In Our Time

Melvyn Bragg and guests discuss the novel written by Dostoevsky and published in 1866, in which Raskolnikov, a struggling student, justifies his murder of two women, as his future is more valuable than their lives. He thinks himself superior, above the moral laws that apply to others. The police have little evidence against him but trust him to confess, once he cannot bear the mental torture of his crime - a fate he cannot avoid, any more than he can escape from life in St Petersburg and his personal failures. The image above is from a portrait of Dostoevsky by Vasili Perov, 1872. With Sarah Hudspith Associate Professor in Russian at the University of Leeds Oliver Ready Lecturer in Russian at the University of Oxford, Research Fellow at St Antony’s College and a translator of this novel And Sarah Young Associate Professor in Russian at the School of Slavonic and East European Studies, University College London Producer: Simon Tillotson

Melvyn Bragg and guests discuss the 1691 peace treaty that ended the Williamite War in Ireland, between supporters of the deposed King James II and the forces of William III and his allies. It followed the battles at Aughrim and the Boyne and sieges at Limerick, and led to the disbanding of the Jacobite army in Ireland, with troops free to follow James to France for his Irish Brigade. The Catholic landed gentry were guaranteed rights on condition of swearing loyalty to William and Mary yet, while some Protestants thought the terms too lenient, it was said the victors broke those terms before the ink was dry. The image above is from British Battles on Land and Sea, Vol. I, by James Grant, 1880, and is meant to show Irish troops leaving Limerick as part of The Flight of the Wild Geese - a term used for soldiers joining continental European armies from C16th-C18th. With Jane Ohlmeyer Chair of the Irish Research Council and Erasmus Smith’s Professor of Modern History at Trinity College Dublin Dr Clare Jackson Senior Tutor, Trinity Hall, and Faculty of History, University of Cambridge and Thomas O'Connor Professor of History at Maynooth University Producer: Simon Tillotson

Melvyn Bragg and guests discuss what happens when parents from different species have offspring, despite their genetic differences. In some cases, such as the zebra/donkey hybrid in the image above, the offspring are usually infertile but in others the genetic change can lead to new species with evolutionary advantages. Hybrids can occur naturally, yet most arise from human manipulation and Darwin's study of plant and animal domestication informed his ideas on natural selection. With Sandra Knapp Tropical Botanist at the Natural History Museum Nicola Nadeau Lecturer in Evolutionary Biology at the University of Sheffield And Steve Jones Senior Research Fellow in Genetics at University College London Producer: Simon Tillotson

Melvyn Bragg and guests discuss the work of the man who, in his lifetime, was called The Caledonian Bard and whose fame and influence was to spread around the world. Burns (1759-1796) was born in Ayrshire and his work as a tenant farmer earned him the label The Ploughman Poet, yet it was the quality of his verse that helped his reputation endure and grow. His work inspired other Romantic poets and his personal story and ideas combined with that, giving his poems a broad strength and appeal - sung by revolutionaries and on Mao's Long March, as well as on New Year's Eve and at Burns Suppers. With Robert Crawford Professor of Modern Scottish Literature and Bishop Wardlaw Professor of Poetry at the University of St Andrews Fiona Stafford Professor of English at the University of Oxford and Murray Pittock Bradley Professor of English Literature and Pro Vice Principal at the University of Glasgow Producer: Simon Tillotson

Melvyn Bragg and guests discuss the ideas explored in HG Wells' novella, published in 1895, in which the Time Traveller moves forward to 802,701 AD. There he finds humanity has evolved into the Eloi and Morlocks, where the Eloi are small but leisured fruitarians and the Morlocks live below ground, carry out the work and have a different diet. Escaping the Morlocks, he travels millions of years into the future, where the environment no longer supports humanity. The image above is from a painting by Anton Brzezinski of a scene from The Time Machine, with the Time Traveller meeting the Eloi With Simon Schaffer Professor of History of Science at Cambridge University Amanda Rees Historian of science at the University of York And Simon James Professor in the Department of English Studies at Durham University Producer: Simon Tillotson