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Riffology: Iconic Rock Albums Podcast

Riffology
Riffology: Iconic Rock Albums Podcast
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  • RIFF072 - Suicidal Tendencies - Lights, Camera, Revolution!
    Where Skate Punk Grew Up and Got a Grammy Nod Episode 72 | Suicidal Tendencies, Lights, Camera, Revolution (1990) | Duration: ~84 minutes | Release: 8 December 2025 Episode Description Neil and Chris dive into one of Neil's all-time decorating records, a 1990 album that transformed LA's banned skate punk outcasts into Grammy nominees. Suicidal Tendencies' fourth studio album represents a pivota...
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  • RIFF071 - L7 - Bricks Are Heavy
    When Tuning Your Guitar Became Revolutionary Hosts: Neil & Chris Duration: ~80 minutes Release: 24 November 2025 Episode Description Neil and Chris tackle L7's breakthrough 1992 album Bricks Are Heavy, the record that proved you could be authentically punk, unapologetically feminist, and radio-friendly all at once. Between discussions of Butch Vig's game-changing production advice (tune your gu...
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  • RIFF070 - Bush - Sixteen Stone
    When everyone said no, radio said yes Hosts: Neil & Chris Duration: ~92 minutes Release: 17 November 2025 Episode Description Bush's Sixteen Stone shouldn't exist. Dropped by their first label for having "no singles and no album tracks," Gavin Rossdale went back to painting dentists' offices while his debut sat in limbo. Then a tiny record label called Trauma took a chance, American rock radio ...
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  • RIFF069 - Pixies - Doolittle
    Quiet verses, screaming choruses, and the album that accidentally invented grunge Hosts: Neil & Chris Duration: ~79 minutes Release: 17 April 1989 Episode Description Doolittle wasn't just a Pixies album, it was the evolutionary stepping stone between 80s sludge and the Seattle explosion that followed. Released in 1989, this Boston band's third studio effort traded Surfer Rosa's live room chaos...
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  • RIFF068 - Hole - Live Through This
    Hole — Live Through This (1994) Noise made human: sharp guitars, cracked-glass vocals, and songs that refuse to sand down the splinters. In this episode we unpack how Live Through This became both a blistering rock record and a time capsule of messy, real-life urgency. The big picture Why this album still feels dangerous: melody with teeth, beauty with bite. Olympia-to-LA-to-Marietta roots and attitudes — riot grrrl tension meets major-label machinery. Courtney Love’s performance as intent, not accident: keep the cracks in. What we cover Recording sprint: tracked in 23 days at Triclops Sound Studios (Marietta, GA), with a live-to-tape energy. Vocals with scars: a dozen-plus passes per song, but the imperfections stay — including the famous voice break in “Doll Parts.” Cobain’s cameo: backing vocals on “Asking for It” and “Softer, Softest,” and why that detail got louder after his death. Cover art, on purpose: Ellen von Unwerth’s prom-queen shot (model Leilani Bishop) — conceived and driven by Love. DGC vs Geffen: what the indie-adjacent major imprint meant in the 90s (think Nirvana, Sonic Youth, Weezer, Beck, Counting Crows). “Rock Star” vs “Olympia”: the notorious DAT swap that left the track list and the audio mismatched — and how the band treated the actual “Rock Star” live. Kristen Pfaff: her locked-in bass feel on the record, the tragedy that followed its release, and the pause before the band returned. Why it still matters Precision without polish: performances that breathe and bruise. Hooks under pressure: pop instincts framed by claustrophobic mix choices that reward volume. Cultural afterlife: songs that kept turning up in film and TV, proof the edges cut through. Timestamps 00:00 — Cold open & why this album still stings 02:54 — “Rock Star” vs “Olympia” — the title/track mix-up 05:20 — DGC vs Geffen — who was on the roster and why it mattered 48:58 — 23 days at Triclops Sound — capturing the fast, live feel 49:33 — Dozen-take vocals & keeping the cracks 49:53 — Geffen wanted the “Doll Parts” voice break smoothed — it stayed 50:05 — Cobain drops by: “Asking for It” & “Softer, Softest” 50:36 — Ellen von Unwerth’s prom-queen cover (Leilani Bishop) 53:41 — “Rock Star” listed, “Olympia” on disc — the DAT snafu 54:33 — Kristen Pfaff — playing, loss, and the band’s pause Turn it up — this one rewards volume.You can find us here: Blog: https://riffology.co All Episodes: https://riffology.co/podcast iHeart: https://www.iheart.com/podcast/1323-riffology-iconic-rock-alb-176865775 Apple: https://podcasts.apple.com/gb/podcast/riffology-iconic-rock-albums-podcast/id1691556696 Spotify: https://open.spotify.com/show/1LIU9mein7QMw346q20nyy X: https://x.com/RiffologyPod Bluesky: https://bsky.app/profile/riffology.co Facebook: https://www.facebook.com/riffology Email: [email protected]
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Acerca de Riffology: Iconic Rock Albums Podcast

Remember when payday meant choosing which CD or vinyl you were blowing it on? Standing in HMV doing the mental maths, convincing yourself two albums was basically essential. Riffology is Neil and Chris chasing that feeling again, one classic record at a time. This is a show about the albums that raised us — Nirvana, Pearl Jam, Motley Crue, Def Leppard, Iron Maiden, Megadeth, Pink Floyd, Radiohead, Skunk Anansie, Gojira, Soulfly and the rest. If it’s 25+ years old, loud and iconic, we’re in. Each episode is two Gen X mates diving into studio sessions, producer chaos and band drama plus the joy of taped-over cassettes, dodgy car stereos and sitting on the floor with a record sleeve. We nerd out when we should: Albini vs Vig, room-miked vs close-miked, Neve consoles, dynamic-range disasters and those “how did this get approved?” moments. If you grew up when albums were events, this is your place. Some weeks it’s an old favourite; other weeks it’s something you abandoned in ’94. Either way, Riffology’s here to talk rubbish, tell stories and remind you why these records mattered.
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