UCLA’s School of Theater, Film and Television.

In 2005, she wrote and starred in the critically acclaimed play Belfast Blues, a true story from Hughes’s perspective about coming of age in Belfast in the 1980s. Performed in New York, Chicago, Los Angeles, Belfast and London, the play received the Los Angeles Ovation, Garland and Drama Critics Circle Awards, and Hughes won a Drama League Nomination for Outstanding Performance.

Most recently, she appeared in the Irish Repertory Theatre’s production of Ulster American with Matthew Broderick. The production transferred to Ireland in the summer of 2026.
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