Composers Datebook

Synopsis

Although contemporaries, Gustav Mahler and Richard Strauss were two very different human beings. Mahler was tormented by self-doubt and existential angst; Strauss was a placid soul, self-confident to the point of complacency. Still, Mahler and Strauss admired and conducted each other’s music, and their odd friendship is reflected in their published correspondence.

On today’s date in 1911, for example, on learning Mahler had been ill, but was recovering, Strauss wrote a gracious letter to his fellow composer-conductor:

“I learn with great pleasure that you are recovering from your long illness. Perhaps it might be a happy diversion for you during the melancholy hours of convalescence to know I plan to perform your Symphony No. 3 with the Royal Orchestra in Berlin next winter. It is an excellent orchestra. If you would like to conduct yourself, it would be my pleasure to hear your lovely work again under your own direction — much as I would like to conduct it myself. I would be glad to rehearse the orchestra for you, so you would have no trouble and only the pleasure of conducting.”

Sadly, Strauss was poorly-informed about Mahler’s recovery and the gravity of his illness. Mahler died seven days after Strauss penned the letter.

Music Played in Today’s Program

Gustav Mahler (1860-1911): Symphony No. 3; London Symphony Orchestra; Jascha Horenstein, conductor; Unicorn 2006-7

Synopsis

Australian composer Barrington Pheloung’s music might not be familiar to concertgoers, but if you watch public television’s Mystery series, you’ve probably heard a lot of his work.

He composed music for the British Inspector Morse TV series, chronicling the cases of a Thames Valley police inspector and his loyal assistant, Robbie Lewis, and once explained how he came up with the haunting Inspector Morse theme:

“Morse is a very melancholic character ... and he was a lover of classical music ... He has a very cryptic mind and loves doing crosswords; we came up with the obvious idea — his name is Morse and so we used Morse code in the [theme] music.” He said the tapped code for M-O-R-S-E created a rhythm and even suggested a harmonic structure: “I picked up my guitar and there was the tune.”

Pheloung was born on today’s date in 1954 in Sydney, Australia, played drums and guitar as a kid, discovered Bach as a teen, and ended up earning a scholarship to the Royal College of Music in London. He composed music for dance, films and TV, including Lewis, the sequel to the successful Inspector Morse series.

Music Played in Today's Program

Barrington Pheloung (1954-2019): Theme from Inspector Morse; The City of Prague Philharmonic Orchestra; James Fitzpatrick, conductor; Silva Screen Records 4729

Synopsis

On today’s date in 1911, the Independent Music Society of Paris sponsored an anonymous concert at which the audience was invited to guess the composers of a number of pieces presented without attribution.

Professional music critics were also in attendance, although they prudently refused to reveal their guesses, fearing their professional reputations might suffer as a result. In the audience was the French composer Maurice Ravel, who had agreed to let some of his new piano pieces be performed as part of the experiment.

“The title Valses nobles et Sentimentales is a sufficient indication that my intention was to compose a chain of waltzes following the example of Schubert,” Ravel wrote. “They were performed for the first time, amidst protests and booing, at this concert.”

Even more droll, he recalled, were the reactions of some his most ardent admirers, who didn't know any of his own music would be played. They jeered at his waltzes, calling them “ridiculous” and ventured the guess the composer must be either Satie or Kodaly. Ravel accepted their comments in stoic silence.

The audience proved more astute than Ravel’s friends, however. “The paternity of the waltzes was correctly attributed to me, but by a weak majority,” he recalled.

Music Played in Today's Program

Maurice Ravel (1875-1937): Valses Nobles et Sentimentales; Minnesota Orchestra; Stanislaw Skrowaczewski, conductor; Analogue 007

Synopsis

On today’s date in 1938, a musical soirée was held at Dumbarton Oaks, a magnificent house on the crest of a wooded valley in Washington, D.C. This was the home of Robert and Mildred Bliss.

Robert had retired from a distinguished career in the U.S. Foreign Service, which included a posting in St. Petersburg in 1907, around the same time a young Russian composer name Igor Stravinsky was getting some of his first public performances there.

The Blisses commissioned Stravinsky to write a chamber work to be premiered at their 30th wedding anniversary, a work now known as the Dumbarton Oaks Concerto.

“A little concerto in the style of the Brandenburg Concertos,” was how Stravinsky put it, adding, “I played Bach very regularly during the composition of the concerto, and I was greatly attracted to the Brandenburg Concertos. Whether or not the first theme of my first movement is a conscious borrowing from the third of the Brandenburg set, however, I do not know. What I can say is that Bach would most certainly have been delighted to loan it to me; to borrow in this way was exactly the sort of thing he liked to do.”

Music Played in Today's Program

Igor Stravinsky (1882-1971): Dumbarton Oaks Concerto

Synopsis

On today’s date in 1937, the NBC radio network was carrying a live broadcast from the Cincinnati May Festival of a new oratorio The Ordering of Moses, inspired by the Biblical book of Exodus. The music was by 54-year old Canadian-born American composer, organist, pianist and music professor named Robert Nathaniel Dett.

Curiously, about 40 minutes into the live broadcast, which should have lasted a full hour, the NBC announcer broke in, stating, “We are sorry indeed, ladies and gentlemen, but due to previous commitments, we are unable to remain for the closing moments of this excellent performance.”

A live recording of the broadcast, preserved on scratchy acetate discs, documents that moment for posterity. No one knows for certain why the broadcast was cut short, but some have speculated that angry calls to NBC’s Southern affiliate stations might have been the reason, because Dett was African-American.

77 years later, in 2014, American conductor James Conlon led the Cincinnati May Festival Chorus in another live, broadcast performance of Dett’s oratorio, this time complete and uninterrupted from the stage of Carnegie Hall in New York City. That live performance was also recorded, this time digitally, and made available for posterity on a commercial release.

Music Played in Today's Program

R. Nathaniel Dett (1882-1943): The Ordering of Moses; Soloists; Cincinnati May Festival Chorus; Cincinnati Symphony; James Conlon, conductor; Bridge CD 9462