Meet the ADs

• Ep. #12: „Life and career of Art Director Bryce Tibbey: from All Quiet On the Western Front to Mad Max"

  This episode features Australian Art Director Bryce Tibbey. Bryce has over 25 years experience in the Art Department. His most famous jobs that he will also talk about include „All Quiet on the Western Front“, „Anonymous“, „Mad Max: Fury Road“, „Tribes of Europe“ and „James Bond: Spectre“. Learn more about the perks of his job and why having Bryce on can save productions a lot of money on this episode. Enjoy! And as always, if you have any thoughts, ideas or guest requests for the future, we are happy to hear from you. DM us on Instagram or write to us: [email protected] INSTAGRAM: Podcast: ⁠⁠⁠⁠⁠⁠⁠@meettheads_podcast⁠⁠⁠⁠⁠⁠⁠ Julia: ⁠⁠⁠⁠⁠⁠⁠@juliaeiber⁠⁠⁠⁠⁠⁠⁠ Tim: ⁠⁠⁠⁠⁠⁠⁠@tim.schaer⁠⁠⁠⁠⁠⁠⁠ Powered by the ADU (Assistant Directors Union) Germany: ⁠⁠⁠⁠⁠⁠⁠⁠@adu_germany

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• Ep. #11: "Joker: Folie A Deux" with 1st AD David Webb and Key 2nd AD Trevor Tavares

  Episode 11 features two industry legends who we spoke to about one of the most anticipated films of 2024: "Joker: Folie A Deux" directed by Todd Phillips. 1st Assistant Director David Webb and 2nd Assistant Director Trevor Tavares will be telling us about the logistics and challenges the musical aspect brought to the shoot, achieving impressive one shots, building the prison yard set, working with Joaquin Phoenix and Lady Gaga and Todd Phillip directorial style which they call "advanced filmmaking“. And in the end, a trip down memory lane will tell us how to convince Martin Scorcese to shoot in a typhoon. So stay tuned! And as always, if you have any thoughts, ideas or guest requests for the future, we are happy to hear from you. DM us on Instagram or write to us: [email protected] INSTAGRAM: Podcast: ⁠⁠⁠⁠⁠⁠⁠@meettheads_podcast⁠⁠⁠⁠⁠⁠⁠ Julia: ⁠⁠⁠⁠⁠⁠⁠@juliaeiber⁠⁠⁠⁠⁠⁠⁠ Tim: ⁠⁠⁠⁠⁠⁠⁠@tim.schaer⁠⁠⁠⁠⁠⁠⁠ Powered by the ADU (Assistant Directors Union) Germany: ⁠⁠⁠⁠⁠⁠⁠⁠@adu_germany

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• Ep. #10: „The Apprentice“ with 1st AD Joel Hay

  This episode features ‘The Apprentice’ - a film about young Donald Trump building his business in the ’70s and ’80s in America as he was mentored by the famously ruthless lawyer Roy Cohn. Canadian 1st Assistant Director Joel Hay takes us behind the scenes of this brilliant film. It is not a conversation about political views, controversies or accusations. It is about how this very important film was made. We are talking not only about the incredible acting performances by Sebastian Stan and Jeremy Strong, their wigs and the genius prosthetics work by the hair and makeup team but also about the directors unique style of working and filming a hair transplant as well as a difficult rape scene. On top of that we are touching the subject of finishing days too early, finding locations that exist in real life to recreate in Canada without a Location Manager and doing all of this in a little over 30 days. Have lovely Christmas holidays and enjoy the last episode of this year. And as always, if you have any thoughts, ideas or guest requests for the future, we are happy to hear from you. DM us on Instagram or write to us: [email protected] INSTAGRAM: Podcast: ⁠⁠⁠⁠⁠⁠⁠@meettheads_podcast⁠⁠⁠⁠⁠⁠⁠ Julia: ⁠⁠⁠⁠⁠⁠⁠@juliaeiber⁠⁠⁠⁠⁠⁠⁠ Tim: ⁠⁠⁠⁠⁠⁠⁠@tim.schaer⁠⁠⁠⁠⁠⁠⁠ Music: Daniel Herget (⁠⁠⁠⁠⁠⁠⁠www.blacktriaudio.de⁠⁠⁠⁠⁠⁠⁠) Logo Design: Benjamin Probst (⁠⁠⁠⁠⁠⁠⁠www.benjamin-probst.de⁠⁠⁠⁠⁠⁠⁠) Powered by the ADU (Assistant Directors Union) Germany: ⁠⁠⁠⁠⁠⁠⁠⁠@adu_germany

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• Ep. #9: "Ted Lasso" with 1st ADs James Blackwell, Sophie Worger and Jim Imber

  This episode features the American Apple TV sports comedy series "Ted Lasso" developed by Jason Sudeikis who also plays the lead role of Ted. We are talking to the three British 1st ADs James Blackwell, Sophie Worger and Jim Imber about the art of "letting go" as an AD, scheduling an entire series on beat sheets and not on scripts. But also about working with guest directors like Zach Braff, bringing real life football clubs to the big screen and why the American and British way of spending a film budget is quite different. Would you have guessed that the locker room scenes were the most difficult to shoot? Find out why on this episode. Sit back and enjoy this very fun conversation with James, Sophie and Jim! As always, if you have any thoughts, ideas or guest requests for the future, we are always happy to hear from you. Write to us: [email protected] INSTAGRAM: Podcast: ⁠⁠⁠⁠⁠⁠@meettheads_podcast⁠⁠⁠⁠⁠⁠ Julia: ⁠⁠⁠⁠⁠⁠@juliaeiber⁠⁠⁠⁠⁠⁠ Tim: ⁠⁠⁠⁠⁠⁠@tim.schaer⁠⁠⁠⁠⁠⁠ Music: Daniel Herget (⁠⁠⁠⁠⁠⁠www.blacktriaudio.de⁠⁠⁠⁠⁠⁠) Logo Design: Benjamin Probst (⁠⁠⁠⁠⁠⁠www.benjamin-probst.de⁠⁠⁠⁠⁠⁠) Powered by the ADU (Assistant Directors Union) Germany: ⁠⁠⁠⁠⁠⁠⁠@adu_germany⁠

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• Ep. #8: "James Bond: Skyfall & the career of an industry legend" with 1st AD Michael Lerman

  This episode features the industry legend Michael Lerman. 1st AD Michael worked on the biggest pictures possible such as the Bond movies "Quantum of Solace", "Skyfall" and "Spectre". But also on "1917", "Jurassic World", "Doctor Strange", "Man in Black" or "Garden State".  We are talking about firsting the world's biggest franchise not once, not twice but three times. And we are getting an insight on when you get to say no to DoP Sir Roger Deakins. From PA to 1st AD we are learning about Michaels impressive career, his experience in shooting in multiple countries with thousands of extras and about the biggest challenges he ever faced on set. Sit back and enjoy this very inspiring conversation with Michael Lerman - someone we learned to admire in so many ways possible and wanna thank again that he took the time to talk to us. Enjoy!   As always, if you have any thoughts, ideas or guest requests for the future, we are always happy to hear from you. Write to us: [email protected] INSTAGRAM: Podcast: ⁠⁠⁠⁠⁠@meettheads_podcast⁠⁠⁠⁠⁠ Julia: ⁠⁠⁠⁠⁠@juliaeiber⁠⁠⁠⁠⁠ Tim: ⁠⁠⁠⁠⁠@tim.schaer⁠⁠⁠⁠⁠ Music: Daniel Herget (⁠⁠⁠⁠⁠www.blacktriaudio.de⁠⁠⁠⁠⁠) Logo Design: Benjamin Probst (⁠⁠⁠⁠⁠www.benjamin-probst.de⁠⁠⁠⁠⁠) Powered by the ADU (Assistant Directors Union) Germany: ⁠⁠⁠⁠⁠⁠@adu_germany⁠

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