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Generative AI has been creating race-based content, and the results are...uncomfortable.

Brittany’s been getting served a lot of AI generated videos of older Asian men, who seem to be feng shui experts of some kind, espousing the benefits of having a “lazy wife” in your household. But it doesn’t stop there. Today’s guest, Bridget Todd, host of There Are No Girls on the Internet and author of the audiobook, Love at First Prompt: AI and the Future of Intimacy, has been ringing the alarm about AI generated videos featuring Black women. Some are AI slop, while others perpetuate harmful stereotypes about Black women -- and there’s a market for it.

Bridget joins the show to get into how generative AI has skewed perceptions around race, gender, and privilege online.

Bridget's first audiobook, Love at First Prompt: AI and the Future of Intimacy, is available for pre-order now from LoveAtFirstPrompt.AI and comes out July 14th from Simon & Schuster. 

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What’s bringing Gen Z to the theaters?

Backrooms and Obsession are two recent horror films that have done massive numbers – and their success has been driven, in large part, by Gen Z. Even beyond these films, Gen Z is now the largest moviegoing audience, according to a couple of recent surveys. But what’s bringing the short-form video generation to theaters? And what makes a movie… a Gen Z movie?

To get into it, Brittany is joined by Sam Adams, staff writer at Slate, and Reanna Cruz, entertainment journalist and critic.

(00:00) The Gen Z movie moment
(03:47) Obsession vs. Backrooms
(11:06) What's bringing Gen Z to movie theaters
(15:04) Doomer vibes and digital worlds: what makes a movie a Gen Z movie
(21:40) Will we see more Gen Z movies after Obsession and Backrooms?

For more episodes about where film or Gen Z culture, check out:
Gen Z is afraid of sex — and for good reason
Women deserve revenge. Do they get to have it?
Onscreen cannibalism and our hunger for love

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Is location tracking building relationships? Or ruining them?

Four in 10 U.S. adults share their locations with at least one person. But while it's convenient, is it also a violation of privacy? And who really needs to know where you are? We're getting into how location sharing became a norm, the pros and cons, and how to turn it off without making things weird.

Brittany breaks it all down with Gina Cherelus, New York Times styles reporter and writer of their Third Wheel dating column, and Tatum Hunter, internet culture reporter at The Washington Post.

This episode first aired on December 3, 2025.

For more episodes about where culture, tech, and relationships meet, check out:
The Coldplay kiss cam & moral surveillance
Me and my partner don't see eye-to-eye about AI. Now what?
The joy of breaking up with dating apps

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What song best defines the millennial generation?

On this episode from our friends at All Songs Considered, NPR Music editors Hazel Cills and Sheldon Pearce join host Robin Hilton to weigh the options and attempt to pick the one song that best captures the Millennial experience, from the dizzying highs of the dot-com boom, when anything seemed possible, to the post-9-11 bust, the "hope and change" of the Obama years, and prolonged period of generational disillusionment.

Want more on the culture of pop music?
The D-List pop star purgatory
Bad Bunny redefined what "America" means

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The church has long been a site of healing and hurt. Is that changing?

While some have found community, joy, support, and love in their church home, others have faced isolation, shame, abandonment, and even deep traumatic wounds. But if you don’t necessarily want to give up your religion or leave the church - what does repair look like? What does spirituality look like for those who have ‘church hurt?’ To get into it, Brittany is joined by Candice Marie Benbow, theologian and author of Red Lip Theology: For Church Girls Who’ve Considered Tithing to the Beauty Supply Store When Sunday Morning Isn’t Enough, and Timothy Schraeder Rodriguez, author of Conversion Therapy Dropout: A Queer Story of Faith and Belonging.

Candice and Timothy show Brittany how ‘church hurt’ stretches out from the pulpit and into cultural norms around gender, sexuality, acceptance. And they teach Brittany what it means to create a spiritual relationship on your own terms.

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