New Books in Poetry

In his first work of nonfiction, poet chaun webster blends memoir, archival research, visual poetics, and cultural criticism to trace the ways structural anti-Black violence has shaped his inheritance, and grapples with the question of how to know—and mourn—the kin he was never able to meet.webster is particularly drawn to his grandfather Reginald, who worked for years as a Pullman porter, who was denied rest while his labor enabled rest for others, and who died without receiving a pension before webster was born. Returning to the figures of Reginald and the train, webster explores the relationship between comportment and confinement, speaking in tongues in the Pentecostal church, the ancestral meeting place of dreams, his fraught relationship with his mother, and moments with his own child. Throughout, webster also reflects on nonbiological kinship, tethering his and his predecessors’ lives to those of several historical Black figures—Harriet Jacobs, John Henry, Henry “Box” Brown, and Henry Dumas, a writer who was killed by New York City police while riding the subway.Attempting to exhaust the possibilities of the sentence and the grammar of anti-Blackness, webster riffs and rails on the debris within reach. Part elegy, part archival detective story, and part visual poem, Without Terminus: untraining an archive (Greywolf, 2026) is a philosophically rigorous and deeply moving text that takes us beyond the archive of loss.

You can find the works chaun references during our conversation, as well as a further discussion about literary form, at the Additions to the Archive Substack.

Follow chaun webster on Instagram.

Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts.
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A guide for today’s classrooms, this collection from leading Joyce scholars explores innovative pedagogical approaches to the works of this often-challenging writer

Teaching James Joyce in the Twenty-First Century (UP of Florida, 2025) presents examples of bold, innovative pedagogical techniques instructors have used to adapt the study of Joyce’s work for the contemporary classroom. Leading Joyce scholars share approaches that go beyond the traditional university lecture hall to include experiences teaching high school students, senior citizens, art students, book club members, and people in prisons.

The strategies in this inspirational volume range from class discussions to creating art and music to walking city streets. Works examined include the complex Finnegans Wake and the influential modernist milestones Ulysses and A Portrait of the Artist as a Young Man. While Joyce is often viewed as an essential and foundational author of Irish literature, contributors to this volume argue that the spirit of Joyce’s writing is global, and they offer suggestions for teaching these works in an international context.

Students are often daunted by the perceived difficulty and inaccessibility of Joyce, but this volume helps both new and experienced teachers of Joyce make the writer’s texts understandable, relatable, and even fun. These authors argue that reading Joyce helps develop skills in holding and interrogating opposing ideas, skills that are essential in navigating the modern academic and political landscape. In grappling with Joyce, students will recognize his writing as relevant and urgent.

Barry Devine is associate professor of English at Heidelberg University. Ellen Scheible is professor of English at Bridgewater State University. Scheible is the author or editor of many books, including Body Politics in Contemporary Irish Women’s Fiction: The Literary Legacy of Mother Ireland.

Daniel Moran’s writing about literature and film can be found on Pages and Frames. He earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing and co-hosts the long-running podcast Fifteen-Minute Film Fanatics, found here on the New Books Network.
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Furious Harvests (Harvard University Press, 2026) transports
readers to Alex Averbuch’s homeland of eastern Ukraine. Amid the bloody destruction brought by Russia’s war of aggression, the poet toils in fields of memory, reaping lyrics from family archives and mementos to amass testaments to the complex and painful histories of this place and its peoples. A family tree, letters to home, and the faint scent of a grandmother’s dress kept in the back of a closet speak to histories of inter-ethnic violence, WWII forced laborers, and the Holocaust. Mixing dialects, styles, registers, and voices, Furious Harvests—presented in a bilingual edition—defiantly cries out in its
rage and longing toward reconciliation of the self and other. 

Alex Averbuch is assistant professor of Ukrainian literature and culture in the Department of Slavic Languages and Literatures at the University of Michigan.

Megan Buskey is an independent writer and scholar focused on Ukrainian history, culture, and politics.
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For the RtB Books in Dark Times series back in 2021, John spoke with Elizabeth Bradfield, editor of Broadsided Press, poet, professor of creative writing at Brandeis, naturalist, photographer.

Her books include Interpretive Work, Approaching Ice, Once Removed, and Toward Antarctica. She lives on Cape Cod, travels north every summer to guide people into Arctic climes, birdwatches.

Liz is in and of and for our whole natural world. Did poetry sustaining her through the darkest hours of the pandemic? What about other sources of inspiration?

Mentioned in the episode:


Eavand Boland, “Quarantine” (from Against Love Poetry; read her NY Times obituary here)

Maeve Binchy, “Circle of Friends“

Sherwood Anderson, Winesburg, Ohio

Edgar Lee Masters, Spoon River Anthology

Louise Gluck Averno and Wild Iris

Brian Teare, Doomstead Days

Derek Walcott, “Omeros“

W. S. Merwin, “The Folding Cliffs”

Natasha Trethewey, “Belloqc’s Ophelia“

Yeats, “We make out of the quarrel with others, rhetoric, but of the quarrel with ourselves, poetry.”


Nest, Eggs and Nestlings of North American Birds (Princeton Field Guides)

Trixie Belden

Shel Silverstein

Lois Lowry, “The Giver“

Liz equates poetry and Tetris

Leanne Simpson, “This Accident of Being Lost“

Elizabeth Bradfield, “We all want to see a mammal“

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In this NBN episode, host Hollay Ghadery speaks with poet Sharon Israel about her poetry collection, Voice Lesson (Post Traumatic Press).

Sharon Israel’s poems are full of song and detail, movement and color; the pleasures she brings to the page are many and varied. We are as likely to find Israel’s speaker sighting owls in the Catskills, or helping in her dad’s butcher shop, as in the world of music implied by the title. In Voice Lesson, Israel’s urge is alchemical, so that when she’s behind the counter, “scoop[ing] shiny brains into plastic bags” she is also arranging them “carefully like pale jewels.” She’s after a kind of transformation, and urges us, “Always make room/for that singing thing/inside you.” 

—Daisy Fried, author of Women's Poetry: Poems and Advice

Sharon Israel, Sephardic American poet and soprano, was an early recipient of Brooklyn College's Leonard Hecht Poetry Explication Award, was nominated for “Best of the Net” 2016 and won Four Lines’ 2020 winter poetry challenge. Her chapbook Voice Lesson was published by Post Traumatic Press. Her work has most recently appeared in Loud Coffee Press among other journals (print and on-line) and anthologies. . Sharon hosts the radio show and podcast, Planet Poet-Words in Space, on WIOX 91.3 FM in the Catskills. All podcast episodes are available on YouTube Music, Spotify and Apple. Sharon is a member of the sound/poetry duo OrphicMix with composer Robert Cucinotta. Sharon has also collaborated with Cucinotta on works for voice, live instruments, and electronics and has premiered several of his works in New York.Sharon has a B.A. from Brooklyn College and an M.S. from the New School of Social Research. She was a local news reporter, feature writer and music critic for Courier-Life publications, Women’s ENews and for the late, lamented Brooklyn Phoenix; she worked as a shoe saleswoman, microbiology lab technician, secretary, had a short stint as a municipal bond salesperson, and worked over two decades as a grant writer and development director.
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