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The Daily

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5 de 1331
  • Redrawing the Map in New York
    New York, like many other states, is enmeshed in the process of redrawing legislative districts.The outcome of the reconfiguring could be crucial in determining which party takes control of the House of Representatives next year.Clearly aware of the stakes, New York Democrats are considering a tactic that is usually a preserve of the Republican Party: gerrymandering.Guest: Nicholas Fandos, a political correspondent for The New York Times. Sign up here to get The Daily in your inbox each morning. And for an exclusive look at how the biggest stories on our show come together, subscribe to our newsletter. Background reading: A bipartisan commission will examine two competing proposals for the redistricting of New York State. The failure to compromise may pave the way for Democrats to step in and knock out Republican congressional seats.For more information on today’s episode, visit nytimes.com/thedaily. Transcripts of each episode will be made available by the next workday.
    9/23/2021
    22:02
  • Submarines and Shifting Allegiances
    The recent U.S.-British deal to provide Australia with nuclear-powered submarines might look relatively inconsequential. But it signifies a close alliance between the three countries to face off against China.It is also notable for another reason: It has greatly angered the French. Why?Guest: Mark Landler, the London bureau chief for The New York Times. Sign up here to get The Daily in your inbox each morning. And for an exclusive look at how the biggest stories on our show come together, subscribe to our newsletter. Background reading: President Biden’s announcement of a deal to help Australia deploy nuclear-powered submarines has strained the Western alliance.The U.S. pact with Australia and Britain has put Europe closer to a question it has tried to avoid: Which side are you on?For more information on today’s episode, visit nytimes.com/thedaily. Transcripts of each episode will be made available by the next workday. 
    9/22/2021
    28:23
  • A ‘Righteous Strike’
    When he visited the site of an American drone strike in Kabul, Matthieu Aikins, a Times journalist, knew something wasn’t adding up. He uncovered a story that was quite different from the one offered up by the United States military. We follow The Times’s investigation and how it forced the military to acknowledge that the drone attack was a mistake.Guest: Matthieu Aikins, a writer based in Afghanistan for The New York Times. Sign up here to get The Daily in your inbox each morning. And for an exclusive look at how the biggest stories on our show come together, subscribe to our newsletter. Background reading: U.S. officials said a Reaper drone followed a car for hours and then fired based on evidence it was carrying explosives for ISIS. But in-depth video analysis and interviews at the site cast doubt on that account.For more information on today’s episode, visit nytimes.com/thedaily. Transcripts of each episode will be made available by the next workday. 
    9/21/2021
    28:00
  • One Family’s Fight Against the Dixie Fire
    Annie Correal, a reporter for The Times, has family in Indian Valley, in Northern California, roots which extend back to the 1950s.This summer, as wildfires closed in on the area, she reported from her family’s property as they sought to fend off the flames — and investigated the divided opinions about what had caused the devastating blazes.Guest: Annie Correal, a reporter covering New York City for The New York Times. Sign up here to get The Daily in your inbox each morning. And for an exclusive look at how the biggest stories on our show come together, subscribe to our newsletter. Background reading: A beloved ranching community in Northern California faces destruction by America’s largest wildfire.For more information on today’s episode, visit nytimes.com/thedaily. Transcripts of each episode will be made available by the next workday. 
    9/20/2021
    31:18
  • The Sunday Read: ‘The Composer at the Frontier of Movie Music’
    You have almost certainly heard Nicholas Britell’s music, even if you don’t know his name. More than any other contemporary composer, he appears to have the whole of music history at his command, shifting easily between vocabularies, often in the same film.His most arresting scores tend to fuse both ends of his musical education. “Succession” is 18th-century court music married to heart-pounding beats; “Moonlight” chops and screws a classical piano-and-violin duet as if it’s a Three 6 Mafia track.Britell’s C.V. reads like the setup for a comedy flick: a Harvard-educated, world-class pianist who studied psychology and once played in a moderately successful hip-hop band, who wound up managing portfolios on Wall Street.That is until he started scoring movies, and quickly acquired Academy Award nominations.“What I’ve found in the past,” said Jon Burlingame, a film-music historian, “is that people have found it impossible to incorporate such modern musical forms as hip-hop into dramatic underscore for films. When Nick did it in ‘Moonlight,’ I was frankly stunned. I didn’t think it was possible.”This story was written by Jamie Fisher and recorded by Audm. To hear more audio stories from publications like The New York Times, download Audm for iPhone or Android.
    9/19/2021
    40:16

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