Think About It

When Neil Selkirk first saw one of Arbus’s photographs as a young man at someone’s house in London, it almost sent him screaming into the street. Unsettled and shaken, the encounter instead opened his eyes to the uncanny powers of photography. It turned Selkirk into an important photographer and, ultimately, an indispensable collaborator to some of the greatest photographers of all time, including Richard Avedon, Diane Arbus, and other greats. In our conversation on great photographers and the art of photography, based on Selkirk’s edited book Why Photographs? (Warbler, 2026) we discuss essential dimensions of photography, including riveting detail, spontaneity, credibility, and the gift of chance, and how they were celebrated by early photographers but soon denounced by an establishment that saw photography as a threat to painting.

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What is “America” not only as a political entity but in our imagination? How can we properly envision America, without repeating clichés that frame America as either reactionary or revolutionary, repressive or liberatory? I spoke with Eyal Peretz about his book American Medium, which looks at Hollywood to re-imagine the concept of "America" through the medium of film. By considering six fundamental American movies: John Ford's Young Mr. Lincoln and The Man Who Shot Liberty Valance, Francis Ford Coppola's The Godfather, Steven Spielberg's West Side Story, and Sofia Coppola's Lost in Translation and Marie Antoinette, Peretz explains how these films do more than represent America and envision a new way to ground human life in our secular age. Eyal Peretz is Professor of Comparative Literature at Indiana University and the author of seminal books on Melville, de Palma, Diderot, da Vinci, as well as film, art, and philosophy.

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The speech debates have not abated, and it’s clear that invoking the First Amendment, and the importance of free speech for democracy, does not settle these debates but provokes more questions. We have lost our way, it seems, since people on all sides invoke free speech and then try to silence those they disagree with. Historian Fara Dabhoiwala of Princeton University reminds us that free speech has always been contested, and that it became a political and social value only recently. We invited him to discuss his new book What Is Free Speech?: The History of a Dangerous Idea.

Dabhoiwala examines how free speech started as a risky and radical concept, and how it evolved through centuries of political battles to become central to democracy only at a certain point in history. As Professor Dabhoiwala explains, speech rights have come and gone long before campus protests, debates over what talk show hosts can say, and whether there ought to be limits to speech that’s defined as dangerous, offensive, or unpatriotic. If we hope to find a way out of our current predicament, we should study this history carefully – with Professor Dahhoiwala as the perfect guide.

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Step into the unsettling world of E.T.A. Hoffmann with translator Peter Wortsman to explore “The Sandman”—a tale that haunted Freud enough to spark his famous psychoanalytic analysis of “The Uncanny,” examining familiar things that unsettle and disturb us for no clear reason. What makes this bizarre story so deeply disturbing, even today? And how does Hoffmann’s genius, in all of his writing, continue to shape the way we think about the unfamiliar, and the blurry line between human and machine? Our guest for this show is New York-born Peter Wortsman, a renowned translator of Kafka, Kleist, Musil and others, playwright, and author, whose travel memoir Ghost Dance in Berlin won the Independent Publishers Book Award.

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Listen to Ori Gersht speak about his novel Ham’s Heaven (Warbler Press, 2025). Inspired by the true story of the first great ape in space, it explores the friendship of an ape and his trainer to examine what we do with animals in the name of progress. Drawing on careful research and echoing the existential questions of Kafka’s “Report to an Academy,” Ham’s Heaven takes us on a journey that is as thrilling as deeply moving—a testament to the bonds that define us, and the progress that so often divides us.

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