Fresh Air

Lithgow, 80, plays an intelligence agent in the FX action series 'The Old Man,' and he's currently starring in the Broadway production of 'Giant,' about a dark side of children's book author Roald Dahl. He spoke with Dave Davies. 

Also, John Powers reviews 'Stay Alive' by Ian Buruma, about daily life in Nazi Berlin. 

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In award-winning journalist Beth Gardiner’s new book, ‘Plastic Inc.,’ she traces how plastic went from a wartime miracle to the survival strategy of the fossil fuel industry. What Gardiner found after years of reporting is that while millions of us were recycling and using less fuel, the companies that make plastic are producing more to make up for it. She spoke with Tonya Mosley about recycling, microplastics in the human body, and the environmental impact.   

Rock critic Ken Tucker reviews the new album from Megan Moroney, ‘Cloud 9.’

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The Trump era has brought a resurgence of the “alpha male.” ‘New Yorker’ writer Charles Bethea reports on camps where men crawl through mud and sit in ice baths, in an effort to reclaim masculinity. Bethea says what he found underneath all the warrior posturing surprised him: men in genuine pain who felt lonely and desperate for connection. He spoke with Tonya Mosley about his reporting. 

Also, book critic Maureen Corrigan reviews the new novel by Tana French, ‘The Keeper.’

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Josh Owens spent four years as a video editor and field producer for Jones' Infowars media company. "It was all about making things look cinematic," he says. Owens' memoir is ‘The Madness of Believing.’ He spoke with Dave Davies about how he got into Infowars, the “nonsense” and “lies” the company sold, and how he got out.

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R&B artist Jill Scott shares some of the lessons she learned from the legends who came before her, including the moment she first met Aretha Franklin. Scott’s new album is ‘To Whom This May Concern.’ 

Also, actor Riz Ahmed talks about his Prime Video series, ‘Bait.’ He plays a British Pakistani actor auditioning to be the next James Bond. He talks about drawing from moments in his own life, battling self-criticism and chasing acceptance. 

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