Love Factually

How do fights get out of hand? What does intractable conflict look like? Why are truth and harmony sometimes at odds? Alarmed and distressed, Paul and Eli spend one last day with Jesse and Céline in Before Midnight, the third and final installment of Richard Linklater's unflinching and unparalleled "Before Trilogy."
For show notes, click here.
Hosted, produced, and edited by Paul Eastwick and Eli Finkel.
Music by Andrew Fraker and Sons
Artwork by Katie Keil

Paul and Eli dip into the mailbag once more to answer your questions! Is it possible to build an effective matchmaking algorithm? Why might 12th grade girls have soured on marriage since the 90s? Did Richard Reeves channel Paul correctly on Modern Wisdom, or not?

How do relationships adapt when one partner changes? Are women penalized for being demanding leaders? When are we at risk for losing our moral compass? Paige Harden joins Paul and Eli as they upgrade their wardrobes in honor of The Devil Wears Prada, the 2006 showcase for a magnificently icy Meryl Streep.
For show notes, click here.
Hosted, produced, and edited by Paul Eastwick and Eli Finkel.
Music by Andrew Fraker and Sons
Artwork by Katie Keil

What is the most common type of nonmonogamous relationship? Do women face a choice between passionate men and dull men? Does "The Coolidge Effect" apply to humans? In this special crossover episode of the Multiamory podcast, Paul and Eli team up with Emily Matlack, Dedeker Winston, and Jase Lindgren to chat about Vicky Cristina Barcelona, the 2008 polyamory-adjacent (?) film starring the Oscar-winning Penelope Cruz, Scarlett Johansson, and the mighty oak himself, Javier Bardem.

What do people do when they get cold feet? How do people handle the emotional carnage of breakup? Who's more eager to get married: men or women? Paul and Eli invite social psychologist Vanessa Bohns to bask in the 1985 aesthetic of The Wedding Singer and achieve new insights into the psychology of breaking off a wedding.
For show notes, click here.
Hosted, produced, and edited by Paul Eastwick and Eli Finkel.
Music by Andrew Fraker and Sons
Artwork by Katie Keil