The Problematic Gaze

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This week on The Problematic Gaze we revisit Fight Club (1999)—soap, anarchy, and all. We unpack the plot, cast, and reception, and take on the enduring question: is this a razor-sharp critique of toxic masculinity, or a film that accidentally glamorises it?
We place Fight Club back in its late-’90s moment, with a detour through 1999 Britain—Y2K jitters, New Labour optimism, Cool Britannia swagger, Spice Girls-era pop, club culture, and the early days of dial-up and brick-like mobile phones. It’s a “lads, lads, lads” landscape shaped by football and magazines like Loaded and FHM, and we explore how that cultural backdrop speaks to the film’s anxieties.
From male malaise and the lure of support groups to violence as a search for meaning, we dig into Project Mayhem’s cult logic and, yes, that twist. We also consider the film’s afterlife—how Fight Club has been reinterpreted (and often misinterpreted) online, especially within incel and manosphere spaces.

GAZER HOMEWORK: Next week we dissect comedy sketch show Bo Selecta from 2003 : Check It Out here!
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This week on The Problematic Gazette, we’re back for a chaotic spring equinox catch-up—sharing garden mishaps, recovery updates, and what’s next after our Psycho episode.

We get into what we’ve been watching, from the return of This Life on iPlayer to Channel 4’s A Woman of Substance, a twisty ITVX thriller with David Morrissey and Eve Myles, and Last One Laughing season two on Prime.

Listener messages take us everywhere—from The Two Ronnies nostalgia to pushback on a Daily Mail hair-length article. We chat about post-COVID work-from-home life, the UK coal industry now employing around 350 people, forgotten phrases like “carbon copy,” and the removal of Torchwood’s Ianto shrine.

And yes… we end on a genuinely graphic story involving a dog and a rabbit—before teasing next week’s Fight Clubepisode.
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Don't forget to hit that FOLLOW button to get every episode of The Problematic Gaze downloaded and ready to listen!

Please leave us a review wherever you get your podcasts. They really help to spread the word of The Problematic Gaze.

And if our fellow Gazers want to comment on what they've heard in our episodes, or to suggest future topics, please email us at [email protected]. We love hearing from you!
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We’re checking into the Bates Motel this week on The Problematic Gaze Podcast as we dive deep into Alfred Hitchcock’s Psycho (1960)—the horror classic that changed movie history one shocking shower scene at a time.

First up, our Culture Corner spins the dial back to Britain in 1960—a world of lingering post-war austerity, buttoned-up social conservatism, emerging youth culture, and a time when homosexuality was still illegal. We set the scene with the films, music, and social climate of the era before turning our gaze to Hitchcock’s most infamous thriller.

We unpack the production history of Psycho, its box-office smash success, awards buzz, and how it pushed the boundaries of screen violence, laying the groundwork for the modern slasher genre. Then we walk through the film itself—from Marion Crane’s desperate theft and flight, to the eerie roadside stop at the Bates Motel, to the unforgettable shower murder, and the investigation by Lila Crane and Sam Loomis that leads to one of cinema’s most legendary twists: Norman Bates and Mother.

Along the way we debate Hitchcock’s reputation, the film’s portrayal of mental illness, and the complicated ways Psycho has been interpreted through gender and trans-adjacent readings.

GAZER HOMEWORK: Next week get out toxic masculinity heads on and take a look at Fight Club (1999).
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Don't forget to hit that FOLLOW button to get every episode of The Problematic Gaze downloaded and ready to listen!

Please leave us a review wherever you get your podcasts. They really help to spread the word of The Problematic Gaze.

And if our fellow Gazers want to comment on what they've heard in our episodes, or to suggest future topics, please email us at [email protected]. We love hearing from you!
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This week on The Problematic Gazette, apparently two days in the office is now enough to completely wipe us out. When did that happen? We talk about how ageing sneaks up on you, why work feels different than it did in our twenties, and we ask listeners to weigh in on the eternal struggle of work–life balance.
Then we stumble across a brilliant showbiz connection that sends us down a disco rabbit hole. Legendary producer Biddu wrote Tina Charles’ smash hit I Love to Love — and the track also features Trevor Horn before he became one of the most influential producers of the 1980s. We talk about Tina’s meteoric success and her Streatham roots.
Next up: huge Doctor Who news. Two missing episodes from 1965 have just been recovered, meaning the number of lost episodes drops from 95 to 93 — and they’re heading to iPlayer at Easter. We also celebrate Maximum Power, the documentary about Blake’s 7 icon Jacqueline Pearce, which has just landed an RTS award nomination and lands on Apple TV.
From there we get stuck into a ridiculous Daily Mail headline policing women’s hair over 45 (because apparently that’s still a thing), catch up on the latest chaos in The Apprentice, and dive into the debate around Ryan Murphy’s portrayals of real people — including the controversy surrounding his upcoming series about JFK Jr and Carolyn Bessette.
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Don't forget to hit that FOLLOW button to get every episode of The Problematic Gaze downloaded and ready to listen!

Please leave us a review wherever you get your podcasts. They really help to spread the word of The Problematic Gaze.

And if our fellow Gazers want to comment on what they've heard in our episodes, or to suggest future topics, please email us at [email protected]. We love hearing from you!
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IN A CHANGE TO OUR ADVERTISED SCHEDULE (The Day Jobs Have Swamped Us This Week! Tune in next week for our take take on 1960's Psycho!) HERE'S ANOTHER CHANCE TO HEAR OUR MOTHER'S DAY TAKE ON 'MOMMIE DEAREST' FROM LAST YEAR. THANK YOU FOR YOUR ATTENTION TO THIS MATTER!

Greetings from PG Towers! Join social historian Dr Lee Arnott and TV Producer Dave Moor for a lighthearted look at the world of TV, Film and Popular Culture from yesteryear. This week we cast our Gaze over the 1981 film 'Mommie Dearest' starring Faye Dunaway. Much derided by critics and viewers alike upon its release, it has since become a cult camp classic, deeply embedded in gay culture. But do the harrowing scenes of abuse lie easily alongside the fantastically colourful scenes of Hollywood glamour? Just how true is this story? And why you would NEVER want to get into a fight, scripted or not, with Faye Dunaway.
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Please leave us a review wherever you get your podcasts. They really help to spread the word of The Problematic Gaze.

And if our fellow Gazers want to comment on what they've heard in our episodes, or to suggest future topics, please email us at [email protected]. We love hearing from you!
Click here to follow us on all our socials

Don't forget to hit that FOLLOW button to get every episode of The Problematic Gaze downloaded and ready to listen!

Please leave us a review wherever you get your podcasts. They really help to spread the word of The Problematic Gaze.

And if our fellow Gazers want to comment on what they've heard in our episodes, or to suggest future topics, please email us at [email protected]. We love hearing from you!
Hosted on Acast. See acast.com/privacy for more information.