The Next Picture Show

• #487: Double Drebin, Pt. 2 — The Naked Gun (2025)

  Akiva Schaffer’s new take on THE NAKED GUN sends up both the cop-story cliches that inspired the 1988 Zucker-Abrahams-Zucker original and the modern action tropes littering the filmography of star Liam Neeson, but at heart it’s less a genre parody than a spoof of nostalgia reboots like, well, this one. That meta layer is a major distinction between Schaffer’s film and the original, but it’s not the only one, so in between rehashing some of our favorite bits we attempt to determine where the new film’s ZAZ homage ends and its specific comedic sensibility begins. Then in Connections we use the many elements these two films share — bumbling cops and femmes fatale, a blend of timely and timeless humor, guns — to further distinguish between their approaches to satire, spoofery, and slapstick. And in Your Next Picture Show, our resident Quaid offers a recommendation for Schaffer’s podcast with his Lonely Island compatriots and Seth Meyers. Please share your thoughts about any and all NAKED GUNs, or anything else in the world of film, by sending an email or voice memo to [email protected], or leaving a short voicemail at (773) 234-9730. Next Pairing: Zach Cregger’s WEAPONS and Atom Egoyan’s THE SWEET HEREAFTER Intro: 00:00:00-00:02:10 The Naked Gun 2025 discussion: 00:02:10 - 00:28:04 The Naked Gun 1988/2025 Connections: 00:28:04 - 00:55:54 Your Next Picture Show and goodbyes: 00:55:54-end Learn more about your ad choices. Visit megaphone.fm/adchoices

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• #486: Double Drebin, Pt. 1 — The Naked Gun (1988)

  While technically a sequel, Akiva Schaffer’s new THE NAKED GUN is more accurately a reboot of the 1988 Zucker-Abrahams-Zucker cop-show spoof, which was itself a sequel-slash-reboot of their TV series POLICE SQUAD and would go on to spawn two sequels of its own. As circuitous as this IP has become over the years, though, THE NAKED GUN remains simple in both its approach and its appeal, which are essentially the same: lots and lots and lots of jokes. The original NAKED GUN was not unique in that approach, particularly within the spoof genre, but it is uniquely successful at it, so this week we’re parsing how it balances small comedic one-offs with drawn-out set pieces, contemporary references with timeless silliness, and broad mugging with underplayed straight-facedness. Then, in Feedback, a listener helps fill in some knowledge gaps from our recent F1 episode. Please share your thoughts about any and all NAKED GUNs, or anything else in the world of film, by sending an email or voice memo to [email protected], or leaving a short voicemail at (773) 234-9730. Intro: 00:00:00-00:03:59 Naked Gun Keynote: 00:03:59-00:10:01 Naked Gun Discussion: 00:10:01-00:45:29 Feedback/outro: 00:45:29-end Learn more about your ad choices. Visit megaphone.fm/adchoices

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• Announcement: Next Pairing

  New pairing launching Tuesday, August 12th. Learn more about your ad choices. Visit megaphone.fm/adchoices

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• 485: Men of Steel, Pt. 2 — Superman (2025)

  By skipping the origin story and dropping viewers right into the action, James Gunn’s SUPERMAN avoids feeling like the franchise reset it is, and allows the director to get to work creating the sort of busy, quick-paced onscreen universe at which he excels. We’re joined once again by writer, podcaster, and Superman aficionado Chris Klimek to break exactly down why it works so well, as well as a few places where it doesn’t, before returning to the film that helped facilitate this shorthand approach, 1978’s SUPERMAN, to see how these different iterations of the title character — not to mention the familiar ensemble surrounding him — play in close proximity to each other. Can Superman be too corny? Is Lois Lane a good or terrible journalist? Why is Lex Luthor obsessed with land grabs, and what does his associate Eve Teschmacher actually add to these movies? We dig into all of that, then offer some options for Super-lementary viewing and reading in Your Next Picture Show. Please share your thoughts about either and all versions of SUPERMAN, or anything else in the world of film, by sending an email or voice memo to [email protected], or leaving a short voicemail at (773) 234-9730. 00:00:00. Intro 00:03:58. Superman 2025 discussion 00:30:12. Superman 1978/2025 Connections 01:00:12. Your Next Picture Show and goodbyes Learn more about your ad choices. Visit megaphone.fm/adchoices

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• #484: Men of Steel, Pt. 1 — Superman (1978)

  James Gunn’s new SUPERMAN begins from the assumption that audiences already have a working knowledge of the Man of Steel’s origin story, his super-skill set, and his romance with Lois Lane. Gunn’s film benefits greatly from being able to skip past the basics, but it wouldn’t have been possible without Richard Donner’s franchise-launching blockbuster SUPERMAN, which codified those basics for the big screen. So this week we’re spinning the planet backwards to 1978 and revisiting filmgoers’ first introduction to The Last Son Of Krypton — who we don’t properly meet until nearly an hour in because, as it turns out, there are about four different movies tucked inside SUPERMAN. We’re joined by writer, podcaster, and Supes superfan Chris Klimek to discuss how it all holds together from a modern perspective, and whether Christopher Reeve’s definitive performance is enough to overcome all the film’s flaws, or just most of them. Then in Feedback, the SINNERS conversation lives on, with a listener detailing its many connections to another film that we considered for that pairing.  Please share your thoughts about either and all versions of SUPERMAN, or anything else in the world of film, by sending an email or voice memo to [email protected], or leaving a short voicemail at (773) 234-9730. 00:00:00 Intro 00:11:41 Superman Keynote 00:18:48 Superman Discussion 01:04:47 Feedback/outro Learn more about your ad choices. Visit megaphone.fm/adchoices

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