Kwame Dawes introduces poems that interrogate loss and violence, transforming them in the flame of irony, elegy, and empathy. He discusses Lucille Clifton distilling “pure moments of tremendous poetry” (“lu 1958”), Michael S. Harper offering a haunting conclusion that serves as both memorial and gift (“We Assume: On the Death of our Son, Reuben Masai Harper”), and Terrance Hayes treading the line where outrage meets compassion (“Carolina Lullaby,” “A Poem That Does Nothing,” “The Poet Ai as Dylann Roof”). Dawes closes with an unpublished poem, “The House of Two Women,” which engages with the turbulent present of American life.Find the full recordings of Clifton, Harper, and Hayes reading from the Poetry Center on Voca:Lucille Clifton (November 1, 2007)Michael S. Harper (April 4, 1973)Terrance Hayes (February 4, 2016)Full transcripts of every episode are available on Buzzsprout. Look for the transcript tab under each episode. Voca is now fully captioned, with interactive transcripts and captions available for all readings! Read more about the project here, or try out this new feature by visiting Voca.
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41:33
Mackenzie Polonyi: Mycorrhizal Love
Mackenzie Polonyi selects poems that engender bell hooks’ idea of love as a verb—a mycorrhizal, persistent, and complicated act linking us to past and present, near and far. She discusses Lucille Clifton on the boundlessness of light (“i was born with twelve fingers”), Fady Joudah’s adaptation of Hussein Barghouthi on the music of what it means to be human (“I Dreamed You”), and Victoria Chang on questions for the generations we cannot meet (“Once you had to stand behind...”). Polonyi closes with her own “Grand Daughter’s Grief Logic,” where grieving ruptures time.Find the full recordings of Clifton, Joudah, and Chang reading for the Poetry Center on Voca:Lucille Clifton (October 12, 1983)Fady Joudah (February 19, 2015)Victoria Chang (October 6, 2022)Full transcripts of every episode are available on Buzzsprout. Look for the transcript tab under each episode. Voca is now fully captioned, with interactive transcripts and captions available for all readings! Read more about the project here, or try out this new feature by visiting Voca.
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Abigail Chabitnoy: The Field
Abigail Chabitnoy curates poems that dwell in fields of searching, connecting, and being. She introduces Michael Wasson communing with those who are no longer breathing (“Aposiopesis [or, The Field between the Living & the Dead]”), Jean Valentine considering the moment and its boundaries (“To my soul”), and Saretta Morgan writing into love over many years (“Dearth-light”). To close, Chabitnoy reads her poem “Signs You Are Standing at the End,” which enters its own field of imagining across time.Find the full recordings of Wasson, Valentine, and Morgan reading for the Poetry Center on Voca:Michael Wasson (April 27, 2023)Jean Valentine (September 25, 2008)Saretta Morgan (March 28, 2024)Full transcripts of every episode are available on Buzzsprout. Look for the transcript tab under each episode. Voca is now fully captioned, with interactive transcripts and captions available for all readings! Read more about the project here, or try out this new feature by visiting Voca.
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25:08
Diego Báez: Three Gabriels
Diego Báez introduces us to three Gabriels connected by themes of reclamation and new beginnings. He shares Gabriel Dozal approaching the US-Mexico border with humor (“You Look at Crossers, You Look Just Like Them”), Gabriel Palacios unpacking narratives of inheritance and race (“The Friar’s Daughter’s Mother”), and Jimmy Santiago Baca experiencing the birth of his son, Gabriel (“Child of the Sun—Gabriel’s Birth (Sun Prayer)”). Báez closes by reading “Neuropathy with Lamb,” which reflects on his role as a caregiver for his mother.Find the full recordings of Dozal, Palacios, and Baca reading for the Poetry Center on Voca:Gabriel Dozal (May 2, 2024)Gabriel Palacios (May 2, 2024)Jimmy Santiago Baca (September 14, 1988)Full transcripts of every episode are available on Buzzsprout. Look for the transcript tab under each episode. Voca is now fully captioned, with interactive transcripts and captions available for all readings! Read more about the project here, or try out this new feature by visiting Voca.
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Valerie Hsiung: Breath Mover
Valerie Hsiung selects poems that disorient as they open us to the vital, visceral present. She introduces Roberto Tejada and the poem as a breaking fever (“Kill Time Objective”), Jennifer Elise Foerster as a channel for a multiplicity of lost voices (“Hokkolen: I become the canyon, its dreaming eye”), and Mei-mei Berssenbrugge narrowing the senses to expand what remains (“Slow Down Now”). To close, Hsiung reads from her sequence “a-begging,” her voice responding to the room where she’s recording.Watch the full recordings of Tejada, Foerster, and Berssenbrugge reading for the Poetry Center on Voca:Roberto Tejada (January 12, 2023)Jennifer Elise Foerster (April 27, 2023)Mei-mei Berssenbrugge (March 13, 2010)Full transcripts of every episode are available on Buzzsprout. Look for the transcript tab under each episode. Voca is now fully captioned, with interactive transcripts and captions available for all readings! Read more about the project here, or try out this new feature by visiting Voca.
Poetry Centered features curated selections from Voca, the University of Arizona Poetry Center’s online audiovisual archive of more than 1,000 recordings of poets reading their work during visits to the Center between 1963 and today. In each episode, a guest poet introduces three poems from Voca, sharing their insights about the remarkable performances recorded in our archive. Each episode concludes with the guest poet reading a poem of their own.
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