248 episodios
- Adam and Josh welcome Filmspotting SVU co-host Matt Singer for the Top 5 Comedy Boom Movies. Singer’s new book, “Funny Business: The Old-School Wedding Crashers and Knocked-Up Virgins Who Changed Comedy Forever” documents the Frat Pack era of studio comedies that dominated the box office from the early 2000s to the mid-2010s—and gave a generation a lifetime’s worth of movie quotes. Plus, reviews of Zach Cregger’s Resident Evil and the new Scottish indie The Incomer.
This episode is presented by Regal Unlimited, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code FILMSPOT26 to take 15% off.
(Timecodes will not be precise with ads.)
Intro (00:00:00-00:02:17)
Top 5 Comedy Boom Movies (00:02:18-1:01:58)
Filmspotting Family (1:01:59-01:05:34)
Top 5, cont. (01:05:35-01:38:31)
Polls (01:38:32-01:52:09)
Resident Evil (01:52:10-02:23:50)
The Incomer (02:23:51-02:27:36)
Credits / New Releases (02:27:37-02:32:25)
Notes:
Matt Singer’s “Funny Business"
https://www.penguinrandomhouse.com/books/790241/funny-business-by-matt-singer/
Feedback:
-Email us at feedback@filmspotting.net
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See omnystudio.com/listener for privacy information. - With Ethan Hawke back in theaters in the period adventure The Weight, we're sharing Adam's 2018 interview with the always thoughtful and insightful actor.
Unlock the full archive, Filmspotting Discord, ad‑free + bonus episodes, and more when you join the Filmspotting Family.
See omnystudio.com/listener for privacy information. - The new Netflix comedy Best of the Best introduced Matt and Jordan to the world of collegiate competitive Bollywood dance, and they left converts: to the dancing, to stars Maitreyi Ramakrishnan and Priyanka Kedia, and to director Lena Khan’s winning movie (which has a joke-filled script written by comedian Hassan Minhaj and writing partner Prashanth Venkataramanujam). In the Best of the Best-inspired Rec Seg, they recommend an entry-level Bollywood classic and an obscure NYC-set dance movie. Then it’s a pair of single-setting (“bottle”) movies for listener Steven, and Producer Sam hosts a “Let’s Dance!” round of trivia.
Intro (00:00:00–00:02:28)
Best of the Best (00:02:29–00:20:55)
Rec Seg! (00:20:56–00:36:45)
Listener Req Seg! “Bottle Movies” (00:36:46–00:52:14)
Game: Let’s Dance! (00:52:15–01:08:55)
New to Streaming / Credits (01:08:56–01:26:39)
Show Notes
For what film should Alison Willmore make her triumphant return to SVU?
https://poll.fm/17448084
Now Streaming on Bazooga - A Filmspotting: SVU Archive https://letterboxd.com/samvanhallgren/list/now-streaming-on-bazooga-a-filmspotting-svu/
Pre-Order Matt's book "Funny Business: The Old-School Wedding Crashers and Knocked-Up Virgins Who Changed Comedy Forever" (Coming October 6th): https://www.penguinrandomhouse.com/books/790241/funny-business-by-matt-singer/
Feedback: Email us at feedback@filmspottingSVU.com
Follow Matt on Blue Sky: @mattsinger.bsky.social
Follow Jordan on Blue Sky: @jhoffman.bsky.social
Follow the Show: https://www.instagram.com/superpulse/ https://www.facebook.com/FilmspottingSvu
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See omnystudio.com/listener for privacy information. - Padraic McKinley’s The Weight isn’t a remake ofThe Wages of Fear, though it feels deeply indebted to the H.G. Clouzot classic in its thrilling depiction of a group of outlaws on a near-impossible mission across deadly terrain. William Friedkin’s 1977 cult favorite Sorcerer technically isn’t a Wages remake, either — Friedkin insisted it was his own adaptation of the original Georges Arnaud novel — though it’s similarly difficult to watch without thinking about its predecessor. So you’ll forgive us if this week’s revisitation of Sorcerer takes a few detours into Wages as we consider how Friedkin put his own distinctive stamp on this juicy premise, whether the film’s extended prologue works toward or against its narrative momentum, and how much of Sorcerer’s notoriously arduous production comes across on screen. Then in Feedback, a listener provides a recommendation for a recent under-the-radar road movie that follows in the tire tracks of Paris, Texas and Priscilla, Queen of the Desert.
Please share your thoughts about Sorcerer, The Weight, or anything else in the world of film, by sending an email or voice memo to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730.
This episode is presented by Regal Unlimited, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code NEXTPIC26 for 15% off.
See omnystudio.com/listener for privacy information. “A picture that stays with you is made up of a hundred or more hidden things” with Alonso Duralde | The Movie Racket
21/09/2026 | 56 minFilm critic and author Alonso Duralde joins Michael Phillips to explore a piece of filmmaking wisdom from Vincente Minnelli: that a picture which stays with an audience is built from “a hundred or more hidden things.”
Drawing on films ranging from Meet Me in St. Louis, Some Came Running, If Beale Street Could Talk, and Teenage Sex and Death at Camp Miasma, they consider how production design, performance, music, camera movement, and seemingly minor visual choices accumulate into something lasting.
Notes:
"I Wake Up Screening: What To Do Once You've Made That Movie" by John Anderson and Laura Kim
https://www.amazon.com/dp/0823088987?lv=shuf&channelId=500&plpRedirect=mhFallback
Books by Alonso Duralde
Hollywood Pride: A Celebration of LGBTQ+ Representation and Perseverance in Film
https://www.hachettebookgroup.com/titles/alonso-duralde/hollywood-pride/9780762485895/?lens=running-press
I'll Be Home For Christmas
https://www.hachettebookgroup.com/titles/brandon-gray/ill-be-home-for-christmas-movies/9780762499335/?lens=running-press
See omnystudio.com/listener for privacy information.
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Adam Kempenaar and Josh Larsen review new and classic movies, offering "affable, insightful film analysis since 2005" (NY Times).This show includes AI-generated content.
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