In this episode, composer Julian Anderson discusses his new work Life Cycle, to be premiered by Birmingham Contemporary Music Group in September 2025. Conducted by Stephan Meier, and featuring soprano Anna Dennis, the concert also includes Charlotte Bray’s Reflections in Time and the premiere of Serpentine by Birmingham composer Marcus Rock.At the heart of this conversation, though, is Anderson’s Life Cycle: eight songs that span English, French, Spanish, German and Gaelic traditions, exploring themes of identity, memory, belonging, life and death. For Julian, it’s both a deeply personal project – shaped by family, friendship, and loss – and a vision of music that travels freely beyond nationality. It’s also a project that began life in an unusually unexpected way.We also talk about the early encouragement that set him on the path to composing, how musicology sharpened his creativity, and why he believes memory and play sit at the core of everything he writes.Our conversation was recorded on a hot Bank Holiday Monday in August, at a busy Southbank Centre in London.
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211: Trumpeter Matilda Lloyd
Trumpeter Matilda Lloyd releases her third album on the Chandos Label featuring four premiere recordings by Roxanna Panufnik, Richard Barbard, Deborah Pritchard and Owain Park, alongside transcriptions of music by Johan Sebastian Bach, Martini, and Johann Ludwig Kreps. Matilda is an invigorating presence on the classical music scene, combining her craft with an astute eye for social media content that avoids aesthetics, pays deference, and is useful all at the same time. It takes a certain kind of person to achieve all of that. You'll get a sense of what that is in this interview recorded in May 2025.
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210: BBC Proms Director and Radio 3 Controller Sam Jackson
Audiences. Strategy. Credibility. What does cultural leadership in classical music look like when credibility is tested by data? Sam Jackson - Radio 3 Controller and BBC Proms Director - talks to Jon Jacob about Radio 3's new sound, recent listening figures (have they been spun or are they actually improving?), strategy, and his role as an audience-facing leader in a changing BBC challenged by funding, budget cuts, and future monetisation plans.
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209: Three Choirs Festival
Composers Richard Blackford and Gavin Higgins return to the Thoroughly Good Classical Music Podcast talking about the Three Choirs Festival where Higgins has just been announced new Associate Composer. Blackford's new work The Black Lake premiered there. Also featuring CEO David Francis. Music: organist Oliver Latry's Festival improvisation in Hereford Cathedral.
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208: Pianist Hanni Lang
Hello Grab a pillow and lay down. Drift off. Allow yourself to dream. Such overt direction wouldn't normally feature in a Thoroughly Good Podcast introduction, but its fitting for this one with pianist Hanni Liang who, ever the experimenter with concert formats, tests out an element of her forthcoming Edinburgh Festival appearance on me in a bit of a podcast first. Liang combines a performance of Debussy Reverie with audience-led improvisation at The Hub as part of Edinburgh International Festival this year, inviting people to share their dreams so that she can improvise on the ideas that emerge from it. She does the same here with me. It's only really since recording this that I've come to understand what my recurring dream really is about - in its simplest terms its to do with the panic of time running out. And now, having understood that, it is phenomenally disappointing to realise I've been having this same dream for as long as I can remember. Even so, I've not had it since recording this episode. There is then a therapeutic impact to Hanni's work. More than that, Hanni's candid reflections on the experience of improvisation isn't that far from a theme stitched through recent episodes - leadership qualities, and specifically in this case, the need for and the experience of vulnerability.
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