Arachnophobia is now mostly forgotten, but it was once a beloved one-off horror comedy movie about extremely virile spiders overtaking a small town. Then they made a game out of it, and it was very boring! So we talk about Brian Wilson’s obsession with “Short’nin’ Bread” instead.
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35:22
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35:22
617: Mega Man Soccer
We don’t know anything about soccer, but we DO know things about Mega Man. Unfortunately, this game leans more on the soccer side of the equation. So we default back to the last time either of us played sports: in gym class. We also talk about our recent trips to festivals, both Renaissance and Pride.
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38:11
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38:11
616: Bug!
To prove just how dead in the water Sega was in the mid-1990s, they bet big on Bug!, a very slow 2.5D platformer that began life as a Sonic game. The Sega Saturn was a system in search of an identity, and boy howdy, Bug! did not provide it.
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33:57
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33:57
615: Spider-Man: Return of the Sinister Six
Have we talked about Spider-Man more than any other superhero on this show? Maybe Batman is up there. And Gary has definitely shoehorned “Turn Off the Dark” into more episodes than is necessary. But this is the first time we’ve really camped out on the Sinister Six, one of the more incoherent supervillain groups of all time. Also, take a look at Spider-Man’s sprites for this game. He’s so schlubby!
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34:14
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34:14
614: Black Eyed Peas Experience
Folks, Gary chose to harm all of us by picking this game for Abject Suffering. Part of the shovelware dance game craze of about fifteen years ago, the Black Eyed Peas Experience ranks pretty low on the list of things we’ve covered. And that list is long.
This is a podcast that's nominally about bad games. In reality, it's about the horror of daily life, GameFAQs Gold, strange combatants in the battle of Good vs. Evil, and a singular patriarch known only as Crick. Every Monday, Gary Butterfield and Kole Ross choose a game at random from the titles submitted by listeners, play it, and venture off on a freeform discussion that winds between the topic at hand, and the absurd.
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