Post-punk provocateur Autumns has been catapulting angular weapons over the ramparts since 2014…
Carving out a fierce reputation across labels like Downwards, Opal Tapes, iDEAL Recordings and DKA Records. Christian Donaghey’s relentless live show has seen him tour worldwide alongside Veronica Vasicka, Silent Servant, and Wire, delivering workouts that pummel those lower frequencies into submission.
Now, as he joins Ransom Note with the ferocious EP ‘Through the Construction of Grace’ EP, the “lanky, ginger man from Derry” offers up a mix that captures his intuitive approach to music-making. Recorded in his bedroom, it’s a journey through the sounds that have shaped Autumns’ “awful attempts at ripping off every bit of music that I like” from DJ Hell & Alan Vega collaborations to deep Post-Punk in Dub territory.
It’s confusing, distorted vocals and atonal blasts that taste like marmalade, and moves with the scrappy resourcefulness of a raccoon.
Worry less. Listen intuitively.
Let’s get go…
INTERVIEW: https://www.theransomnote.com/music/mixes/autumns-the-ransom-note-mix/
Tracklist:
The Pop Group – Blood Money (Dennis Bovell Dub Version)
Le Prince Harry – Sea of Trees (Autumns Remix)
Autumns – The Unfortunate Touch
Internal N.Y. Rhythms – Poli Ritmo
Shkema – Seilai
MLiR & Velmondo – Hokhmah
Civilistjavel x Mayssa Jallad – Bynana (Version)
A Certain Ratio – Genotype.Phenotype
Froid Dub – Tears Maker (Vacant Heads Remix)
Hell & Alan Vega – Listen To The Hiss
Black Bones & Autumns – Cruising
SPK – Napalm (Terminal Patient)
23 Skidoo – Just Like Everybody
Reducer – Sensaround Dub
Autumns – Trolley Coin
@autumns
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Yu Yang: The 'Shine A Light On' Mix
Shanghai’s electronic music scene has been shaped by a handful of key figures, and Yu Yang is undoubtedly one of them.
Since the early 2000s, through her work with M Agency and club Haze, she’s been brought international heavyweights to China for the first time, whilst consistently championing local talent.
After serving as musical director for W Shanghai – the Bund and the Shanghai EDITION, Yu Yang co-founded ALTER., a party series that brought together the world’s most forward-thinking selectors and China’s finest in carefully chosen venues. What developed was one of Shanghai’s most sought-after nights and a genuinely strong community around it.
Yu Yang crafts sets that balance introspection with ‘fun’.
Interview here: https://www.theransomnote.com/music/mixes/yu-yang-the-shine-a-light-on-ransom-note-mix/
@yuyang11
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PREMIERE: Local Suicide - Obsessions [Iptamenos Discos]
Iptamenos Discos announces Houdini, the new EP by label founders Local Suicide. The record features three of their darkest and most powerful originals to date, alongside striking reworks from French electroclash pioneer David Carretta and rising Greek EBM force Alpha Sect.
Houdini begins with Obsessions, a song built around a brutal bassline, analog synthesisers, and stark vocal mantras. It's a melting pot of darkwave and techno influences. "Obsessions, they come and go" is hypnotically repeated throughout the ordeal, resulting in a relentless, claustrophobic dance track.
Obsessions by Local Suicide will release as part of the Houdini EP as a limited 12" vinyl and digitally on the 21st November 2025. Three original tracks, two remixes.
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Anna Logue Records: A Flavour Of The Label Mix
For over two decades, Anna Logue Records has been a beacon for those who understand that the early 1980s represented a golden age of electronic music – a brief, brilliant window when artists armed with synthesisers, drum machines, and raw creative vision crafted something genuinely revolutionary.
Founded in 2005 by a collector-turned-curator who spent the mid-90s buried in the minimal synth scene, swapping tapes and haunting eBay for privately pressed 7″s and forgotten cassettes, the label emerged from a simple desire to rescue and celebrate the melancholic yet melodic treasures that deserved far better than wanton abandonment and obscurity. We’re happy to admit our ignorance of the label until being alerted via the reissue of Join The Car Crash Set. But having been turned on via that channel we delved deeper… a lot deeper.
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What began with Camera Obscura’s debut vinyl LP (through three problematic pressing rounds) has blossomed into a catalogue that honours both the artists of yesteryear and into the contemporary that are keeping the analogue flame alive. The label’s ethos is refreshingly purist – this is music made before the digital age smoothed off all those beautifully rough edges and that bleakness when electronics were raw and honest.
Anna Logue Records isn’t part of the ‘music industry’ – it exists in deliberate opposition to it. Non-exclusive agreements respecting artists’ autonomy, every release is treated as art or memorabilia rather than product, lovingly designed with original band materials, lyrics, photos, and the meticulous attention of someone who still remembers receiving multiple parcels a day in pursuit of the perfect sound.
Sister label Nadanna (a playful portmanteau of founders “Mr. Nader” and “Mr. Anna”) extends the mission into contemporary territory, releasing danceable works that blur the lines between minimal synth, Italo disco, and Electropop. Together, they form a small but vital operation – self-financing, fiercely independent, and still run by that same collector was too busy discovering bottomless pits of forgotten electronic to pay too much attention at college.
The mix you’re about to hear traces the label’s journey in reverse, alternating between Anna Logue and Nadanna releases, from timeless classics like League of Nations’ “Fade” to previews of what’s next. It includes what the label’s founder calls “the perfect electronic pop song” (Blipblop’s “Ögat som ser”), features a performance from Rational Youth’s Tracy Howe on Techniques Berlin’s “Cold War”, and closes with the achingly beautiful “Zara In The Stars” – written by Quieter Than Spiders’ Leon Zhang in memory of a beloved dog at a sanctuary, a reminder that these endeavours carry real meaning beyond the music.
Twenty years in, with projects like Delayscape’s double album and new Twins Natalia material still in the pipeline, Anna Logue Records continues doing what it’s always done; unveiling music that should be heard, released with passion by people who genuinely love it, for those who understand that sometimes, the best technology is the one that came before everything got polished to death.
Best get that mix on and have a chat hey…
Interview here: https://www.theransomnote.com/music/featured-music/anna-logue-records-a-flavour-of-the-label-mix/
@annaloguerecords
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Free Zing & Oliver Moon: The Wednesday Alternative Mix
If you’ve been keeping your ear to the ground on the dance floors, chances are you’ve already crossed paths with Free Zing and Oliver Moon.
Free Zing’s bag runs deep with a heady mix of eclectic, emotive vinyl, stitched together with a fearless disregard for genre and alongside her, London’s Oliver Moon also brings the weight with dedication to the deeper corners of underground electronic music.
Together the pair offer a journey that’s as fluid as it is focused.
In the words of Free Zing & Oliver Moon:
"This mix was born under the spontaneity of a beautiful coexistence. Two vast record collections living under the same roof inspiring each other, and a same vision: slower, sexier, warmer and mildly twisted electronic music.
For two hours you delve into the minds of Free Zing and Oliver Moon, two people playing with their favourite b2b. The pair press record on a Monday morning and work through a window of their collection. The mix was seemingly unexpected but had been planned subconsciously for some time over previous sessions, probably influenced by a very inspiring summer.
Moon starts with the latest release from the talented London based Studio Batsumi and Maria finishes with a beautiful pitched down piece by Martyné, a producer they both deeply admire. Everything in between is for you to discover… Enjoy the ride 🤘🏻❤️"
Read more here: https://www.theransomnote.com/music/mixes/free-zing-and-oliver-moon-the-wednesday-alternative-mix
Ransom Note is an online music, arts and culture magazine. We provide a home for readers and writers with boundless enthusiasm, esoteric knowledge, fierce opinions and impeccable taste.
With our core team immersed in all aspects of dance music, we publish news, articles, and interviews covering the greatest in innovative, underground culture from across the globe. We offer regular, exclusive music and mixtapes from our favourite artists, and publish features shining a light on everything from the freshest new artists to the untold tales from rave history.
Alongside this we offer musings on film, books, life, and art, generating some context and controversy as an antidote to the reheated PR that clogs up the internet. Our office is fuelled by Tunnock’s Bars, cat memes, hangovers and a ridiculous, never ending love for our culture.
We're always interested in getting new writers on board – feel free to get in touch if you’ve got a story to tell.
With love until the grave.