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The Loudini Rock and Roll Circus

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The Loudini Rock and Roll Circus
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  • LRRC EP858; Ace Frehley, Cliff Williams Played The Wrong Bass Line, Mesa-Boogie Mark IIC, Big Foot
    On this week's Loudini Rock & Roll Circus we dive in the the life and times of KISS guitarist Ace Frehley. Ace had an amazing career and life both in and out of KISS. We had a lot of fun telling some of his wacky rock and roll stories! Plus, what's us with the Mesa-Boogie Mark IIC reissue?  Did Cliff Williams play the wrong bass line on Back 'n Black.  And yes... Big Foot is real!   Loudini: Ace Frehley: 🎸 Ace Frehley — The Spaceman of Rock ‘n’ Roll Born Paul Daniel “Ace” Frehley on April 27, 1951, in The Bronx, New York, Ace is best known as the original lead guitarist and co-founder of KISS, one of the most iconic and theatrical rock bands of all time. His space-themed persona — “The Spaceman” — perfectly matched his cosmic sound, filled with fiery solos, heavy riffs, and wild stage energy that helped define KISS’s larger-than-life image. Ace joined KISS in 1973, answering an ad in the Village Voice, and his unique, melodic playing quickly became a key part of the band’s signature sound. He wrote or co-wrote some of KISS’s most beloved tracks, including “Cold Gin,” “Shock Me,” “Parasite,” “Rocket Ride,” and “2,000 Man.” His solo on “Shock Me” — inspired by an onstage electrocution incident — is often cited as one of the great classic rock guitar solos of the 1970s. In 1978, when each member of KISS released a solo album, Ace’s was the most commercially and critically successful of the four, producing the hit single “New York Groove,” which became a Top 20 hit and remains one of his signature songs. Frehley left KISS in 1982, citing burnout and creative differences, but he returned for the band’s 1996 reunion tour — one of the biggest in rock history — and continued performing with KISS through the early 2000s. His solo career has remained active and prolific, highlighted by albums like “Frehley’s Comet” (1987), “Anomaly” (2009), “Space Invader” (2014), and “Spaceman” (2018). Ace has influenced generations of guitarists with his blues-based phrasing, use of effects, and explosive personality, earning a reputation as both a showman and a genuinely innovative player. His signature Gibson Les Paul — often customized to shoot smoke or light up — became one of the most famous guitars in rock history. Today, Ace Frehley is recognized not only as the original lead guitarist of KISS but as a solo artist who helped shape the sound and image of hard rock and glam metal. He was inducted into the Rock and Roll Hall of Fame in 2014 as a member of KISS Solo-Career Highlights & Album Performance Here are some of the key solo-albums, how they performed, and what stands out: 1978 – Ace Frehley Released September 18, 1978 on Casablanca. (Wikipedia) Included the hit single “New York Groove” (a cover of a song by Hello written by Russ Ballard). (acefrehley.fandom.com) Charted at No. 26 on the U.S. Billboard 200. (Wikipedia) It was certified Platinum (meaning shipments over 1 million in the U.S.). (Wikipedia) Among the four simultaneous solo albums released by the original KISS members that day, Ace’s was the strongest commercially. (kiss.fandom.com) For your podcast: this album remains a key starting point — it showed that he could step outside KISS and have meaningful solo impact. 1980s – Frehley’s Comet (1987) & Trouble Walkin’ (1989) “Frehley’s Comet” (1987) is often considered his first major post-KISS solo band outing. It charted at No. 43 on the Billboard 200. (Wikipedia) “Trouble Walkin’” (1989) featured guests (see below) and charted at No. 102. (Wikipedia) These albums came during a time of transition, and while commercially they didn’t match the ’78 record’s impact, they reinforced his solo identity. 2009 – Anomaly Released September 15, 2009. (Wikipedia) Debuted at No. 27 on the Billboard 200. (Wikipedia) For the podcast: highlights his comeback era and his ability to still produce strong chart numbers decades after his initial success. 2014 – Space Invader Released August 18/19, 2014 via eOne. (Wikipedia) Achieved No. 9 on the Billboard 200 — the only solo album by a past or current KISS member to reach the Top 10. (Noise11.com) Very much a high point for his late-career solo work. 2024 – 10,000 Volts Released February 23, 2024. (Wikipedia) Topped both the Hard Music and Rock Album Charts, and had strong international physical sales (e.g., #1 Sweden physical). (MNRK Heavy) Demonstrates his enduring appeal well into his 70s. Summary of Sales/Impact The 1978 album remains his best-selling solo work (Platinum). While precise full sales numbers for all his solo albums are harder to validate publicly, some indication: his 2016 covers album Origins Vol. 1 had “150,000+ solo albums in the U.S. alone (75% physical)” according to a sell-sheet. (Axis) Chart performance indicates sustained relevance: from Top 30 (Anomaly) to Top 10 (Space Invader) to strong rock chart performance in 2024. Key Takeaways for Podcast Ace proved that his solo career wasn’t a footnote — he had real commercial success and longevity. The 1978 debut set the bar. His later work (2014, 2024) shows he could still move units and connect with fans decades later. For your listeners: emphasize the consistency — a classic guitarist staying active, evolving, and achieving milestones across eras. Guest Appearances, Collaborations & Covers Ace’s solo career and side projects also feature a number of interesting collaborations and guest appearances: On Origins Vol. 1 (2016, covers album): guests included Paul Stanley (his KISS bandmate), Slash, Mike McCready (Pearl Jam), John 5 (Rob Zombie / Marilyn Manson). (metalforcesmagazine.com) On Origins Vol. 2 (2020): guests included Lita Ford, Bruce Kulick (former KISS guitarist), Robin Zander (Cheap Trick). (Wikipedia) He also guested on other artists’ projects: for example on the 2012 Bret Michaels solo album (playing lead solo) alongside Michael Anthony (Van Halen) and Joe Perry (Aerosmith). (BLABBERMOUTH.NET) On the 1994 Cat #1 by Peter Criss (his former bandmate in KISS), Ace played lead guitar on several tracks (“Bad Attitude”, “Walk the Line”, “Blue Moon Over Brooklyn”). (Wikipedia) Significance for Your Podcast These collaborations show Ace reaching out and working with both his peers (old KISS members) and younger/associated rock stars — establishing credibility and relevance across generations. The presence of high-profile guests underscores the respect he had in the rock community. Cover albums reveal his influences and his willingness to reinterpret classics, a nice talking point. TV & Media Appearances He has done TV interviews — for example, in December 2009 he appeared on Swedish TV talk shows “Robins” and “Aftonbladet TV” during his Anomaly era. (BLABBERMOUTH.NET) The Late Late Show with James Corden (2018): A version of KISS featuring Ace made a special appearance during a cruise performance, which was taped and aired on that show. (JamBase) He has been featured in behind-the-scenes web series (“On the Road with Ace Frehley”) circa 2025. (BLABBERMOUTH.NET) For your podcast: You might mention that beyond music, Ace engaged with media/platforms beyond just concerts and albums — talk shows, web documentaries, international TV — which helps show the breadth of his solo persona. Suggested Talking Points for Your Podcast Here are some ideas you might weave into your discussion: The contrast: how Ace’s solo debut (1978) exploded in comparison to the other members’ solo work, and what that told us about his individual appeal. How his chart resurgence (Space Invader top 10, 10,000 Volts strong rock chart showing) indicates that he remained creatively vital decades after his KISS peak. The role of covers albums (Origins Vol 1 & 2) in his career: reflecting both his influences and his ability to collaborate. The guest-appearance network: rock royalty choosing to work with him — a good indicator of his legacy and respect among peers. His media outreach: TV appearances and modern web series, showing he adapted to the changing ways artists interact with audiences. Maybe a reflection: for listeners, what can a solo career after a big band teach us? Ace’s path shows both opportunity and challenge. Anecdote: The single “New York Groove” – how a cover became a solo signature — and how Ace wished he’d written it himself. (People.com) Here’s a detailed chronology of Ace Frehley’s solo/collaborative albums (release dates, chart peaks where available), plus a summary of major guest appearances & media/TV highlights you can use for your podcast notes. Solo & Band-Albums Chronology Note: Some albums are credited to Ace Frehley solo; some to his band Frehley’s Comet. I’ve listed them in chronological order with key data. Year Album Credit Release Date Chart / Key facts 1978 Ace Frehley Solo Sept 18, 1978 (Wikipedia) Peaked #26 on US Billboard 200. (Wikipedia) Certified Platinum (shipped over 1 million). (Wikipedia) The hit single “New York Groove” became a signature. (Top Charts) 1987 Frehley’s Comet Frehley’s Comet (band) 1987 (Apple Music - Web Player) First major post-KISS band outing. Chart peak not as prominent publicly. 1988 Second Sighting Frehley’s Comet May 24, 1988 (Justapedia) Third solo-era LP; band credited. Less Ace-centric according to commentary. 1989 Trouble Walkin’ Solo Oct 13, 1989 (Wikipedia) Peaked #102 on Billboard 200. Features guest performances by former KISS drummer and members of Skid Row. (Wikipedia) 2009 Anomaly Solo Sept 15, 2009 (Wikipedia) Debuted at #27 on Billboard 200. Marked a comeback after a long gap. (Wikipedia) 2014 Space Invader Solo August 18 (UK) / 19 (US) 2014 (Wikipedia) Reached #9 on US Billboard 200 — the only solo album by any past or current KISS member to hit Top 10. (Wikipedia) 2016 Origins Vol. 1 Solo (covers album) April 13 (Japan) / April 15 (US) 2016 (Wikipedia) Covers of songs that influenced him; guests include Slash, Lita Ford, John 5, Mike McCready, Paul Stanley. (Wikipedia) Charted #23 in US first week. (Wikipedia) 2018 Spaceman Solo October 19, 2018 (Music Charts Archive) Peaked #49 on Billboard (as per chart mention) after many years in the business. (Music Charts Archive) 2020 Origins Vol. 2 Solo (covers) September 18, 2020 (Wikipedia) Guest appearances include Lita Ford, John 5, Robin Zander, Bruce Kulick. (Wikipedia) 2024 10,000 Volts Solo February 23, 2024 (Wikipedia) Topped Hard Music & Rock Album Charts. Debuted strong physical sales (#1 Sweden physical) and other charts. (MNRK Heavy) Additional Notes: The 1978 debut remains his highest-selling solo album; shipping records show >1.3 million by June 1979. (kissconcerthistory.com) The gap between 1989 and 2009 shows a long hiatus in major studio releases of new material. The later period (2014 onward) shows a resurgence with solid chart performance and an emphasis on covers + collaboration. Covers albums (Origins) are particularly interesting from a narrative perspective — showing him revisiting his influences and collaborating with peers. Major Guest Collaborations, Media & TV Appearances Here are selected highlights worth including in your podcast to illustrate his broader activities beyond just album releases. Guest/Collaboration Highlights On Origins Vol. 1, notable guest musicians: Slash, Lita Ford, John 5, Mike McCready (of Pearl Jam), and his former KISS bandmate Paul Stanley. (Wikipedia) On Origins Vol. 2, guest list includes Lita Ford (again), John 5, Robin Zander (Cheap Trick) and Bruce Kulick (former KISS guitarist). (Wikipedia) In a 2017 interview on his SiriusXM appearance, Ace discussed writing songs with his former bandmate Gene Simmons (of KISS) saying: “I called him up … we had a fantastic time.” (Eddie Trunk) On Trouble Walkin’ (1989) album, guest appearances include his former KISS drummer Peter Criss, and members of Skid Row (Sebastian Bach, Rachel Bolan, Dave “Sabo”). (Wikipedia) TV / Media / Interview Highlights On October 1, 2018, during the annual cruise event (the “KISS Kruise”), KISS reunited with Ace Frehley & Bruce Kulick and appeared on the talk show The Late Late Show with James Corden. (JamBase) A 2025 web-series “On the Road with Ace Frehley” provided behind-the-scenes tour footage. (BLABBERMOUTH.NET) Appearances on syndicated radio shows: e.g., he featured as a special guest on the radio program Hard Rock Nights talking about his guitar work, fame and the making of Anomaly. (BraveWords - Where Music Lives) His solo album announcement and media build-up (for example the Origins albums) involved high-profile rock journalism and audio-visual promotion. Podcast Segment Suggestions Here are some talking-point ideas you can pull in: Evolution of his solo career: From the “you’re still part of KISS” era (1978) → new band (Frehley’s Comet) → long hiatus → resurgence with strong charting (2014 onward). Collaboration as indicator of respect: The star-guest line-ups on the Origins albums show how peers and later-generation rock artists viewed him. Media savvy & longevity: TV/radio/web appearances show he kept engaging with audiences beyond just studio albums. Narrative arcs: The peak: 1978 debut, hit single, platinum success. The struggle/transition: late 80s albums with less chart impact. The comeback: 2009, 2014, 2024 – new material, covers, renewed energy. Highlight a song/story: For example “New York Groove” (cover but became Ace’s anthem) – use as anchor moment in his solo career. Guest appearances to humanize him: e.g., writing with Gene Simmons, working with Slash or Lita Ford — show the interconnected rock-family world. Media appearances to show his brand/persona: The “Spaceman” persona still visible, but in new formats (cruise TV show, web-series) showing his adaptability. Mesa/Boogie MarkIIC++ (art of guitar), Is Big Foot real??? Update on the famed Patterson/Gimlin footage (cabin in the woods), there is no “one size fits all” for guitar technique (gavin brooks) Pittsburgh Kevin: Free Bird crash,   Riff of the week… Did Cliff Williams play Back ‘n Black wrong??? Film Corner: Signs (part 2), Ghost Game, Invaders From Mars, John Candy Roles, Casualties of War, Let Me In, Return of the Living Dead
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  • LRRC EP857; A.I. Releasing Music in Artist's Name, Joe Bonamassa, A Farewell to Kings, Nuno's new guitar
    What happens when your fans know about your knew album when you haven't even released on yet??? Is A.I. crossing the line with regards to music? Also, Nuno Bettencourt leaves Washburn and there's a really AWESOME Documentary about RUSH's Farewell To Kings on Youtube fans love her new album but she doesn’t have a new album! (wings of pegasus) (original article: https://www.bbc.co.uk/news/articles/clydz8d03dvo ), Artists getting robbed by labels(the managers playbook), Joe Bonamassa’s Gear Advice for Guitarists, it’s not what you think(Gibson Gear Guide), Nuno leaves Washburn(Steve Cassidy Guitar) Original article: https://www.guitarworld.com/gear/electric-guitars/nuno-bettencourt-launches-nuno-guitars, the pixies “trick” that inspired Kurt Cobain (David Hartley),  RUSH adds more shows, Fans not happy about ticket prices, playing van halen in a mall(marty5150), Farewell To Kings Doc(the yak), red clay strays(joe rogan)   Pittsburgh Kevin: MTV is going off the air,    Film Corner: Donnie Brasco, 80’s Albums That Deserved More Love(backstage classics): Long After Dark; Tom Petty and the Heartbreakers Mirage; Fleetwood Mac Lap of Luxury; Cheap Trick Paradise Theater; Styx Rough Diamonds; Bad Company Good Trouble: REO Speedwagon Raised On Radio; Journey Passion Works; Heart Slide It In; White Snake (feat. Micky Moody, Jon Lord, John Sykes) High & Dry; Def Leppard Inside Information; Foreigner You Want It, You Got It; Bryan Adams Flowers in The Dirt; Paul McCartney (feat Elvis Costello)   SEGII:   New & Notable: Kevin:   Loudini:   This Week In Rock History: October 13 Bob Dylan wins the Nobel Prize in Literature (2016) — big conversation starter about songwriters-as-poets and rock’s literary value. (This Day In Music) The Beatles debut on UK TV’s Sunday Night at the London Palladium (1963) — major TV appearance that helped propel Beatlemania in the UK. (This Day In Music) The Who record “My Generation” at Pye Studios (1965) — studio milestone for a classic-rock anthem. (This Day In Music) U2’s The Unforgettable Fire hits UK No.1 (anniversary note, 1984) — good tie-in for discussions of U2’s 80s evolution and Eno/Lanois production. (This Day In Music) Notable birthdays (use for quick “On This Day” mentions): Paul Simon, Robert Lamm (Chicago), Sammy Hagar. (This Day In Music) (Full October 13 page with additional items.) (This Day In Music) October 14 David Bowie releases Heroes (1977) — celebrate the anniversary and talk about the Berlin Trilogy / Brian Eno / Robert Fripp contributions. Great deep-dive topic. (This Day In Music) Jackson 5 make a major U.S. TV debut (Hollywood Palace, 1968) — cross-genre TV moment you can frame as “how TV gave artists a break.” (This Day In Music) Notable birthdays: Cliff Richard, Justin Hayward (The Moody Blues), Colin Hodgkinson (Whitesnake) — good for brief artist bios / music clips. (This Day In Music) (Full October 14 page.) (This Day In Music) October 15 Elton John hits UK No.1 again with “Cold Heart (Pnau remix)” (2021) — modern rock/pop cross-over note you can use to compare classic vs. modern chart moves. (This Day In Music) Use the day to highlight producers / session players born on this day (see page) — useful for quick production-tech talk segments. (This Day In Music) (Full October 15 page for more birthdays and events.) (This Day In Music) October 16 Patsy Cline releases “Crazy” (1961) — while country-leaning, this song’s crossover and songwriting story (Willie Nelson) are useful when discussing songwriting craft in classic rock playlists. (This Day In Music) (Check the page for additional anniversaries, births & chart moments you can use for short segments.) (This Day In Music) (Full October 16 page.) (This Day In Music) October 17 Gord Downie (The Tragically Hip) dies (2017) — an important note for Canadian rock fans and a great opportunity to play a Tragically Hip clip and talk about national icons. (This Day In Music) The Bee Gees score a UK No.1 with “You Win Again” (anniversary items on the page) — interesting for conversations about artists who span decades. (This Day In Music) Birthdays to drop in: Ziggy Marley, Eminem (good for modern rock comparisons / contrasts). (This Day In Music) (Full October 17 page.) (This Day In Music) October 18 Traveling Wilburys release Traveling Wilburys Vol. 1 (1988) — supergroup moment: Bob Dylan, George Harrison, Jeff Lynne, Roy Orbison, Tom Petty — great fodder for “supergroup” stories and the relaxed, star-studded recording vibe. (Ultimate Classic Rock) The Jimi Hendrix Experience make their live debut in Paris (supporting Johnny Hallyday) — 1966 — excellent for “on the road” stories and Hendrix’s early rise. (SoundOD) Guns N’ Roses opening chaos while opening for The Rolling Stones (Oct 18, 1989) — juicy road/riot tour story to tell on air. (Ultimate Classic Rock) The Bee Gees top the UK chart with “Massachusetts” (1967) — a nice chart-history anecdote. (This Day In Music) Notable birthdays (classic-rock staples): Chuck Berry (1926), Gary Richrath (REO Speedwagon, 1949). (Classics Du Jour) (Full October 18 page.) (This Day In Music) How I recommend using this on your show Short segments (30–90 seconds each): Pick 2–3 items per show day — e.g., an album anniversary (Bowie Heroes), a road story (Guns N’ Roses / Stones), and a birthday (Sammy Hagar or Paul Simon). Deeper segment (3–6 minutes): The Traveling Wilburys release or Dylan’s Nobel win makes a great longer story with audio clips. (Ultimate Classic Rock) “Hidden gems” idea: I deliberately included touring/road incidents (Hendrix debut; GNR/Rolling Stones) and producer/recording milestones so you don’t just read chart dates — that helps avoid overlooking obvious but interesting items. (SoundOD)
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  • LRRC EP856; RUSH is BACK! Geddy Lee, Neil Peart, Anika Nilles, Alex Lifeson
    On this week's  Podcast week break down the exciting news about the RUSH tribute to Neil Peart tour. We also break down what Geddy and Alex have been up to since RUSH's last tour. Also... who is Anika Nilles and why we care! Geddy Lee (since 2020) Year / Period Activities / Projects Notes / Significance 2020 After Neil Peart's death (Jan 2020), Geddy largely withdrew from public activity for a time. — Grieving, etc. As expected; little creative output immediately after. 2021-2022 Began working on his memoir, My Effin’ Life. (Rush Is A Band) It’s both personal history + reflections on Rush, Neil, family, etc.   Released two previously unreleased solo demos (“Gone” and “I Am…You Are”) from the sessions for his 2000 solo album My Favourite Headache. (Revolver) These tracks, dubbed The Lost Demos, show him revisiting earlier creative work, giving fans something new but tied to old material. 2023 Published My Effin' Life (memoir) on Nov 14, 2023. (Rush Is A Band) A major piece: book release + audiobook, with Geddy reading it himself in many parts. (Rush Is A Band)   Embarked on My Effin’ Life – In Conversation tour: spoken-word/book-reading / interview style shows. UK dates in December 2023, then North America. (Rush Is A Band) These events are personal, reflective; bringing fans into his life, memories, creative process. Also mixing in musical references.   Released The Lost Demos also in vinyl form: Record Store Day 2025 released a 12" of those two tracks (“Gone” / “I Am…You Are”). (Record Store Day) Adds collectible / archival interest; gives physical format to the demos.   Charted “Gone” in UK; first time Geddy had a charting solo single in UK in over 25 years. (Forbes) Signals there is still strong fan interest in his solo work, even decades after his major Rush output. 2024-2025 More public appearances via his book tour, special shows (e.g. in Quebec City in summer 2024) tied to My Effin’ Life content. (Rush Is A Band) Keeps momentum of the memoir alive; connecting with fans live in non-Rush format.   Participated in (or was featured in) a docuseries Are Bass Players Human Too? (Paramount+). (ABC Digital Syndication) A project more about musical craft / community, not Rush per se, but connects to his identity as a bassist. Alex Lifeson (since 2020) Year / Period Activities / Projects Notes / Significance 2020-2021 After Peart’s death and the end of Rush, Lifeson started releasing new solo/instrumental material. In mid-2021 he released instrumental tracks “Kabul Blues” and “Spy House” (among others) on his website. (Louder) These seem exploratory; not part of a full album at first — experimenting, keeping creative muscles alive.   Also launched a new band/project, Envy of None, with Andy Curran, Maiah Wynne, Alfio Annibalini. (Wikipedia) This is probably the major creative outlet post-Rush: new compositions, new band identity. It diverges stylistically from classic Rush in many ways. 2022 Envy of None released its debut studio album (titled Envy of None) on April 8, 2022. (Wikipedia) Critical response generally positive; showed Lifeson still creatively engaged. 2023 Envy of None released an EP That Was Then, This Is Now (remixes + some new material) in mid-2023. (Wikipedia) Keeps the project active. Also indicates interest in reinterpreting earlier material / presenting remixed versions. 2024-2025 The group released a second full album Stygian Wavz (styled stij(ē)ən wāvz) in March 2025. (Wikipedia) Demonstrates momentum; the project is more than just a side experiment. Guitar work remains prominent but more integrated with ambient /experimental styles.   Lifeson and Geddy Lee have been getting together to play Rush songs again informally; jamming once a week at Geddy’s place. (Loudwire) While this was modest / private, it's a sign that the old chemistry is still there, that the material still matters to them, perhaps a precursor to larger moves.   Lifeson has given interviews reflecting on legacy, Rush reissues (deluxe editions), the 50-year retrospective boxed set Rush 50. (Forbes) He and Geddy haven’t been deeply involved in all reissue production, but they’ve allowed/endorsed archival work; Rush 50 is a big legacy-project. Recent Big News & Turning Points As of October 2025, major announcement: Geddy Lee and Alex Lifeson plan to tour again in 2026 — the “Fifty Something Tour” — their first time performing together since Peart’s death. (AP News) They introduced a replacement drummer, Anika Nilles, for the tour. (AP News) There’s also the release of Rush 50, a new boxed retrospective / anthology that covers the entire Rush career, including live tracks, unreleased or remastered material. (Forbes) Themes / Observations (for Podcast Discussion) Legacy + Mourning: Both have been dealing with Neil Peart’s absence, and with the legacy of Rush. Geddy’s memoir is very much part of that; Lifeson’s tributes via instrumental work or paying homage in song (e.g. Western Sunset by Envy of None is specifically a tribute). (Wikipedia) Re-engagement with Fans: Through memoirs, intimate talks, releasing “lost demos,” revisiting material, occasional appearances. They seem cautious but also increasingly open. New Work vs. Archival Work: For Geddy it’s more archival / memoir / revisiting past demos; for Lifeson, more new composition with Envy of None + experimentation. Physical / Live vs. Studio / Private: Geddy did spoken-word / conversation tours; Lifeson less in a touring mode (at least initially) but more active in producing. The jamming together suggests live instinct remains. The Big Turning Point: The decision to do the “Fifty Something Tour” in 2026 marks a shift from “maybe we never will do big shows again” toward “yes, we want to celebrate this music live.” Might be the culmination of their gradual reawakening. Here are several quotes / reflections from Geddy Lee and Alex Lifeson about Neil Peart’s illness, death, and the aftermath — which could give your podcast some emotional depth and insight into how they’ve processed loss over time. Quotes / Reflections by Geddy Lee On how difficult it was to write about Neil’s final months “[Peart] didn’t want anyone to know [about his illness]. He wanted to keep it in the house. … What his family had to live through was really difficult, so it was a lot of back-and-forth. … In that state, it’s very hard to function normally, because you can’t talk to anybody about it … people hear rumblings and they bring things up to you, and you deflect it. And so that feels, on one hand, it feels dishonest, but on the other hand you’re being loyal to your friend.” (BLABBERMOUTH.NET) He also recalled a poignant moment sitting with Neil on his balcony, watching birds, talking about songs, and Neil expressing pride in what they’d done together: “We were sitting on his balcony … having a smoke … talking about what a great moment it was … But he went on to talk about these songs … he thought it was very important for me to know that … our life as a rhythm section together was important to him.” (BLABBERMOUTH.NET) On receiving unsolicited messages from drummers after Neil’s passing “Oh, yeah, I heard from all kinds [of people]. … My little black book got filled up really quickly.” “I was, like, ‘Whoa, that’s just so inappropriate right now. Dude, wait two months. At least two months, if ever.’” (Ultimate Classic Rock) This (unwanted) attention underscores how many people immediately viewed the idea of “replacing” Neil — not yet fully appreciating the emotional gravity of what had happened. On remembering Neil on anniversaries, cherishing the good times On the anniversary of Neil’s death, Geddy posted a photo of himself and Neil strutting a red carpet, with a caption: “Remembering the good times like this one today.” (106.7 WLLZ) Official statement / public message after Neil’s passing Along with Lifeson, Geddy released a statement shortly after Neil died: “It is with broken hearts and the deepest sadness that we must share the terrible news … our friend, soul brother and band mate of over 45 years … We ask that friends, fans, and media alike understand respect the family’s need for privacy … Rest in peace brother.” (Metal Injection) Thanking fans for support / acknowledging grief In the days after Neil’s passing, Geddy (on behalf of the band with Alex) expressed gratitude: “Our most heartfelt thanks go out to family, friends, musicians, writers and fans from around the globe for the incredible outpouring of love and respect for Neil since his passing. These touching tributes help to lessen the pain … and remind us all to celebrate his remarkable life…” (NME) Quotes / Reflections by Alex Lifeson On struggling to find motivation / play guitar after Neil’s death “It’s been difficult. After Neil passed in January, I’ve played very little guitar. I just don’t feel inspired and motivated.” “Every time I pick up a guitar, I just aimlessly mess around with it and put it down after 10 minutes … I know it’ll come back.” (Rock Cellar Magazine) This echoes a similar creative lull he experienced during earlier periods of grief in Rush’s history. On having to keep Neil’s illness secret, and the tension of managing privacy “Neil asked us not to discuss it with anyone. He just wanted to be in control of it. … The last thing in the world he would want is people sitting on his sidewalk … that was a great fear of his.” “It was difficult to lie to people or to sidestep or deflect somehow. It was really difficult.” (ultimatemetal.com) On the song he wrote for Neil — “Western Sunset” In a recent interview, Lifeson described the emotional, peaceful moment that inspired the song: “It was such a serene, peaceful moment at a time when we were dealing with something that was very painful and difficult.” “I was thinking about a western sunset … watching the sun set … I wanted to try to re-create the serenity, calmness and peace that I felt in that moment.” (GuitarPlayer) The song is thus both tribute and personal catharsis. On messages from drummers wanting to replace Neil In a Reddit-quoted remark (presumably attributed to Lifeson): “I don’t know what some of these people were thinking, that we were just gonna replace somebody that we played with for 40 years who wrote all the lyrics for our music?” (Reddit) It reflects frustration at how some outsiders underestimated how deeply Neil’s role was woven into Rush’s identity.
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  • LRRC EP855: the 10 Most Underrated Bassists, Don Henley is a major D.B., Gibson Reissues Norland Era Les Pauls, Mike Campbell
    On This week's show we discuss 10 bassists who are terribly underrated and highlight some of their best work. Plus... Steve Terryberry (Stevie T) launches a new channel. All this and Mike Campbell too!   Loudini: Stevie T launches a new channel (steve terryberry), mono Culture (paul platt),  don douche bag henley, the cobra effect, 70’s reissue LP custom   Underrated Bass Players (guitars & hearts)   01:00 Mel Schacher grand funk rail road 02:25 Dennis Dunaway (alice cooper) 03:50 Trevor Bolder (david bowie) (Uriah Heep) 05:00 Gary Thain (Uriah Heep) Keef Hartley 06:10 Pete Way (UFO) 07:15 Bob Daisley (Ozzy, Rainbow, Uriah Heep) 08:20 Tiran Porter (The Doobie Brothers) 09:20 Mick Karn (Japan) 10:25 Ray Shulman (Gentle Giant) 11:25 Leon Wilkeson (Skynyrd)   Pittsburgh Kevin: fleury, mike campbell   Film Corner: The Man In The Field, Conjuring 4, The Poseidon Adventure, de-aging is changing(ruining) movies(patrick h wellems), True Grit (Coen Brothers), Heavy Metal,  This Week In Rock HIstory:   ### Rock Music History: September 28 – October 4   Here's a curated list of significant events in rock history during this week, focusing on classic and modern rock    #### **September 28** - **Album Releases:**   - 1973: Slade releases *Sladest*, a glam rock compilation packed with high-energy guitar riffs from hits like "Cum On Feel the Noize" – a staple for guitar-driven British rock. [Link to album details](https://drrock.com/albums-released-this-week-september-28-october-4/)   - 1973: Status Quo unleashes *Hello!*, their boogie-rock classic with raw, riff-heavy tracks like "Roll Over Lay Down," embodying 70s pub rock guitar energy. [Link to album details](https://drrock.com/albums-released-this-week-september-28-october-4/) - **Birthdays:**   - 1948: Mark Farner (Grand Funk Railroad), powerhouse guitarist and vocalist behind riff-monsters like "We're an American Band" – a guitar hero of hard rock. [Link to bio](https://www.onthisday.com/music/birthdays.php?month=9&day=28)   - 1948: Mike Pinera (Blues Image, Iron Butterfly), influential rock guitarist known for psychedelic riffs in "Ride Captain Ride." [Link to bio](https://www.onthisday.com/music/birthdays.php?month=9&day=28) - **Deaths:**   - 2024: Kris Kristofferson, country-rock legend and guitarist whose songs like "Me and Bobby McGee" (famously covered by Janis Joplin) influenced guitar-driven outlaw rock. Died at 88. [Link to obituary](https://wrif.com/2025/09/28/this-day-in-rock-history-september-28/)   - 2024: Al Davis (Screamin' Jay Hawkins' band), blues-rock guitarist whose fiery style inspired rock 'n' roll riffs. Died at 83; Rock Hall inductee in 2006. [Link to obituary](https://wrif.com/2025/09/28/this-day-in-rock-history-september-28/) - **Other Events:**   - 1963: ZZ Top forms in Houston, kicking off their blues-rock guitar legacy with riffs that defined Texas boogie. [Link to band history](https://wrif.com/2025/09/28/this-day-in-rock-history-september-28/)   - 1968: The Beatles form Apple Records, paving the way for guitar-centric releases like *The White Album*. [Link to event details](https://wrif.com/2025/09/28/this-day-in-rock-history-september-28/)   #### **September 29** - **Significant Concerts:**   - 1976: Jimi Hendrix's legendary performance at the Isle of Wight Festival (archival footage highlights his revolutionary guitar work). [Link to concert footage](https://www.thisdayinmusic.com/events/?date=29/09) - **Album Releases:**   - 1971: Led Zeppelin releases *Led Zeppelin IV* in some markets (full global rollout this week), featuring epic guitar anthems like "Stairway to Heaven" – the pinnacle of guitar-driven hard rock. [Link to album history](https://drrock.com/albums-released-from-sep-22-to-sep-28-2025/) - **Chart Milestones:**   - 1971: Grand Funk Railroad's "We're an American Band" hits #1 – a massive guitar-rock anthem celebrating the road. [Link to chart story](https://wcsx.com/2025/09/29/this-day-in-rock-history-september-29/) - **Birthdays:**   - 1947: Jerry Lee Lewis, piano-pounding rock pioneer whose wild energy influenced guitar heroes like Jimmy Page. [Link to bio](https://www.onthisday.com/music/birthdays.php?month=9&day=29) - **Other Events:**   - 1978: The Police sign with A&M Records, launching their reggae-infused guitar-rock breakthrough. [Link to event details](https://wcsx.com/2025/09/29/this-day-in-rock-history-september-29/)   #### **September 30** - **Album Releases:**   - 1976: Heart drops *Little Queen*, showcasing Ann and Nancy Wilson's blistering guitar harmonies in tracks like "Barracuda" – female-fronted guitar rock at its finest. [Link to album details](https://drrock.com/albums-released-this-week-september-28-october-4/) - **Birthdays:**   - 1954: Pat Simmons (The Doobie Brothers), guitarist behind soulful rock riffs in "Listen to the Music." [Link to bio](https://www.onthisday.com/music/birthdays.php?month=9&day=30) - **Other Events:**   - 1967: BBC airs the first *Top of the Pops* featuring Jimi Hendrix, revolutionizing TV guitar performances. [Link to footage](https://www.thisdayinmusic.com/events/?date=30/09)   #### **October 1** - **Album Releases:**   - 1979: AC/DC unleashes *Highway to Hell*, Bon Scott's final album with riff-heavy classics like the title track – hard rock guitar blueprint. [Link to album history](https://drrock.com/albums-released-this-week-september-28-october-4/) - **Birthdays:**   - 1942: Herb Alpert (Herb Alpert & the Tijuana Brass), trumpeter whose fusion style influenced rock guitarists like Carlos Santana. [Link to bio](https://www.onthisday.com/music/birthdays.php?month=10&day=1) - **Other Events:**   - 1969: The King Crimson debuts live, launching progressive rock's guitar experimentation era. [Link to event details](https://www.thisdayinmusic.com/events/?date=01/10)   #### **October 2** - **Significant Concerts:**   - 1969: Led Zeppelin's Copenhagen show – peak Jimmy Page guitar wizardry captured in bootlegs. [Link to concert archive](https://www.setlist.fm/stats/led-zeppelin-bd6ad4a.html) - **Birthdays:**   - 1950: David Lee Roth (Van Halen), frontman whose high-energy style amplified Eddie Van Halen's guitar fireworks. [Link to bio](https://www.onthisday.com/music/birthdays.php?month=10&day=2) - **Other Events:**   - 1986: U2 releases *The Joshua Tree*, but this day marks early tour rehearsals emphasizing The Edge's atmospheric guitar. [Link to album story](https://ultimateclassicrock.com/october-2-rock-history/)   #### **October 3** - **Album Releases:**   - 1975: The Who releases *The Who by Numbers*, Pete Townshend's introspective guitar work shining in "Slip Kid." [Link to album details](https://drrock.com/albums-released-this-week-september-28-october-4/)   - 1977: Electric Light Orchestra's *Out of the Blue*, a double-album guitar-pop spectacle with hits like "Mr. Blue Sky." [Link to album details](https://drrock.com/albums-released-this-week-september-28-october-4/) - **TV Appearances:**   - 1973: The Who performs on *The Midnight Special*, delivering raw guitar-driven sets from *Quadrophenia* era. [Link to episode clips](https://www.youtube.com/results?search_query=the+who+midnight+special+october+3) - **Birthdays:**   - 1947: Lindsey Buckingham (Fleetwood Mac), master guitarist whose fingerpicking defined 70s soft-rock riffs in "Go Your Own Way." [Link to bio](https://www.onthisday.com/music/birthdays.php?month=10&day=3)   #### **October 4** - **Album Releases:**   - 1974: John Lennon releases *Walls and Bridges*, featuring guitar-heavy tracks like "Whatever Gets You Thru the Night" with Elton John. [Link to album details](https://drrock.com/albums-released-this-week-september-28-october-4/)   - 1974: Rod Stewart's *Smiler*, a rock 'n' soul gem with gritty guitar on "Sailing." [Link to album details](https://drrock.com/albums-released-this-week-september-28-october-4/) - **Significant Concerts:**   - 1970: Deep Purple's gig at the Hollywood Bowl – iconic hard rock set with Ritchie Blackmore's searing guitar solos. [Link to concert history](https://www.setlist.fm/setlist/deep-purple/1970/hollywood-bowl-hollywood-ca-3bd6805e.html) - **Birthdays:**   - 1942: Christopher Reid (not rock-specific, but ties to music history); more relevant: 1965: Tommy Lee (Mötley Crüe), drummer whose band defined 80s glam metal guitar excess. [Link to bio](https://www.onthisday.com/music/birthdays.php?month=10&day=4) - **Deaths:**   - 1970: Janis Joplin, blues-rock icon whose raw, guitar-backed vocals in "Piece of My Heart" (with Big Brother) revolutionized rock. Died at 27. [Link to tribute](https://www.onthisday.com/music/deaths/date/1970?month=10&day=4)
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    1:18:32
  • LRRC EP854: Herman Li PRS, Van Halen, Analog vs Digital
    On this week's Show we tackle the question: Is Analog better that digital? The answer is NOT what you think! Also, Did Van Halen kill rock??? And is the new Paul Reed Smith Herman Li signature model really worth the $7000 price tag? Loudini: let’s clear up some confusion, the spectrum show Did Van Halen KILL Rock? (studio number six), The New $7000 Paul Reed Smith (Chleo Herman Li Signature) is it “too expensive”? (Dr.Andre Fludd Music), The Making of “Iris” by The Goo Goo Dolls(tim pierce), The REAL reason why analog is better(Freaking out with Billy Hume),  Steve Via & Joe Satriani on Rick Beato, prince’s guitar malfunction  story Analog: tape compression, smooth transients,   but noise, slow, destructive editing, doesn’t sound the same as when you heard it in the room Tape is expensive High frequency loss with repeated use Commitment was needed… you need to have your shit together It was a performance Longevity Still works the same Uses the same cables Rewinding forces you to slow down (because of rewinding and changing reels) clear your head More reliable Digital: non destructive editing Instantly recallable mixes Easy “undo” All the undo and redo takes away from performance Constant work flow takes away from performance “House of cards”   The illusion of permanence… computers (and cables)   always need to be replaced… drives die… projects cannot be recovered Pressure to go fast    What makes a “good” lead guitar tone? (Glass Audio) What does The Ten Commandments and Metallica (Herb Alpert too)  have in common? (weird hollywood facts)   Riff of the Week: Vehicle by Ides of March   Pittsburgh Kevin: the rapture is happening Sept 23, 2025, bass player friend,   Film Corner: Deadline (2009), Unknown Number(2025), 28  Years Later, the charlie sheen interview SEGII:   New & Notable: This week in Rock History: Mon — Sept 21 Radiohead’s early single “Creep” / early Radiohead milestones referenced (items about their early career appear on the day). (This Day In Music) Meat Loaf — Bat Out of Hell related entry (historic release/album story listed on the page). (This Day In Music) Notes about marriages/line-up stories that led to acts like The White Stripes (personal/road/early-career items show up on this date page). (This Day In Music) Tue — Sept 22 Farm Aid (events & benefit history tied to roots/rock artists) — Farm Aid-related notes appear here. (This Day In Music) Birthdays: Joan Jett and David Coverdale (Whitesnake) are listed on this date — great for short “on this day” birthday jingle segments. (This Day In Music) Wed — Sept 23 Paul McCartney live/TV appearances noted (e.g., appearances tied to this date). Good pickup for Beatles/McCartney show segments. (This Day In Music) Bruce Springsteen birthday is listed for this date (handy for Springsteen themed shows). (This Day In Music) Thu — Sept 24 Nirvana — Nevermind released (1991) — a huge moment in modern rock history (grunge/alt rock). This Day In Music has the Nevermind entry for 24-Sep. (This Day In Music) Extra authoritative reference for show prep / context: Nevermind (release date & background). (Wikipedia) Jimi Hendrix / Elvis / other classic rock milestones (releases, arrivals in London, TV/press stories) are also covered on this day’s page — great for mixing classic/modern contrast. (This Day In Music) Fri — Sept 25 John Bonham (Led Zeppelin) — death (1980) and the aftermath (Led Zeppelin storylines tied to this date) appear on the page — an intense on-air story (touring, alcohol, band decision afterward). (This Day In Music) Extra background / obituary coverage for on-air context. (Rolling Stone) Other items (Beatles animation/cartoon premieres, John Lennon recording notes, etc.) are on the same day page — handy for short anecdotes. (This Day In Music) Sat — Sept 26 The Beatles — Abbey Road released (1969) — classic rock must-play and a big narrative piece (studio tensions, iconic cover, songs to highlight). This Day In Music lists the Abbey Road entry for Sept 26. (This Day In Music) Beatles / Abbey Road official summary for fact-checking and quoted lines on air. (thebeatles.com) Also: U2 early EP history, Pink Floyd U.S. first shows and Green Day’s UK chart milestones for American Idiot (No.1 in UK is noted on this date)—good tie-ins for a “then vs now” segment. (This Day In Music) Sun — Sept 27 Cliff Burton (Metallica) — died in tour bus crash (1986) — important heavy-rock / metal story. This Day In Music has the entry for Sept 27. (This Day In Music) Extra factual background / obituary / legacy references for Cliff Burton. (Wikipedia) Beach Boys / Ed Sullivan / births (Randy Bachman, Meat Loaf, Avril Lavigne listed as birthdays) — useful for quick “born on this day” or TV-appearance segues. (This Day In Music) Notes & how I approached this Primary source: I pulled the rock-related items (releases, singles, TV appearances, on-the-road incidents, birthdays, deaths) listed on This Day In Music for each date (links above). (This Day In Music) For the biggest show items (Nirvana Nevermind, Green Day American Idiot, Beatles Abbey Road, John Bonham, Cliff Burton) I added extra reputable sources so you can quickly grab release dates, context, and obituary/legacy quotes for voiceover. (Wikipedia)
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    1:20:18

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