World Cafe Words and Music from WXPN

Twenty years into his career, it's safe to say Josh Ritter is a master songwriter and musician. But while making his latest album, 'Fever Breaks', he felt nervous. Ritter had been making music with generally the same small group of people, The Royal City Band, for most of his career. But this time, he decided to switch it up and have his friend and fellow songwriter Jason Isbell produce the new record. Isbell brought his band the 400 Unit on board, and they headed to the legendary RCA Studio A. That's when the nerves really hit. But, as Ritter explains, "I realized that being afraid in this moment with my songs and nervous about where they should go and how they should is the right thing — this is what I got into this for." 'Fever Breaks' comes out April 26, but in this special session in front of a live audience, Josh Ritter performs stripped-down acoustic versions of his songs just like he did for Isbell and Amanda Shires on their Nashville porch when they were first deciding to work together. Ritter explains how they turned those sessions into the album versions we hear on 'Fever Breaks' and shares a full-circle story about his long musical relationship with Joan Baez and the beautiful, new song it led to. Plus, we talk about his family: Ritter is now a father of two, having adopted his youngest daughter through Wide Horizons for Children.

Glen Hansard has a new album, but not the album he initially intended on making. Glen wrote much of the album while staying at a monastery in Paris. The record, titled 'This Wild Willing', was initially supposed to be a simple, acoustic album. But, that changed after a chance jam session with Persian musicians. "It just completely opened my mind to a new thought process," Glen says. "And I asked them instinctively would they be interested in coming to the studio with me to do some improvising and they agreed and I called David, the producer, the next day and I said 'Look, the record is going to take a turn." It did. Glen will also talk about honoring Joni Mitchell, covering Van the Man, and recording with Steve Albini.

Rising star Nilüfer Yanya caught so much well-deserved buzz with her first two EPs, it was difficult for her to carve out time to write a full-length debut album. But the Londoner has done it, and her debut, 'Miss Universe', out now, shows off the catchy melodies and grounded guitar playing that first earned Yanya attention, not to mention her unique and stunning voice. Yanya has been writing songs since she was a kid and she explains how an early guitar teacher helped her find the courage to actually sing the songs she was writing herself. She also performs live in-studio with her band.

Cautious Clay makes magnetic and cool R&B that features his honeyed voice and his skills on the saxophone. The first instrument he picked up as a kid was the flute, all thanks to a case of mistaken instrument identity that involves the movie "Aladdin". In this session, Joshua Karpeh, who records as Cautious Clay, shares that story, reflects on his decision to leave real estate to pursue music full time, and explains how being raised by a single mom who made her own bold career change when he was growing up inspired Karpeh to take the leap. We talk about some of the exciting opportunities Karpeh has scored, including working with John Mayer out in LA and have his music featured in Issa Rae's HBO show "Insecure". And he delights with live performances from his latest EP, "Table of Context".

Dried animal bones, thrift store cutlery, gas cans, baby shoes and yes, a suitcase. Matt Lorenz, who records as The Suitcase Junket, has turned all these found objects and more into a one-man band setup unlike anything we've ever seen. In this unusual session, Lorenz explains how it all works and performs songs from his album, 'Mean Dog Trampoline', which comes out April 5 and features lyrics just as creative and unique as the instruments he plays. Lorenz also shares how he pulls songs out of a once-moldy guitar that he rescued from a dumpster and gives us a lesson in the ancient technique of throat singing, which allows the vocalist to make more than one pitch at a time.