237 episodios
- PV & FRANNY
A girl with a glockenspiel. A boy with a guitar. A high school full of weirdos, mascots who may or may not be unhinged, and a mystery that isn’t what anyone thinks it is.
A dead-serious love story… that refuses to behave like one.
One flier turns into a band. One band turns into obsession. And before they ever play a real set, everything is already ridiculous.
ACT ONE
Overton High is chaos in a controlled environment.
The mascot smokes. The journalist thinks she’s breaking Watergate. The nicest bully in school politely refuses lunch money.
And then there’s PV.
Brilliant. Intense. Completely uncompromising.
She doesn’t want to start a band. She wants to build something real.
Franny Blevins just wants to be part of it.
What begins as an awkward coffee shop encounter quickly turns into a partnership built on music, rules, and one very firm boundary:
No romance. Ever.
Which becomes a problem almost immediately.
As Franny gets pulled deeper into PV’s world, her music, her logic, her investigations, and her completely upside-down way of seeing everything, the stakes escalate in the most unexpected ways.
A hate note that isn’t hate.
An audition that turns into an interrogation.
A band that starts to feel like something much bigger… and much messier.
Act One is the beginning of the band, the beginning of the obsession, and the moment everything starts to spiral just slightly out of control.
🎭 CAST
NARRATOR – Ty Burrell
AJAY – Rahm Braslaw
JUDY – Samantha Morelos
MARIAN – Eileen Fogarty
PV – Kensington Tallman
RYUZO – O’Neill Monahan
FRANNY – Liam Richardson
GROUNDSKEEPER – Fred Armisen
DALE – Ruben Ray
TAP WATER BOTTLED WATER JINGLE – Chris Mann
🎬 PRODUCTION
Written by Tommy Wallach
Directed by Mark Knell & Jack Levy
Executive Produced by Shaan Sharma, Jack Levy, and Mark Knell
Table Read is a Manifest Media production.
Find The Show: Table Read Podcast
See omnystudio.com/listener for privacy information. - When Coyote vs. Acme was shelved in 2023 for a corporate tax write-off, the response from film fans was as swift as a roadrunner and as explosive as a pile of TNT. When it was picked up by another distributor (Ketchup Entertainment), the outrage turned to anticipation – justifiably so, say Adam and Josh. Plus, they honor the late Tim Curry with a review of The Rocky Horror Picture Show, and listeners weigh in with their favorite ‘90s movie villains, and more.
This episode is presented by Regal Unlimited, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code FILMSPOT26 to take 15% off.
(Timecodes will not be precise with ads.)
Intro (00:00:00-00:02:36)
Coyote vs. Acme (00:02:37-00:33:49)
Filmspotting Family (00:33:50-00:39:12)
The Rocky Horror Picture Show (00:39:13-01:11:45)
Notes / Polls (01:11:46-01:30:30)
Credits / New Releases (01:30:31-1:34:25)
Notes:
Filmspotting’s Top 5 Needle Drops
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-Spotify (52 Track Version)
-Apple Music
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See omnystudio.com/listener for privacy information. - With the new Oasis doc Don't Look Back in Anger coming soon to theaters—and inspiring this month's Movie Death Match (The Last Waltz vs. Stop Making Sense)—we're sharing Adam and Josh's Top 5 Music Docs from 2023.
See omnystudio.com/listener for privacy information. - From the writer/directors of Game Night and Dungeons & Dragons: Honor Among Thieves, Apple TV’s Cold War comedy Mayday was a promising title on the 2026 streaming movie calendar. Unfortunately, Matt and Jordan agree that the film isn’t the equal to those earlier films (no thanks to a phoned-in performance from Ryan Reynolds), despite a clever premise and the presence of Kenneth Branagh, who is having the time of his life. Matt digs into Branagh’s strange career in the Rec Seg, suggesting an early Branagh effort (as both director and star) as an alternative, and Jordan answers with a film that finds Christian Bale as a fighter pilot caught behind enemy lines. Plus, Bran-agh Flakes!, a Jordan-hosted game.
(Timecodes will not be precise with ads.)
Intro (00:00:00–00:05:43)
Mayday (00:05:44–00:26:32)
Rec Seg! (00:26:33–00:44:40)
Game: Bran-agh Flakes (00:44:41–01:02:24)
New to Streaming / Credits (01:02:25–01:11:29)
Show Notes
Now Streaming on Bazooga - A Filmspotting: SVU Archive https://letterboxd.com/samvanhallgren/list/now-streaming-on-bazooga-a-filmspotting-svu/
Pre-Order Matt's book "Funny Business: The Old-School Wedding Crashers and Knocked-Up Virgins Who Changed Comedy Forever" (Coming October 6th): https://www.penguinrandomhouse.com/books/790241/funny-business-by-matt-singer/
Feedback: Email us at feedback@filmspottingSVU.com
Follow Matt on Blue Sky: @mattsinger.bsky.social
Follow Jordan on Blue Sky: @jhoffman.bsky.social
Follow the Show: https://www.instagram.com/superpulse/ https://www.facebook.com/FilmspottingSvu
Follow the Show: https://www.instagram.com/superpulse/ https://www.facebook.com/FilmspottingSvu
See omnystudio.com/listener for privacy information. - Alexander Ullom’s feature debut, It Ends, has been billed as a horror movie, but it’s more of an existential exercise wrapped inside a genre premise. That same description could be applied to Solaris, though Andrei Tarkovsky’s 1972 science-fiction classic takes nearly twice as long to ponder the nature of life in a situation where death has no meaning anymore. So this week we’re discussing whether Solaris’ deliberate pace and opaque symbolism work toward or against its emotional core, its relative accessibility compared to Tarkovsky’s other work, and what about the film invites its reputation as the “anti-2001.” Then in Feedback, a listener brings an alternative reading to our recent discussion of War of the Worlds as a response to 9/11.
Please share your thoughts about Solaris, It Ends, or anything else in the world of film, by sending an email or voice memo to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730.
This episode is presented by Regal Unlimited, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code NEXTPIC26 for 15% off.
See omnystudio.com/listener for privacy information.
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Adam Kempenaar and Josh Larsen review new and classic movies, offering "affable, insightful film analysis since 2005" (NY Times).
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