Ransom Note

Safiye has been quietly doing the work.

And we mean that in every sense. Anyone who's crossed paths with her at Love International - or anywhere else, for that matter - will know there's a version of Safiye most people never fully clock. The one making sure everything runs smoothly, checking in on people, holding the energy of a room without ever needing to shout about it. Calm, kind, and completely unflappable in the way that only someone truly on top of things can afford to be.

Years spent on dancefloors across the globe and through a bi-weekly show on SWU.FM have sharpened her instinct for the room, one that's taken her from Bristol's underground to the fields of Glastonbury and to the aforementioned Love International - last few tix left for that those at the back. Since 2024, she has been part of Bristol's disco powerhouse Paradisco, a permanent fixture on dancefloors in the city and beyond.

As she puts it herself, it's not just showing up to a gig and pressing play - the coordination, the planning, the endless behind-the-scenes effort that nobody really sees. That's the work. And she does it with the same ease she brings to everything else.

The through line in all of it is a sound that's slippery by design. House, electro, disco and acid all chosen carefully, sequenced with intention.

Let’s have a chat and get it on, shall we?

https://www.theransomnote.com/music/mixes/safiye-the-shine-a-light-on-mix/

“Everyone needs a moment of silence every once in a while,” Basil seems to know this, too. Salamanda create a bed for Basil’s germination.

Watching something small grow in your kitchen makes you pay close attention. The Seoul-based duo Salamanda and the next artist stepping up for Seeds understand this. Uman (Sala) and Yejin (Manda) spent a day watching a single basil plant on a windowsill, noticing how the light shifted across its leaves, water gathered at its roots, and time slipped by. What started as a simple observation turned into a meditation on the inner life of a plant and what it means to really listen to something living.

Sala(Uman)_s salad

Basil droops in the cold, grows too fast in the heat, and can wilt from too much attention; it needs a moment, too. Salamanda noticed that this silence is a pause for space, where the real growth happens. For them, music fills that space…

Manda talks about understanding her own feelings by looking at her plants. When she feels down, the plants seem to react. They reflect something back: being present, paying attention, and giving and receiving care. This mix comes from that kind of language, asking you to keep coming back to care for the same small plant. If basil could think, what would it think of you?

Get your headphones on. Listen to the way a plant listens to light…

https://soundcloud.com/8salamanda8

A longstanding, driving force within the Italian underground and the wider world of contemporary psychedelic music, Lay Llamas celebrates the release of the project's new album 'Time, Islands and Thresholds' with a mesmerizing mix for our main series.

Nicola Giunta has been leading the psych brigade under the Lay Llamas banner for well over a decade. Formed in 2012, the project has since released an entrancing, ever-evolving body of work across indispensable labels including Rocket Recordings and Black Sweat Records, collaborating with the likes of Goat, Clinic, Damo Suzuki (Can), and Mark Stewart (The Pop Group) along the way.


With new album ‘Time, Islands and Thresholds‘, Lay Llamas heads out on a spellbinding, synapse-fried voyage that evokes hallucinatory visions in mysterious, exotic lands. Across ten tracks, hypnagogic psychedelia is masterfully laced with cosmic dub, space rock, and the kind of music you might hear on records by Eden Ahbez and Martin Denny. Describing the imagery and existential trajectory that underpins the record, Giunta references “surfers on acid, mysterious rites on deserted islands, worshippers of solar deities, night flights, animal skins, will-o’-the-wisps on hilltops, liminal spaces, passages into the underworld, psychic inner journeys; life, death and rebirth.”

‘Time, Islands and Thresholds‘ then, is a record of heady, retrofuturist iconography and into-the-void introspection. Drawing parallels with Spacemen 3, Peaking Lights and Sun Araw, it’s an album that nevertheless finds Lay Llamas plotting the project’s own psychotropic course. The album finale ‘I Was Blind (Now It’s Over)‘ is also one of the most beautifully strung out songs we’ve heard this year.

To accompany the release of the album, Giunta has put together a suitably potent mix of hypnotic drum trances, heavyweight dub, snarling noir-punk and rarefied psych to liven up, expand and soothe your soul. Settle in for a special one.

Interview: https://www.theransomnote.com/music/lay-llamas-the-ransom-note-mix/

Tracklist
1 - Cheval Fou - La fin de la vie, le début de la survivance
2 - Cloud Management, Vivien Goldman - Judge Judge
3 - The Serfs - Cold Hand In Mine
4 - Laika - Spooky Rhodes
5 - Geologist - Oracle Road
6 - Death and Vanilla - Intro
7 - Orange Car Crash - Straight Star
8 - Coma World - Western
9 - Des Demonas - There Are No Vampires in Africa
10 - Dave Harrington (ft. Chris Forsyth - Ryan Jewell - Spencer Zahn) - REDUX Dub 8
11 - Deradoorian - Weed Jam
12 - Montel Palmer - Mermaid Wolf Whistle

Wonky organic grooves from ALF CHAMPION and MDHNTR via Calypso records new compilation

There once was a Shape who could dance, With pockets of electronica trance, It wobbled its form through the Definition, And questioned each note and condition, While singing quite badly about circumstance.

“What is,” asked the Shape, “this peculiar sound? That bounces and bobs all around and around? Is it liquid or solid or something between? The strangest device I have ever seen!” Said a very confused polka-dotted hound.

The Definition replied with a riddled refrain: “I am what you hear when you listen again, A thing that is not, yet somehow it is, A shape-shifting, drift-curious quiz, That dances through corridors, valleys, and rain.”

And they walttzed through the Calypso till dawn broke its spell, Those two nonsensical friends, who got on quite well, For a Shape needs Definition as much as it’s true, That Definition needs Shape to be something brand new, And that, my dear reader, concludes this strange tale to tell.



“What Is Your Definition” sits in that liminal space between organic groove and electronic. It’s the sound of something taking shape… which leads rather nicely onto Calypso Vol. II, a nine-year endeavour where Iñigo Vontier and Thomass Jackson assemble 16 voices across the spectrum of the experimental electronic

Press play and find out what you’re listening to. Or better yet: ask what your own voice is.

@calypsorecs
@alf_champion
@mdhntr000

From the coastline to the dance-floor.

Daichi's ear was formed early. Weekends spent at Oppa-La in Enoshima absorbing whatever the room had to offer, left a mark that still runs through everything he does. From there the path naturally progressed, co-founding Vinyl Youth, a collective whose energy has carried through Korea and onto the stage at Rainbow Disco Club.

His productions tell a similar story. Edits and originals landing on MM Discos, Crue-L and Not an Animal, each release finding ears far beyond Japan.

This is music with a sense of place.

Read more: https://www.theransomnote.com/music/mixes/daichi-the-shine-a-light-on-mix/