Composers Datebook

Synopsis

During WWII, German troops encircled Leningrad for 900 days, a siege that caused immense suffering for that city’s residents. One of them, composer Dmitri Shostakovich, appeared on the cover of a July 1942 issue of TIME magazine, grim-faced and wearing the helmet of a Leningrad fireman.

The publicity was for the American premiere of Shostakovich’s Symphony No. 7 (Leningrad), as a live NBC Symphony radio broadcast on today’s date in 1942. The broadcast was dedicated to the Russian War Relief, and the NBC announcer explained how the score of the recently-completed symphony had been flown from the Soviet Union to the West via Teheran.

Two famous conductors, Leopold Stokowski and Arturo Toscanini, had been hotly contesting who would conduct the American premiere. The older conductor pulled rank. “Don’t you think, my dear Stokowski, it would be interesting to hear the old Italian conductor play this work of a young Russian anti-Nazi composer?” Toscanini wrote.

Friends of Shostakovich later suggested he may have had more than just the Nazis on his mind and quote him as saying: “Fascism is not simply National Socialism. This is music about terror, slavery, and oppression of the spirit.”

Music Played in Today's Program

Dimtri Shostakovich (1906-1976): Symphony No. 7 (Leningrad); NBC Symphony; Arturo Toscanini, conductor; RCA Toscanini Edition Vol. 22

Synopsis

Today we pay tribute to Pauline Viardot-Garcia, born in Paris on today’s date in 1821. Her father was Manuel Garcia, the tenor for whom Rossini had written the role of Count Almaviva in The Barber of Seville. Her older sister was legendary operatic diva Maria Malibran, a famous interpreter of operas by Bellini and Donizetti.

Little Pauline wanted to be a piano virtuoso and took lessons from Liszt, but at 15, her mother decided she, too, should become a singer. Chopin adored her voice, and together they arranged some of his mazurkas as songs. Meyerbeer and Gounod wrote operatic roles for her.

In 1860, with the composer at the piano croaking out the tenor part of Tristan, Viardot-Garcia sang the role of Isolde at the first private reading of music from Wagner’s Tristan and Isolde, and it was she who gave the premiere performance of Brahms’ Alto Rhapsody in 1870.

She married Louis Viardot, the director of the Theatre Italien in Paris, and at their home one was just as likely to meet Charles Dickens or Henry James as Berlioz or Tchaikovsky. She was also a composer of songs and chamber operas, which are receiving renewed attention.

Music Played in Today's Program

Pauline Viardot-Garcia (1821-1910): 12 Poems by Pushkin, Fet and Turgenev: No. 12: Les Étoiles; Laetitia Grimaldi, soprano; Ammiel Bushakevitz, piano; Bis 2546

Synopsis

On today’s date in 1877, the Vienna Philharmonic performed for the first time in Salzburg, the birthplace of Mozart, during a three-day music festival that included works by Mozart and others, including two living composers of that day, 44-year-old Brahms and 64-year-old Wagner.

The Philharmonic would return to Salzburg six more times for mini-festivals through 1910, some led by composer-conductors like Richard Strauss and Gustav Mahler.

In 1925, an annual Salzburg Festival was established, with the Vienna Philharmonic and Vienna State Opera as the main musical participants. World War II disrupted the festival in the 1940s, but soon after it reestablished itself among the most prestigious of international musical happenings.

Traditionally, a familiar brass fanfare opens each Salzburg Festival radio broadcast, but probably few music lovers know the name of its composer.

It was written by Joseph Messner, who wrote over 700 works. He was born in 1893 in the Austrian Tyrol and died in 1969 in a village near Salzburg, where he had served as church organist, conductor and composer for decades, leading many Festival concerts featuring sacred music by Mozart and others.

Music Played in Today's Program

Wolfgang Mozart (1756-1791): Menuetto and Trio from Haffner Symphony; Vienna Philharmonic; Rafael Kubelik, conductor; Seraphim 68531

Joseph Messner (1893-1969): Salzburg Festival Fanfare; Salzburg Mozarteum Orchestra; Ivor Bolton, conductor; Oehmns CD 734

Synopsis

Today we note the birthday of a remarkable composer, conductor and virtuoso violinist: Eugéne Ysaÿe, who was born in Liége, Belgium, on today’s date in 1858. After studies with two of the most famous violin composers of his day, Henyrk Wieniawski of Poland and his Belgian compatriot, Henri Vieuxtemps, he soon was touring Europe and Russia as a star performer himself.

In 1886, when 28-year old Ysaÿe married, great Belgian composer Cesar Franck presented the young couple with his Violin Sonata as a wedding present. That same year, Ysaÿe founded a famous string quartet, and in 1893 it was the Ysaÿe Quartet that gave the premiere performance of Claude Debussy’s String Quartet, a work its composer dedicated to the ensemble in admiration.

In 1918, he made his American debut as a conductor with the Cincinnati Symphony, and made such a great impression there that he remained as music director of the Cincinnati Symphony from 1918 to 1922.

As a composer, he wrote eight concertos and a set of six solo sonatas for the violin. In 1928, at 70, the patriotic Belgian began work on an opera, Peter the Miner to a libretto in his native Walloon language, and was at work on a second opera when he died at 72, in 1931. In 1937, Queen Elizabeth of Belgium inaugurated the annual Eugene Ysaÿe International Prize for promising young violinists.

Music Played in Today's Program

Cesar Franck (1822-1890): Violin Sonata; Itzhak Perlman, violin; Martha Argerich, piano; EMI 56815

Eugène Ysaÿe (1858-1931): Chant d’hiver; Aaron Rosand, violin; Radio Luxembourg Orchestra; Louis de Froment, conductor; Vox Box 5102

Synopsis

For decades, Russian-born American composer, conductor and witty musical lexicographer Nicolas Slonimsky compiled the reference work Music Since 1900. It’s a year-by-year, month-by-month, day-by-day chronicle of musical events he deemed significant, interesting, or simply amusing.

Here, for example, is Slonimsky’s entry for July 15, 1942:

“Heitor Villa-Lobos conducts in Rio de Janeiro the first performances of three of his orchestral Choros: No. 6, No. 9 and No. 11, exhaling the rhythms, the perfumes and the colors of the Brazilian scene, with tropical birds exotically chanting in the woodwinds against the measured beats of jungle drums.”

Slonimsky did have a way with words, and certainly had fun compiling his mammoth (and highly readable) reference work.

For his part, Brazilian composer Heitor Villa-Lobos was equally diligent, so much so that he claimed he couldn’t always remember everything that he had written. His Choros No. 11 for piano and orchestra lasts some 65 minutes and is one of his most ambitious works. Originally the word “choro” meant improvised music by Brazilian street musicians, but Villa-Lobos always used the word in its plural form to describe over a dozen of his instrumental works.

Music Played in Today's Program

Heitor Villa Lobos (1887-1959): Choros No. 9; Hong Kong Philharmonic; Kenneth Schermerhorn, conductor; Naxos 8.555241