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Go Creative Show

Ben Consoli
Go Creative Show
Último episodio

106 episodios

  • Go Creative Show

    Cinematography of Love Story with Jason McCormick

    11/03/2026 | 50 min
    Cinematographer Jason McCormick returns to Go Creative Show to discuss his work on the FX series Love Story, beginning with the story of John F. Kennedy Jr. and Carolyn Bessette. Jason breaks down how he approached the visual language of a romantic story after working on darker projects like Dahmer and Menendez, and how the show's look evolved through instinct, collaboration, and trust.
    Jason shares how the project came together quickly when he stepped in just weeks before shooting the pilot, and how working with director Max Winkler allowed the show's style to develop organically on set. From choosing the 1.85 aspect ratio and developing a custom LUT inspired by 90s film photography, to navigating the challenges of shooting in New York City, Jason explains how cinematography can support emotion, character, and story.
    The conversation also explores the realities of working in today's film industry, the importance of pacing yourself during long production runs, and why great cinematography often comes from staying flexible and responding to the moment.
    What You'll Learn
    How Jason McCormick developed the visual style of Love Story

    Why aspect ratio and color pipeline are the first decisions he makes on a project

    Creating a custom LUT inspired by film photography

    The challenge of stepping into a project late and making it your own

    Shooting romance versus darker subject matter like Dahmer

    Navigating paparazzi and location challenges while filming in New York

    Why flexibility and instinct are key tools for cinematographers

     
    Topics Covered
    Entering the project shortly before shooting the pilot

    Working with director Max Winkler

    Developing the show's color palette and LUT

    Choosing lenses and aspect ratio for the series

    Building visual language for a romantic story

    The influence of paparazzi photography from the 1990s

    Filming in Manhattan and dealing with paparazzi on location

    Balancing creative instincts with production realities

    The current state of the film industry in Los Angeles

    Key Takeaways
    Cinematography starts with the shape of the frame and color pipeline, not the lighting.

    The best visual ideas often come from reacting to actors and locations in the moment.

    Trust between departments allows filmmakers to work faster and more creatively.

    Great cinematography isn't always about complexity — sometimes the right shot is simply putting the camera in the perfect place.

    LINKS
    'Love Story' Series on Hulu
    Jason McCormick's Instagram
    Go Creative Show Instagram
  • Go Creative Show

    Good Luck, Have Fun, Don't Die Cinematography with James Whitaker

    19/02/2026 | 47 min
    In this episode of the Go Creative Show, cinematographer James Whitaker discusses his work on the film 'Good Luck, Have Fun, Don't Die,' directed by Gore Verbinski. The conversation covers the film's unique genre-bending narrative, the challenges of cinematography within a limited budget and timeframe, and the creative decisions that shaped its visual style. Whitaker shares insights on lighting techniques, camera choices, and the importance of collaboration in filmmaking. He also expresses concerns about the impact of AI on the creative industry, reflecting on the balance between technology and human artistry.
    Takeaways
    The film's title reflects a parental warning about technology.
    AI poses real challenges that society must address.
    Working with Gore Verbinski is both fun and creatively fulfilling.
    Genre-bending films allow for unique storytelling opportunities.
    Realism in cinematography enhances audience engagement.
    Budget constraints require innovative solutions in filmmaking.
    Lighting plays a crucial role in conveying emotional depth.
    Collaboration with the crew is essential for success.
    Imperfection in filmmaking can serve the story.
    AI's impact on creative jobs is a growing concern.
    Follow our Guest
    https://www.instagram.com/jameswhitaker_dop/
    Follow our Host
    https://www.instagram.com/benconsoli/
  • Go Creative Show

    What Puppetry Teaches Filmmakers with Andrew G Cooper

    10/02/2026 | 41 min
    What can puppetry teach filmmakers about acting, storytelling, and cinematography?
    In this episode of The Go Creative Show, host Ben Consoli sits down with puppeteer and filmmaker Andrew G. Cooper (Fraggle Rock) to break down the filmmaking discipline behind puppetry—and why it might be one of the most underrated tools for learning visual storytelling.
    Andrew shares how puppets demand clarity in performance, intentional framing, and disciplined direction, offering lessons that translate directly to working with actors and cameras. They explore in-camera effects, the resurgence of practical filmmaking, and how creative constraints often lead to stronger storytelling. Andrew also dives into his experience working on large-scale productions and how puppetry informs his work as a writer and director, including a feature film currently in development.
    Whether you're a cinematographer, director, or storyteller, this conversation will change how you think about performance on screen.
    TAKEAWAYS
    Andrew G. Cooper's journey into puppeteering began with his mother's local puppet TV show.
    The transition from theater to film puppetry involves understanding the frame and camera techniques.
    Bringing life to puppets involves weight, breath, and focus.
    Puppeteers are often actors and directors, integrating their skills into performances.
    The resurgence of practical effects is driven by a desire for tangible, real experiences in media.
    Constraints in puppetry can lead to creative solutions and improvisation on set.
    Andrew's experience on Fraggle Rock was a significant leap from theater to television production.
    Training and passion are essential for aspiring puppeteers and filmmakers.
    The collaborative nature of film production allows for puppeteers to contribute creatively.
    Andrew is developing a feature film that explores cosmic horror with puppetry.
    LINKS
    www.andrewgcooper.com
    🎧 Subscribe to the Go Creative Show wherever you get your podcasts
  • Go Creative Show

    The Bear's Filmmaking Secrets with Cinematographer Drew Wehde

    16/07/2025 | 55 min
    Join host Ben Consoli as he welcomes back Drew Wehde, the brilliant cinematographer behind The Bear Season 4. Drew dives deep into the chaos and beauty of shooting one of the most creatively daring shows on TV. From the philosophy of forgetting your work to designing lighting systems with 18Ks and Infinimats, Drew breaks down how The Bear achieves its raw, immersive style—and why sometimes, there's no storyboard at all. Whether you're a seasoned DP, an indie filmmaker, or a Bear superfan, this is a must-listen.
    🎬 Topics Covered
    How to be present — stay focused on the moment while filming
    Why filmakers should forget past work to unlock fresh creativity
    Balance between filmmaking and family matters
    Drew's crew shares his "live in the now" mindset
    The Bear uses bold, evolving visual techniques
    Lighting and color are core to the show's style
    He built a custom lighting system for fast adjustments
    The Season 4 finale is driven by character, not chaos
    No storyboards or shot lists — pure flexibility on set
    Filmmaking is a true collaboration with his team
    🎥 Watch The Bear Season 4 Trailer 🎧 Subscribe to the Go Creative Show wherever you get your podcasts 📸 Follow Drew Wehde on Instagram @andrewwehde
  • Go Creative Show

    Filming Black Mirror's Craziest In-Camera Shots with Stephan Pehrsson (USS Callister & Bête Noire)

    10/06/2025 | 41 min
    In this episode of the Go Creative Show, cinematographer Stephan Pehrsson returns to discuss his visual approach to the latest Black Mirror episodes, including 'USS Callister: Into Infinity' and 'Bête Noire'. We dive into lighting technology, camera choices, in-camera effects, and the psychological tension behind every frame.
    🎬 Topics Covered
    How Black Mirror's Visual Style Has Evolved Since Season 4

    The LED Lighting Revolution: What's Changed Behind the Scenes

    Green Screen vs LED Wall: The Battle for Better Sci-Fi

    Keeping a Consistent Look Across Alien Worlds and Realities

    Realism vs Stylization: How Stephan Shapes Each Scene

    What It Took to Bring USS Callister Back to Life

    Inside the Camera Kit: Breaking Down the USS Callister Package

    Vintage Anamorphics Up Close: Getting That Cinematic Look

    How They Pulled Off Those Seamless "Double" Shots

    The Techno Dolly Trick: Making Handheld Magic Repeatable

    How Stefan Handles the Pressure When the Clock's Ticking

    Breaking Into the Industry: Stephan's Cinematography Journey

    Stephan's Big Break: From Soap Operas to Sci-Fi Giants

    Designing the Look of Bête Noire: Pastels, Paranoia, and Precision

    Creating Psychological Tension Through Cinematography

    Why Passion Still Powers the Best Film Work

    AI in Filmmaking: Helpful Assistant or Creative Threat?

     
    🎥 Watch the BTS for USS Callister 🎧 Subscribe to the Go Creative Show wherever you get your podcasts 📸 Follow Stephan Pehrsson on Instagram @stephan.pehrsson

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Acerca de Go Creative Show

Go Creative Show is a place for revealing and informative interviews with A-list filmmakers. Hosted by Producer and Director Ben Consoli, each week we feature cinematographers, production designers, directors and producers to share behind the scenes experiences from the hottest movies and shows. Whether you're a brand new filmmaker or a film industry veteran, Go Creative Show will entertain, inform and make you a better filmmaker.
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