‘Portrait of a Lady on Fire’ director on contradictions of filmmaking in France
American independent filmmakers might envy Céline Sciamma, director of the French film, “Portrait of a Lady on Fire.” Sciamma had no problem getting funding for her lesbian romance set in the 18th century, and for that she credits France’s support for directors. But she says the system is far from perfect. She tells us about the three-year-long process of planning her newest movie and the heightened political environment surrounding French filmmaking at the moment.
Post-Oscars bonus banter!
Kim and Matt met up the morning after the Oscars to talk "Parasite" making history, Netflix nearly striking out, and hold on, what was Eminem doing there?
‘Cheer’ director on the glory and agony of college cheerleading
The Netflix series “Cheer” focuses on the stressful lives of junior college cheerleaders fighting for their next national championship. Director Greg Whiteley says he could’ve done a better job of portraying one set of cheer parents, who came off as controlling.
Oscar nominees turn footage smuggled out of Syria into ‘For Sama’
Filmmaker Waad al-Kateab spent years documenting the horror and humanity of life in Aleppo, Syria. When she fled with her family, she smuggled 12 hard drives of footage past a Syrian checkpoint. That footage became the Oscar-nominated documentary “For Sama.” Al-Kateab and her collaborator Edward Watts tell us how they crafted an intimate 90-minute film dedicated to al-Kateab’s daughter.
Bong Joon Ho on making ‘Parasite,’ then making history
“Parasite” has already made history as the first Korean film nominated for Oscar -- or six Oscars to be exact, including Best Picture. Director Bong Joon Ho tells us about clashing with Harvey Weinstein over cuts to his 2013 film “Snowpiercer,” and explains how that led him to make “Okja” for Netflix, even though he prefers to watch films in theaters. And he shares his thinking behind the planned “Parasite” TV series.