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The B-Side: A Film Stage Podcast

Podcast The B-Side: A Film Stage Podcast
The Film Stage
Welcome to The B-Side, a podcast for The Film Stage! Here we talk about movie stars and directors. Not the movies that made them famous, or kept them famous, bu...

Episodios disponibles

5 de 162
  • Ep. 154 – Queen Latifah (feat. KT from "For Your Reference")
    Welcome to The B-Side! Here we talk about movie stars! Not the movies that made them famous or kept them famous, but the ones that they made in between.  Today we talk about someone who is one of the most well-liked celebrities alive: Queen Latifah! Our guest today is KT from the great podcast "For Your Reference." Our B-Sides today are: Living Out Loud, Last Holiday, Just Wright, and Joyful Noise. We also discuss Queen’s book, her iconic BET Lifetime Achievement Award Speech, her music career, and her chances of making it to E.G.O.T. status. There’s lively discussion about her undeniable, universal likeability, her impeccable taste in leading men, a deep appreciation for Michael Ealy, and complements to Queen’s performance in Bessie.  There’s respect paid to the full life she’s lived, there’s criticism levelled at the basketball Common plays in Just Wright, as well as a thorough discussion of Paula Patton’s contributions to the film. We marvel at the ‘90s sheen of Living Out Loud and the timelessness of Last Holiday’s message and positive energy. And, finally, there’s that scene between Queen Latifah and Dolly Parton in Joyful Noise. Be sure to give us a follow on social at @TFSBSide. Also enter our giveaways, get access to our private Slack channel, and support new episodes by becoming a Patreon contributor.
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  • Ep. 153 – In Conversation with: Julia Stiles
    Welcome to The B-Side! Here we talk about movie stars and move directors! Not the movies that made them famous or kept them famous, but the ones that they made in between. Sometimes we are lucky enough to even speak with them about their work. And sometimes, they are both a movie star and a movie director. Today that’s Julia Stiles, director of Wish You Were Here, now in theaters and available digitally on February 4th. Our B-Sides today include O, The Business of Strangers, and It’s a Disaster. Stiles discusses the filmmakers she’s worked with in the past and how they influenced her decisions sitting in the director’s chair (the best ones “set a tone of calmness” she says), making friends on the South Carolina set of O, and becoming more intentional with the creative choices in her career (including auditioning for Silver Linings Playbook). We also chat about Wish You Were Here, her feature debut as a filmmaker. Stiles mentions guarding against the saccharine to tell “a mature love story.” There’s also considerable praise of lead actress Isabelle Fuhrman and her incredible range, as well as a story about calling filmmaker Doug Liman for sailing advice. Speaking of Liman, Dan and Conor take a moment to unpack Nicky Parsons from the Bourne franchise, the efforts(?) of Tony Gilroy, and a crucial line read in Ultimatum that adds so much depth to Stiles’ role. Finally, we cover how exactly Stiles got the great Vanessa Carlton and her partner John McCauley to do the score to her film. Early 2000s icons unite! And there is a brief, insightful conversation on why exactly Stiles chose to do all of those Shakespeare adaptations early on in her career. Be sure to give us a follow on social at @tfsbside.bsky.social. Also enter our giveaways, get access to our private Slack channel, and support new episodes by becoming a Patreon contributor.
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  • BONUS Ep. – Adrien Brody On "The Brutalist"
    Giving the performance of his career as László Tóth, Adrien Brody is the magnificent center of Brady Corbet’s intimate yet sprawling epic The Brutalist. Emigrating from Hungary following the Holocaust to restart his architectural ambitions in America under the patronage of Harrison Lee Van Buren (Guy Pearce), Brody’s layered performance is one of passion, persistence, and pain. With the film now in limited release, We spoke with Brody, who returned to The B-Side to discuss the personal history that helped him prepare for his performance, how the film is a metaphor for artist-driven filmmaking, some of his most overlooked performances, and getting to act with Beyoncé.
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  • Ep. 152 – Al Pacino (feat. Mitchell Beaupre)
    Happy Holidays from The B-Side! Here we talk about movie stars! Not the movies that made them famous or kept them famous, but the ones that they made in between. Today we discuss the incomparable Al Pacino with the returning Mitchell Beaupre! Our B-Sides today include Bobby Deerfield, Revolution, Frankie & Johnny, and Danny Collins. We discuss Pacino’s legacy (is he our greatest living actor?), his Oscar win for Scent of a Woman (what a silly plot that movie has!), and his deeply earnest autobiography Sonny Boy.  We dish on what doesn’t work about Bobby Deerfield (for one, it’s too quiet), what does work about Revolution (hint: it’s the production design), how Michelle Pfeiffer was unfairly criticized for Frankie & Johnny, and why Danny Collins is much better than you think. Conor asks: Is Adam Sandler the new Pacino? Mitchell asks: Was Pacino’s smallness in Bobby Deerfield and its failure a primary reason he stayed big for so long? Dan asks: Hey Baby Doll, what’s going on? There’s a reflection on Dan’s problematic review of Jack & Jill from over thirteen years ago (yikes!), a tacit comparison between Pacino and Kenneth Branagh (whose recent King Lear production has been criticized, though we thoroughly enjoyed it), and a recollection of Jerry Weintraub helping Ellen Barkin with Ocean’s Thirteen. Be sure to give us a follow on social at @TFSBSide. Also enter our giveaways, get access to our private Slack channel, and support new episodes by becoming a Patreon contributor.
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  • BONUS Ep. – Guy Pearce on "The Brutalist"
    A benefactor to Adrien Brody’s architect character László Tóth, the patronage of Guy Pearce’s wealthy Harrison Lee Van Buren eventually metastasizes into something far darker as Brady Corbet’s The Brutalist examines balances of power and privilege. Giving one of the best performances of his career, Pearce initially brings a boisterous levity before the film’s central partnership curdles. With the film now in limited release, we spoke with Pearce, who returned to The B-Side to discuss the insecurities and egoism at the heart of his character, the humor of the film, an overlooked performance you should seek out, his painful conversations with Adrien Brody about The Thin Red Line, and more.
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Welcome to The B-Side, a podcast for The Film Stage! Here we talk about movie stars and directors. Not the movies that made them famous, or kept them famous, but the ones they made in between. From box office fiascos, to interesting curios, and hidden gems, we examine the also-rans of Hollywood and beyond.
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