Torrey Peters was in the woods building her own sauna when she came up with the titular story in her new collection, called Stag Dance. The story is about a lumberjack at the turn of the 20th century … and it’s a sharp turn from her debut novel Detransition, Baby, which was a huge success with both readers and critics. The stories in Stag Dance explore desire, sexuality and the very idea of transformation through some surprising points of view. This week, Torrey joins Mattea to talk about finding the lumberjack voice, defying genre and why transition is more universal than you might think.Liked this conversation? Keep listening:Judith Butler: Breaking down why people fear gender What makes Montreal a transgender city?
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Zadie Smith never thought she’d tell this story
It’s hard to believe that Zadie Smith was just 24 years old when she wrote White Teeth, the book that made her a literary star. 25 years later, Zadie is still finding new stories from her life to reflect on — and she shares many of those in her latest essay collection, Dead and Alive. The book combines art criticism with musings about technology, parenting and the writers who've inspired her. This week, Zadie joins Mattea Roach to talk about the collection, what it’s like to look back on 25 years of writing … and that time she fell out of a window.Liked this conversation? Keep listening:Chimamanda Ngozi Adichie’s triumphant return to fiction Alison Bechdel on making money and seeing Fun Home in a new light
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Can your nail tech throw a mean right hook?
In the new novel Pick a Colour, the answer to that question is a resounding yes. The debut novel from Souvankham Thammavongsa centres on Ning, the owner of a nail salon. Before she was a nail technician, Ning was a boxer … and she hasn’t completely shrugged off those instincts from the ring. Souvankham won the Giller Prize in 2020 for her story collection How to Pronounce Knife, and her new novel is shortlisted for this year’s prize. She joins Mattea Roach to talk about her fondness for nail salons, the weight of names and what being in the boxing ring taught her about herself.Liked this conversation? Keep listening:Ocean Vuong finds beauty in a fast food shift For Indigenous players, ice hockey is a ceremony of its own
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Ian McEwan has hope for humanity — here’s why
A century from now, how will historians look back on your life? In his latest novel, What We Can Know, Ian McEwan imagines the future in 100 years. In a world altered by climate change and nuclear war, human beings are looking back at our current age with a mix of nostalgia, envy and contempt … which is why a scholar becomes fixated on finding a lost poem from 2014. You might know Ian from his breakout hit Atonement, which was made into an Oscar-winning film. This week, he joins Mattea Roach to talk about crafting his own dystopia, his concerns about AI and why we just might be living in a golden age.Liked this conversation? Keep listening:Jeff VanderMeer: How his blockbuster Southern Reach series reflects our own fight against climate change What if your dreams could land you in jail?
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Why Mona Awad gave the Bunnies a say
The bunnies are back … and they’re bloodier than ever. In We Love You, Bunny, Mona Awad returns to the surreal world of her best selling novel Bunny. A deliciously deranged mix of fairy tale, satire and horror, Bunny was loved by critics and readers alike. But what do the villains of that story — a clique of mean girls called the Bunnies — have to say about it? We Love You, Bunny provides a dark, hilarious answer. Mona joins Mattea Roach to talk about expanding the Bunny universe, getting into the heads of her characters and taking inspiration from drag queens. Liked this conversation? Keep listening:Why Heather O’Neill believes in magic Pitbull, Scarface and a whale walk into a book
When the book ends, the conversation begins. Mattea Roach speaks with writers who have something to say about their work, the world and our place in it. You’ll always walk away with big questions to ponder and new books to read.
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