Bullseye with Jesse Thorn

What follows is one of our favorite interviews we've recorded this year. Seriously. It's with an artist you probably haven't heard of. His name's Tom Scott. He's from New Zealand. He's been a rapper there for about 10 years now, he's one of the biggest role players in the small, burgeoning scene there. Last year he created the group Avantdale Bowling Club and released a self-titled record for the group. It combines jazz with hip-hop in the same way Kendrick Lamar's To Pimp a Butterfly did. It's lush and beautiful like Pharoah Sanders or Alice Coltrane. Tom's rhymes are deeply personal and affecting and honest. It's one of our favorite albums of the year. Don't miss this one!

This week, Jesse talks with the director Mike Leigh. He isn't that well known. He's never made a blockbuster. He's been nominated for seven Academy Awards and hasn't won any. He doesn't work with super famous actors, either. He likes it that way. His films are honest. And real. And touching. Maybe you aren't familiar with Mike Leigh, but: trust us. This is a fascinating, funny and poignant conversation about filmmaking that will leave you wanting more.

Todd Douglas Miller directed Apollo 11, the new documentary. It compiles thousands of hours of footage from the moon landing into one brilliant, compelling narrative feature. There's no narration. No interviews. All images and voices from the mission and the run up to it. Some of the footage you've seen, but a lot of it you haven't. A lot of breathtaking 70 millimeter shots in Apollo 11 have never been released to the public until now.

It's a strange thing, to be famous, right? Like, really really famous. Famous like Khalid, the singer. He's sold millions of albums. Hundreds of millions of plays on streaming apps. Odds are, there are people right now listening to his music within ten miles of you. People who, right now, constantly check his Instagram for updates. He deals with it in stride, though: making brilliant music and trying to touch the heart of every fan at his shows. He's today's guest on Bullseye, and we're thrilled to have him on. He talks with Jesse about growing up an army brat, acclimating to newfound fame and how they both have an undying mutual love of Sade.

Every now and then, we bring you a special segment called The Song that Changed My Life - it's a chance for musicians we love to dish on the song that made them who they are today. This time: Stephen Malkmus, the former frontman of Pavement. The band's been called one of the best acts from the 90s. They recorded so many songs that capture the decade perfectly: Cut Your Hair. Range Life. Stereo. Malkmus has kept on since the band broke up in '99 - dropping 8 records between then and now. His latest is called Groove Denied and it's kind of a departure for him: a little less like The Fall, a little more like New Order or Kraftwerk. When we asked him about the song that changed his life, though. He didn't talk about any of those bands. Instead, he threw us kind of a curveball: Captain & Tennille.