The Musical Mind: Join the Hike

Start Training Free: https://www.uremusic.com/flawless-free-trial

Close position means every voice sits inside an octave. Open position means one of them doesn't. That part takes thirty seconds to learn.

What matters is what happens when you switch. You're switching texture, and if you do it by accident the piece sounds unstable. Do it on purpose and it's a technique.

Two rules come out of this one. Keep your spacing consistent, and double the bass.

0:00 Close position and open position

1:39 Register, and why the same chord muddies low

2:00 Doubling the bass note

2:58 Consistent spacing, and what inconsistent sounds like

4:23 How much room the bass needs

5:43 Switching textures on purpose

6:25 More in the members library

These are excerpts from The Composers Studio Seminars, the live sessions I run with composers who are working on their own pieces.

The audio is what it is, because these are real sessions and not studio recordings.

Student work and student voices are never included in these videos.

More at uremusic.com

Courses: uremusic.com

Membership: uremusic.com

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You can write from harmony, or you can write from sound. Both work.

If you write from sound, the analysis still has to happen. It just happens last, once the piece

is done and the intuition has nothing left to give.

Then you read your own first four measures and work out the rules you were already following.

That becomes the theory for that piece. The next piece gets a new one.

My composition instructor threw my theory book in the trash can over this. That story is in here.

0:00 Harmony first, or sound first

0:21 Reading your own first four measures

1:53 Why this comes last

2:00 My composition instructor and the trash can

3:07 Finishing the piece is the first one percent

3:44 More in the members library

These are excerpts from The Composers Studio Seminars, the live sessions I run

with composers who are working on their own pieces. The audio is what it is, because these

are real sessions and not studio recordings.

Student work and student voices are never included in these videos.

More at uremusic.com

Courses: uremusic.com

Membership: uremusic.com

Most ear training tells you to get 100% before you move on. I think that rule is the reason your ear stopped improving.

When you repeat one drill until you score perfectly, you usually are not training your ear. You are teaching your brain to predict a sequence it has already heard. The score goes up. The skill does not.

What works better is uncomfortable: move through the material, do not stop for perfection, and come back around. The second pass catches what you missed. The third pass is where it becomes yours.

This is not a sales pitch. It is the thing I wish somebody had told me before I spent years grinding single drills.

0:00 The mistake I see in the comments

0:45 You are memorizing, not learning

1:17 Why ear training apps stop working

2:03 Take the whole thing, do not stop for scores

3:07 Why one lesson for a week burns you out

4:16 Do the math: 750 days

4:49 The time lapse, and why to keep going

Free audiation course, no cost and no trial nonsense: https://www.uremusic.com/audiation-inner-ear-training-for-musicians

Flawless Ear Training, the full 250 lesson course: https://www.uremusic.com/flawless-ear-training-audio-video

Composing Hour, Year 1, if you want the second and third pass built for you: https://www.uremusic.com/composing-hour-music-lessons

If this argument bothers you, tell me why in the comments. I read them, and they are where most of these videos come from.

#eartraining #audiation #musicpractice

About nine in ten people get songs stuck in their head every week. It's rare to have a truly silent mind, and only 1.5% are actually tone deaf. So what's the difference between an earworm and hearing music you haven't written yet? A trainable skill called audiation. The 60-second test is at 1:30. The five levels are at 5:30.

Learn audiation. The real, scientifically-proven skill of hearing music in your head with perfect clarity. This video breaks down 5 levels of audiation and gives you actionable exercises to develop this ability, whether you're a beginner or an experienced musician.



📍 WHAT YOU'LL LEARN:

✓ The 5 levels of audiation (playback → recall → editing → new music → fluency)

✓ Why you're not tone deaf—90% of people hear music in their head weekly

✓ The difference between memory and audiation

✓ Why ear training suddenly gets harder (and why that's a good sign)

✓ Step-by-step exercises to advance your audiation skills

✓ How to use audiation for better sight-reading, improvisation, and composition

Timestamps:

00:00 The Skill You Never Trained

00:40 The Song Stuck in Your Head

01:24 Audiation Is Real

03:44 Quieter than Real Music

07:23 The 60-Second Test

11:56 Your Ear Isn't Broken

13:48 Recall vs. Audiation

15:05 The Ear Training Floors

16:00 5 Stages of Audiation

17:19 Hearing and Writing Music Gap

17:55 Audiation Weekly Challenge

19:33 The Big Ear Training Mistake

20:17 You're Not Hallucinating Your Ear Training Progress



🎯 INCLUDED TESTS:

The video includes two practical tests to discover your current level. See where you start and get personalized exercise recommendations.



🎹 WHO THIS IS FOR:

- Musicians wanting to improve sight-reading

- Singers and composers working without an instrument

- Anyone who wants to develop perfect pitch

- Music students struggling with ear training

- People who want to understand the music in their head



⏱️ KEY CONCEPTS COVERED:

- Audiation vs. ear training (they're different skills)

- Internal sound quality and what "hearing it" really means

- The breakthrough moment when progress feels like regression

- How daily practice works anywhere—no instrument needed

- The three-floor model of inner hearing

Free course: https://www.uremusic.com/audiation-inner-ear-training-for-musicians

🎧 About This Channel

Ear training, audiation, and creative theory for musicians of all levels.

📚 Essential Resources

• Resource Guide

• Octave Registers by Number

• Newsletter

• UreMusic Homepage

• Books & Courses

👉 All links here: https://linktr.ee/uremusic

🎼 My Books

Full list → https://www.uremusic.com/books

💬 Work With Me

Consultation → https://www.uremusic.com/book-a-consultation

📌 Tags

#Audiation #EarTraining #MusicTheory #Composition

📢 Affiliate Disclosure

Some links may be affiliate links. Thank you for supporting the channel.

#audiation #eartraining #musictheory #musicskills #HearingMusic #sightreading #musicalmindreader #ComposerTips #musiciantips #musiclearning

▶ Listen to the full 10-hour track for free here: https://youtu.be/Axr-_z6FTqE

▶ Free download (Perfect Fifth, 1:58 hours): https://www.uremusic.com/sleep-free

▶ Flawless Ear Training, the complete course: https://www.uremusic.com/flawless-ear-training-audio-video

▶ Start the free audiation course: https://www.uremusic.com/audiation-inner-ear-training-for-musicians

▶ Read My Recommendations for Beginners: https://www.uremusic.com/blog/audiation-for-beginners-how-to-start-ear-training-from-scratch

I sell a sleep track for ear training. I put my own product under a microscope, and I found three things wrong with it — one bad enough that I rebuilt the whole thing and I'm giving the new one away free, no email, no gate.

This is dense and it runs about twenty minutes, so I'd rather you watched it properly than had it on in another tab. Everything I found is in here, including the two things that make me look bad: a file that quietly ran out forty-seven minutes early, and a synthetic drone I almost shipped underneath an ear-training track.

Along the way you'll get the actual research behind why sleep tracks work at all — Walker 2002, Antony 2012, the Göldi reversal that shows a cue that wakes you doesn't just fail, it damages the memory it was reactivating — and the four rules I now follow after years of breaking two of them.

One risk I didn't cover in the video, and should have: if you sleep with any continuous sound — mine or anyone else's — it raises the level at which you wake up to everything, not just the track. That's the mechanism, not a side effect. Don't use it if you're the person who needs to hear a smoke alarm or a child at night, and if you want the single best fix for that risk, look up a 520 Hz low-frequency smoke alarm. In the research, it wakes sleeping adults four to twelve times more reliably than the standard high-pitched kind, regardless of what's playing in the room. That's true whether or not you ever touch my track, and it costs you nothing to check tonight.

The 1:58 version is a free download — Perfect Fifth first, in a louder and a quieter mix. The full ten-hour version is free to listen to on the channel, or available to buy if you want the file. Major Third goes up next week, Major Sixth the week after.

Chapters

0:00 Intro

0:10 Three things wrong with my own sleep track

0:42 Quick favor before I start

1:10 Finding one — 47 minutes of silence

1:56 What a sleep track is actually supposed to do

2:12 Walker 2002 — sleep finishes the learning

3:34 Antony 2012 — the whispered cue

4:46 The big one — my track vs. deep sleep

6:07 The confession — I guessed right

7:06 Why not ride the sleep cycles

8:20 Finding two — what was hiding inside the rain

10:27 Finding three, and the claim I won't make

12:18 The reversal — when a cue wakes you

13:18 The one almost nobody in music knows

14:32 Four rules for any sleep track

15:48 How the rebuild satisfies them

16:52 The offer — free download

18:21 How to use it safely

19:15 Close — the five minutes that matter most

▶ From the album Sleep Sounds for Musicians: https://www.uremusic.com/intervals-for-sleep-meditation-and-study

▶ Flawless Ear Training, the complete course: https://www.uremusic.com/flawless-ear-training-audio-video