207 episodios
Caroline Bicks, "Monsters in the Archives: My Year of Fear with Stephen King" (Hogarth, 2026)
14/08/2026 | 1 hAfter Caroline Bicks was named the University of Maineʼs inaugural Stephen E. King Chair in Literature, she became the first scholar to be granted extended access by King to his private archives, a treasure trove of manuscripts that document the legendary writerʼs creative process—most of them never before studied or published. The year she spent exploring King’s early drafts and hand-written revisions was guided by one question millions of Kingʼs enthralled and terrified readers (including her) have asked themselves: What makes Stephen King’s writing stick in our heads and haunt us long after we’ve closed the book?Bicks focuses on five of his most iconic early works—The Shining, Carrie, Pet Sematary, ʼSalemʼs Lot, and Night Shift—to reveal how he crafted his language, story lines, and characters to cast his enduring literary spells. While tracking King’s margin notes and editorial changes, she discovered scenes and alternative endings that never made it to print but that King is allowing her to publish now. The book also includes interviews Bicks had with King along the way that reveal new insights into his writing process and personal history.Part literary master class, part biography, part memoir and investigation into our deepest anxieties, Monsters in the Archives: My Year of Fear with Stephen King (Hogarth, 2026)—authorized by Stephen King himself—is unlike anything ever published about the master of horror. It chronicles what Bicks found when she set out to unearth how King crafted some of his scariest, most iconic moments. But it’s also a story about a grown-up English professor facing her childhood fears and getting to know the man whose monsters helped unleash them.
Caroline Bicks is the Stephen E. King Chair in Literature at the University of Maine. Her academic books include Cognition and Girlhood in Shakespeare’s World and Midwiving Subjects in Shakespeare’s England; her popular writing has appeared in the Modern Love column of the New York Times and McSweeney’s Internet Tendency, and includes a humorous Bard-themed cocktail book, Shakespeare Not Stirred. She is the co-host of the Everyday Shakespeare podcast.
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Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers.
Learn more about your ad choices. Visit megaphone.fm/adchoices- A dazzling novel about a community where an upcoming film production brings their past into sharp focus--and nobody's version is the same.
In Derry, the locals are already in a twist about the arrival of Hollywood actress Monica Logue to research her role for a show about the Troubles--and then she goes missing. Everyone has a story to tell--about Monica's possible whereabouts, and about the historic events that brought her here in the first place: the show's screenwriter, desperate for this last shot at success; the grieving mother whose story he's adapting; the ex-IRA member who knows the price of survival; the local psychic who's seen too much ...
Prestige Drama (Cardinal, 2026) brings to life a chorus of characters as they locate themselves in Monica's disappearance, and in the truth about their own history. From the author of the acclaimed memoir Did Ye Hear Mammy Died?, Prestige Drama is heartbreaking, hilarious, and profound, an indelible portrait of a community both obsessed with its past, and desperate to forget it.
SÉAMAS O’REILLY is a writer and author who has worked as a columnist for the Observer, the Irish Times and the Irish Examiner. He is Features Editor of London satirical magazine, The Fence and his writing has appeared in The Guardian, the New Statesman and the New York Times. His memoir Did Ye Hear Mammy Died topped the Irish Times Bestseller List for seven weeks, and won Best Biography at the 2021 Irish Book Awards. Séamas currently lives in Walthamstow, London with his family.
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Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers
Learn more about your ad choices. Visit megaphone.fm/adchoices - There is a changeling in this story—but who?Madeleine is young for motherhood, a promising grad student in Victorian and Modernist literature, twenty-three and not long married. Even her mother worries about the timing. But Madeleine’s ambivalence is pushed aside by Tom’s elation and her own joy at bringing new life to the world.Then comes Maud, perfect and fresh and worth every moment of difficult labor. But after just a few nights, something seems amiss, changed. The child never stops crying. Her hunger is insatiable. Her eyes glint with some kind of ancient mischief. Could Maud be a fairy child, swapped when Madeleine wasn’t paying attention? Is the real Maud dancing in the half-light with the fairies and the foxes? Did the gray cat hide her behind the hedge?Meanwhile, the world around them continues in its humdrum ease. Tom works toward a promotion, urging Madeleine to connect with other moms and keep in touch with her colleagues. Her parents travel from abroad to meet the baby, but Madeleine is unnerved by her father’s new obsession with genealogy and DNA tests. Interrupted by visions, panicked at her lack of maternal feelings, shut out from her old life, she frantically searches for answers. But the old stories end in sorrow and bloodshed. And fairies do more than kidnap babies.A riveting portrait of madness, motherhood, the myths that haunt us, and the families who keep us tethered, Emily McBride’s Queen Mab (FSG, 2026) asks us to reconsider what is real and how we might see a truer picture of ourselves through the darkness.
Emily McBride is a Canadian-born editor, writer, and translator living in Barcelona. Her work has been published in The Nation, The Rumpus, and The Stinging Fly. Queen Mab is her debut novel.
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Learn more about your ad choices. Visit megaphone.fm/adchoices - Will Miles is trapped. Trapped in tiny Greening, Michigan, where a toxic high school rumor has turned her into a social exile. Trapped in the predictable routines of her mother, and under the unrelenting gaze of her mother’s increasingly sinister boyfriend. But when Will stumbles across the early poems of Nathaniel Fellow, a famous writer forty years her senior who also grew up in Greening, she feels she’s found a kindred spirit. A passing comment from her mother only adds to Will’s fascination: Is Nathaniel the father she's never known?Will orchestrates a plan to track Nathaniel down, following in his footsteps to New York City, where she learns he's not the answer to her past, not the way she imagined. But their meeting sparks a complicated, consuming relationship that gives Will sidelong access to a world she’s only ever imagined: of writers and intellectuals, a financial safety net, and, most intoxicatingly, a glimpse into her own potential. But who is Nathaniel Fellow, off the page? And what will shaping her life to suit his cost her? When a torrent of information about his past threatens not just her life with Nathaniel, but the story she tells herself about him, Will is faced with a choice that will change everything.A gripping novel about ambition, parents and children, and all the ways women still pay for men’s mistakes, Famous Men (Random House, 2026) traces one woman’s journey to the truth of where she comes from, what she’s capable of, and how she might start again.
Julie Buntin‘s debut novel, Marlena, was a finalist for the National Book Critics Circle’s John Leonard Prize, released in ten territories worldwide, and named a best book of the year by over a dozen outlets, including The Washington Post, NPR, and Kirkus Reviews. She is the co-editor of Notes to New Mothers, a collection of dispatches from postpartum life by sixty writers and artists. Previously, Buntin was an editor and director of writing programs at Catapult. Now, she writes and teaches in Ann Arbor, where she is an assistant professor at the University of Michigan.
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Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers.
Learn more about your ad choices. Visit megaphone.fm/adchoices - Andrew Martin is the author of the novel Early Work, a New York Times Notable book of 2018, and the story collection Cool for America, longlisted for the 2020 Story Prize. His essays and stories have appeared frequently in The Paris Review, The New York Review of Books, and Harper's, as well as in The Yale Review, The Atlantic, McSweeney's, The Times Book Review and elsewhere. He lives in New York City with his family.
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Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers.
Learn more about your ad choices. Visit megaphone.fm/adchoices
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A podcast for writers and readers who are obsessive about their books. Interviews with established and up-and-coming writers, and recommendations for the best in contemporary fiction, poetry, and drama. Chris Holmes. Chris is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers.
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